Edward Atterton as Gringoire, 1997 The Hunchback picture image

Edward Atterton as Gringoire

Like so many, many other Gringoires, the 1997 version of The Hunchback falls into the romantic guy category. However, unlike other Gringoires he doesn’t do anything, he’s kind of  just there to be Esmeralda’s love interest.

 

Edward Atterton as Gringoire, 1997 The Hunchback picture image

Edward Atterton as Gringoire

 

Other Gringoires try and help save Esmeralda by means of the written word or a speech. In this version Quasimodo does the leg work and Gringoire just helps out in passing out Quasimodo’s pamphlet, leading the riot and getting the noose of Esmeralda’s neck.

 

Edward as Gringoire, 1997 The Hunchback picture image

Edward as Gringoire

One could argue that Gringoire doesn’t do that much in the book but he does have a personality here is doesn’t really.

 

Edward Atterton as Gringoire, 1997 The Hunchback picture image

Edward Atterton as Gringoire

I think he is sincere in his affections for Esmeralda but this Gringoire isn’t really allowed to do much except be nice and  follow Quasimodo’s plan.

 

Next time – Clopin

Jim Dale as Clopin , 1997 The Hunchback picture image

Jim Dale as Clopin

 

Richard Harris as Frollo, 1997 The Hunchback  picture image

Richard Harris as Frollo

 

The Frollo in the 1997 version of Hunchback is odd to say the least. He is a weird mash of the 1939 version’s obsession with fear of the modernity and vampire-monk. Really it’s hard to get over the look of him but that is the least of his problems.

Richard Harris as Frollo, 1997 The Hunchback  picture image

Richard Harris as Frollo

 

Let’s start with the root of Frollo, his obsession and this is the bad part of this depiction. Frollo in this version is struggling with getting rid of printing presses to keep the ease of access on acquiring knowledge down. Frollo is accused of trying to suppress knowledge but he loves knowledge. His feeling is that if knowledge is easy to get it, it cheapens it, so down with printed books. The one he is struggling against is the king’s minister whom Frollo kills instead of Phoebus.  Frollo’s obsession for Esmeralda seem to  spawn from his inability to get the king of his side about the printing press.

Richard Harris as Frollo, 1997 The Hunchback  picture image

Richard Harris as Frollo

 

Frollo’s obsession is split and this and this is the problem. Frollo in this version is way more into the printing press than getting Esmeralda. He only seem to press the issue with Esmeralda because his resolve is being tested and he  is weak. This robs everything from Frollo’s drama.  It not interesting to watch this split obsession, Frollo obsession should be all consuming. Perhaps weakness begets weakness but Frollo’s character suffers a lot for it. His obsession for Esmeralda feels like an afterthought  than a major plot point.

 

Richard Harris as Frollo, 1997 The Hunchback  picture image

Richard Harris as Frollo

 

I think Richard Harris does a fair job with the material but any passion or energy he could have given to Frollo is not there. It’s not like not there but the most I show was him taking baout knowledge. I think i idea was to keep Frollo repressed with Esmeralda but when he says he was mad and crazy for for her but we never seem those emotion it cheapens the performance, the dialogue and the story.

 

Richard Harris as Frollo, 1997 The Hunchback  picture image

Richard Harris as Frollo

 

Then we have his looks. This Frollo is very different, he looks like Nosferatu. It’s very austere even for Frollo. The look  is really distracting because he is suppose to look old, he is not suppose to look like a vampire from 1922.

Richard Harris as Frollo, 1997 The Hunchback  picture image

Richard Harris as Frollo

 

I know Richard Harris was a good actor and Frollo should be a great character to play but this depiction of Frollo has passion for the wrong aspect and the character is a confused mess.

Next Time Gringoire

Edward Atterton as Gringoire, 1997 The Hunchback picture image

Edward Atterton as Gringoire

Mandy Patinkin as Quasimodo, 1997 The Hunchback picture image

Mandy Patinkin as Quasimodo

The 1997 version of Quasimodo is very much a throwback to Charles Laughton’s depiction in the 1939 version. There are some differences to the character but the focus of this Quasimodo is very much sympathetic and heavy on the pathos.

Mandy Patinkin as Quasimodo, 1997 The Hunchback picture image

Mandy Patinkin as Quasimodo

Quasimodo in this version is softer and sweeter than in the past versions. There is no darkness to him, even Disney Quasimodo was darker than this version. He is the only Quasimodo not to be a part of the kidnap attempt instead was trying to help. He is also the only Quasimodo to be an intellectual, having read every book in the Notre Dame’s library. His sad sweetness mingled with his intelligence makes him likable.

Mandy Patinkin as Quasimodo, 1997 The Hunchback picture image

Mandy Patinkin as Quasimodo

Mandy Patinkin also does a great job at portraying Quasimodo. He gives a great physical performance as well as an emotional one. In particular I love his walk.

Mandy Patinkin as Quasimodo, 1997 The Hunchback picture image

Mandy Patinkin as Quasimodo

Despite his likeability, he’s little boring. He’s too generically nice. If he had an edge or had arc it would have made him interesting but in taking way him kidnapping Esmeralda it ruins the pillory scene and robs Quasimodo of his arc of trusting Frollo 100%.

Mandy Patinkin as Quasimodo, 1997 The Hunchback picture image

Mandy Patinkin as Quasimodo,

This Quasimodo could have been great, the performance was great but the interest of the character was made void but him being too nice and sweet.

Next time; Frollo

Richard Harris as Frollo, 1997 The Hunchback picture image

Richard Harris as Frollo

Salma Hayek as Esmeralda, 1997 The Hunchback picture image

Salma Hayek as Esmeralda,

I do not hate Salma Hayek, I loved her in Frida, and I think she is a decent to good actress. The problem with Hayek is she is often typecast as the feisty independent women and because of that it’s very hard to separate Hayek from her depiction of Esmeralda.

Salma Hayek as Esmeralda and Edward Atterton as Gringoire, 1997 The Hunchback picture image

Salma Hayek as Esmeralda and Edward Atterton as Gringoire

Esmeralda in the 1997 version is dull. She is nice, sexy, caring and likes her independence but there is not a lot to her. Generally, most Esmeraldas have little to work with other than being kind and beautiful.

Salma Hayek as Esmeralda, 1997 The Hunchback picture image

Salma Hayek as Esmeralda

Hayek’s Esmeralda does get a bit of social justice but it comes from guilt over Quasimodo getting punished because of her, which is a bit of an issue. In this version, Esmeralda is only briefly put off by Quasimodo’s looks and Quasimodo does not try to kidnap her, in fact he tries to help and Esmeralda know this. When Esmeralda tries to help Quasimodo by appealing to the king for his release, her giving him water is like a consolation to make it up to him. It’s not that she was moved by a whim. It lacks the sweetness that has in other versions where Esmeralda is clearly the one who the wrong was done to.

Salma Hayek as Esmeralda, 1997 The Hunchback picture image

Salma Hayek as Esmeralda

By all counts Hayek is a really good casting choice. Hayek has really good exotic look which for an Esmeralda who is a full-Romani is really good. She was on the upper edge of being a little too old to play Esmeralda but the film doesn’t really talk about her youth or naivety too much so it’s not a big issue.

Salma Hayek as Esmeralda, 1997 The Hunchback picture image

Salma Hayek as Esmeralda,

Really, she should have been the perfect Esmeralda. her performance is not her fault as she had little to work with. She has no arc and has nothing to do outside of being nice and dancing suggestively.

Next Time Quasimodo

Mandy Patinkin as Quasimodo, The Hunchback 1997 picture image

Mandy Patinkin as Quasimodo

Salma Hayek as Esmeralda, 1997 The Hunchback picture image

Salma Hayek as Esmeralda,

The 1997 version of The Hunchback is in someways is very faithful to the book but in more ways it diverges so much. Overall, it has a great mood that feels like the original book. It knows when to be bright and knows when to be somber. But in what ways does the plot massively diverge, oh let me count the ways.

 

Richard Harris as Frollo and the Printing Press, 1997 The Hunchback  picture image

Richard Harris as Frollo and the Printing Press

First, the big one, The Printing Press. The Printing  Press was briefly discussed in the novel and was a major subplot in the 1939 version but the in 1997 version, it’s a big part of the plot, in fact it’s the first thing Frollo does. In the opening scene, Frollo commandeers a Printing Press and then find baby Quasimodo.

 

Salma Hayek as Esmeralda, 1997 The Hunchback picture image

Salma Hayek as Esmeralda,

The Printing Press is also a big part in Esmeralda’s trial. Since Phoebus is not in this, he can’t get stab instead Frollo is at odds with a minster who wants to legalizes the printing press. Frollo isn’t against knowledge, he is against keeping it from being easy because if it easy to attain it’s worthless. So Frollo is at odds with this minster and his obsession for Esmeralda. After his run in with minster and getting turned down by the King, Frollo seeks out Esmeralda and confesses his obsession to her. She runs off but drops her knife which Frollo then uses to kill the minister and Esmeralda is blamed.

Mandy Patinkin as Quasimodo and Salma Hayek as Esmeralda, 1997 The Hunchback

Mandy Patinkin as Quasimodo and Salma Hayek as Esmeralda, 1997 The Hunchback

Quasimodo also uses the old commandeer Printing Press to make a pamphlet to help free Esmeralda which he gives to Gringoire to distribute. On the some note Quasimodo in this version love learning and books.

 

Salma Hayek as Esmeralda and Edward as Gringoire, 1997 The Hunchback picture image

Salma Hayek as Esmeralda and Edward Atterton as Gringoire

Speaking of Gringoire and Esmeralda, unlike other versions where if the fall in love it’s over time usually at the point where Esmeralda gets in trouble. In this version it’s pretty quick.  She kisses him the scene after they get married. Not a big change just worth a mention.

 

Mandy Patinkin as Quasimodo and Richard harris as Frollo, 1997 The Hunchback picture image

Mandy Patinkin as Quasimodo and Richard Harris as Frollo

A big change  that is worth mentioning is the attack on Notre Dame and and the climax. Much like the Disney movie the attack on Notre Dame occurs right after Quasimodo saves Esmeralda. Unlike the Disney movie it’s not at the end but like novel in the middle. So the climax is Quasimodo goes to the court of Miracles to give Gringoire the pamphlets and to get Djali for Esmeralda. He returns and finds Esmeralda gone. It turns out Frollo handed her back to executioner and she is going to be hanged. Frollo tells Quasimodo everything and as Esmeralda is about to be hanged the Court of Miracle show up and saves her. Quasimodo threaten to throw Frollo off Notre Dame until he confess before all of Paris that he is murder. As Frollo and Quasimodo walk off, Esmeralda runs into the Cathedral, Frollo in a rage tries to stab her but stabs Quasimodo by accident. In their fight they go over the edge of Notre Dame and Frollo dies. Quasimodo hangs on and Esmeralda and Gringoire save him from the ledge but dies of his wounds under his bells.

 

Richard Harris as Frollo hiring thugs, 1997 The Hunchback picture images

Richard Harris as Frollo hiring thugs

Another big change is Frollo doesn’t send Quasimodo to capture Esmeralda. Frollo hires some thugs and Quasimodo follows and tries to help but gets arrested.

A Gargoyle with molten Lead,1997 The Hunchback picture image

A Gargoyle with molten Lead

 

I won’t pretend that these big changes are not weird. It was practically jarring to see the attack on Notre Dame scene in the middle of the story. It really loses the drama. And Quasimodo not trying to capture Frollo lacks a punch too. The version makes up for these it other areas but still it’s a weird.

 

Next time Esmeralda

Salma Hayek as Esmeralda, 1997 The Hunchback picture image

Salma Hayek as Esmeralda

1997 The hunchback Richard harris, frollo, Quasimodo, Mandy Patinkin, Salma Hayek, Esmeralda, picture image

1997 The hunchback

The 1997 version of the Hunchback of Notre Dame is simply called “The Hunchback.” It was a TV movie directed by Peter Medak and stars Inigo Montoya, Dumbledore and Salma Hayek. Wait, that’s not right, It stars Mandy Patinkin as Quasimodo, Richard Harris as Frollo and Salma Hayek as Salma Hayek, I mean Esmeralda.

Salma Hayek as Esmeralda, 1997 Hunchback of Notre Dame, picture image

Salma Hayek as Esmeralda, 1997 Hunchback of Notre Dame

Like the 1939 version, this version features the printing press very prominently, in fact it’s a major plot point. It is also one of the only versions that doesn’t have a Phoebus character. There is a blonde soldier but he’s a featured extra and nothing more.

Salma Hayek as Esmeralda, 1997 Hunchback of Notre Dame

Salma Hayek as Esmeralda, 1997 Hunchback of Notre Dame

Despite the title being “The Hunchback” this movie is most well known for Hayek as Esmeralda probably because in many was it’s a really good casting choice.

So how does this version fair? Is it a great version, a merely passable version, or a purely mediocre version?

Let’s find out!

Next time the Plot ……..

Mandy Patinkin as Quasimodo,  The Hunchback 1997 picture image

Mandy Patinkin as Quasimodo