Esmeralda and Clopin Notre Dame de Paris

Esmeralda and Clopin Notre Dame de Paris

I have created a new Notre Dame de Paris Lens,  “The Top Ten Worst Song of Notre Dame de Paris“. As much as I love NDdP I know not every song is that great or even good. I started this Lens a few weeks ago and finally decided to finish a few days ago. It was actually hard to come up with ten but I did, so find out which song are the worst of the show.

And feel free to disagree with me and tell me what you think either on the lens or here. They go to the same e-mail. So click the link to find out what they are and why……..Enjoy

http://www.squidoo.com/top-ten-worst-songs-notre-dame-de-paris

And if you have any ideas for lens that you would like to see me make on squidoo, let me know ^^

Esmeralda dancin' in the club (Candice Parise)

Esmeralda dancin' in the club (Candice Parise)

So I was on Notre Dame de Paris fans on tumblr and saw that there is a Trance/Dance Remix of Belle  (From Notre Dame de Paris). Yeah….. it’s not half bad…. I’m sure it could have been worse……. Okay I like it, I confess it’s exactly what I didn’t know I always wanted… Belle with the space sounds mixed with electric sounding violins… and you can deny it all you want but you know it awesome.

Go Here to have a listen,
http://notredamedeparisfans.tumblr.com/post/18985855490
Or
http://www.realmusic.ru/songs/33831/

Appartently it’s by Life Sentence, it’s Russian and it’s from 2003.
(Silly Photo-manipulation of Candice Parise as Esmeralda created by me)

 

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame picture image

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame

 

I’d say that the songs  in Der Glöckner von Notre Dame are good. Sure there are some weak songs but they’re thoughtful and the either drive the plot forward or develop a character. However the music is not without problems.

 

Ann Christin Elverum as Esmeralda Der Glöckner von Notre Dame picture image

Ann Christin Elverum as Esmeralda Der Glöckner von Notre Dame

 

First off, I HATE, hate that Esmeralda doesn’t get a solo in this. With exception of the Archdeacon, Clopin and the gargoyles she the only character not get one. Now you maybe thinking “But Hunchblog  the majority of the characters in this didn’t have their own songs. ” Well that  is true but let’s face, each of the gargoyles couldn’t get their own song they’re a trio and as a trio they almost get a single song, Clopin may not a single song but he sings a lot as the narrator and the archdeacon is hardly  even a character so he doesn’t count. Beside the plot pretty much revolves around her you’d think she’d get one but her only big songs has Quasimodo in it. I mean in Notre Dame de Paris every character got one even Fleur de Lys (Phoebus’ Fiancee) got one (La monture) and she is seldom even in the adaptations. So that was a BIG negative.

 

Esmeralda and Antoine Der Glöckner von Notre Dame pictureimage

Esmeralda and Antoine Der Glöckner von Notre Dame

I also got bit tired of the gargoyles singing over people. I do think it was a great way to show that gargoyles are 100% in Quasimodo’s head but it’s gets a bit old after a while. I think the show kept putting the gargoyles in songs so that A Guy Like you wouldn’t feel out of place.  Another thing that gets old is hearing Draußen (Out There) over and over again. Anytime the play wants to reenforce Quasimodo to the audience Draußen is played. Admittedly this maybe unfair because Die Glocken Notre Dames is the most overused as in the play this how Clopin does most of his narrating but since I’ve been judging off the CD it’s Draußen that got old.

 

Esmeralda and Quasimodo Der Glöckner von Notre Dame image picture

Esmeralda and Quasimodo Der Glöckner von Notre Dame

 

So yeah the songs are good for the most part but what I think really helps a lot of these songs is that singing quality is better. Though I’ve picked on Draußen in this review,   I much prefer it in this musical than in the Disney movie along with Ein Mann wie du (A Man like you). The singers are just much better  and that helps the enjoyment of the songs. Conversely, Hellfire suffers for this and it’s not because the is bad, I mean he put emotionally intensity into the next song Esmeralda, but maybe Hellfire is Tony Jay’s  and no one else compares. Esmeralda and Clopin are one the level though the cresendo at the end of Bell isn’t as powerful as Kendal but he does a great job otherwise.

 

Esmeralda and Clopin during Drunter Drüber" (Topsy Turvy) Der Glöckner von Notre Dame picture image

Esmeralda and Clopin during Drunter Drüber” (Topsy Turvy) Der Glöckner von Notre Dame

The musical does make the recycled Disney movie songs feel like it’s own which is nice, you don’t feel like their just simply lifted from the movie and put in to a musical. And while I do prefer Notre Dame de Paris Der Glöckner von Notre Dame has wonderful music. Just wish Esmeralda got one song to herself.

 

Next Time – The Production; Sets

Frollo and Quasimodo Der Glöckner von Notre Dame picture image

Frollo and Quasimodo Der Glöckner von Notre Dame

This is the Ninth Part (or the last part) of my review on the music of Der Glöckner von Notre Dame

Molten Lead Der Glöckner von Notre Dame picture image

Molten Lead Der Glöckner von Notre Dame

Grand Finale or Ultimo Finale is the ending and occurs in two parts. The Finale is where the two most famous differences occurs; The death of Frollo by Quasimodo and the death of Esmeralda. Apparently the translator Michael Kunze campaigned to have Esmeralda die which makes it more like the book, though her death is by a different method. Kunze’s reasoning for this is that Esmeralda’s death would be viewed by European audiences as moving and more romantic of an ending. We’ll see how the American Broadway version handles this, though I kind of hope they keep the German ending.

Judy Weiss as Esmeralda with Frollo (Norbert Lamla) Der Glöckner von Notre Dame picture images

Judy Weiss as Esmeralda with Frollo (Norbert Lamla) Der Glöckner von Notre Dame

The Final starts with Frollo pronouncing Esmeralda’s sentence then it goes into “song” portion. I  use  the word song in quotes because the Finale is a melody piece as it uses songs from throughout the show with one exception.  So it starts pretty much the same as the movie with Sanctuary playing complete with latin lyrics as Esmerlada starts being burned and Quasimodo saves her and proclaiming sanctuary. Then Phoebus starts railing the people of Paris  with the tune of Einmal (Once). Then the scene shifts back to Quasimodo who is defending Notre Dame from Frollo and his minions as he sings the tune of Wie aus Stein (Made of Stone).

Esmeralda dying  Der Glöckner von Notre Dame picture image

Esmeralda dying Der Glöckner von Notre Dame

 

After he pours the led from Notre Dame Quasimodo checks in on Esmeralda who is dying. My guess is she dying of asphyxia which is a condition of severely deficient supply of oxygen in body that arises from being unable to breathe normally. In her case this occurred from the fire. Anyway Quasimodo and Esmeralda have  little conversation while Draußen (Outside) is played in the background. Esmeralda thanks Quasimodo for being her friend and then sings Hoch über der Welt (High above the World) and then the conversation  continues for a  couple more lines and then she dies. After she dies Frollo comes in and sings about how he happy to be free of her to the tune of Esmeralda but he sings this in a creepy, off balanced way. Quasimodo gets mad and the song shifts to a new melody with gargoyle singing with the latin choir. The gargoyle basically sing that God strikes the wicked, so the gargoyles, or aspects of Quasimodo’s own mind are telling him that he should kill Frollo, which he does by throwing Frollo off of Notre Dame, like in the book. I will point out that Quasimodo in the book does this in a fit of rage and here it’s a little more pre-mediated. After this the gargoyles sing  Zuflucht (Refuge) about how the world is both cruel and kind. Quasimodo then sings Draußen (Outside) and sings about how he must live out there with all the pain, sorrow and fear that world can bring. He the carries Esmeralda outside and is joined by Phoebus. The ensemble then sing Einmal with as Quasimodo disappears. Then Clopin in his narrator role sings Die Glocken Notre Dames (The Bells of Notre Dame) and it’s pretty akin to the reprise at the end of the movie.

Quasimodo carrying Esmeralda Der Glöckner von Notre Dame picture image

Quasimodo carrying Esmeralda Der Glöckner von Notre Dame

 

It’s vague what happens to Quasimodo but given how he sings about living it is doubtful that Quasimodo goes off to die. Also considering the two deaths this pretty much same except for Quasimodo and Esmeralda epic running away scene, that’s not there either.

 

So both Musically and plot wise we have a lot going on. However it’s a fitting ending. All the songs used here fit well together so while it could have felt a bit all over the place the emotional intensity flows well from one into the next. So if you like all these song before you’ll like them here.

 

Next time – A conclusion  of the music

Esmeralda dancing Der Glöckner von Notre  Dame Picture Image

Esmeralda Dancing Der Glöckner von Notre Dame


This is the eighth part of my review on the music of Der Glöckner von Notre Dame

Wie aus Stein

Drew Sarich as Quasimodo in Der Glöckner von Notre Dame picture image

Drew Sarich as Quasimodo in Der Glöckner von Notre Dame

 

Wie aus Stein is Quasimodo’s despair song. The song is lifted from the movie when the gargoyles are trying to convince Quaismodo to save Esmeralda who is moments away from death. In the  musical this scene occurs the night before Esmeralda is to be sentenced and instead of a short scene between the gargoyles and Quasimodo, we have a song.

This song is Quasimodo at his most angry and his most broken-hearted. He is clearly angry at the gargoyles as they don’t understand his pain as they’re made of stone and he wishes he was like them. He regrets his emotions and wishes they would go away. I really can’t not imagine the Disney movie Quasimodo getting this angry and morose. Plus it’s nice to hear Quasimodo really telling off the gargoyles.

The title Wie aus Stein (Made of Stone) is taken from the original book when Quasimodo mournfully asks why he wasn’t made of stone. He’s not exactly angry in the book but more sad that he is in love with Esmeralda and can’t really do anything about it.

Musically this song is great it has  wonderful tension and drama. Quasimodo voice moves though  these soft parts  like suppressing rage and parts him fully expressing his rage with great power in his voice.  Quasimodo’s angry and despair really come though.

I really enjoy this song, it’s a great way to showcase the singer for Quasimodo. I find this song oddly additive and it’s one of my favorites from the show.

Watch a video clip of Wie aus Stein here

 

Einmal

Ann Christin Elverum as Esmeralda singing Einmal Der Glöckner von Notre Dame picture image

Ann Christin Elverum as Esmeralda singing Einmal Der Glöckner von Notre Dame

 

Einmal (Once) is the song Someday which was created as a second option for the song used in the “Esmeralda Prayer” sequence in the movie. However Someday was used as the credit song which had two pop song recording.

Einmal occurs after Frollo gives Esmeralda his ultimatum in jail (Be Mine or Die). Esmeralda considers taking it if only to save Phoebus. Phoebus tells her she should do it for herself, so she can live. Esmeralda  says she doesn’t consider a life with Frollo living. She then sings along with Phoebus and eventually with Clopin and the ensemble about how she hopes the world will learn after countless war and  bloodshed to live and not to hate.

Unlike Someday, Einmal’s lyrics are less soft and gentle. In Someday. Esmeralda sings about the world becoming more mature and in Einmal she sings about the world learning after making mistakes. The song ends as Esmeralda about to be put to death which makes this song all the more poignant and dramatic as Esmeralda dying wish for the world.

 

Judy Weiss as Esmeralda singing Einmal Der Glöckner von Notre Dame picture image

Judy Weiss as Esmeralda singing Einmal Der Glöckner von Notre Dame

 

Muscially it’s a pretty song and while I like the inclusion of Phoebus, Clopin and the crowd, this means Esmeralda does not get a solo song of her own, which I find a bit sad.  But as the song stands on it’s own merits, it is quite lovely and powerful with the overlays of singing.  And like Wie aus Stein it’s high on my list of favorites from the show.

Watch a video clip of Einmal here

 

A Final Thought on these songs;
Wie aus and Einmal are very nice counterpoints to each other in both mood and meaning. In Wie aus Stein we have Quasimodo who is depairing in life and in Einmal we have Esmeralda who has hope as she about to die. It a just a nice example of selfness vs altruism in the show, and I love contrast.

 

Next Time – The Grand Finale,

Molten Lead Der Glöckner von Notre Dame picture image

Molten Lead Der Glöckner von Notre Dame

 

This is the seventh part of my review on the music of Der Glöckner von Notre Dame

Weil du liebst

Quasimodo, Phoebus and the Gargoyles Der Glöckner von Notre Dame image picture

Quasimodo, Phoebus and the Gargoyles Der Glöckner von Notre Dame

Weil du liebst (Because/Out of Love) occurs after Frollo makes his threat against Esmeralda and the Court of Miracle while Phoebus is trying to convince Quasimodo to leave Notre Dame and help warn her.

Unlike the Disney movie, Phoebus is softer and more understanding with Quasimodo’s hesitation. Phoebus understands why Quasimodo does not want to leave and he tells him it because of the love that he must do it. It also interesting to mention that Phoebus has not solidify a romance with Esmeralda yet. Unlike the Disney movie, it’s the Archdeacon who asks Quasimodo to hide Phoebus. So Phoebus is being a bit more altruistic here.

Also I want to point out that Phoebus was a jerk in this scene in the Disney movie. He told Quasimodo that he owns Esmeralda for helping him. However Esmeralda helped Quaismodo from the crowd partly because she pulled on stage and she had a sense of guilt about it and Quasimodo already repay her when he helped her escape Notre Dame, so he actually owns her nothing, bad argument Phoebus. This scene/song is a VAST improvement to the Disney counterpart.

Musically this song uses a bit from Ein bißchen Freude at the beginning but it turns gentle and sweet. The gargoyles get in on that song and help convince Quasimodo to help.

It’s a nice song but I feel that it exists more for the reprise than the set-up.

 

Tanz der Zigeuner

Dance of the Gypsies Der Glöckner von Notre Dame picture image

Dance of the Gypsies Der Glöckner von Notre Dame

Tanz der Zigeuner (Dance of the Gypsies) replaces the song “Court of Miracles” from the movie. On it’s own it’s a fun little instrumental dance number that provides levity before the show gets dark.

Musically it sounds like Gypsy music with the melody from Tanz auf dem Seil. I just wish this could have existed along side Court of Miracles  since it was one my favorites from the movie. Oh well, can’t have everything I suppose. Still it a nice addition to the show and I enjoy it.

 

Weil du liebst (Reprise)

Quasimodo, Esmeralda and Phoebus performing  Weil du Liebst Der Glöckner von Notre Dame picture image

Quasimodo, Esmeralda and Phoebus performing Weil du Liebst Der Glöckner von Notre Dame

 

Weil du liebst Reprise a.k.a Esmeralda & Phoebus are in love and Quasimodo gets the shaft. So after Phoebus and Quasimodo warn the Gypsies, Phoebus and Esmeralda decide to leave Paris together. While Esmeralda and Phoebus declare their love Quaismodo watches them heartbroken.

The song gives Phoebus and Esmeralda a love song which was sorely missed from the movie but in this song the love story has a complexity. Neither of them ever envisioned being in love. The song also works to contrast against Quasimodo’s heartbreak better than in the movie. In the movie Phoebus and Esmeralda kiss and Quasimodo thinks of Heaven’s Light and he rips up an Ace of Hearts playing card. In this song Quasimodo pain is more felt though his singing. But then against Quasimodo in the show is a bit more angry and less “boyish”. However the presentation of Phoebus and Esmeralda singing lovingly against  Quasimodo’s pain could have worked in the movie as the focus doesn’t leave Quaismodo which was very important from the Disney movie directors (eye-roll) and it doesn’t kill the pace as they sing this before fleeing which makes more sense than a wedding.

Musically the song uses Weil du liebst, Das Licht des Himmels and a touch of Draußen at the end.

I really enjoy this song it provided enough levity and yet angst before the ball drops completely on the angst.

 

Next Time- Wie aus Stein & Einmal

Ann Christin Elverum as Esmeralda singing Einmal Der Glöckner von Notre Dame picture image

Ann Christin Elverum as Esmeralda singing Einmal Der Glöckner von Notre Dame

This is the sixth part of my review on the music of Der Glöckner von Notre Dame

Trommeln in der Stadt 

Mob Der Glöckner von Notre Dame picture image

Mob Der Glöckner von Notre Dame

Trommeln in der Stadt (Drums in the City) is a new song that uses Sanctuary from the original soundtrack. This song opens Act 2 and it expresses what the citizens think of Crazy Frollo’s search for Esmeralda. At first when they though it as just about “cleansing” (creepy word choice huh?) the city of Gypsies that was fine but with the all the soldiers, blockages and fire they’re are none to happy about it.

Like I said this song uses the music from Santuary, which is the music playing when Quasimodo is recusing Esmeralda from the Pyre in the movie, so the music is great. It’s dramatic and has high energy which is a great way to start the the second act. It also great to see how the normal people of Paris react to Frollo’s obsession.

 

 Ein Mann wie du

Quasimodo with the Gargoyles Der Glöckner von Notre Dame picture image

Quasimodo with the Gargoyles Der Glöckner von Notre Dame

Ein Mann wie du (A Man like you) is A Guy like you. It pretty much the same as the original song but it’s less annoying.  Instead of making visual gags the Gargoyles throw random French words and phases into the song. Which isn’t as annoying as it sounds.

The song has one other difference Quasimodo sings in it. From what I can understand of the lyrics (because my German is non-existence) is that Quasimodo expresses that he wants to believe the Gargoyles but doesn’t quite. Musically I don’t think it adds much  I guess it adds a bit of character development because this musically is a a lot guilty at throwing Quasimodo at the audience but at least he is more interesting here than the Disney movie Quaismodo.

Quasimodo with Antoine, Charles and Loni Der Glöckner von Notre Dame picture image

Quasimodo with Antoine, Charles and Loni Der Glöckner von Notre Dame

Given that this song in it’s conception is song that provides levity it’s a little awkwardly placed in this musical. As movies have continuous action something was need after Hellfire, the torture of Gypsies, the burning of the house, Phoebus getting shot and falling in the river  to bright up the mood and while I don’t like A Guy like you  at least the placement makes sense. Ein Mann wie du as a song of levity doesn’t really work. It’s the second song in Act 2 so the audience has had  a break and the song prior didn’t have an emotional investment in it as it’s just about the Citizens of Paris.  So ultimately and this pains me to say it’s not as successful as A Guy like you, it’s just better performed and not nearly as annoying.

So it’s mixed I don’t hate this song as I hate it’s Disney counterpart but I dislike the song in the musical as it doesn’t work as it’s concept intended. It hard because I like 10x better than the Movie version.

Next Time-
Weil du liebst
Tanz der Zigeuner
Weil du liebst

Quasimodo, Phoebus and the Gargoyles Der Glöckner von Notre Dame image picture

Quasimodo, Phoebus and the Gargoyles Der Glöckner von Notre Dame

This is the fifth part of my review on the music of Der Glöckner von Notre Dame

Esmeralda

Esmeralda saving Phoebus Der Glöckner von Notre Dame picture image

Esmeralda saving Phoebus Der Glöckner von Notre Dame

 

Esmeralda is the closing number of Act 1 so it’s high on drama and plot.  This song takes place when Frollo is searching for Esmeralda and Phoebus realizes  that he would rather be “good than smart”, (morality over career ambition) and he disobeys Frollo.  After he stands up to Frollo, Frollo condemn his to death and Phoebus flees with Esmeralda’s help.  Frollo then begins to burn down Paris for Esmeralda while Quasimodo worries.

Musically this song is  the melody that Clopin and Esmeralda sing in Tanz auf dem Seil and Draußen. However there are other melodies floating around in this piece and therefore it have more of  mash-up feel.

Frollo and Phoebus Der Glöckner von Notre Dame picture image

Frollo and Phoebus Der Glöckner von Notre Dame

What I like about this song is that it speaks to the basic plot of Hunchback, three men one women. There is another famous Notre Dame song like this, mmm but it’s name escapes me, what could it be? The inclusion of song is needed to get the point of what Esmeralda does to this cross-section of men, granted it’s different than in the book or the Disney movie especially with regards to Phoebus. Phoebus in the Disney movie didn’t have any character development, he started morally good and ended morally good. In the Book he is a philander but after his meeting with Esmeralda and getting stabbed by Frollo be commits himself to his fiancee Fleur de Lys. In this musical he starts off with career ambition and he wants to have a good time but after he meets with Esmeralda and is pushed by Frollo he decides to act in accordance with doing the right things, morally (ie. not burning innocents because the boss is crazy). Quasimodo here is worried about Esmeralda’s safety and Frollo wants her dead or to be his woman, either is fine. The point is this song shows that Esmeralda creates powerful emotions and with exception of Frollo the Disney version didn’t explored that part of the story.

Esmeralda Der Glöckner von Notre Dame image picture

Esmeralda Der Glöckner von Notre Dame

 

All in all Esmeralda is a very dramatic song that ends the first act perfectly with Phoebus falling into a river. Mmm that reminds me of another Hunchback musical where the first act ends with Phoebus getting injured, mmm which one was that?

Click here to watch a video of Esmeralda being performed on Stage

Note – this song made my list of the top Ten Best Hunchback song which was my fist squidoo lens. Click Here to go there now

Next time – Trommeln in der Stadt & Ein Mann wie du

Mob Der Glöckner von Notre Dame picture image

Mob Der Glöckner von Notre Dame

This the fourth part of my review on the music of Der Glöckner von Notre Dame

Das Licht des Himmels

Drew Sarich as Quasimodo in Der Glöckner von Notre Dame picture image

Drew Sarich as Quasimodo in Der Glöckner von Notre Dame

Das Licht des Himmels (Heaven’s Light) is identical to the Disney version. The minor difference is that a used piano during the part where Quasimodo calls Esmeralda an angel. That’s it. It’s still sweet and is a good counter to Quasimodo’s bitterness of his unrequited love.

 

Das Feuer der Hölle

Norbert Lamla as Frollo Der Glöckner von Notre Dame picture image

Norbert Lamla as Frollo Der Glöckner von Notre Dame

 

Here’s a question for all of you, What do like about Hellfire in the original Disney movie? Is it the song itself? Tony Jay’s singing? The Animation? Or the fact that this song about hell and lust was produced under the Mouse?  And when those things like the animation, Tony Jay and the Disney movie context are removed is the song still as awesome?  I would like to say yes but this version is not my favorite, there is something about the way Norbert Lamla sings it that just devoid of the emotional intensity that Jay gave it. I’m not saying Lamla is a not a good singer because he is. I think he maybe trying to mimic Jay’s performance. Maybe this is number is more amazing on stage than it sung.  Though from what I’ve read the stage re-creates the Disney Hellfire sequence. But it just doesn’t compare to the Disney version but it couldn’t have been better in it’s own right.

Next Time – End of Act 1 Esmeralda

Esmeralda saving Phoebus Der Glöckner von Notre Dame picture image

Esmeralda saving Phoebus Der Glöckner von Notre Dame

This is the third part of the music review of Der Glöckner von Notre Dame

Hilf den Verstoßenen

Esmeralda singing Hilf den Verstoßenen in Der Glöckner von Notre Dame picture image

Esmeralda singing Hilf den Verstoßenen in Der Glöckner von Notre Dame

 

Hilf den Verstoßenen (God Help the Outcast) is for the most part the same as the Disney version with one exception, Quasimodo sings in it. This add-on makes the song a touch longer. Another minor difference is that unlike the  parishioners in the Disney that sings about wanting wealth, fame, glory together in the stage show the first two lines are sung in solos. A minute difference. Musically the song is identical to the Disney. Seriously, play the songs together and they are the same musically.

It’s a nice version of God Help the Outcast. On the one hand, I rather like the addition of Quasimodo here but on the other it robs Esmeralda of a song to herself. I mean Phoebus gets one but Esmeralda also sings with someone else whereas Quasimodo gets two songs for himself, three is you want to count the Gargoyles as part of his psyche. Considering that I wish they had let Quasimodo out of the song but maybe Menken and Schwartz felt that Esmeralda and Quasimodo should have got one song together but Quasimodo shyness would have prevented him from actively singing with her so him stalking her around Notre Dame and sing along wit her prayer was a logic move to make but still would it have killed them to give her a solo song. Really if they really want to take God Help the Outcast from her they should made Einmal (Once) her solo song but we’ll get to Einmal later.

Watch a Video clip here

 

Hoch über der Welt

Esmeralda and Quasimodo during Hoch über der Welt in Der Glöckner von Notre Dame picture image

Esmeralda and Quasimodo during Hoch über der Welt in Der Glöckner von Notre Dame

Hoch über der Welt (High above the World) takes place when Esmeralda and Quasimodo are a top of Notre Dame and it’s sung by Esmeralda and the gargoyles. Esmeralda thinks that Paris  is better when viewed from above and the gargoyles encourage Quasimodo to put the moves on her. His move constitutes asking to sit next to her, which she agrees to and in the gargoyle tradition of jumping to conclusions they start planning the wedding.

This song acts as a bonding song between the two and it’s a good example of what works in a musical version wouldn’t work in a movie. A song like this in the movie would have killed the pacing and would have worked against Esmeralda sweeter less experienced nature.

Musically it employs the tactic that  Zuflucht employed which was two melodies that are song together in the third part of the songs. This makes it so the first person(ie Frollo, Esmeralda, Phoebus etc) sing unaware of the gargoyles singing with them. And like Zuflucht the harmonies work well together.

Hoch über der Welt is a nice and sweet on Esmeralda’s end and fun and entergetic on the gargoyles’ end. It also works to help establish Quasimodo and Esmeralda’s friendship more than just one the conversation they had in the movie

Watch a a video of being performed  Here

Next Time-
Das Licht des Himmels (Heaven’s Light)
Das Feuer der Hölle (Hellfire)

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame picture image

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame