Sorry for yet another video, personal life and stuff.

Just a few reactions of this video;
– I really do want to analyze Fleur-de-Lys’ costume. I haven’t sat down and REALLY thought about but I’m not sure how to feel about. Of course the costume I REALLY want to discuss is Frollo’s, I have some words for that one.

– I really like this Fleur-de-Lys, she has a lovely clear voice that is the perfect tonal foil to Tawaji’s voice,  Alyzée Lalande gets a solid A from me.

– Not sold on Martin Giroux as  Phoebus. Granted I haven’t gone through this cast with a fine tooth comb to really assess their performances but he just seems from this vid to be on the generic side. To be fair few Phoebus performer stand out so it could be the role.

You may not believe this but I didn’t want to post another youtube video today as it’s  a content crutch. However this is technically news. As you can see by the video there will be a Notre Dame de Paris concert in Poland. At first I wondered if this meant the songs would be translated to Polish but according to this site http://www.icekrakow.pl/aktualnosci/koncert-notre-dame-de-paris-w-ice-krakow,26756,3 the song will be in French.

HOWEVER turns out there is a Polish version of Notre Dame de Paris.

It seems to be very fairly new. It also looks like they took their visually style from the Italian version. First time I have seen that.

Esmeralda – Maja Gadzińska/Ewa Kłosowicz
Quasimodo – Michał Grobelny/Janusz Kruciński
Frollo – Artur Guza/Piotr Płuska
Phoebus – Przemysław Zubowicz/Maciej Podgórzak
Fleur de Lys – Weronika Walenciak/Kaja Mianowana
Gringoire – Jan Traczyk/Maciej Podgórzak
Clopin – Łukasz Zagrobelny/Krzysztof Wojciechowski

here is more info

 

Now sure who of the performers are in the concert though.

I feel bad posting another Notre Dame de Paris video off of youtube but life hasn’t been too great this past week. Though, I  have been wanting to hear Tawaji’s rendition of Bohemienne, so this pretty off the cuff.

#1- I think I really do like the changes to the costume. Indeed it’s way pretty in motion. I also like the slits up on those overlays on the back of the costume, it offer yet more movement. Future versions don’t mess it up too much, I still haven’t forgiven the evolution of the damn slit Esmeralda had for like a decade.

#2 – Tawaji is really perfectly cast. Someday I do want to a list the top 10 or so Esmeralda from Notre Dame de Paris. I won’t pretend that I have seen videos or MP3s or all them BUT  I have heard/seen bunches . Maybe 80% but that is probably a high guess.

#3- While YES, Tawaji is a great Esmeralda, I do find her arm movement a little stiff/awkward. It’s like she isn’t quite sold of the motions or is super unsure what to with her arms. Which is a little weird because she is a great dancer otherwise. Pesky arms.

#4 – While I do appreciate this recording, I really do, I did laugh when Tawaji runs  up stage on the First Bohemienne to do that arm thing you see ALL Esmeralda do, which I find to be the most mechanical of her motions and due to the angle of the video Esmeralda is TOTALLY blocked by Clopin. I can’t if Tawaji falls prey to mechanicalness that plagues all Esmeraldas or somehow makes it work for her.  Just funny, not complaining.

But if the production wants to send me a recording of the show to review, please do! I will review it with all the praising as you want. I know they won’t.

I do admit I prefer the original way this song was done in the original French version opposed to sexual-manpulation of the way La Monture is performed now but I do like Alyzée Lalande as Fleur de Lys. Her voice is very similar to Julie Zenatti in quality and tone. She has just the right amount of allure and venom to her voice which a singer needs for La Monture.

I’m sure I’ll discuss the new Fleur’s costume someday I will just say I do like the way it moves. It’s very pretty to look at.

With  the new production in Paris of Notre Dame de Paris there has been updates to the costumes. These changes range from fairly minor to a near complete overall, though still in the spirit of the original designs. This also marks the first time the costumes have really been altered aside from minor variations in Esmeralda’s and Fleur-de-Lys’ costumes and of course the Italian version. So let’s start with Esmeralda’s main costume in the 2016/2017 production.     

 

Helene Segara as Esmeralda Notre Dame de Paris

Helene Segara as Esmeralda from Notre Dame de Paris

It seems like the evolution of the costume has some full-circle in some ways. As you had the first generation of the green dress, which if you recall was made from a patterned velvet that was sewn to give it a patchworked look and sported asymmetrical sleeves. The caveat with costume is it didn’t move to showcase Esmeralda as a dancer. Though to be fair, the original production didn’t have Esmeralda dancing as much as subsequent versions.

Lola Ponce as Esmeralda Notre Dame de Paris picture image

Lola Ponce as Esmeralda Notre Dame de Paris

Italian version has been the only version to really deviate from the original style. The Italian version uses a lighter fabric and the pattern is made from lace though it it keeps the patchwork like pattern. The silhouette was the same of the original.  

 

Hiba Tawaji as Esmeralda 2016/2017 Notre Dame de Paris picture image

Hiba Tawaji as Esmeralda

Now in 2016, the production seems to have gotten the movement memo and has created an Esmeralda costume that has the basic elements of the original and the movement of the Italian version but it’s all together very different.

Just a bit of background, I first saw this dress at like 2am one night after a few too many weird videos on youtube (more on that next week) and my powers of critical thinking were out. I had no idea how to feel about this new design and to be honest I still don’t. Parts of it I like and other parts I’m confused by.

To be clear this dress is lovely to watch. It’s prettier in motion and I do applaud the production the innovation in changing things up. I for one was getting tired of the newer versions of the costume, with the higher hems and less embellishments.  They just didn’t look visually pleasing.

Hiba Tawaji as Esmeralda & Jay as Clopin 2016/2017 Notre Dame de Paris picture image

Hiba Tawaji as Esmeralda & Jay as Clopin

Ok, so the actual dress, there is A LOT going on with this costume. First it does hit all the basic components of the original with the color, neckline, basic silhouette, sleeves and slit. Thank you for getting the slit right, looks way better on an actual seam. Honestly, I’m not sure what the first you notice about this costume is  but for me it was the pattern or lack of one. They just nixed the pattern or any attempt at mimicking one. There is a little ombre as it’s a darker green on the bodice and a lighter green on the bottom. The patchwork pattern is now done with seams along the bodice and speaking of these seams they do an interesting asymmetrical overlay over one breast. This fabric overlay starts over the breast on one side goes around the back and ends under the breast on the other side of the bodice. This overlay is where a lot of the costume’s movement comes from and where the sparkly embellishments live. Instead of having sequins or beads sewn on the dress this version has them  in the overlay. I can’t really tell if it’s an insert or a lining. It also matches very closely do it’s harder to see. There also COULD be some sparkle elements on the dress itself but it hard to really tell. There is also ANOTHER overlay at the seam at her waist. 

But wait, there is more. All the edges of the costume are very much ragged. This is of course done on purpose to make Esmeralda look more like she lives on the streets. Most of the other versions did this element to an extent but the 2016/2017 version  has the edges look more frayed and distressed.   

Hiba Tawaji as Esmeralda 2016/2017 Notre Dame de Paris picture image

Hiba Tawaji as Esmeralda singing Vivre

Then there are the sleeves. There HAS to be two  different versions of the costume because one has shorter, more distressed sleeves and the other has longer less distressed sleeves. The shorter one reaches, at the longest, mid upper arm, just above the elbow. The shorter version also has three layer of fabric. The longer one reaches just past her elbows with no layering. Another theory is that the sleeves were hemmed after the preview of the show as in the picture Esmeralda shouldn’t be wearing the green dress during Vivre.

Hiba Tawaji as Esmeralda 2016/2017 Notre Dame de Paris picture image

Hiba Tawaji as Esmeralda

 

 That really should bring us to the  prisoner costume but I found so very little pictures of it so I will have to hold off on complaining about it but I what I can make out is it  seems to have an A-line silhouette and looks to made of a lacey burlap.  

 

Hiba Tawaji as Esmeralda 2016/2017 Notre Dame de Paris picture image

Hiba Tawaji as Esmeralda

I just find that bodice overlay really baffling from a design stand-point. It took me a while to figure it out and while in motion I understand it, in pictures it just looks weird and somewhat awkward. I guess it was a good compromise in adding movement while holding true to the original but it just a weird mix-bag for me. I don’t hate, I’m just not sure I like it. I really don’t know how to feel.

But what do you guys think of this costume? Like it? Hate it? No opinion? Like the disney costume better?

I have not been keeping up with the new production of Notre Dame de Paris, bad me. So far, I think Tawaji is great Esmeralda and I will have to look more into the other comments of this production.

 

Also shameless plug since it’s Christmas time,

This is a recent performance in Bari of Bella from the Italian Cast of Notre Dame de Paris. What is interesting about this cast is that is mostly the original cast from 2001.

Quasimodo – Giò Di Tonno
Frollo – Vittorio Matteucci
Febo – Graziano Galatone
Esmeralda – Lola Ponce

I never really discussed the Italian cast but I hope to go more in-depth of them someday. For many people it’s their favorite but for now I will just say that the Italian version is a little more Operatic than the Original French in terms of acting.

Also this version of Bella is spot-on, they are wonderful.

Esmeralda and Quasimodo in Notre Dame Ma Maison c'est ta maison garou helene Segara Notre Dame de Paris picture image

Esmeralda and Quasimodo in Notre Dame

Despite its flaws Notre Dame de Paris is the one of the best adaptions of the novel. It captures the spirt of Hugo and the characters better than any other version to date. Is it perfect? No but you don’t get much closer to the book and it does it own thing very nicely. And it brought musicals back to France.

Notre Dame de Paris Belle Esmeralda Helen Segara, Garou Quaismodo, Frollo Daniel Lavoie Phoebus Patrick fiori picture image

Belle with Garou, Daniel Lavoie, Patrick Fiori and Helene Segara

Easily this my favorite version. To be honest, I could spend more time on Notre Dame de Paris since I didn’t really get into the any of the other casts. In fact that is something I have always wanted to do even before thehunchblog officially started. I more than likely will return to Notre Dame de Paris and discuss the various casts more probably on Wednesdays at various interval, since Wednesdays are like a free-for-all day. Heck, there is a new Italian tour going on so there are a lot of casts to get through and I would like to discuss more about the costumes.

Garou as Quasimodo & Helene Segara Danse mon Esmeralda,Notre Dame de Paris picture image

Garou as Quasimodo and Helene Segara performing Danse mon Esmeralda

So this isn’t good-bye but a see you later Notre Dame de Paris.

Next month is a theme month (Guess the theme if you dare), so there won’t be a version starting in October. Next version starts in November and trust me when I say it’s one of the infamous bad ones.

Bruno Pelletier as Gringoire singing Fatalité Notre Dame de Paris picture image

Bruno Pelletier as Gringoire singing Fatalité

Before we concluded with the review proper of Notre Dame de Paris I want to discuss the editing on the original DVD. For the most part, the cuts and shots are serviceable. They showcase the musical by showing the the singers and stage in a a fairly balanced manner and it moves things along. In the practical capacity it does its job. However the editing at times tries to be artsy or at the least interesting with overlays.

Overlay of Phoebus Notre Dame de Paris picture image

Overlay of Phoebus

These overlays are dumb. Either the expressions are just bad like the overlay of Phoebus between Beau comme le Soleil and Dechire or they are not executed well has with the overlay of Gringoire at the end of Le Temps de Cathedral where it has a harsh line at the bottom that should have been softened. It’s also small and off to the side of the shot so it looks more silly than intentional. There are also these kind of overlay through Le Temps and the run time of the DVD. Florence has a lot of these type of overlays too.

Overlay of Gringore Notre Dame de Paris picture image

Overlay of Gringoire

Then we have the subtitles. The are not that great on the translation end of things. There are a lot of youtube comments just about how the subtitles are wrong and typically they blame the person who uploaded the video. No, the official subtitles on the DVD are bad.

However subtitles are hard thing to get right, one has to get the idea of words in a short time and make it quick to read. It’s more of a art form than a science. If you don’t speak French they are fine so for most people it’s not a big issue and if you do speak decent French you need the subtitles. So it’s just a youtube thing but really you need not waste your time complaining on about the subtitles, complain about the overlays.

French Original Cast Notre Dame de Paris picture image

Original Cast

We have been discussing Notre Dame de Paris’ style for awhile, not just in the look of the show but in the music too. What I never said about the show’s music in so many words is that unlike other musicals in the world, Notre Dame de Paris has a decidedly “pop” take on the music.

Gringoire singing Le Portes de Paris Bruno Pelletier Notre dame de paris picture image

Gringoire singing Le Portes de Paris

This is made clearer by the fact that of the original cast only Daniel Lavoie  and Bruno Pelletier have been in other musicals. They are singers not exactly stage performers. This is not the case with other casts but it’s interesting to note.

Original Cast Belle NOtre dame de Paris picture image

Original Cast Belle

But does this mean? Why does Notre Dame de Paris have such a different look and vibe compared to other musicals of the world? Well I’m sure it has been mentioned that for a while, in France musical were not that fashionable and Notre Dame de Paris brought them back. Before 1998 people didn’t go to them and they didn’t perform them. I really can’t site the source that claimed this as it on wiki with no source and there was something in a program about the behind the scenes of Notre Dame de Paris that mentioned too. However looking at French produced musicals and looking at the years they came, I found there is something like 51 French Musicals and of though 51 shows only 8 were produced before Notre Dame de Paris with the closest one before being produced 1990, a good eight years before Notre Dame de Paris. So yes, it’s true.

Esmeralda and Quasimodo in Notre Dame Ma Maison c'est ta maison garou helene Segara Notre Dame de Paris picture image

Esmeralda and Quasimodo in Notre Dame

The musicals after Notre Dame de Paris have kept the same Pop music style. You do not hear that stereotypical musical belting tone or that kind high pitched nasal tonality. The sets however of some shows are more typical of musical. Like the have sets changes and look grander.

Garou as Quasimodo & Helene Segara Danse mon Esmeralda,Notre Dame de Paris picture image

Garou as Quasimodo and Helene Segara performing Danse mon Esmeralda

It really comes down to the French aesthetic which I can’t really speak to but consider this Webber’s Phantom of the Opera, one of the biggest musical in the world has not, as of 2015 ever had a French version. The French style is defiantly geared toward the pop rock musical which is what Notre Dame de Paris presented. Perhaps the not-complicated simplicity but edgy sets and costumes of the show mixed with its high emotions were just what the French wanted from a musical.