I advise you people who want to see the sequel just watch this video it sums it up quite nicely…Follow thehunchblog
One of the “selling” point of the sequel is the return of main characters with their original voice actors. Try and guess which pictures are from the sequel, I bet you’ll be shocked.
Quasimodo – In this movie Quasimodo wants to be in love. He meets new character Madeline and tries to convince her that he’s awesome. It works because she’s has low self-esteem.
Clopin– Clopin is in this movie, though he does very little. He’s once again the Master of Ceremonies for the Le Jour d’Amour and that’s it.
Esmeralda– She’s a wife, mother, dancer, and fortune-teller. She retains her sassiness but other than that she doesn’t do that much. Oh and she wears shoes now.
Phoebus– He’s a father and Captain of the Guards. He doesn’t trust the circus people and he’s makes kind of a jerk out of himself.
The Gargoyles – They don’t do that much and don’t contribute that much to the importances of the plot and yet still they are still annoying. However they have one decent joke.
Djali– Djali is still awesome
Achilles– Achilles somehow learned how to count, I guess he’s not the dimwit any more and he gets a girlfriend. Thank you movie for making single people feel bad with your random coupling of horses
So yeah the main characters from the first film are there but other than Quasimodo they do not do that much. They’re really just side characters, just there as a selling point so you’ll watch thinking you’ll see your favorite return but no it’s mostly Quasimodo and the New Characters.
Next Time – New characters starting with Quasimodo’s main squeeze MadelineFollow thehunchblog
Remember in Hunchback when we learned not to judge people? Well the Sequel’s plot is completely different it about how beauty is on the inside. The movie illustrates this with a bell that is jewel encrusted on the inside. Clearly the sequel was made by idiots for idiots.
So basically the movie starts as Quasimodo and Clopin are setting up for a Valentine knock-off called Jour d’amour (Day of Love). The centerpiece of the festival is a bell called La Fidèle. La Fidèle is the jewel encrusted bell on the inside (let the stupidness of that process). As the bell rings people declare their love by shouting their lovers’ name for everyone to hear. However Quasimodo is feeling sad that he doesn’t have a hot girlfriend. Quasmodo’s friends; Esmeralda, Phoebus, and their personality deficient son Zephyr, encourage Quasimodo that one day someone while see his inner beauty and find it attractive because Esmeralds did not.
Just then, the Circus de Anachronism erm.. Sarousch comes to town as part of the Festive. What a festival about love has to with the circus? Hell if I know. After Sarousch makes with an introduction which is ruin by his assistant being MIA, we’re introduced to his assistant Madeline. Madeline is pretty and that is Sarousch wants her to do but Madeline has a lofty ambition; Tightrope walking, however she has low self-esteem because she’s is pretty. Anyway Sarousch has a special job for her, he wants her to seduce the bell-ringer so he can steal the La Fidèle so he can be rich.
Madeline goes to Notre Dame and meets Quasimodo. Quasimodo hides but they share some laughs about some very stupid things. Quasimodo becomes smitten with her when she notices the gargoyles. However it all goes to hell when Madeline sees Quasimodo and runs off. Quasimodo is sad but then sings a dumb song about Miracles (which is more about nature) and he becomes hopeful and goes to the circus complete with some new duds.
At the circus Madeline tries to tell Sarousch that she doesn’t want anything to with the plan but Sarousch guilts her in to as he didn’t turn her in after she stole from him when she was six. Sarousch and Madeline then perform an illusion where they make an elephant disappear as Sarousch’s goons steal from the crowd.
After the trick Madeline stalks Quasimodo as he tells Zephyr that they’ll always be friends by means of another stupid song. Madeline finds this attractive and approaches Quasimodo. After some more laughing over more stupid things Quasimodo takes her to some of his favorite places in Paris. The date consists of botched souffle, rosemary and a creepy tower. They get caught in the rain and go back to Notre Dame to warm up and bond more.
Meanwhile Phoebus get swarmed with citizens complaining about a rash of thefts. Phoebus deduces that that the circus is behind it.
The next day Quasimodo seeks out Esmeralda as he not feeling well because he’s in love but Phoebus comes in and makes a jerk out himself and accuses the circus people for the robbery (which they are). Esmeralda is upset at him and Quasimodo defends Madeline. Phoebus then says that maybe she’s using Quasimodo. Quasimodo then demands Phoebus to find proof.
Madeline then refuses to help Sarousch any further with his plan but then he threatens Quasimodo so she agrees to lead Quasimodo away from Notre Dame so Sarousch can steal the bell. Phoebus then encounters Sarousch about the thefts and Sarousch blames it all on Madeline. As Sarousch goes to Notre Dame Zephyr follows him because he wants to join the circus.
So Sarousch steals the bell with the some technique he used in his vanishing elephant tricks (which makes no sense because they need a tunnel to pull of the trick and they’re in a bell tower of a cathedral), the gargoyles prove ineffectual and Zephyr follows Sarousch.
Meanwhile Quasimodo invites Madeline to go to the festival with him but she sort of declines as she hasn’t been honest. As she about to tell him, they hear a bell ringing and Quasimodo rushs back to the cathedral with Madeline in toe. When they get there some priest guy informs everyone that La Fidèle is gone. Quasimodo then blames Madeline for using him and Phoebus arrests her. Quasimodo starts to cry but hears the gargoyles and goes to them. Laverne tells him that Zephyr went after Sarousch.
Sarousch meanwhile in the sewer erm catacombs and discovers Djali and Zephyr. Djali escapes while Zephyr in his infinite wisdom tells Sarousch who is Daddy is. Esmeralda and Quasimodo tell Phoebus about Zephyr and Madeline tells them that Sarousch took the bell underground. Phoebus agrees to go into the catacombs but takes Madeline along.
So yeah, Phoebus encounters Sarousch, Sarousch uses Zephyr as levrage to get away but Madeline uses her tightrope walking to save Zephyr and Sarousch is arrested. La Fidèle is returned, they have their stupid festivel, Quasimodo gets his first kiss, and yada yada yada Quasimodo gets a himself a girlfriend. Gag.
Next Time – The old CharactersFollow thehunchblog
Disney started releasing Direct to video(DVD) movies in 1994 with The Return of Jafar. Disney continued to bastardized their theatrical releases till 2007 with a prequel to The Little Mermaid called Ariel’s Beginning. Since then they just release TinkerBell movies.
A handful of the film are decent but many are just crap including the March 19 2002 release of the sequel of The Hunchback of Notre Dame . It features some of the same characters (excluding Frollo because if got lucky and was killed off in the first film). Quasimodo, Clopin, Esmeralda, Phoebus, Djali, Achilles and the annoying ones are back in drab colors but with the original voice actors. There also three new dull as toast characters. Plus shit for music, art design and animation.
If you haven’t figured out it I think this movie is crap.
Next Time – The Crapastic PlotFollow thehunchblog
All in all Disney’s Hunchback of Notre Dame is good movie. Is it the best Hunchback adaptation? No, but it’s far from the worst. It’s kind of the worst of best and best of worst. I think when it comes down to it to fully appreciate this movie, just forget everything you know about the original novel. They are two different stories. The best thing about the Disney version is at least it introduced people to the story and gets people to want to read even if it just to find how divergent Disney is from Victor Hugo.
Another good point is Frollo, who is one the best Disney villain. The worst part are those horrible, insipid gargoyles. They were not funny and they were weak. But at least they are worst part that is associated with Disney’s Hunchback of Notre Dame. I mean it’s not like they did one of those Direct to DVD sequels with Hunchback. They gave the movie some dignity.
Damn. they did! Well it is Disney after all….
Next Time – Hunchback of Notre Dame II; The Quest for More Money or as my computer labels it “Tambourine”Follow thehunchblog
So as I’ve mentioned several times Disney takes older movies and re-makes them with their sacchrine Disney stamp. Aladdin is based off of the Theif of Baghdad 1924 and1940 and The Thief And The Cobbler. Beauty and the Beast based is off of La Belle et La Bete, though Belle is based off of Hepburn’s portayle of Jo from Little Women . And Be Our Guest uses Gustav Mahler’s Symphonie 3 First Movement for the melody. And of course Disney is based Hunchback off of the 1939 version of Hunchback of Notre Dame with slight hints made to the Lon Chaney version in 1923. However Disney will never admit to doing this instead they do the opposite. In the DVD audio commentary, Directors Gary Trousdale and Kirk Wise and Producer Don Hahn basically criticize the 1939 version and the 1923 version. They claim that these two movies have made Quasimodo into a monster. While Lon Chaney’s version is consider to be horror, it is not, Chaney is not the horrific monster that commentary paints him as. And as Charles Laughton’s Quasimodo well Disney’s Quasimodo is far more monstrous.
It makes me more than a little angry that Disney uses these sources but in an commentary they debase them and then they discuss other movies that they took inspiration from Like King Kong and Singin’ in the Rain . They also mention Minster Toad’s Wide Ride and Fantasia in relation to Hellfire. It’s just annoying the way the directors and producer go on about how the brought a sense of humanity to Quasimodo that the old Hollywood failed to do.
Next Time – Conclusions
In Victor Hugo’s original book, Notre Dame is more than just a setting. Notre Dame was character and the whole of Quasimodo’s universe. Quasimodo’s existent was so much engrained in Notre Dame that Quasimodo was essentially its soul.
Disney’s representation of Notre Dame of Paris in very much in opposition to the book. In the Disney’s Hunchback of Notre Dame, it’s just a building and its’ role is more like a prison than a sanctuary. Frollo arranged baby Quasi to live in the bell tower where he can be “locked away where no one else can see.” Quasimodo then dreams of getting out of Notre dame. Now in the book Quasimodo loved Notre Dame he didn’t want to leave it, he loved it. Esmeralda also tells the Court of Miracles that Quasimodo “ helped her escape from the Cathedral”. Notre dame is pegged as something that has to be escaped because it’s a prison. Which is why it’s odd when Phoebus makes his speech about Frollo declaring war on Notre Dame. Frollo seems to be an agent working with Notre Dame to keep people in, so why do people want to defend it? I think it just Frollo-hate on the part of the Parisians, I mean he did burn the city. And when Quasimodo declares santaury for Esmeralda. The movie presents it as prison not sanctuary so why is it so great for Esmeralda to have sanctuary? Really, that climix is contrived when it you think about.
My guess is original text had an attack of Notre Dame where Quasimodo defends it and Esmeralda from misidentified attackers and pours molten lead out the gutters and Disney really wanted to do that shot and that’s why they had to do it. But Notre Dame’s status in the story got lost among the 18 story writers. That’s right, 18 people worked on the story, there are not even 18 characters. It’s a classic case of too many cooks in the kitchen. I think ultimately that the 18 writer are to blame for all the differences to characters and to plot and for making an important point of the book the role of Notre Dame from sanctuary to prison.
Next Time – Disney and the other movies associated with HunchbackFollow thehunchblog