So last time we looked at the Disney characters on a board level, now lets look at them on a deeper level.

Let’s start with the titular character: Quasimodo!

Quasimodo  Disney Hunchback of Notre Dame  picture image

Quasimodo’s Reveal

 

Quasimodo may be told he is ugly and monstrous but if we compare him to his book counterpart, he is on the cute side of the monster spectrum. He’s a hunchback and he is shorter than most of the other characters, but that’ not enough to make him an isolated monster.  He has the over-the-eye  protrusion that Hugo described but it does not impair his’ vision to the point of being a cyclopes. Instead Quasimodo has big, friendly doe eyes. He has a red full head of head hair and wears a green tunic. Two of the more uglier factors  are his  big stub nose and his  teeth  (large teeth in the front of his mouth).

 

Quasimodo singing "Out There"  Disney Hunchback of Notre Dame  picture image

Quasimodo singing “Out There”

Unlike Hugo’s version, Quasimodo is not deaf, he sings and talks a lot but it being a musical it would have been a challenge for the directors to have a deaf hero who has to sing (Disney movie from the 90s, heros must sing), so it understandable why Quasimodo is not deaf.

 

 

Quasimodo’s personality in the Disney movie is completely different from the book. In the book Quasimodo is morose and angry. At the beginning of the book he only loves Notre Dame, the bells, and Frollo. He’s not interested  in being among the normal people of Paris nor is he forbidden from going out among them.  Disney’s Quasimodo is forbidden from going outside and all he wants is to spend one day of his life among the normal people.

Quasimodo gazing at Esmeralda  Disney Hunchback of Notre Dame  picture image

Quasimodo gazing at Esmeralda

As the story progresses he falls in love with Esmeralda. In the Book, he falls in love with her after she shows a little kinds and pity by giving him water when he is on the pillory for trying to kidnap her because Frollo ordered him. That simple act was what did it for him, not her dancing or her looks. In Disney again Esmeralda shows him kindness but when he first meets her, she was kind to him and complimented his ugly mask (really his face) and Quasimodo likes the positive attention. He see her dance and he likes it.

Quasimodo and Esmeralda on the pillory  Disney Hunchback of Notre Dame  image picture

Quasimodo and Esmeralda on the pillory

When Quasimodo is being tortured by the crowd at the  Festival of Fools, she does save him but he was already interested in her, but I guess maybe that sealed his “love for her”.  The Disney Quasimodo’s love is more manifested as a school boy crush than a deep connection and I don’t believe he would crawl into vault and to die next to her rather than live without her.

 

 

Quasimodo's figurines Esmeralda from "Heaven's Light"  Disney Hunchback of Notre Dame  picture image

Quasimodo’s figurines from “Heaven’s Light”

Quasimodo declares Sanctuary for Esmeralda  Disney Hunchback of Notre Dame  picture image

Quasimodo declares Sanctuary for Esmeralda

It’s sweet that he believes that she could love him whereas in the book Quasimodo doesn’t believe it, even if he wishes he could. Quasimodo is mostly depicted as kind and gentle.  He gets depressed but it never lasts too long. He’s also loyal which I think is the biggest similarity to Hugo’s original character.

 

Frollo and Quasimdo   Disney Hunchback of Notre Dame  picture image

Frollo and Quasimodo

Quasimodo is a dynamic character. He changes though the course of the movie, mainly in his attitude towards Frollo. At beginning he is nervous around Frollo even though he believes Frollo to be his defender. His nervousness around Frollo stems from Frollo’s abuse towards him. Frollo calls him ugly repeatedly and a  monster. When Frollo comes to visits him, Frollo gets a silver goblet and plate while Quasimodo get a wooden goblet and plate. Frollo keeps him locked up in bell tower of Notre Dame while Frollo dwells elsewhere, you’d think the Palace of Justice would be a better place to lock one up forever, it being a jail instead a public building. I would like to point out in the book,

Frollo and Quaismodo  Disney Hunchback of Notre Dame  picture image

Frollo and Quaismodo

Frollo keeping Quasimodo at Notre Dame made sense as Frollo himself lived in the cloister as he was a priest, Quasimodo didn’t move to the Bell Tower till he was 14 years old. He moved there to be the bell-ringer because he loved the bells, not as punishment for his deformity or as method for absolution for Frollo. Quasimodo calls Frollo master but Frollo insists that he raised Quasimodo as his son. Quasimodo would probably be fairly well adjusted if it wasn’t for Frollo.  Quasimodo then disobeys Frollo and goes to the Festival of Fools to fulfill his dream.  He continues to disobey Frollo as he gains real human interacts with Esmeralda and Phoebus.  At the end he stands up against Frollo and learns that people like Frollo are the cause for all the hate in world and once Frollo is dead he is finally accepted by the people.

Quasimodo accepted by the people   Disney Hunchback of Notre Dame  picture image

Quasimodo accepted by the people

Despite being in the Disney mold of hero/dreamer, Quasimodo is good character, he appeals the outsider in all of us. The film is good achiving  it’s overall theme though Quasimodo despite being thrust upon the audience, but at least he is likable and grows as character.

Next time we’ll look at Frollo.

Judge Claude Frollo  Disney Hunchback of Notre Dame  picture image

Judge Claude Frollo

 

Today is Quasimodo Sunday ( Low Sunday… First Sunday after Easter)

So since Disney’s Hunchback of Notre Dame is character driven let’s look at the main characters.

Quasimodo Disney's Hunchback of Notre Dame  picture image

Quasimodo

First let’s start with the titular character Quasimodo (Tom Hulce). Quasimodo is depicted as caring, gentle, kind, shy and dreaming of something beyond his sheltered life (classic Disney Princess erm hero). At first all he wants is to spend one day among the people of Paris and sings about it ala Part of that World type song. When someone shows him kindness he answerx with loyalty. He does has a bit of an emo-side. Later in the film he hopes for love but that doesn’t come to fruition but he is happy that Phoebus and Esmeralda have each other and that is enough for him at the end of the film.

 

Judge Claude Frollo Disney's Hunchback of Notre Dame  picture image

Judge Claude Frollo

The next important character is Frollo (Tony Jay). Frollo is a hypocritical judge who HATES gypsies, He regards them as the reason why Paris is going to hell in hand-basket. He sees no harm in killing people especially ugly babies if he views in the best interest of “justice”. He also has a pious streak, which he quite proud of.  During the course of the movie he develops an unhealthy obsession with Esmeralda where he uses tons of public funds to barrack her in Notre Dame and when she escapes he set Paris ablaze and then blames it other people because hey he just doing his job (it’s a good thing King Louis IX is not a main character or somebody would have been fired).

 

Esmeralda Disney's Hunchback of Notre Dame  picture image

Esmeralda

Djali Disney's Hunchback of Notre Dame  picture image

Djali

Esmeralda (Demi Moore), the beautiful Gypsy dancer, who is often referred to as girl but she comes off as older than Quasimodo who is 20. She is kind and has a fierce sense of justice and loyalty. She knows a wide assortment of parlor tricks that she can use in a pinch. She also can read palms though she is is a dancer by trade. Esmeralda is always accompanied by her pet Goat Djali. Djali turn offs include heights, ugly faces and hangings. Turn ons include dancing, money, and eating wood cravings.

 

 

Phoebus and Achilles Disney's Hunchback of Notre Dame  picture image

Phoebus and Achilles

Phoebus (Kevin Kline), another attractive character, Phoebus has been called back from the wars by Frollo to protect Paris from the Gypsies; an assignment he takes with major annoyance and a grain of salt. He has a dry wit and is a flirt but he also has a high sense of morality and won’t kill people just because crazy old Frollo says so. He also has a horse named Achilles who enjoys heeling and sitting on people he doesn’t care for.

 

Clopin Disney's Hunchback of Notre Dame  picture image

Clopin

Clopin (Paul Kandal) , the leader of the Court of Miracle and the story teller. He is an extrovert who loves to have a good time whether it’s entertaining small children, all of Paris at the festival of fools  or hanging trespassers. Where Clopin is the party is.

 

Hugo Laverne, Victor Disney's Hunchback of Notre Dame  picture image

Hugo Laverne, Victor

Gargoyles, the comic relief characters Victor (Charles Kimbrough), Hugo (Jason Alexander) and Laverne (Mary Wickes/Jane Withers). The three only come to life for Quasimodo and once for Djali. They have their distinctive personality, Victor is prim and calm, Hugo is loud and fun loving, and Laverne is old and tells it like it is. There loyal to their pal Quasimodo and to encourage him to follow his heart. But they’re annoying as all hell.

 

Archdeacon Disney's Hunchback of Notre Dame  picture image

Archdeacon

Archdeacon (David Ogden Stiers), the kind, caring, gentle, wise Archdeacon of Notre Dame. As Archdeacon he has some authority over Frollo and Frollo while not happy is at least compliant. He the one who guilts or rather scares into taking care of Quasimodo.

 

Next Time more on the more characters of Disney’s Hunchback of Notre Dame

 

 

So after looking at the plot overview let’s review it. The first thing to look at is the script. The script  of 1939 version of the Hunchback of Notre Dame was written by Bruno Frank and Sonya Levien. Frank wrote an adaptation and Levien wrote a screenplay based off that adaptation. The thing to keep in mind about Frank’s adaptation is that he was a German author, poet, dramatist and humanist of Jewish descent. He fled Germany because he feared the Government  and lived in Austria and England before going to America in 1937. He then starting working in Hollywood as a writer. So given the political environment of the late 30’s along with Frank’s experience it’s no wonder that the Hunchback of Notre Dame parallels Europe of the late 30s. Considering Frank’s background as an author/poet/humanist it’s understandable why Gringoire is co-hero with Quasimodo.

Speaking of Quasimodo and scenes that feature him, most of his lines are  pretty much verbatim to what Victor Hugo wrote. The film also likes to insert him wherever it can: Louis commenting on the Bells and asking about the Bell ringer, the girl crying to grandmother about seeing him, scaring Esmeralda away from Notre Dame, confessing to Phoebus‘ murder, and him alone at the end. Clearly the film compensates for Quasimodo isn’t the main character in the book.

One of the major problems with the plot is that because there is this push towards modernity, which Louis and Gringoire represent, there are lot of scenes that are either completely added, like opening scene or added to much larger parts of the film so that Louis and Gringoire can be featured more. Quasimodo’s flogging and Esmeralda’s trial are good examples. The pillory scene cuts away to other characters and sometimes just random extras, but it mainly cuts to Gringoire and Clopin, who are talking about the truth about beggary and Gringoire wanting to help Quasimodo, so he prolonged in the scene further by seeing Claude. Esmeralda’s trial has interjects made by Gringoire pleading for common sense, Quasimodo confessing to the murder, and Louis giving Esmeralda a “Trial by Ordeal” the “ordeal” is more chance, basically she just has to touch the right dagger (Louis) to be freed but she fails. These add on don’t add much and if they accomplish anyway it weak character develop at best.

Quasimodo on the Pillory Charles Laughton  1939 Hunchback of Notre dame  picture image pillory cut 1 -Gringoire and Clopin Edmond O'brein Thomas Mitchell 1939 Hunchback of Notre dame  picture image pillory cut 2- extras   1939 Hunchback of Notre dame  picture image pillory cut 3 -Quasimodo Charles Laughton  1939 Hunchback of Notre dame  picture image pillory cut 4 - whipper  1939 Hunchback of Notre dame  picture image pillory cut 5 - Gringoire and Clopin Edmond O'brein Thomas Mitchell 1939 Hunchback of Notre dame  picture image pillory 6 - more extras  1939 Hunchback of Notre dame  picture image pillory 7 - to Quasimodo Charles Laughton  1939 Hunchback of Notre dame  picture image pillory 8 -Frollo in a meeting Sir Cedric hardwicke 1939 Hunchback of Notre dame  picture image pillory 9 - Gringoire and Clopin Edmond O'brein Thomas Mitchell 1939 Hunchback of Notre dame  picture image Pillory 10 - Frollo on the scene Sir Cedric hardwicke 1939 Hunchback of Notre dame  picture image Pillory 11 - Gringoire and Claude Edmond O'brein Walter Hampden 1939 Hunchback of Notre dame  picture image pillory 12 -Gringoire and Esmealda  Edmond O'brein Maureen O'hara 1939 Hunchback of Notre dame  picture image Pillory 13 -Esmeralda and Quasimodo Charles Laughton Maureen O'hara   1939 Hunchback of Notre dame  picture image

 

all these pictures are all from the “pillory scene” and now for the trial

Trial extras  1939 Hunchback of Notre dame  picture image Aristotle the Goat 1939 Hunchback of Notre dame  picture image Quasimodo confesses to the murder Charles Laughton  1939 Hunchback of Notre dame  picture image Extra leaving trial  extras  1939 Hunchback of Notre dame  picture image Frollo watches from a spy hole Sir cedric hardwicke 1939 Hunchback of Notre dame  picture image Frollo-vision of Esmeralda being tortured Maureen O'hara 1939 Hunchback of Notre dame  picture image Louis at the Trial Harry Davenport 1939 Hunchback of Notre dame  picture image Louis and Esmeralda Maureen O'hara Harry Davenport 1939 Hunchback of Notre dame  picture image Trial by ordeal/chance Maureen O'hara Harry Davenport 1939 Hunchback of Notre dame  picture image

this scene does not have as many ADD-ons as the pillory scene  but when Quasimodo comes in it just falls apart and having Louis there makes it worst.

Another  big problem is Frollo’s obsession/lust for Esmeralda comes off very contrived. He sees her dance, he stares but I don’t think he is  enchanted by her at that moment. Their discussion in Notre Dame is just there so he can talk to her. He starts by letting his prejudices and superstition about her and her people be known and thne he stares at her breasts for more than a few seconds. And while that part is quite amusing, it seems so forced, it almost like he bored of talking to her. After that the talk takes a dive because they strike an accord over a mutual love of animals, for no explain reason Frollo keeps a dozen cats in his office, I guess this would explain why he took in Quasimodo in the first place. Anyway it seemed that Frollo and Esmeralda could be have friends if Quasimodo haven’t scared her and he tried to kidnap  her. A side point about the kidnapping, at the point where Esmeralda fled from Notre Dame she apparently lived in sanctuary because she didn’t have a city permit and would be arrested for not having one, so seemed like the “kidnapping” was only to take her back to safety. It’s good thing the guard who recused her didn’t ask for her permit, actually the permit thing is never mention again, it completed its’ mission for the plot. Anyway back to the Frollo/Esmeralda dynamic, given his tepid feeling and her lacking of feeling anything towards him, this makes the confession scene odd. Esmeralda and Gringoire are performing and for some weird reason Frollo is hosting. He asks Gringoire if he is ready to perform. When Gringoire is out the way , Frollo makes his move and confesses his confused little feelings. Now prior to this scene Frollo tried exactly once to find Esmeralda, he had all the Gypsy girls in the Court of Miracle arrested and then released  because Esmeralda wasn’t there. So he didn’t  shown his powerful obsession/lust, so it hard to buy his torment. Prior to this we know that Esmeralda doesn’t have any strong dislike of Frollo, so I don’t buy her fear in this scene either. Then she goes off with Phoebus and Frollo kills him again I don’t believe he was pushed to murder. Since Frollo is the catalyst that causes the story to take motion, the Frollo/Esmeralda dynamic needs to strong, not there because the it was in the original.

I do like that the theme is old vs new and embraces the sprit of progress, it’s a nice change of pace for a Hunchback movie. The cliche theme for Hunchback films is “beauty is on the inside”. But the theme does tries to hard it assert itself and competes with original too much. I think the plot suffers because of this and ultimately the the plot and the screenplay are the weakest element of the film.

Next time we’ll look at the Mise-en-scene for the movie.  see ya then!