Visite de Frollo à Esmeralda (Visit of Frollo to Esmeralda)

Daniel Lavoie as Frollo Esmeralda as Helene Segara Notre Dame de Paris picture image Visite de Frollo à Esmeralda

Daniel Lavoie as Frollo and Esmeralda as Helene Segara

I once had the je t’aime as a ringtone, it was awesome. I want to say that any good version of Hunchback should have a jail scene but what I really mean is a confession scene. In that scene the lines do not have to be line for line of the book but lines that capture the mood energy of the scene. That’s what separates a good confession scene like the 1939 version from a meh one like the 1977 version.

However Visite de Frollo à Esmeralda is the perfect version, it gets the scene down perfectly. They only thing that is different is that Frollo isn’t as threatening or a scary as he is in the book, he is done right crazy. Here is just more sexually-repressed which gives was to crazy laster one but he doesn’t have the ice gaze with fiery eyes, however that more on a perform level than the intention of the show, but I don’t mind it, Lavoie’s Je t’aime is powerful, it’s great.

As far as the song goes, it is a lead in to the next song. It has the same off-ness that the other songs have had, defiantly a tone of this part of the musical. But it a a really good lead in.

Un Matin tu Dansais (One morning you danced)

Esmeralda and Frollo Un matin tu dansais Helene Segara Daniel Lavoie Notre Dame de Paris picture image

Esmeralda and Frollo

Un Matin tu Dansais is the really the confession scene proper. In it Frollo confesses his feeling and thoughts towards Esmeralda, she rejects him and he tries to force himself on her, so we get the port de rouge scene mixed in. You got love Lavoie acting here when she pushes him away and he touches the spot where Esmeralda pushed him.

Again. like the lead in, the tone of the song has that off-balanced vibe that we all have come to love, haven’t we?

I don’t have any complaints about this song, the tone it perfect, I really enjoy the acting and the staging. If I did have one issue it would that Esmeralda isn’t scared of Frollo, which fits her character in the musical but not the book.

Libérés (Liberty)

Quasimodo freeing Esmeralda Liberes Helene Segara garou Notre Dame de Paris picture image

Quasimodo freeing Esmeralda

Libérés is a great high energy song that is the perfect contrast to the songs that have some before however I do have some issues with it.

In the song, Quasimodo sets Clopin and his people free and then they save Esmeralda. The song is about revolution and their rights to asylum. The singer just sings this some with such power and conviction that it’s great. Also the staging and use of the space is awesome. They remove the iron bars and people suspend down the climbing wall which is cool.

Now it may seems like have a lot of issue with this song but I nitpick and just watching the musical you would more than likely not even think about these things.

1, As powerful as this song is, it is weak if you compare its counterpoint in the book where Quasimodo descends from Notre Dame and save Esmeralda right before she about to be hanged and proclaims Sanctuary. Here he just opens a cage door and the Clopin is the one to actually save Esmeralda.

I get why they did it this way, practicality and budget.

2, On contextual level, how did Quasimodo know where to go and when to show up?
Last time he was on stage he was in Notre Dame asking where Esmeralda went off to.

One could speculate that Gringoire told him as Clopin failed to save Esmeralda with his complaining song but how would Gringoire know that Quasimodo had interest in Esmeralda? Gringoire and Quasimodo have zero interaction with each other except for the Feast of Fools. Gringoire’s part in Libérés seems to indicate that he told Quasimodo BUT Gringoire has a storyteller role in Notre Dame de Paris so is he in this song as Gringoire the character or as Gringoire the storyteller?

Consider this? Gringoire’s part in Libérés is independent of the other singers, he is singing on his own and he off to the the side for most of the song and comes in separately from Quasimodo toward the middle on the song. It seems like he more of a storyteller than a player in the plan.

However the simpler method is typically the more likely so we”l just go with Gringoire told Quasimodo even though it makes no sense, since the play made it a point that Gringoire told Clopin but not Quasimodo, better drama I guess.

 

Side Note- The English version of this song is really awkward. it sounds like an ad for a Mattress Store One Day sale.

Get the whole GLORIOUS ALBUM HERE

Bohémienne

Esmeralda Helene Segara Bohemienne Notre Dame de Paris picture image

Esmeralda

Bohémienne is one of the few upbeat songs in Notre Dame de Paris. Pending on the cast you’re watching the number can be more upbeat, as most Esmeraldas do have dance choreography. The trouble with some Esmeraldas, is that even though they are dancing, the choreography can look REALLY mechanical. Some Esmeraldas can pull it all like Lola Ponce of the original Italian cast and Baba of the Korean version but most Esmeraldas it like arms up, run back. arms up again and now twirl. Helene Segara at least looks natural in her movements regardless whether not she is dancing, she isn’t but there are a few little steps in there.

Bohémienne tells us a little bit of Esmeralda’s origins and out look on life. She’s a wander and enjoys the unknown. She is also a dreamer and really dreams of going to Spain. Despite the upbeat nature of the number there is this hint of bittersweetness. The combination of tones gives this songs a nice complexity and interest.

It’s a really great introduction for Esmeralda and fun number.

Esmeralda Tu Sais, (Esmeralda, You Know,)

tu sais Esmeralda and Clopin Helene Segara Luc Mervil Notre Dame de Paris picture image

Esmeralda and Clopin

I once made a Top Ten Worst Songs of Notre Dame de Paris list and this song was there, at number three no less. This songs works to tells us more on Esmeralda’s backstory with regards to Clopin. Basically he raised her when she mother died. In the song he warns her about guys and his own rising interest in her.

Here the thing about Esmeralda tu sais and why it made my list, it’s REALLY boring. The melody, orchestration, tone are like valium. It doesn’t highlight the singer it anyway and makes Clopin sound like he is droning. In other cast versions, they tried to fix the song by making it a duet with Clopin and Esmeralda which is nice and Clopin gets more angry about the world but it didn’t really help anything, it’s still dull a rusty nail.

The ONLY thing I can give the song is showcasing Clopin’s gentler side but I mean they could have written a better melody, it’s just one of the weaker songs in the show.

Ces diamants-là (These Diamonds)

Julie Zenatti as Fleur-de-Lys with Patrick Fiori as Phoebus, Notre Dame de Paris picture image

Julie Zenatti as Fleur-de-Lys with Patrick Fiori as Phoebus, Notre Dame de Paris

Ces diamants-là is Fleur-de-Lys introduction song. Just so we’re all clear, Fleur-de-Lys is Phoebus’ Fiancee. Isn’t it great that Notre Dame de Paris introduces Fleur-de-Lys before Quasimodo? I think it is!

Ces diamants-là tells us about Fleur-de-Lys and Phoebus’ relationship. Fleur-de-Lys who is young in this version but is wise to Phoebus’ playboy ways in that she says even if his romantic lines are lies she doesn’t care. She is smitten with him and Phoebus whether or not is he is lying or sincere does seem to be interested in marring her.

The song is sweet but there is more at play. They way they circle around each other and pull way speaks to a power dynamic and really way they do it speaks to Fleur-de-Lys having more control than Phoebus. This could be because Phoebus is a slut who can’t help himself or that it’s Fleur-de-Lys who has the monetary upper-hand like she does in the book. The melody while it’s quite pretty seems a little off, like almost a little diabolical, like a little foreboding with those drums. In that sense it’s the perfect depiction of Phoebus and Fleur-de-Lys‘ characters in the musical.

Get the whole GLORIOUS ALBUM HERE

I might discuss aspects from other casts but I’m going to keep it to the original cast.

Le Temps des Cathédrals (The Age of Cathedral)

 

Bruno Pelletier as Gringoire singing Le Temps de Cathédrales Notre Dame de Paris  picture image

Bruno Pelletier as Gringoire singing Le Temps de Cathédrales

This is the first number of the show. It’s sung by Pierre Gringoire who acts mainly as a story teller. The song tells us about the changing times and how teh Cathedral once prominent and important to society is falling away and that population is changing too as people seek refuge in Paris.

The song itself is very mysterious with a touch of bittersweetness. The songs also have a great build and there is a nice reveals of the stage as the song builds. It starts with a bare stage and Gringoire but slowly layers of screens are pulled back to reveal the set pieces.

Le temps des cathédrales is also a great showcase for Gringoire’s voice. Bruno Pelleteir has such an expressive voice. Also with all the power and build up and the enegry Gringoire to into the song it transition to the nest song very nicely.

Les Sans Papiers (Those without Papers)

 

Luck Mervil as Clopin singing Le Sans Papiers, Notre Dame de Paris picture image

Luck Mervil as Clopin singing Le Sans Papiers

Just a little clarication papers meaning without passport, or without legal documentation which I don’t think they would have had in 1482, could be wrong but it a big deal these days and the Refugee were a big issue in France at the time this musical came out so it’s topical.

So what is interesting about Notre Dame de Paris is that even though they didn’t start it the same way as the book they do introduce the characters at roughly the same points. This songs in Clopin asking for refuge for his people. There is also the same tone of change.

There is a great power and darkness to Le Sans Papiers. It’s interesting that a song that is basically begging would have such a forceful tone to it. There is also a menace and urgency that makes this song exciting by the end.

It also the first number with dancing. Notre Dame de Paris has a lot of dancing. For this particularly number the dancing is a little weird. I don’t know a ton or anything about dance, heck I was run out of tap dance class at the age of six, I’m the last person who should critic dance but while I think the dancing in this number is effective to the tone and mood of the song I don’t care for it. Some of it look like spazing out, which I excel out. I did like that walk out and throw down move.

Also during this song you can see Frollo looming in Notre Dame, as played by a rock climbing wall. And as indicated by the next song, this song did not melt Mr. Frollo’s icy heart.

Intervention de Frollo (Intervention of Frollo)

Daniel Lavoie as Frollo singing Invention de Frollo Notre Dame de Paris picture image

Daniel Lavoie as Frollo singing Invention de Frollo

This is the first song that is a little different between the cast version. Frollo commands Phoebus to arrest the people and he complies. In the original cast he tries to arrest Esmeralda and is taken with her. In other versions, after getting the order Phoebus finds Esmeralda dancing and is taken. It’s both a HUGE difference and not. With her dancing it clarifies Esmeralda as a dancer but the transition is not smooth. With the arrest we lose her a bit as dancer but it makes for a better transition. Though it’s a transition that exist within the song.

As bridge song, Intervention de Frollo is okay. It’s very staccato but gets the point across of Frollo authority and coldness and Phoebus‘ conformity and interest in pretty girls.

*I might translate these with crummy translations or go by the English titles. which can also be crummy.

GET THE WHOLE GLORIOUS ALBUM

Clopin Disney Hunchback Notre Dame picture image

Clopin Disney Hunchback Notre Dame

At last there is exist the Clopin Catsuit, wow, trying saying that three times fast, ok it’s not that hard. Anyway I got an e-mail about a Clopin catsuit from Zentai-Zenati.com. A Zentai is a a full-body skin tight suit, I first learned what a Zentai was from an episode of Archer, episode 03×08, Lo Scandalo to be exact.

You can view it here,  http://www.zentai-zentai.com/clopin-trouillefou-costume-yellow-and-blue-spandex-lycra-catsuit-products-1898.html  (I’m not affiliated with the site, just saying.) I can’t post the picture.

I just love that a site has a Hunchback costume.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Clopin is a complex character in Notre Dame de Paris. He is both intense and tender. If he differs between the cast versions, it’s it most likely that the he is either playing up his intenseness or keeping it to the base level for the character.

tu sais Esmeralda and Clopin Helene Segara Luc Mervil Notre Dame de Paris picture image

Esmeralda and Clopin

Like in the Book Clopin runs the the Court of Miracles. It is a little vague if the Court of Miracles is strictly his group of Gypsies and refugees or beggars but I think it the combination. Speaking of which, Clopin and Esmeralda go way back. When Esmeralda’s mother died, she trusted Esmeralda’s care to Clopin so he is like a father-figure to her. This relationship is complicated for Clopin as Esmeralda grows and becomes a beautiful woman, he starts seeing her as in a romantic light which  he doesn’t seem to like that much.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Like Esmeralda, Clopin hates distinctions between of race, culture and social class. Clopin dislike of these facet of human nature is where Esmeralda got them in the place. This also also makes up the core subject of most of Clopin’s songs, the other subject is Esmeralda.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Because Clopin is so focus of the blight of his people and social inequality he does have the fun and somewhat carefreeness of other Clopins. Of all other Clopin, I think Notre Dame de Paris is the least fun. He does make a few quips like that Poets are only fit to be hanged and he looks like he have fun during that number, tough who wouldn’t singing on a suspended metal girder, it has to be fun. Though Gringoire getting to swing around in that bag looks fun too.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Notre Dame de Paris Clopin does differ from the book as, Clopin in the book didn’t care about social inequality, he just wanted to beg and drink. While I do sprout purity to the book, I do like this changed to character. It gives him interest and more purpose.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Clopin in Notre Dame de Paris is less fun than other version but he has the most social conscious of the Clopin and that makes him an interesting and compelling version of the character from the book.

Next Time Fleur-de-Lys

Julie Zenatti as Fleur de Lys Notre Dame de Paris picture image

Julie Zenatti as Fleur de Lys Notre Dame de Paris

Esmeralda and Quasimodo in Notre Dame Ma Maison c'est ta maison garou helene Segara Notre Dame de Paris picture image

Esmeralda and Quasimodo in Notre Dame

Notre Dame de Paris is often praised for being accurate to the novel but there are A LOT of differences.

Esmeralda Helene Segara Bohemienne Notre Dame de Paris picture image

Esmeralda

The biggest one is no Djali, I mean how could they? But in all seriousness, Esmeralda is in this version is a full-fledge Gypsy who at one point in her life knew her mother. As we have seen in other versions, Esmeralda being a Gypsy is the norm over her backstory in the novel where she is the daughter of French woman and stolen, so it’s not big changes considering the film/adaptation history of the character.

tu sais Esmeralda and Clopin Helene Segara Luc Mervil Notre Dame de Paris picture image

Esmeralda and Clopin

Clopin also serves as not only the leader of the Gypsies and thieves but as a father figure to Esmeralda, as her mother entrusted Esmeralda to him when she died. Clopin himself is different than other versions as he care for the blight and safety of his people more than previous versions of the character.

Quasimodo and Esmeralda Le Pape des fous Helene Segara Garou Notre Dame de Paris picture image

Quasimodo and Esmeralda

The show opts to start with introducing characters and not the Feast of Fools, except for Quasimodo who appears during that Feast of Fools number. It’s a little unclear if Quasimodo had seen Esmeralda before or if he first saw when she crowned him as the Pope but he does take a liking to her when he is crowned and not when she gave him water.

Esmeralda and Quasimodo in Notre Dame Ma Maison c'est ta maison garou helene Segara Notre Dame de Paris picture image

Esmeralda and Quasimodo in Notre Dame

Quasimodo also brings Esmeralda into Notre Dame and offers it to her as a home. Esmeralda has gone into Notre Dame a few times before prior to Quasimodo saving her in different versions but it is the first time Quasimodo invites her in, usually she goes in for another reasons mainly to escape guards. Though in the 1923 version it was to met Phoebus.

Phoebus and Esmeralda Tentative d'enlevement Helene Segara Patrick Fiori Notre Dame de Paris picture image

Phoebus and Esmeralda

Speaking of meeting Phoebus, who liked that segue, Esmeralda and Phoebus arrange to met at a brothel called the Cabaret de Val d’amour whereas in the book they meet a tavern/inn/house called Pomme d’eve. However there is actually a Val d’amour in the book, it is a brothel that Frollo’s brother Jehan frequents.

It just weird that Phoebus would meet a girl, who not 2 seconds before turned him down, at a brothel. Oh well, it’s suppose to make him look sleazy.

Esmeralda on Trial with Frollo Helene Segara Daniel Lavoie Notre Dame de Paris picture image

Esmeralda on Trial with Frollo

The biggest and most glaring of the differences comes in the second act. First off, Frollo handles Esmeralda’s trail and torture. I would venture a guess that the reason for this is more practical than artistic as they would have needed another singer.

Frollo makes sense to fill this role but it’s just weird. Though and I forgot where I heard it but when Esmeralda confesses she just says something like “I love him, I confess,” and Frollo orders the torture to stop, somewhere Daniel Lavoie (Frollo’s original actor) said that it’s because Frollo loved Esmeralda that what she said was deemed enough. So there ya go.

Esmeralda and Frollo Un matin tu dansais Helene Segara Daniel Lavoie Notre Dame de Paris picture image

Esmeralda and Frollo

Also scenes that occur in Notre Dame after Esmeralda is brought there do not happen. The Port de Rouge scene and the scene where Frollo gives Esmeralda the final ultimatum are merged into the Jail scene, which is fine, they blended nicely together.

Also Frollo just likes science in general and not just alchemy which is just minor change and a nitpick.

Quasimodo freeing Esmeralda Liberes Helene Segara garou Notre Dame de Paris picture image

Quasimodo freeing Esmeralda

Another BIG difference is Quasimodo saving Esmerlada, Clopin and the rest of the Court of Miracles. Everyone knows that Quasimodo descends from Notre Dame, saves Esmeralda and proclaims sanctuary while holding her aloft but not here.

In fact Quasimodo never says Sanctuary. He claims freedom for her but he never says “Sanctuary.” The closest is Clopin says “Asile” which can means sanctuary although is closer to asylum. And I’m now resisting making a Asylum Films joke.

Also Quaismodo is no where to be seen when the attack on Notre Dame is occurs. It really seems to be Clopin who is defending the cathedral and not Quasimodo, which just wrong.

Esmeralda about to be hung Helene Segara Notre Dame de Paris picture image

Esmeralda about to be hung

Phoebus is there though and he is the one who proclaims Esmeralda’s death sentence as it’s what his fiancee wants. It a like more of a twist of the knife as Esmeralda was still in love with Phoebus when he passed judgment on her although that did not happen in the book but it makes for good drama.

Fleur-de-Lys and Phoebus Julie Zenatti Patrick Fiori Notre Dame de Paris picture image

Fleur-de-Lys and Phoebus

Lately and this is a good change, Phoebus‘ fiancee, Fleur-de-Lys has a must more of a fleshed-out character. In the book we know she loves Phoebus and jealous of Esmeralda but not too much more.

Here we see more of her inner workings. She knows Phoebus spouts lies and she was ok with that till Esmeralda came along. Unlike the novel where Esmeralda was only meant to be a one night thing for Phoebus, here Phoebus wanted to balance them out. This makes Fleur-de-Lys go a little crazy and pending on what version you watch, she either wishes for Phoebus to ensure Esmeralda’s death or demands it of him. It’s just nice to see the character have a little bit going for her than nothing.

I’m sure there are many more difference but those are the core ones.

Next Time – Esmeralda

Helene Segara singing Ave Maria Paien in Notre Dame de Paris picture image

Helene Segara singing Ave Maria Paien in Notre Dame de Paris

 Garou Helene Segara Quasimodo and Esmeralda Notre Dame de Paris picture image

Quasimodo and Esmeralda

 

One of Notre Dame de Paris‘ core weaknesses is the way it presents the story. The narrative is very patchy and filled with a lot little gaps. To really understand what is happening you have to know that story before going into it.

 garou Bruno Pelletier Gringoire spotting Quasimodo during the Feast of Fools Notre Dame de Paris picture image

Gringoire spotting Quasimodo during the Feast of Fools

 

For instance it takes seven songs for the story to get to the beginning of the book. Before that it’s all set-up plus a few lines that marginally tell us about the characters. But seven songs for the Feast of Fools to start. And the plot kind of trots at weird pace, giving us the bare minimum to get to the plot points

Garou as Quasimodo & Helene Segara Danse mon Esmeralda,Notre Dame de Paris picture image

Notre Dame de Paris Ending

However the larger point of the musical isn’t so much to tell the story of Hunchback, as I suspect the creators were under the impression that the audience already knew the story prior to seeing it but the to tell the emotions of the story which the musical does very well. The emotions in this musical are like that of The Phantom of the Opera, over-the-fucking-top, I still get misty eyed during Danse Mon Esmeralda. Does that excuse the musical for some of its jarring weirdness?

 Luc Merville Clopin and the Court of miracles and the Attack of Notre Dame Notre Dame de Paris picture image

Clopin and the Court of miracles and the Attack of Notre Dame

Nope. I don’t care how emotional effective the songs are, so many of the transitions from emotion to pivotal story points are down right jarring. For instance to get from Phoebus’ song, Dechire, when he sings about two ladies wanting him to Quasimodo’s punishment we have the bridge song Anarkia which is 42 seconds to explain Gringoire being married, the word “Ankaria” and then OMG look it’s Quasimodo, let’s go check that out. Or how about going from the lovely song where Esmeralda sings about wanting to live to BAM attack on Notre Dame. And for the record Notre Dame de Paris sports a very sloppy hastily done attack scene. First off Quasimodo is not around, Frollo can just end sanctuary and I’m unclear if Clopin and the court of miracles are defending Notre Dame or attacking it.

Daniel Lavoie Frollo Notre Dame de Paris picture image

Frollo

 

Despite the narrative weakness, Notre Dame de Paris is faithful in some ways to the book. For instant the fate of the characters is all on point and this is the best portrayal of Frollo in any version outside the book, even better than the opera that Hugo himself wrote the lyrics to.

 Garou Helene Segara Quasimodo and Esmeralda Notre Dame de Paris picture image

Quasimodo and Esmeralda

It is easy to over look the weak story telling of Notre Dame de Paris because you do get lost in the big emotions. Does that make it ok? No, but thank goodness the musical is so powerful, that is its very mighty strength.

Next Time – Differences between the book and the musical, (I wrote them once for my Hubpage, so outline, done)

Helene Segara as Esmeralda and Daniel Lavoie as Frollo NOtre Dame de Paris picture image

Esmeralda and Frollo

Would you believe this is like at least the second time I have written a synopsis of the plot of Notre Dame de Paris ( here)? Also this is a synopsis of the original French product. In 2001 the show had some changes. I will at some point talk about the different casts (to the best of my ability) but for now the original French is the default since it’s most convenient version I can review.

Helene  Segara as Esmeralda and Patrick Fiori as Phoebus Notre Dame de Paris picture image

Esmeralda and Phoebus Notre Dame de Paris

Act 1
The show opens with Gringoire, the story teller, as he regals the crowd with cathedrals and their important to the world and their demise from importance as books in stone and glass. The scene then shifts to Clopin and his group of refugees who want sanctuary in Notre Dame. His pleads fall on deaf hears as Frollo, the archdeacon of Notre Dame who orders the captain of the King’s Archer, Phoebus to arrest them. Phoebus corners pretty Gypsy lady. Phoebus is instantly attracted to her and ask her about herself. She tells him that she is a bohemian and her parents are gone but she dreams of returning to Andalusia someday though her fate is already determined. Clopin, her care giver then warns her that she is grown now and to be wary of men. We are then introduced to Phoebus‘ fiancee, Fleur de Lys who is fourteen and is quite smitten with the dashing captain.

Garou as Quasimodo Notre Dame de paris picture image

Quasimodo as the Pope of Fools

The Feast of Fools begins with Gringoire leading the revelry. Quasimodo then pokes his head out from the cathedral and is crown the Pope of Fools by Esmeralda. Quasimodo then asks the crowd, especially Esmeralda if she will love him, but she doesn’t really care. Quasimodo curses his parents that abandoned him. Frollo then breaks up the fun and calls out Esmeralda for being a witch and evil. Froll then decides that they will kidnap her. Quasimodo tells Frollo that he will do anything for Frollo since he took Quasimodo in and gave him the bells. But despite that he doesn’t know Frollo’s heart but he belongs to Frollo and loves him as dog loves his master.

Juie Zenatti as Fleur de Lys & Helene Segara as Esmeralda, Notre Dame de Paris Original Cast, picture image

Fleur de Lys & Esmeralda

Gringoire tries to follow Esmeralda after the feast but lost her. He then tells us that nighttime in Paris is a dangerous and lustful place. Quasimodo then set out to Kidnap Esmeralda as she warms herself but he stopped by Phoebus. Phoebus offers to take Esmeralda outside the city to where the other Gypsy live and he sort of puts the moves on her. Esmeralda tells him that she isn’t that sort of girl however when her asks to meet her the following night at Val d’Amour (a brothel) she does not say no. We then are thrown in to the Court of Miracles where the vagrants live and Clopin rules a world with no heaven, no hell, no country, no creed. Gringoire wanders in and going to hang but Esmeralda marries him to save. Gringoire is all for this match but Esmeralda asks what Phoebus means and that it the name of the man she loves. Gringoire tells her it means the sun. Esmeralda likes this name and entertains girly ideas about what kind of man he is while Fleur de Lys knows him a little more. Phoebus then tells us that two women love him and this the bestest thing ever as he figures he can have both and it will be awesome.

Frollo and Esmeralda during Belle, Notre Dame de Paris picture image

Frollo and Esmeralda

The next day, Frollo and Gringoire meet and Frollo find out that Gringoire and Esmeralda are married which is disapproves of and tells Grngoire that he must not touch his wife but I mean really want husband would really want to touch his wife. Gringoire shows Frollo the work Ankaria which engraved on the wall and asks what it means. Frollo tells him it means fate. They then see Quasimodo being taking away. (That songs last for 42 seconds). Quasimodo tries to a pillory and asks for a drop of water. Esmeralda gives him some and he calls her beautiful. Quasimodo, Frollo and Phoebus then tell us about their own desires for Esmeralda. After the crowd clears, Quasimodo invites Esmeralda in to Notre Dame and tells her she can be save their and it can be her home. Esmeralda then prays to Mary for protections against the people in power and the fools of the world as Frollo watches her and becomes more bewitched by her and knows she will destroy him and he is ok with that.

Gringoire Val d'amour Notre dame de Paris picture image

Gringoire at Val d’amour

Frollo follows Phoebus to Val d’Amour and tries to scare him away but Val d’amour is way too sexy and Phoebus meets with Esmeralda for a night of loving. They don’t make it very far when Frollo stabs Phoebus, such is fate.

Act II

Quasimodo with a Bell Les Cloches Notre Dame de Paris picture image

Quasimodo with a bell

Frollo and Phoebus meet again and regal us with the changing world and how the snazzy new printing press with destroy architecture. They hear silence as the bells or Notre Dame no longer ring. Quasimodo is sad because he rings the bell for everyday and for everyone except himself and he wants to hear the bell ring out his love for Esmeralda. Esmeralda is also missing and Gringoire, Frollo and Clopin mourn her absence. Frollo asks where she has gone but Gringoire doesn’t tell him but tells Clopin that she has been arrested and will be hanged.

Esmeralda in jail les oiseaux qu'on met en cage  Notre Dame de Paris picture image

Esmeralda in jail

Esmerlada in jail asks for Quasimodo to save her. Quasimodo is also missing her as they share a strong bond. Clopin then tries to recuse Esmeralda but is arrested himself. Esmeralda is put on trail but Frollo for wounding Phoebus. She then tortured and confesses to loving Phoebus which seems to be enough to condemn her to death. Esmerada then wishes Phoebus would save and take her to Andalusia while Frollo laments about being a priest and loving a woman.

Fleur de Lys La Monture Notre Dame de Paris picture image

Fleur de Lys

Fleur de Lys is at her wit’s end and is feud up with Phoebus’ cheating but she is whiling to forget it if Phoebus can ensure Esmeralda’s death, which is going to happen anyway so Phoebus agrees and claims that Esmeralda bewitched him anyway but he is ready to be 100% faithful.

Helene Segara as Esmerada & Daniel Lavoie as Frollo, un matin tu dansais from Notre Dame de Paris picture image

Esmerada & Frollo

The bells ring in the early morning as Frollo informs Esmeralda that in an hour she will die. She asks what she did to him to make him hate her but he confesses that he Loves her and gives her an ultimatum, the grave or Frollo’s bed. Esmeralda rejects him but Frollo tries to force himself on her. Just then Clopin saves Esmeralda as Quasimodo released everyone.

Gingoire lune Notre Dame de Paris  picture image

Gingoire and the moon

Quasimodo takes Esmeralda, and I guess the rest of the Court of Miracles. Gringoire then regales the audience and the moon with how consuming the power of love can be. Quasimodo gives Esmeralda a whistle and tells her not to leave Notre Dame. As Esmeralda drifts off to sleep, Quasimodo laments that God made the world wrong as Esmeralda will never love him but loves Phoebus. Esmeralda wakes up and tells us how she doesn’t want to die but she wants to live. She wants to live for love.

Esmeralda and Clopin l'attaque de notre dame notre dame de paris picture image

Esmeralda and Clopin

Clopin claims sanctuary but Frollo orders right if sanctuary broke Phoebus to expel them from Notre Dame. Clopin is killed and Esmeralda rushes to him but is recaptures and sent to the gallows, which pleases Fleur de Lys. Quasimodo begs Frollo to save Esmeralda but he refuses as she rejects him. As she hanged Frollo laughs and Quasimodo kills Frollo and then demands Esmeralda be returned to him.

Garou as Quasimodo & Helene Segara Danse mon Esmeralda,Notre Dame de Paris picture image

Quasimodo with Esmeralda

 

Quasimodo holds Esmeralda’s body and begs her to dance for one final time and vows that in death they will be united in the universe.

Don’t you just feel happier now?

Next Time more on the Plot

Belle Notre Dame de Paris picture image

Belle

Robert Marien as Froll & Matt Laurent as Quasimodo, World Tour Notre Dame de Paris Crocus City picture image

Robert Marien as Froll & Matt Laurent as Quasimodo, World Tour Notre Dame de Paris Crocus City

YAY, Korea is putting on a French Cast Production of Notre Dame de Paris in honor of the 10th anniversary of the show in Korea. This marks the like fourth run of the show in Asian country but it’s the fisrt time since 2005 that a production has been in its native.

The show will run at The Grand Theater, Sejong Center for the Performing Arts in Seoul from January 15th to February 27th 2015.

So here is the cast and if you have been following the Notre Dame de Paris recent cast ( or just in general) you will see some familiar faces.

Quasimodo – Matt Laurent & Angelo Del Vecchio

Frollo- Robert Marien & Jerome Collet

Esmeralda – Stephanie Bedard & Myriam Brosseau

Gringoire – Richard Charest & John Eyzen

Phoebus – Yvan Pedneault & John Eyzen

Fleur de Lys – Stephanie Schlesser & Myriam Brosseau

Clopin – Roddy Julienne, Gardy Fury & Angelo Del Vecchio

Also according to Matt Laurent’s site the show will also go to
Daeju, South Korea
Daejeon, South Korea
Kwanju, South Korea
Busan, South Korea
Ulsan, South Korea
Taipei, Taiwan
http://mattlaurent.com/calendrier.php

By now you should know that the characters in the 1986 version of the Hunchback of Notre Dame are not rich, complex or by any means interesting and that’s just main characters who get screen time and apparent motivations. Considering this version misses with the main characters. the minor characters don’t have a snow flake’s chance in hell to be interesting and yet they do as result weird writing.

Phoebus

Phoebus 1986 Hunchback Notre Dame picture image

1986 Phoebus

Phoebus in gets the most important role of the minor characters. He does his Phoebus duties of saving Esmeralda, getting stab and conveniently not saying anything about not dying.

It weird that Phoebus didn’t say anything when he walked by as Esmeralda is about to die only to clear the air at the end. It also seems like he was sincere about Esmeralda unlike book Phoebus.

Did he just notice her execution or her trial? I find that hard to believe but it was convenient because Quasimodo has to save her. It’s just a head scratcher. I wish this Phoebus had more of a character then being a plot point because the bad writing could have made him interesting.

Gringoire

Gringoire 1986 Hunchback Notre Dame picture image

1986 Gringoire

He whines and marries Esmeralda and is bummed that she doesn’t like him. I don’t think he adds anything. Well strictly speaking he tells Frollo about Esmeralda and Phoebus’ meeting but really, Frollo could have overheard that just as easily. And Gringoire is not even shown after that point anyway.

Djali

Djali 1986 Hunchback Notre Dame picture image

1986 Djali

Djali is considered Esmeralda’s double but not here as Esmeralda herself calls Djali a “dirty little beast” in fact that is her first line, Djali misses the marks as they depict her as brown and not white with glided horns. Other than that Djali does her tricks and gets Esmeralda in trouble.

Clopin

Clopin 1986 Hunchback Notre Dame picture image

1986 Clopin

Clopin is ONLY in the Court of Miracles scene. So because he is self-contain scene that they place straight to the book, it a decent short depiction that doesn’t get muddled. Best depiction in the 1986 version!

Next Time – The Voice Acting

Esmeralda 1986 Hunchback Notre Dame picture image

1986 Esmeralda