Today Fan-Art is by FluidGirl82. It’s Phantom meets Hunchback. With a little anime style to it and I also love the names of the actors and crew. I don’t know about you but I would see the movies though I don’t want to give Hollywood any ideas. After all they’re making Hunchback into an action-adventure movie that’s also as ridiculous as making Snow White a warrior in armor on horseback; Oh Wait they already did that in Snow White and the Huntsman. Anyway enjoy the Fan-art

The Phantom of Notre Dame by Fluidgirl82

The Phantom of Notre Dame by Fluidgirl82

A few years before I was a Hunchback of Notre Dame fan, I was very into Phantom of the Opera so when I saw this I had to post it. I still like the Phantom of the opera in fact I just saw the the  Australian DVD of Love Never Dies and I liked more than I thought I would. I loved how cinematic it looked. Kind of makes me wonder how Notre Dame de Paris would look if it was professional shot in that manner. Anyway there are a lot similarities between Phantom and Hunchback and I’ll do come comparisons between the two stories sometime.

Esmeralda Hunchback of Notre Dame Patsy Ruth Miller 1923 picture image

Esmeralda Hunchback of Notre Dame Patsy Ruth Miller 1923

I think the 1923 version of  Hunchback of Notre Dame is the best depiction of Esmeralda in an movie. She captures the original charm of Esmeralda  from the book. She is  young, sweet, free-spirited, innocent, romantic and  a bit shallow.  Let’s face it, Esmeralda is not a particularly deep character. She is not  battling her own inner-demons nor is struggling against the social system. She just a young girl who likes to dance and the 1923 version allows her to be that character.

Esmeralda Rejecting Frollo Hunchback of Notre Dame Patsy Ruth Miller 1923 picture image

Esmeralda Rejecting Frollo Hunchback of Notre Dame Patsy Ruth Miller 1923

Unlike the Esmeralda of the novel the 1923 version has a bit more backbone and is more realistic. In the book Esmeralda is afraid of Frollo, in the 1923 she seems to ignore him or at most is just indifferent to him. Her behaving this way towards the Frollo character  does make their relationship less dramatic though.

Esmeralda Rejecting Phoebus Hunchback of Notre Dame Patsy Ruth Miller 1923 picture Image

Esmeralda Rejecting Phoebus Hunchback of Notre Dame Patsy Ruth Miller 1923

Also in the book there is no issue for her about Phoebus’ nobility. In the 1923 version Esmeralda does understand the social differences between them and at one point tries to rejects him however she retracts that very quickly. It may seem like a contrived sub-plot but it does add a bit of maturity to her character that we don’t see in the book.

 

Esmeralda Rejecting Quasimodo Hunchback of Notre Dame Patsy Ruth Miller 1923 picture image

Esmeralda Rejecting Quasimodo Hunchback of Notre Dame Patsy Ruth Miller 1923

 

Much like novel Esmeralda the 1923 doesn’t have lot of depth her characterization, basically her motivation is love and nothing else. I appreciate that movie kept her character simple and sweet like she is in book, it’s a nice foil to subsequent Esmeraldas who are either more mature or have a cause.

 

Esmeralda Hunchback of Notre Dame Patsy Ruth Miller 1923 picture image

Esmeralda Hunchback of Notre Dame Patsy Ruth Miller 1923

Next Time-  Jehan a.k.a Not Frollo

Jehan Frollo (Brandon Hurst) Hunchback of Notre Dame 1923 picture image

Jehan Frollo (Brandon Hurst) Hunchback of Notre Dame 1923

You may not know this but around the turn of 19th century, Quasimodo decided to move out of   Notre Dame to pursue his dream of being on the stage. He joined the ranks of Vaudeville where he became a star.

Quasimodo as a Vaudeville Star picture image

Quasimodo as a Vaudeville Star

In 1922 he got wind that Universal was doing a movie version of Hunchback and he decided to leave the stage and take the plunge into “moving picture” but he lost the role of Quasimodo to Lon Chaney because his movement were to subtle for the screen and he was just too “nice” in his depiction of himself.

After that he tried to return to the stage but he never reached the same level of stardom and when vaudeville cease to be Quasimodo once again tried the silver screen. He got a few bit roles here and there but sadly all of his films are considered lost. After 1936 Quasimodo went out the public eye. Recently however he was spotted working at a Toll Booth somewhere in New Jersey. Keep a look out for him, you may see him one day.

Quaimodo at work in a Toll Booth image image

Quaimodo at work in a Toll Booth

As Esmeralda been adapted for different versions of The Hunchback of Notre Dame, she has wore red a lot.

Esmeralda & Phoebus Illustartion picture image

Esmeralda & Phoebus Illustartion

The first couple adaptations La Esmeralda (the opera and the Ballet)  her costumes has red details.

Costume design for La Esmeralda Opera 1831 picture image

Costume design for La Esmeralda Opera 1831

 

In 1839, Belgium Painter, Antoine Wiertz depicted her in all red.

Painting of Esmeralda and Djali by Wiertz

Painting of Esmeralda and Djali by Wiertz

In 1870 ballerina, Adelina Patti, is depicted in a costume with a red skirt. The Ballets runs the gambit of colors from blue to green to pink though red seems to be the popular color choice.

Adelina Patti as Esmeralda 1870 picture image

Adelina Patti as Esmeralda 1870

 

Paloma Herrera as La Esmeralda Ballet picture image

Paloma Herrera as La Esmeralda Ballet

La Esmeralda Ballet picture image

La Esmeralda Ballet

La Esmeralda Ballet with Phoebus picture image

La Esmeralda Ballet with Phoebus

 

 

 

 

 

 

It’s not till we get to the movies that we see red surfacing as the dominate color for her. The 1923 movie has at least two instances of a colorized posters one is yellow and purple and the other has red details.

Hunchback of Notre Dame 1923 Lon Chaney picture image

Hunchback of Notre Dame 1923 Lon Chaney

Hunchback of Notre Dame 1923 Poster picture image

Hunchback of Notre Dame 1923 Poster

 

 

 

 

 

 

 

 

 

 

In 1939 despite Walter Plunkett’s design being mostly blue with red details and a red vest the coloration of her dress on a poster is all red.

Walter Plunkett design Costume for Esmeralda 1939 Hunchback of Notre Dame picture image

Plunkett’s costume design for Esmeralda 1939 Hunchback of Notre Dame

Movie poster for 1939 Hunchback of Notre Dame picture image

Movie poster for 1939 Hunchback of Notre Dame

 

 

 

 

 

 

 

 

 

 

Though to be fair there are a few posters  where she wears green and blue, but there is more red.

Hunchback of Notre Dame 1939 Poster picture image

Hunchback of Notre Dame 1939 Poster

Movie poster for 1939 Hunchback of Notre Dame picture image

Movie poster for 1939 Hunchback of Notre Dame

 

 

 

 

 

 

 

In the 1956 version Esmeralda wears all red for most of the movie.

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture image

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

But I find it curious that she wears yellow at her ill-fated meeting with Phoebus over red.

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture image

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

 

 

 

 

 

 

 

 

In 1996 Disney version Esmeralda wears red during her dance performance but for most part she wears purple.  I do have to wonder if Anne-Marie Bardwell had something to do with Esmeralda wearing purple throughout the movie as she was  credited in Character Design/ Visual Development and one of the animators on Esmeralda.

Esmeralda Disney Hunchback of Notre Dame picture image red dress

Esmeralda Disney Hunchback of Notre Dame Dancing

Though she wears red/dark pink in Der Glockner von Notre Dame the German musical.

 

Esmeralda dancing Der Glöckner von Notre Dame Picture Image

Esmeralda Dancing Der Glöckner von Notre Dame

 

 

In Notre Dame de Paris Esmeralda wears green but there is one red dress that was wore  for advertising for the London cast and the 2001 French cast. This dress is only wore once on stage in the Russian version during her meeting with Phoebus. And even in the 2010/2011 concerts Helene Segara wore red to sing the musical.

Tina Arena As Esmeralda in the Promotional Red Dress Notre Dame de Paris 2000 London Castpicture image

Tina Arena As Esmeralda in the Promotional Red Dress Notre Dame de Paris 2000 London Cast

Helene Segara performing Bohemienne at Bercy Concert picture image

Helene Segara performing Bohemienne at Bercy Concert

 

 

 

 

 

 

 

 

 

 

 

Recently in the new illustration novel by Benjamin Lacombe and the  Graphic Novel by Robin Recht and Jean Bastide, Esmeralda wears red.

Esmeralda by Benjamin Lacombe Notre Dame de Paris picture image

Esmeralda by Benjamin Lacombe Notre Dame de Paris

Esmeralda Notre Dame de Paris Graphic Novel by Robin Recht and Jean Bastide picture image

Esmeralda Notre Dame de Paris Graphic Novel by Robin Recht and Jean Bastide

 

 

 

 

 

 

 

 

 

 

When you look at all these instances, why is red her default color? Is it because green is too obvious for her given that her name means Emerald and red is opposite color to green making it the non-obvious choice? Seems a rather simplistic design notion for a costume, especially when one thinks that the color red is in total opposition to her as character.

Esmeralda Statuette by Armani picture image

Esmeralda Statuette by Armani

 

The color red typically is associated in Western cultural with  passion, desire, love and sexuality. Esmeralda’s personality is lighthearted, innocent, naive and modest. She doesn’t seem the type character to outwardly express her sexuality because even though she inspires desire in others, she herself is unaware of it.

Red is also in opposition of Esmeralda’s allegorical role as the Virgin Mary who traditionally wears either wears blue or turquoise.

Red also seems to age Esmeralda, her main point of interest in the novel is her youth, blue and green are more youthful colors but red comes off as mature.

Finally in the Romani culture, red is a color of ill omen as it’s associated with Blood (The Lure of the Gypsy Culture ) Though maybe the costume is meant her to  be ironic like she is subconsciously giving her in to tragic fate, though she lives more often than she dies and I don’t think the costume designers are that clever or that cerebral.

Shirel as Esmeralda in the Red with Laurent Ban as Phoesbus Notre Dame de Paris 2001 French Cast picture image

Shirel as Esmeralda in the Red with Laurent Ban as Phoesbus Notre Dame de Paris 2001 French Cast

 

However, maybe this whole matter is quite simple, does Esmeralda wear red in the book?
In the book there are  only a few instances where her clothing is described. When Gringoire first sees her, she is wearing a golden bodice (Book 2 chapter 3 Kisses for Blows) Frollo mentions that she wears blue when he first saw her dance (Book 8 chapter 4 Lasciate Ogni Speranza) and of course she wears white in the later part of the story when she condemn to die and brought into Notre Dame.

I think there maybe an instance of her wearing a multicolored skirt but I can’t find the instance in the book and her necklace that contains her baby shoe is stung with red seed beads,  other that she does not wear red. So why is she in red since red is in total opposition to her as character and there is no precedence for it in the novel.

Auguste Couder's Painting of Frollo stabbing Phoebus picture image

Auguste Couder’s Painting of Frollo stabbing Phoebus

If Esmeralda doesn’t wear in the book and it’s a color that is against every aspect of her character why does red seem to be the color of choice for her.

One reason I think is red is an easy color choice to make for when a character is suppose to stand out and be thought as desirable. There might be another level, Esmeralda is a Gypsy, this gives her an sense of exoticism and one popular style of art in the 19th century was Orientalism. Orientalism in art meant depicted exotic sense from place that were exotic to Europeans. The paintings use a lot of rich colors and a lot of red especially for women.

Une Beaute Prientale by Paul de la Boulaye picture image

Une Beaute Prientale by Paul de la Boulaye

 

So her being in red could mean that the costume designers are saying Esmeralda is an exotic beauty who is sexual desirable even though Victor Hugo meant for Esmeralda to work against the stereotype, why else would he have Gringoire said this to Frollo about her;

I certainly  consider it a great rarity to find such nun-like prudery fiercely maintained in the midst of those gipsy girls, who are so easily tamed” (Book 7, chapter 2). Esmeralda’s purity is part of her allure and to have her wearing red more less bastardizes the point of  her character

Painting of Esmeralda and Djali by Wilhelm Marstrand

Painting of Esmeralda and Djali by Wilhelm Marstrand

Red is just the wrong color for Esmeralda as a character and is it far too over done to be her dominant color anymore, details are fine but it’s too much red  but in over 170 years worth of adaptations it has become a boring cliche. I think this  is a cliche that need to at very least ebb. Costume designers of newer Hunchback adaptions if you read this please consider using different colors and if you must use red make it details or at the very least  try a different tone it doesn’t always have to fire engine red.

Esmeralda and Frollo Disney Hunchback of Notre Dame picture image

Esmeralda mocks Frollo Disney Hunchback of Notre Dame

Quasimodo (Lon Chaney) Hunchback of Notre Dame 1923 picture image

Quasimodo (Lon Chaney) Hunchback of Notre Dame 1923

The 1923 version of Hunchback of Notre Dame starts and end with Quasimodo but he is not much of  a major player in the middle of film, between the pillory scene and saving Esmeralda. But since Lon Chaney gets top billing since it was he’s project Quasimodo is the main character.

Quasimodo points to at the Parisans Hunchback of Notre Dame 1923 Lon Chaney picture image

Quasimodo points to at the Parisans Hunchback of Notre Dame 1923 Lon Chaney

 

Quasimodo in this version is the closet to how  he behaves in the book. Quasimodo doesn’t like  the people of Paris and this version shows that in Quaismodo’s introductory scene as well as his connection to Notre Dame. You do get the feeling that his Quasimodo wouldn’t have saved Esmeralda if she hadn’t give him water, you get this Quasimodo may have not felt nothing which makes his loyalty to her more meaningful and it gives his character a bit of an arc.

 

Esmeralda patting Quasimodo on the head Hunchback of Notre Dame 1923 Lon Chaney with Patsy Ruth Miller picture image

Esmeralda patting Quasimodo on the head Hunchback of Notre Dame 1923 Lon Chaney with Patsy Ruth Miller

However this Quasimodo acts more like a dog that a person. A scene that showcases this perfectly is right after Quasimodo recuses Esmeralda she pats him on the head. This Quasimodo doesn’t see to be in love with Esmeralda he just seems to want to protect her. There doesn’t seem to the selfless love that in is the book and  Laughton captured  in the 1939 version.

 

Quasimodo on the Pillory Hunchback of Notre Dame 1923 Lon Chaney picture image

Quasimodo on the Pillory Hunchback of Notre Dame 1923 Lon Chaney

Quasimodo make-up may look outdated but it’s well done by Chaney and accurate to the Book. Also Chaney’s Quasimodo is a lot most acrobatic than other Quasimodos as Chaney was capable of jumping and climbing though stuntmen were used in a few instances but the 23 version is defiantly has most range of movement in a live-action film.

 

Quasimodo noticing his fatal wound Hunchback of Notre Dame 1923 Lon Chaney image picture

Quasimodo noticing his fatal wound Hunchback of Notre Dame 1923 Lon Chaney

If Quasimodo was meant to be the lead of the film and the emotional heart he does it well to a point. There some emotional confusion at the end of the movie and Quasimodo’s fate. I’m not sure how to feel that Quasimodo dies, sad, happy, bittersweet?

Quasimodo dying Hunchback of Notre Dame 1923 Lon Chaney pictuure image

Quasimodo dying Hunchback of Notre Dame 1923 Lon Chaney

Honestly I can’t gage any emotion from his death and I think that my problem with movie as a whole I don’t get an emotion or a heart of it. It has little vignettes of it but not in terms of a story that is based on a book with a very bittersweet ending.

 

Quasimodo looking sad Hunchback of Notre Dame 1923 Lon Chaney picture image

Quasimodo looking sad Hunchback of Notre Dame 1923 Lon Chaney

The 1923 is an odd Quasimodo because everything is there to make an compelling character and the film just misses the mark and makes Quasimodo more into a loyal puppy dog than a tragic hero.

Next Time – The 1923 Version of Esmeralda

Esmeralda Hunchback of Notre Dame Patsy Ruth Miller 1923 picture image

Esmeralda Hunchback of Notre Dame Patsy Ruth Miller 1923

Esmeralda using the Barnes and Noble Book for see into the Future  picture

Esmeralda using the Barnes and Noble Book for see into the Future

Today’s Hunchback Horoscope from my Barnes and Noble version of The Hunchback of Notre Dame is;

“Now, I wanted to speak with him; but I could not get him on account of the crowd, which annoys me mightily, for I am in need of money”  (Book VIII Chapter I, The Crowned Piece changed to a Dry Leaf pg 291)

Ah, the book doesn’t lie, proceed with caution

A Video that had to be made, it was also made by me. Song is Bang Bang Bang by Group X
(it’s just the first segment though) Enjoy ^^

http://www.youtube.com/watch?v=RvAyDnfzykk

 

http://www.youtube.com/watch?v=55TD1NXVX5Q

http://www.youtube.com/watch?v=Ed-9ySvBE5E

This is the music from the Hunchback word (La Cite des Cloches) from the thrid installment of Kingdom Hearts; Dream Drop Distance.

It’s composed by Yoko Shimomura. You can tell that Shimomura took inspiration from Menken’s score especially from Sanctuary but it not a carbon-copy it’s it own thing and sounds epic. In fact the second  piece is called “Le Sanctuaire.” This piece of music makes me want to play the game.

or those of you who don’t know the Kingdom Hearts Franchise is a co-venture with Disney and Square Enix. Square Enix is the owner of The Final Fantasy Franchise, of which I am a fan,  I like Final Fantasy IX the best.

There are three basic problems with the plot the 1923 version of the Hunchback of Notre Dame; its strong adherence to parts  that don’t make any sense in the scope of the movie, the changes that had to be made to appease the almighty censors, and Lon Chaney.

Quasimodo (Lon Chaney) Hunchback of Notre Dame 1923 picture image

Quasimodo (Lon Chaney) Hunchback of Notre Dame 1923

The last problem really isn’t a problem but if you watch the opening scene you can see what I mean. The opening scene starts with the Feast of Fool and then it cuts away to Lon Chaney as Quasimodo basically mocking people from atop Notre Dame. I do appreciate that this is the only version to have Quasimodo that has a basic dislike for people like he does in the book which this scene shows nicely  but to just an awkward way to introduce Lon Chaney as Quasimodo to the viewers and it ruins the pacing and makes the beginning boring.

Jehan Frollo (Brandon Hurst) Hunchback of Notre Dame 1923 picture image

Jehan Frollo (Brandon Hurst) Hunchback of Notre Dame 1923

 

The second issue has to do with censorship laws of the time. The law that pertains to Hunchback is a  movie couldn’t cast a priest in a negative light, meaning we can’t have a Priest lusting after a women. So much like the 1939 the role of the Frollo sinner is cast on the “Jehan” character the “Claude” character is the saintly priest. Unlike the 1939 version Jehan in this version has no reason why he can’t make a straight up move on Esmeralda. Nothing is stopping him; no conflict of her being a Gypsy or no implied religious morality getting in the way. He’s just a coward with no real personality or motivation.

Esmeralda (Pasty Ruth Miller) and Jehan Frollo (Brandon Hurst) Hunchback of Notre Dame 1923 picture image

Esmeralda (Pasty Ruth Miller) and Jehan Frollo (Brandon Hurst) Hunchback of Notre Dame 1923

There is no confliction for this Jehan so there is no interest. The plot of the book is hinged on Frollo’s obsession with Esmeralda so if there is no torment where does the interest to the plot lie? Well in this case the interest to the plot is Lon Chaney’s Quasimodo, so back to that issue, remember this film started the “Quasimodo is main character” mentality that the many of the films buy in to .

 

Gudule (Gladya Brockwell) Hunchback of Notre Dame 1923 picture image

Gudule (Gladya Brockwell) Hunchback of Notre Dame 1923

The finally issue is a weird one to be an issue because when we compare movies to book there is a part of us that wishes that the movie would follow the book perfectly and we get up annoy by what the movie misses or adds. However it is hard to make a movie follow the book perfectly as they are two different median for story telling. One aspect of the book that I wish made into more movies is the Sister Gudule sub-plot. Sister Gudule is Esmeralda’s mother. The 1923 version is one of the few version to have this sub-plot however it goes no where. We get the back story of how Esmeralda was taken and we see Gudule curse her and then as Esmeralda is about to die Gudule realizes Esmeralda is her child and then I guess she dies. So Esmeralda doesn’t learn this, it amounts to nothing. It was just there because it was in the book but if Esmeralda doesn’t learns this and where is the emotion in the end what was the point?

 

Esmeralda (Pasty Ruth Miller), Phoebus (Norman Kelly) and Clopin (Ernest Torrence) Ball Scene Hunchback of Notre Dame 1923 picture image

Esmeralda (Pasty Ruth Miller), Phoebus (Norman Kelly) and Clopin (Ernest Torrence) Ball Scene Hunchback of Notre Dame 1923

Another sub-plot that was added was this division of the nobel and the poor. Now this was a bigger point in the 1939 version here’s it amount to one scene where Phoebus brings Esmeralda to a party and he dresses up and tries to pass her off as a Princess and the party is broken up by Clopin and Esmeralda sadly rejects Phoebus. Like Gudule, these scene that revolve around the classes don’t add to very much to the over all plot

 

Esmeralda (Pasty Ruth Miller) Hunchback of Notre Dame 1923 picture image

Esmeralda (Pasty Ruth Miller) Hunchback of Notre Dame 1923

It’s not that entire plot and pacing of the 1923 version is bad it’s just following the book too closely wrecked the pacing and the removal of Frollo’s torment ruins the emotional intensity.  The “Chaney being forced” to the audiences was just the opening so it wasn’t  a major problem but  it’s the reason why the film doesn’t have a very strong opening scene.

Next Time-  Characters starting with Quasimodo

Quasimodo (Lon Chaney), Esmeralda (Patsy Ruth Miller) and Gudule (Gladys Brockwell) Hunchback of Notre Dame 1923 picture image

Quasimodo (Lon Chaney), Esmeralda (Patsy Ruth Miller) and Gudule (Gladys Brockwell) Hunchback of Notre Dame 1923