Derek Jacobi as Frollo, 1982 Hunchback of Notre Dame picture image

Derek Jacobi as Frollo, 1982 Hunchback of Notre Dame

The 1982 version is a really good depiction of Frollo but it’s lacking in a few areas of his characters. This is one of the few film versions where Frollo is a priest however he doesn’t practice alchemy at all. Instead he’s a pretty by the book religious sort, spouting God when ever he can. But he starts off well, he adopts Quasimodo as an act of charity and he seems godly and pious which is great counter-point to his downfall later (not much later mind you ^_~ ).

Derek Jacobi as Frollo, 1982 Hunchback of Notre Dame picture image

Derek Jacobi as Frollo, 1982 Hunchback of Notre Dame

However, the way this movie handles his relationship with Esmeralda is weird. First off, Frollo never sees Esmeralda dancing. I’m going to repeat that, Frollo never sees Esmeralda dancing. That is a HUGE oversight. Her free-spirited dancing and radiance is what captured him. Instead he sees her being arrested for dancing and is enchanted. It’s not too far-off but it’s just wrong for both characters. Although I will get more into Esmeralda and her “dancing” when we get to her.

Lesley-Anne Down as Esmeralda & Derek Jacobi as Frollo, 1982 Hunchback of Notre Dame picture image

Lesley-Anne Down as Esmeralda & Derek Jacobi as Frollo, 1982 Hunchback of Notre Dame

Frollo is also more forceful towards her. When Frollo is a judge this force makes a level of sense but as Priest the approach-avoid conflict should be part of this dynamic with Esmeralda. In this version he lets her off-the-hook for dancing, which is apparently a no-no. And the when she is arrested again she is brought to him for his consent to take her to Bastille (I don’t know why this would happen). However he offers her sanctuary and she goes along with it. He brings her to a room where he makes attempt for sex. She runs off and Quasimodo tries to bring her back. So in the course of a few hours Frollo goes though all the moments that in the books took him months of suffering to reach.

Derek Jacobi as Frollo, 1982 Hunchback of Notre Dame picture imahe

Derek Jacobi as Frollo, 1982 Hunchback of Notre Dame

Also he tries to buy Esmeralda from Gringoire for 40 gold crowns. I’m not sure how much that would be today because to my understanding a crown is an English silver coin. But it probably was a sizable amount. However Frollo offering to buy is quite silly but at least the scene is alluded to again when Gringoire is trying to get Frollo to help him save Esmeralda so I overlook the absurdity of then scene.

 

Derek Jacobi as Frollo & Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame picture image

Derek Jacobi as Frollo & Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

Let’s talk about his looks. Derek Jacobi makes a great Frollo but that wig, that wig makes him look like a dork. Jacobi’s Frollo may have the most hair of any Frollo, which considering the character is bald with tuffs of hair isn’t a good thing. It’s just 100% dork salad bowl cut. Also he doesn’t have that angular austere look that Frollo should have.

Derek Jacobi as Frollo & Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame, picture image

Derek Jacobi as Frollo & Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

However, despite all that this version tweaks and weirdness, there is jail scene where Frollo bares his soul to her. Is it perfect? No, the scene has its flaws and is not as powerful as the book. But its there and that is more than most of the other versions have.

Derek Jacobi as Frollo & Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame picture image

Derek Jacobi as Frollo & Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

All in all the 82 version of Frollo is commendable. It didn’t get all the facets of his complex character but it tries and does fine job communicating it. I think the credit has to given to Jacobi for his portrayal because he really works to sell this Frollo. So it’s an almost a fantastic  depiction but not quite.

Next 1982 Review Post; Esmeralda

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame picture image

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

I don’t know why  but this made me chuckle so much.

Samantha Barks would make a great Esmeralda (she’s on my casting list since I saw Le Mis)

Question; Why does Disney act like Hunchback of Notre Dame never happened?

To be fair, there is another Disney film Disney ignores more famously than The Hunchback of Notre Dame and that would be The Black Cauldron. This is because The Black Cauldron was a failure at the box-office and therefore didn’t money for the company. It also received mixed reviews, one being ” It lacked the dark elements of the book.” (sounds like a criticism for another Disney Film)

The Hunchback of Notre Dame Blu-Ray Cover picture image

The Hunchback of Notre Dame Blu-Ray Cover

The Hunchback of Notre Dame received mostly positive reviews from critics and actually was a box-office success as its budget was $100 million and its gross revenue was $325.5 million, although it did barely only broke-even domestically. So with this info why does Disney ignore The Hunchback of Notre Dame? The Hunchback doesn’t have the levels of products as a lot of the other films in the Disney pantheon and looking at Disney’s presence on Zazzle, they don’t have a single Hunchback product but they do have stuff for Treasure Planet, which bombed at the box-office. Then you have the blu-ray of Hunchback which had no extras on it. Whereas Pocahonatas’ blu-ray does have quite a few extras and Pocahontas was not only offensive and historical very very very inaccurate but wasn’t received as well. However it appeals to children which pushed Pocahonatas in to the secondary tier of the Princess line of toys, which mean Pocahonatas makes money for the company.

Disney Princess Kitchen Set picture image

Disney Princess Kitchen Set
(Does anyone else think this is Hilarious?)

I would theorize that the reason why Disney ignores the Hunchback stems from they don’t know who to market this movie to. The film didn’t really appeal to children which is Disney’s primary demographic. The film’s darker tones and the more heavy subject matter more likely distances children for it. If the film has done better with their key demographic we would more than likely see Esmeralda* in the Disney Princess Brand and her face would grace the likes of blenders, bed sheets, bikes, shoes, baby dolls, chairs, ect. (They make a lot stuff for that brand). *Before you say Esmerald can’t be part of the Princess Brand as she is not a Princess,  Mulan is not a Princess nor does she marry a Prince and yet she is part of the Brand, here is a Muan Baby Doll )

The Art of the Hunchback of Notre Dame picture image

The Art of the Hunchback of Notre Dame

As a company Disney is not going to put money in developing products for a film that didn’t appeal to its core demographic after its initial release. As Hunchback is part of the Disney family it did get it’s entitled blu-ray treatment but Disney did extended any extra effort into the extras which would have cost them. More then likely when Hercules‘ blu-ray comes out it will get extras because had more appeal to children. Plus it would seem that Hunchback’s popular is recent so if starts to gain a big enough following Disney will start showing it love. But It’s a two-street, Disney may think the Hunchback blu-ray failed because people dislike the movie and not because there no real incentive to buy it when the DVD has extras and blu ray doesn’t.

I think the question is why doesn’t the Hunchback of Notre Dame really appeal as much to children and who is does this movie appeal to? Maybe if Disney has a demographic to target they would show Hunchback a little more love.

Lesley-Anne Down as Esmeralda,  1982 Hunchback of Notre Dame picture image

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

Pretty much the 1982 version follows the 1939 model of how to tell this story. However the 1982 version doesn’t dive into social commentary the same way. The blight of Gypsies is not an issue and Esmeralda doesn’t concern herself social inequality. Esmeralda’s main concerns are not getting arrested, marrying Phoebus and keeping Frollo off of her.

Lesley-Anne Down as Esmeralda & Derek Jacobi as Frollo,  1982 Hunchback of Notre Dame picture image

Derek Jacobi as Frollo & Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

Frollo is also different than his 1939 incarnation. For one thing, in the 1982 version he is a priest and has no younger brother. Also he is a little more forward, instead of staring at her he basically tries to get with Esmeralda in the first 20 minutes. He went right to lust. But this version has a decent jail scene so point in its favor. Although I would point out that having Frollo bring Esmeralda into Notre Dame after she gets arrested for dancing and then trying to seduce her robs a bit from the jail scene when Esmeralda asks why he hates her. Esmeralda in the book was scared of Frollo and Frollo’s interaction with her was very limited to no existent. In this movie he is not really acting hateful toward Esmeralda. He acting confused and desperate but he was acting fairly nice toward till he tried touch her and she ran off. So  Esmerald questioning him was tad on the unnecessary side.

Lesley-Anne Down as Esmeralda & Gerry Sundquist as Gringoire,  1982 Hunchback of Notre Dame picture image

Lesley-Anne Down as Esmeralda & Gerry Sundquist as Gringoire, 1982 Hunchback of Notre Dame

Since the social concerns are not presence in this movie Gringoire has little else to do but moon over Esmeralda, although like in 1939 version he and Esmeralda do fall in love and leave together at the end.

The Death of Frollo, 1982 Hunchback of Notre Dame picture image

The Death of Frollo, 1982 Hunchback of Notre Dame

Speaking of the end, Quasimodo kills Frollo in self- defense by impaling him on a nail. This…..this ……is not cool movie. While I get that the self-defense angle, impaling Frollo on a nail is A) stupid and anti-climactic  and B) having Frollo fall from Notre Dame is a powerful metaphor. My guess the reason why Frollo dies in this manner is the budget but still shame.

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame picture image

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame

Quasimodo is pretty much the same from 1939 version, Hopkins plays him very sympathetic but it works.

David Suchet as Clopin, 1982 Hunchback of Notre Dame, picture image

David Suchet as Clopin, 1982 Hunchback of Notre Dame

Clopin is not fun in this version, He is very conniving. He is not to concern about anything other than survival.

 Robert Powell as Phoebus &Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame picture image

Robert Powell as Phoebus & Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

Phoebus is depicted as huge womanizing jerk who is married in this version. Another strange addition to this version is Frollo offering to buy Esmeralda from Gringoire.

Lesley-Anne Down as Esmeralda & Derek Jacobi as Frollo,  1982 Hunchback of Notre Dame picture image

Lesley-Anne Down as Esmeralda & Derek Jacobi as Frollo, 1982 Hunchback of Notre Dame

This version plays the story out pretty conventionally. It doesn’t make too many big annoying changes to the plot. The changes they make are small and mostly the impact the characters.

So let’s dive deeper into those characters, let’s start with the heart and soul of the movie; Frollo

Derek Jacobi as Frollo,  1982 Hunchback of Notre Dame picture image

Derek Jacobi as Frollo, 1982 Hunchback of Notre Dame

Bada as Esmeralda Korean version Notre Dame de Paris picture image

Bada as Esmeralda Korean version Notre Dame de Paris

Notre Dame de Paris will play at the Blue Square Samsung Hall from Sept. 27 to Nov. 17, in Seoul. The cast includes Bada who is reprising her role as Esmeralda. She play Esmeralda in 2007 and 2009.

The rest of the cast is;
Esmeralda- Yoon Gongju (alternate)
Quasimodo – Yoon Hyungryul as (also returning in his role), Hong Kwangho
Frollo – Min Youngki, Choi Minchul
Gringoire – Jeon Dongsuk, Jung Dongha

(The site for Blue Square doesn’t have this show listed yet and I can’t find any hard sources on it but I’m pretty sure that this true)

With this performance of Notre Dame de Paris this means there is an overlap between this and Crocus City performances. two NDDP Casts at the same time on the continent! Lucky Asia! This is fourth cast it’s gotten in three years.   If you detective a hint of jealousy,  I’m not hiding it.  It’s been seven years since there has been a Canadian Cast or a French Cast and yet most of the recent casts have been Canadian.  Although I’m alway happy to hear about a new cast of Notre Dame de Paris Cast so I’m not going to gripe too much.

By the way does anyone else think Matt Laurent will reprise his role as Quasimodo for the Crocus City Show? Because I do.

Quaismodo and Hugo Disney Hunchback of Notre Dame picture image

Quaismodo and Hugo Disney Hunchback of Notre Dame

I have decided that for the rest of the summer to suspended posting on Fridays Saturdays, and Sundays. So this means no more Fan-Art Fridays or Silly Sundays, or random Notre Dame de Paris stuff on Saturdays for a little while. I have been feeling burnt out for a while and feel the need for a slight break. I hope this break will allow me to get back on track with some better content as I’ve felt that my posts of late are  have been lower quality than I would like.

You know who would make a really great Esmeralda? Alica Vikander!

Alica Vikander , picture image

Alica Vikander

Alicia Vikander is a Swedish actress who has been in some major films recently. She was the star in A Royal Affair, she played Kitty in the 2012 Anna Karenina film and she is in the upcoming Seventh Son and The Man from U.N.C.L.E.

Alica Vikander picture image

Alica Vikander

Vikander has a very good look for Esmeralda. She has a nice olive complexion, dark eyes and dark hair.  She also has a very expressive face. In addition to being a fine actress she was a dancer. She studied Ballet for nine years before making the decision to quit when she was sixteen.

Alica Vikander  picture image

Alica Vikander

 

She just seem like she would make the perfect Esmeralda especially if a film went with Esmeralda original backstory.

Alicia Vikander, picture image

Alicia Vikander

What do you think, would Alica Vikander make a good Esmeralda who is there a better actress for the role?

 

Les Misérables Poster, picture image

Les Misérables Poster

I finally got around to seeing the movie version of the musical of Les Misérables. Before I discuss this movie I will admit that I’m not the target audience for it. I was not well acquainted with musical prior to seeing this film and while do like the idea of Musical movies I only really like a few of them. That said I really didn’t care for this movie, I didn’t hate I just didn’t like it. (WARNING; this gets ranty)

Anne Hathaway as Fantine, Les Miserables , picture image

Anne Hathaway as Fantine, Les Miserables (Get used to this framing style, it’s everywhere )

 

Les Misérables fails as movie. There is a visual language to movies that keep it interesting for a viewer. When a movie just has a actor perform without any camera work or interesting edits for 3 minutes the scene becomes stall. There is no point to filming a movie if you are not going to present the story in way that is visually interesting. I Dreamed a Dream is a prime a example.

Anne Hathaway as Fatine performing  I Dreamed a Dream from Les Miserables, picture image

Anne Hathaway performing I Dreamed a Dream from Les Miserables (This looks more like an Ad than a still from a film)

Anne Hathaway gives a heartbreaking performance but after 30 seconds I became distracted by lacks of edits. How about a reverse shot? Even if was one take you can still have two camera angels. How about some zooms or pans. How about using the space in your sets? What’s with this stationary medium shot that is off center? It’s dull. The camera moves a bit but it’s really just to keep up with Hathaway’s movement and maintaining the frame. I understand that director Tom Hooper likes the off center placement of the shots and consider it “his thing”. It does promote a feeling of uncomfortableness and it worked well in The King’s Speech but it doesn’t work in Les Miserables. though it works in I Dreamed a Dream but I find it distracting after 30 seconds. Watching Anne Hathaway sing uncut for 3 minutes is not really any different from seeing the musical live but at least at live a performance you feel the energy of the actor. Then again, maybe I’m just heartless.

 

Paris, maybe, Les Miserables, picture image

Paris, maybe, Les Miserables

Then there is the issue that film doesn’t have any establishing shots and doesn’t give any indication of the passage of time. This make the narrative feel confused. But more than that without establishing shots you can’t see the sets. What is the point to having these sets that look like they could be great if you not going to show them to the viewer.

Samantha Barks as Eponine Les Misérables, picture image

Samantha Barks as Eponine Les Misérables

The point of taking a musical and making a film is to give the songs and story a visually interesting telling. The most interesting visual presentation of a song in this movie is Stars. Javert is walking on the edge of a bridge. That is interesting! (Even if Russell Crow was miserable in this movie) Jean Valjean pacing back and forth in a church, dull. Fantine crying about her life because of her crap day and half uncut, didn’t work visually . Epoine walking heart broken in the rain, zzzzzzz (and I like that song). What is the point of adapting this if your not going to be interesting with staging, filming or editing? Was it just to use establish actor is these roles? I think it might have been. Frankly I don’t give crap if the actor are singing live for a more a emotional performance. They played this way too straight. They should have been more artistic. The whole of this movie feels like gimmick to use the live singing and promote it. After all that seems what the film and the director are concern about not the viewer’s experience watching a movie.

Samatha Barks as Epoine & Eddie Redmayne as Marius Les Miserables 2012, picture image

Samatha Barks as Epoine & Eddie Redmayne as Marius,
Les Miserables

However, because the film tries to play with the viewers’ emotions about these people we have to look at the characters to see if the film was successful. Because the film steamrolls over the narrative I can’t feel for any of these characters. It’s like BAM here is a character, BAM here’s their issue, BAM they’re in trouble don’t you feel sad? Answer, Not really. You meet Fantine, I don’t know who this character is so don’t feel that much when she goes through her hellish day and half (without time passage I don’t know how much time pass between her firing and death). How did she die? I know she dies of TB in the book but in the movie it seem it like death by plot….? Sorry Fantine, I wasn’t moved. I didn’t get a sense of your character so meh to you. Epoine same, you like Marius that’s nice he’s not into you….. ok…. oh you’re dead…… oh well. Javert’s obsession? Didn’t see it at all.

Hugh Jackman as Jean Valjean,  Les Misérables, picture image

Hugh Jackman as Jean Valjean, Les Misérables

Oddly enough the rare lines that are spoken (like 3 lines) were most genuine parts of the movie. I feel like Hathaway and Jackman were trying to win awards. Crow didn’t seem to care very much. Redmayne, Tviet and Barks did seem to try and they were at least successful for the most part. I think Tviet was probably the best as Enjolras.

Do you hear the people sing, Les Miserables, picture image

Do you hear the people sing, Les Miserables

Do you hear the people sing felt like a movie, with visuals, that were slightly interesting, that kept your attention. Though I could do without the Dutch angles…. a pox on Dutch angles.

Anne Hathaway and  her Oscar,picture image

Anne Hathaway and her Oscar

I feel like this movie was blatant Oscar bait and considering it was nominated or 8 Academy Awards and won three I guess it was successful. It also won heaps of other awards and earned $437,710,466 at the box office, its budget was $61,000,000, and grossed $376,710,466. So, it was successful at that end of movie making which is the important part for studio. The film however has a polarizing effects on audiences and critically was not much cared for. Had the movie had clear establishing shots, clear passage of time indication, and more interesting presentations of scenes and songs it could have been much better. But for m,e as a viewer, it failed to be visually entertaining and emotional interesting.

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame, picture image

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame

The 1982 version of The Hunchback of Notre Dame was a US made for TV movie. It  was made 4 years after the 1977 version was released the US in 1978. It’s part of the Hallmark Hall of Fame series. It starred Anthony Hopkins and Derek Jacobi as Quasimodo and Frollo. Most of the cast is made up of British actors.

Anthony Hopkins as Quasimodo & Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame, picture image

Anthony Hopkins as Quasimodo & Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

Pretty much this movie plays out like the 1939 version but without King Louis and  the modernity angle and the blight the Gypsies in Paris. And it follows the book a bit more than the 1939 version but there a lot differences from.

Derek Jacobi as Frollo & Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame, picture image

Derek Jacobi as Frollo & Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

So, is this good version, an adequate version, or terrible awful version? Let’s Jump in, shall we?

Next 1982 Post – Let’s look at that plot

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame, picture image

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame