Der Glöckner von Notre Dame Conclusion

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Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame picture image

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame

I think Der Glöckner von Notre Dame did a great job of using the Disney film as a basis for a play while at  the same time trying to make fit the tone of the book. I do like they tried to recognize the book even if some of the plot points really didn’t work as well as they could have.

 

Esmeralda & Quasimodo Der Glöckner von Notre Dame picture image

Esmeralda & Quasimodo Der Glöckner von Notre Dame

It does feel like it’s own story which is hard to do when your a side-product of a Disney film but it’s enjoyable. It’s not perfect but I find myself liking it more than the Disney movie.

Judy Weiss as Esmeralda with Frollo (Norbert Lamla) Der Glöckner von Notre Dame picture images

Judy Weiss as Esmeralda with Frollo (Norbert Lamla) Der Glöckner von Notre Dame

Before I end my main discussion on Der Glöckner von Notre Dame I just want to mention the upcoming American version, There have been rumors that Der Glöckner von Notre Dame is getting an American version.  Der Glöckner von Notre Dame/Disney Version lyricist Stephen Schwartz has said that the production is more or less in the works. However these rumors have been circulating for a while. But Hopefully it will get done. I for one hope they don’t revert  the musical version to the Disney film. Der Glöckner von Notre Dame has more character development than the film and I like the tragic ending. It makes things more interesting. I do hope they give them better costumes but I hope the stage craft is in the same vein. However the one thing I hope for is that they singer don’t sound to “Broadway” you know that belt-nasal style of singing that you hear a lot in musical theater in American productions. I can’t stand that style. Anyway I think the earliest you can accept to see the show would the 2013-2014 season. If I hear anything regarding the much anticipated American version I’ll be sure to post it.  Though come to thick of it, there actually already was an American Hunchback of Notre Dame Stage show based on the Disney film.

Next Time – A Single Post on the Disney Park Stage Show (Sheepish yay)

Esmeralda from the Stage Show of Disney Hunchback of Notre Dame at MGM Studios picture image

Esmeralda from the Stage Show of Disney Hunchback of Notre Dame at MGM Studios

A Review of a Review by LazerDude99

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Today I’m going to review Youtube Reviewer LazerDude99 as he reviews  Disney Hunchback of Notre Dame mainly because they are at lot of problems with it. I’ll start with negatives and end with positives. (and just for the record, I know I’m not a perfect reviewer so take what I say with a grain of salt when I review reviews.)

 

LazerDude99 Hunchback of Notre Dame Disney

LazerDude99 Hunchback of Notre Dame Disney

My first problem is on the technical end. The Sound mixing is  not very good. His voice is too quiet while the film’s audio is too loud, the point of the review is to hear the review.   This could be a problem with compression or microphone. The visuals of the DVD is also not that crisp and washed out again this could be a problem with video compression.

Painting of Esmeralda as she is being taking to the scaffolds with Sachette by Nicolas-Eustache Maurin

Painting of Esmeralda as she is being taking to the scaffolds with Sachette by Nicolas-Eustache Maurin

However my biggest problem with is review is the fact checking. He does admits that he didn’t know that story and got it wrong in the comments but if your going through the trouble of writing a review, recording it, ripping the DVD, editing the video taking 5 minutes to read wikipedia or just a summary  doesn’t seem like that big of a task. In the video he says that he thinks that Quasimodo kills Esmeralda in  jealous rage.  However he also didn’t know that Djali was original to Hugo or Clopin’s voice actor. Not knowing that Paul Kandel did Clopin’s voice won’t have been a problem if he hadn’t mention Kevin Kline voicing Phoebus. While mistakes are likely to happen just make sure that if you can Fact check, do it.

Gary Trousdale and Kirk Wise

Gary Trousdale and Kirk Wise

I also have problems with  the ascertain that he made about “Director losing his vision” . First there were two directors (Gary Trousdale and Kirk Wise { Fact Checking). Now I can’t know what happened behind the scenes but I think they bought into that mindset that films are a collaborative process. Maybe it was too collaborative as there were 18 writers on Hunchback but it seem from the commentary that studio was behind the dark tones of the film and didn’t try to rain it in. (Now I’m making ascertain based on the commentary). I do know that they wanted to make Hunchback as mean to push CG animation and because they felt at it’s core that Hunchback had fairy tale archetypes.

 

Frollo singing Hellfire Disney Hunchback of Notre Dame picture image

Frollo singing Hellfire Disney Hunchback of Notre Dame

The Old Heretic Disney Hunchback of Notre Dame picture image

The Old Heretic Disney Hunchback of Notre Dame

Hugo A Guy like you Disney Hunchback of Notre Dame picture image

Hugo A Guy like you Disney Hunchback of Notre Dame

 

 

 

 

 

 

Another problem was the discussion of  the Tone. Hunchback does have a lot of tones. It’s humorous and dark But is that actually bad in a film to be multi-toned? NoIdo not think so. I’ve watch a tons film/tv series that are multi-tone. Take a Bollywood movie, one minute you can have crying the next dancing. The trick to a multi-toned  film is good transitions from one tone to next i.e flow which Hunchback does have. It’s not like Hellfire goes to the gargoyles’ annoying antics to someone being fatally wounded to a silly song. It has good flow thou I do wish the “child-friendly” stuff was toned (no pun intended), the kids would have been fine. I also think Phoebus’ humor and the Old Heretic help to bridge the gap between the dark elements and kid-friendly stuff. As Phoebus is sarcastic and the old heretic is a running gag that reflect Frollo’s insane control.  Also I would point as dark as people say the book is it does have a lot of funny moments.

 

LazerDude99's Barney/Die Hard joke

LazerDude99's Barney/Die Hard joke

 

Also the jokes he makes are not that funny (at least to me). They feel really forced. The clip of the  pumpkin dropping on the car was too long it should have ended on impact or after the screams but it  felt forced joke. The Hellfire as camp song joke was forced too. Maybe if he had gone over the top with it (Green Screen) or sang to it to “Kumbaya” (cliche camp song) it might have been better. The Barney/Die Hard joke might have been funny but I couldn’t tell because I couldn’t make out the picture (making it bigger didn’t help). Admittedly he did this review a year ago and this is the only one I’ve watched so he might have learned from mistakes and these negative at mute points and not really need the repeating.

Ok, positives and these are things I agree with.

Xed Gargoyles Disney Hunchback of Notre Dame image picture

Xed out Gargoyles Disney Hunchback of Notre Dame

The Gargoyles, yeah he hates them too. Does any out there like them? I mean I’m sure they are some people but rarely do I ever see a defense for them. I’d be curious to hear from gargoyle supporters

 

The Old Heretic Disney Hunchback of Notre Dame picture image

The Old Heretic Disney Hunchback of Notre Dame

He likes the Old Heretic, he was may favorite gag in the film.

Frollo Hunchback of Notre Dame with Clopin Disney picture image

Frollo with Clopin Hunchback of Notre Dame Disney

 He praises Frollo and hellfire. Everyone seems to but in this case everyones right. Frollo and Hellfire are the highlight the movie. He also enjoyed Phoebus and Clopin, and I can’t argue with that. Phoebus maybe a little too pefect but at least he’s amusing and I liked Clopin a lot.

 

Quasimodo Hunchback of Notre Dame Disney picture image

Quasimodo's Reveal Hunchback of Notre Dame Disney

I do have to agree with him about Quasimodo is boring. Like Esmeralda, he is a little too perfect of a character. He’s not really flawed like he is in the book or in other adaptations.

LazerDude99's rating of Disney Hunchback of Notre Dame

LazerDude99's rating of Disney Hunchback of Notre Dame

Now I don’t watch many reviews on youtube but LazerDude 99 does seem to try to make a decent review of the movie that for the most part is well made. I mean video compression is a hard thing to master, camera/microphone can be expense. I just wished he had fact checked better, Quasimodo Killing Esmeralda is wrong on some many levels. And the jokes need to tighter and clearer because I feel that they fall flat. I suppose in the realm of the youtube reviewer his probably is good, I mean he did book effort into it and did back up his thoughts in an intelligent way.

Watch the Review for yourself by clicking  HERE

Der Glöckner von Notre Dame vs The Disney Movie

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Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame picture image

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame

Cast Poster of Disney Hunchback of Notre Dame

Cast Poster of Disney Hunchback of Notre Dame

 

 

 

 

 

 

 

Der Glöckner von Notre Dame has a lot of differences from the Disney Film; some small some big. Here are the major differences in a nutshell (in no real order);

Jens Janke as Clopin in Der Glöckner von Notre Dame picture image

Jens Janke as Clopin in Der Glöckner von Notre Dame

 

Clopin with Puppet Disney Hunchback of Notre Dame picture image

Clopin with Puppet Disney Hunchback of Notre Dame

 

 

 

 

 

 

 

 

No Djali or Achilles, Esmeralda dies, Quasimodo kills Frollo, Frollo was a Priest, Phoebus starts off somewhat of a philander, the gargoyles are 100% imaginary, the gargoyles have different names (Antoine, Charles and Loni opposed to Victor, Hugo and Laverne), the story is told as flashback by Clopin as an old beggar man who doesn’t use puppets, Esmeralda is shown out of Notre Dame rather than Quasimodo holding her while climbing down, The Court of Miracles Song is replace by a dance number, the archdeacon brings a wounded Phoebus to Quasimodo and Out There is split between two songs.

 

Frollo and Quasimodo Der Glöckner von Notre Dame picture image

Frollo and Quasimodo Der Glöckner von Notre Dame

 

Frollo and Quasimodo Hunchback of Notre Dame Disney picture image

Frollo and Qausimodo Hunchback of Notre Dame Disney

 

 

 

 

 

 

 

 

Some of these differences don’t add too much but some add a great deal because some of these differences add Character Development. Quasimodo gets an arch in the stage version. Like in the Disney movie Quasimodo starts off naive, he wants to see the world for himself despite what Frollo tells him, however in Glöckner Quasimodo does not come off as gentle as he does in the movie and his emotions are more intense. This gives way for more interesting character development. Also in the movie Quaismodo claims to believe Frollo only out of fear for Frollo not because he actually believes him. In Glöckner it seems that he fully trusts Frollo  at the beginning, they even make a point of  mentioning Quasimodo lying to Frollo for the first time at the end of Act I when Quasimodo denies knowledge of Esmeralda’s escape to Frollo. Quasimodo’s trust in Frollo makes Quasimodo killing Frollo at the end all the more dramatic.

 

Quasimodo, Esmeralda and Phoebus performing Weil du Liebst Der Glöckner von Notre Dame picture image

Quasimodo, Esmeralda and Phoebus performing Weil du Liebst Der Glöckner von Notre Dame

Phoebus and Esmeralda Kiss Disney Hunchback of Notre Dame picture image

Phoebus and Esmeralda Kiss Disney Hunchback of Notre Dame

 

 

 

 

 

 

It’s not just Quasimodo to get a character development Phoebus gets an arch too. He starts off as a guy who just wants to have fun and views his new position as a path for “Rest and Recreation.” But through interactions with Esmeralda he learns that he would rather be “good’ than do what his boss tells him i.e burning an innocent family to death. Esmeralda doesn’t exactly get character development but her backstory  about of how she gets into trouble and is forced to move around because she expresses her opinion without a filter makes her at least a little more human and flawed. Disney’s Esmeralda was just too perfect, some goes for Disney Phoebus.

Norbert Lamla as Frollo Der Glöckner von Notre Dame picture image

Norbert Lamla as Frollo Der Glöckner von Notre Dame

 

Frollo singing Hellfire Disney Hunchback of Notre Dame picture image

Frollo singing Hellfire Disney Hunchback of Notre Dame

 

 

 

 

 

 

 

 

However I don feel that Frollo’s backstory was unnecessary (Frollo’s background as a Priest). I know what Glöckner was trying to do and as a fan of the book I do appreciate that they tried to make Frollo like he was in the book but it didn’t really add to any character development or an arch. To my knowledge Frollo being a former Priest  was only mentioned once. I guess it adds a single shade of a backstory to him but most megalomaniacal people in power position don’t really need a reason to think they are better than most people. Plus why would someone who was once a Priest decide that the best way to cleanse to the world (or in this case Paris) of vice and sin was to promote genocide and corporal punishment? If anything Glöckner’s Frollo being a Priest adds further questions to his character and backstory. At least Disney’s Frollo was just a megalomaniacal mad man who has power and was having a control issue.

Esmeralda and Quasimodo Der Glöckner von Notre Dame image picture

Esmeralda and Quasimodo Der Glöckner von Notre Dame

Esmeralda and Quasimodo Disney Hunchback of Notre Dame picture image

Esmeralda reading Quasimodo's palm Disney Hunchback of Notre Dame

 

 

 

 

 

 

I do think a lot of changes between the film and stage version were good and added something that was missing from the original Disney film. However adding things from the book  to make a compromise between the book and the Disney film really didn’t work that well. Maybe had the spent some more time developing Frollo it could have worked but it really didn’t.

 

Next time – Conclusion

Esmeralda Der Glöckner von Notre Dame picture image

Esmeralda Der Glöckner von Notre Dame

Wilson’s Concept art for Disney’s The Hunchback of Notre Dame

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I was doing some research at work a few days ago on Russian Animation and I found these pictures (which have nothing to do with Russian Animation.) In fact these pictures are concept art by Rowland B. Wilson. Wilson created production art for Disney’s The Hunchback of Notre Dame as well as The Little Mermaid, Tarzan and Hercules.

Enjoy!

Quasimodo by Rowland B. Wilson Disney the Hunchback of Notre Dame picture image

Quasimodo by Rowland B. Wilson Disney the Hunchback of Notre Dame

Esmeralda and Djali by Rowland B. Wilson Disney the Hunchback of Notre Dame picture image

Esmeralda and Djali by Rowland B. Wilson Disney the Hunchback of Notre Dame

Frollo by Rowland B. Wilson Disney the Hunchback of Notre Dame picture image

Frollo by Rowland B. Wilson Disney the Hunchback of Notre Dame

Gargoyle by Rowland B. Wilson Disney the Hunchback of Notre Dame picture image

Gargoyle by Rowland B. Wilson Disney the Hunchback of Notre Dame

Rats by Rowland B. Wilson Disney the Hunchback of Notre Dame picture image

Rats by Rowland B. Wilson Disney the Hunchback of Notre Dame

Bats by Rowland B. Wilson Disney the Hunchback of Notre Dame picture image

Bats by Rowland B. Wilson Disney the Hunchback of Notre Dame

Pigeons by Rowland B. Wilson Disney the Hunchback of Notre Dame pictures image

Pigeons by Rowland B. Wilson Disney the Hunchback of Notre Dame

Birds by Rowland B. Wilson Disney the Hunchback of Notre Dame picture image

Birds by Rowland B. Wilson Disney the Hunchback of Notre Dame

Hilf den Verstoß’nen and Hoch über der Welt “ Music of Der Glöckner von Notre Dame“ Part 3

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This is the third part of the music review of Der Glöckner von Notre Dame

Hilf den Verstoß’nen

Esmeralda singing Hilf den Verstoßenen in Der Glöckner von Notre Dame picture image

Esmeralda singing Hilf den Verstoß’nen in Der Glöckner von Notre Dame

Hilf den Verstoß’nen (God Help the Outcast) is for the most part the same as the Disney version with one exception, Quasimodo sings in it. This add-on makes the song a touch longer. Another minor difference is that unlike the  parishioners in the Disney that sings about wanting wealth, fame, glory together in the stage show the first two lines are sung in solos. A minute difference. Musically the song is identical to the Disney. Seriously, play the songs together and they are the same musically.

It’s a nice version of God Help the Outcast. On the one hand, I rather like the addition of Quasimodo here but on the other it robs Esmeralda of a song to herself. I mean Phoebus gets one but Esmeralda also sings with someone else whereas Quasimodo gets two songs for himself, three is you want to count the Gargoyles as part of his psyche. Considering that I wish they had let Quasimodo out of the song but maybe Menken and Schwartz felt that Esmeralda and Quasimodo should have got one song together but Quasimodo shyness would have prevented him from actively singing with her so him stalking her around Notre Dame and sing along wit her prayer was a logic move to make but still would it have killed them to give her a solo song. Really if they really want to take God Help the Outcast from her they should made Einmal (Once) her solo song but we’ll get to Einmal later.

Watch a Video clip here

Hoch über der Welt

Esmeralda and Quasimodo during Hoch über der Welt in Der Glöckner von Notre Dame picture image

Esmeralda and Quasimodo during Hoch über der Welt in Der Glöckner von Notre Dame

Hoch über der Welt (High above the World) takes place when Esmeralda and Quasimodo are a top of Notre Dame and it is sung by Esmeralda and the gargoyles. Esmeralda thinks that Paris  is better when viewed from above and the gargoyles encourage Quasimodo to put the moves on her. His move constitutes asking to sit next to her, which she agrees to and in the gargoyle tradition of jumping to conclusions they start planning the wedding.

This song acts as a bonding song between the two and it’s a good example of what works in a musical version wouldn’t work in a movie. A song like this in the movie would have killed the pacing and would have worked against Esmeralda sweeter less experienced nature.

Musically it employs the tactic that  Zuflucht employed which was two melodies that are song together in the third part of the songs. This makes it so the first person(ie Frollo, Esmeralda, Phoebus etc) sing unaware of the gargoyles singing with them. And like Zuflucht the harmonies work well together.

Hoch über der Welt is a nice and sweet on Esmeralda’s end and fun and energetic on the gargoyles’ end. It also works to help establish Quasimodo and Esmeralda’s friendship more than just one the conversation they had in the movie

Watch a a video of being performed  Here

Next Time-
Das Licht des Himmels (Heaven’s Light)
Das Feuer der Hölle (Hellfire)

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame picture image

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame

Tanz auf dem Seil, Ein bißchen Freude”, Drunter drüber“ Music of Der Glöckner von Notre Dame – Part 2

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This is the second part of the music review of Der Glöckner von Notre Dame

Tanz auf dem Seil

Esmeralda and Clopin Tanz auf dem Seil Der Glöckner von Notre Dame picture image

Esmeralda and Clopin Tanz auf dem Seil Der Glöckner von Notre Dame

Tanz auf dem Seil (Dance on the Rope) is first new song of the show. It introduces Clopin as the Leader of the Gypsies and  to Esmeralda. Clopin starts the song by telling the  audience and the new members of the Court of Miracles what roles they play in Paris as Travelers. Those roles are beggars, artist, and the scapegoats and they must understand them in order to survive. One of the newcomers catches Clopin’s attention and that is Esmeralda, a dancer. Esmeralda had to move to Paris as she can’t keep her opinions to herself and it gets her into trouble but she is determine to try and make Paris her home.

Musically this song is fun. Clopin sings a bit of the from the final number of act one Esmeralda (which is one of my favorite from the show {it got the 8th position in my top ten best hunchback songs list ). But more than that  Tanz auf dem Seil shows the audience how the Court of Miracles functions and what it means to be a Gypsy in Paris under Frollo’s control. It also gives Esmeralda a back story and ironically it seems to take it a bit from the 1939 version where Esmeralda was new in Paris and the Court of Miracles. Plus it’s nice to know that the map amulets were standard issue as you see Clopin give it to Esmeralda.

This song is the first big number of the show so I’m sure the staging was full of dancing. I enjoy this song, it’s interesting, informative, and fun.

To watch a clip of Tanz auf dem Seil performed on stage click here

Ein bißchen Freude

Fredrik Lycke as Phoebus in Der Glöckner von Notre Dame picture image

Fredrik Lycke as Phoebus in Der Glöckner von Notre Dame

Ein bißchen Freude (A Bit of Joy) introduces us to Phoebus. Like the movie, Phoebus has been relieved of military duty and has been promoted to Captain of the Guard. Unlike the Disney movie, Phoebus here acts more like he does in the book. He just wants to indulge in vices and have lots of “wine, women and song” you know A bit of Joy. He also flirts with a random girl during the course of the song. It also gives us some basis for character development with Phoebus seeing him start out as more of a member of the “common, weak, licentious” crowd to becoming a more righteous person later at the end of act one.

Musically the song uses the Phoebus’ Lemotif from Disney (you know that march music you hear when Phoebus is first introduced). It’s a good introduction to Phoebus as a combination with Disney and the book. The song has good energy and a  bit of fun and it’s nice to hear Phoebus get a song to himself (spoiler- this is Phoebus’ only solo song).

Drunter drüber

Esmeralda, Quasimodo and Clopin Drunter drüber Der Glöckner von Notre Dame picture image

Esmeralda, Quasimodo and Clopin Drunter drüber Der Glöckner von Notre Dame

Drunter drüber (Topsy Turvy) is similar to the Disney version but there are a lot of big little differences.   A quick staccato introduces the song and seems like people running to get there in time for the start. Then it follows the songs  with the crowds and Clopin. Quasimodo get some lines here to the tune of Out There (Draußen {His Leitmotif}).  Also the music of Esmeralda’s dance is different. It’s slower and sounds more like what is typically considered “Travelers Music.” So you can imagine her dance is  not the pole dance of the Disney movie, but you couldn’t really have a stage actress performing the moves Esmeralda did in the movie plus in book I don’t think Esmeralda would have done the those moves either. So the slow tempo dance music is a nice mitigation

Drunter drüber is akin to the Disney version but the difference make it fun and interesting and fun in its own right.

To watch a video of Drunter drüber performed on stage Click here

Next Time –
Hilf den Verstoß’nen (God Help the Outcast)
Hoch über der Weltt (High above the World)

Esmeralda and Quasimodo Der Glöckner von Notre Dame image picture

Esmeralda and Quasimodo Der Glöckner von Notre Dame

Der Glöckner von Notre Dame Characters

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Pictures are of the Original cast of Der Gloeckner Von Notre Dame

Drew Sarich as Quasimodo in Der Glöckner von Notre Dame picture image

Drew Sarich as Quasimodo in Der Glöckner von Notre Dame

Quasimodo in this version is not deaf but he has trouble expressing himself in verbal communication. He is however able to express himself when he sings. He seems to have a more of a morose attitude than he had in the Disney version but he is still pretty much the same.

Judy Weiss as Esmeralda in Der Glöckner von Notre Dame

Judy Weiss as Esmeralda in Der Glöckner von Notre Dame

Esmeralda is a young dancer who is a newcomer to the Court of Miracles. She gets very frustrated with inequality. She a has a difficulty keeping her thoughts to herself which is why she had to move to Paris and why she gets in trouble with Frollo. She is not a sassy  or as sexual aware as she in the movie but she does come off sweeter and naive, which is more like the book.

Norbert Lamla as Frollo Der Glöckner von Notre Dame picture image

Norbert Lamla as Frollo Der Glöckner von Notre Dame

Frollo was a priest in his youth and decided that Paris needed to be save so he became a became a Judge. He hates Gypsy and believes that they are sole the problem with Paris. He takes care of Quasimodo  as a act of contrition for killing Quasimodo’s mother. He hopes Quasimodo will think like him and his emotional abuse is something that he is unaware of. Frollo becomes consumed with lust for Esmeralda which drives him insane. He thinks the cure is  either to possess her or destroy her. He seems to have  intensity than he has in movie. I would also point out that Frollo being a former priest  is only mention once. (Then again I can’t find the copy of the script I found ages go and I didn’t  read the whole thing, so it could have been mention several time in the dialogue  portion {that’s the problem with not have a public DVD recording of the show}).

Fredrik Lycke as Phoebus in Der Glöckner von Notre Dame picture image

Fredrik Lycke as Phoebus in Der Glöckner von Notre Dame

Phoebus is the newly promoted Captain of the Guards. He hopes the job will offer him some rest and relaxation. He also enjoys flirting with girls. After meeting Esmeralda he decides that he rather be good than obey Frollo’s insane orders and becomes a criminal. I rather like that Phoebus starts off similar to the book more or less a playboy type and then betters himself.

Jens Janke as Clopin in Der Glöckner von Notre Dame picture image

Jens Janke as Clopin in Der Glöckner von Notre Dame

Clopin is the story teller, leader of the Court of Miracles and the Festival of Fools. Clopin does very little for the plot but he seems to enjoy regaling the tale to the audince and providing exposition. In his storyteller role he dresses like an old begger which further separates his character into two distinct characters unlike the movie where he does as pretty the same person.

Tamas Ferkay as Antoine in Der Glöckner von Notre Dame picture image

Tamas Ferkay as Antoine in Der Glöckner von Notre Dame

Valentin Zahn as Charles in Der Glöckner von Notre Dame picture image

Valentin Zahn as Charles in Der Glöckner von Notre Dame

Yvonne Ritz Andersen as Loni in Der Glöckner von Notre Dame picture image

Yvonne Ritz Andersen as Loni in Der Glöckner von Notre Dame

The Gargoyles are Quasimodo’s imaginary friends. They try to encourage Quasimodo to leave Notre Dame and recuses Esmeralda. They also try to comfort him after Esmeralda dies. They don’t have the over the top personalities that their Disney counterparts have nor do the make pop culture references or fart jokes. Their levity is light-hearted and subtle. I don’t think the production could really take these character away nor could they make them akin to Disney movie characters if they wanted to achieve a dark tone. So making them subtle and completely imaginary was a good way to handle them, though they are still a bit annoying but no where near the level they are in the movie.

*Trivia – Gargoyles names are taking from Famous actors who played Quasimodo:
Loni- Lon Chaney (1923)
Charles – Charles Laughton (1939)
Antoine – Anthony Hopkins (1982)

Carlo Lauber as the Archdeacon in Der Glöckner von Notre Dame picture image

Carlo Lauber as the Archdeacon in Der Glöckner von Notre Dame

The Archdeacon guilts Frollo into taking care of Quasimodo. He also orders Frollo to leave Notre Dame when he tries to arrest Esmeralda. He is also the one who asks Quasimodo to hide Phoebus after he is shot. Like the Disney movie he does have that much personality. He does seem to do a bit more in the play than the movie but not much.