Esmeralda saving Phoebus Der Glöckner von Notre Dame
Esmeralda is the closing number of Act 1 so it’s high on drama and plot. This song takes place when Frollo is searching for Esmeralda and Phoebus realizes that he would rather be “good than smart”, (morality over career ambition) and he disobeys Frollo. After he stands up to Frollo, Frollo condemn his to death and Phoebus flees with Esmeralda’s help. Frollo then begins to burn down Paris for Esmeralda while Quasimodo worries.
Musically this song is the melody that Clopin and Esmeralda sing in Tanz auf dem Seil and Draußen. However there are other melodies floating around in this piece and therefore it have more of mash-up feel.
Frollo and Phoebus Der Glöckner von Notre Dame
What I like about this song is that it speaks to the basic plot of Hunchback, three men one women. There is another famous Notre Dame song like this, mmm but it’s name escapes me, what could it be? The inclusion of song is needed to get the point of what Esmeralda does to this cross-section of men, granted it’s different than in the book or the Disney movie especially with regards to Phoebus. Phoebus in the Disney movie didn’t have any character development, he started morally good and ended morally good. In the Book he is a philander but after his meeting with Esmeralda and getting stabbed by Frollo be commits himself to his fiancee Fleur de Lys. In this musical he starts off with career ambition and he wants to have a good time but after he meets with Esmeralda and is pushed by Frollo he decides to act in accordance with doing the right things, morally (ie. not burning innocents because the boss is crazy). Quasimodo here is worried about Esmeralda’s safety and Frollo wants her dead or to be his woman, either is fine. The point is this song shows that Esmeralda creates powerful emotions and with exception of Frollo the Disney version didn’t explored that part of the story.
Esmeralda Der Glöckner von Notre Dame
All in all Esmeralda is a very dramatic song that ends the first act perfectly with Phoebus falling into a river. Mmm that reminds me of another Hunchback musical where the first act ends with Phoebus getting injured, mmm which one was that?
So in December 2011 Doug walker ( who plays the insanely Popular Internet Critic Character The Nostalgia Critic on That Guy With the Glasses) reviewed all the Disney Featured Films. And Since I have a Blog about the Hunchback of Notre Dame this gives me the right to do a review of a review, clique I know. So Here we go.
Esmeralda in the dungeon of La Tournelle. Illustration by Burdet
Frollo singing Hellfire Disney Hunchback of Notre Dame
Louis Boulanger's Illustration of Frollo, Esmeralda and Sachette
The first I noticed that either Walker hasn’t read the book or it’s been a while. First thing he claims the book is “Dark and Twisted.” Now I could I be the twisted one but I don’t find the book that dark or twisted. I mean I guess since main all the characters die and it has a tormented Priest as a main character this qualifies it as “dark” but there are darker books in the world. And dare I say there is a lot of humor. Maybe it’s because it a French story that the darker element stick out and it if were Russian it would fit in. Maybe it’s because people are inclined to thinking the book is of the Gothic Style, which it is not it’s actually Romantic. Anyway the Book will have it’s time here but I disagree with Walker, it’s comparatively darker than some Books but Twisted: No.
Esmeralda defying Frollo by helping Quasimodo Disney Hunchback of Notre Dame
Esmeralda being Tortured
Another thing that made it clear he doesn’t recall the book is the mentioning of the crimes by Esmeralda and Quasimodo. He says that Quasimodo “accidently commits some sort of crime” and he claims that Esmeralda is not arrested for witchcraft. Quasimodo doesn’t accidently kidnapped Esmeralda, Frollo orders him to do it and he does no question. And Esmeralda 100% accused of witchcraft, there was a whole thing in the book where she accused of turning a coin in a dry leave and the tricks she taught Djali which are far more innocent than her trick in the Disney movie. Considering the Kidnapped attempt and Esmeralda’s trail are big portions of the plot I’m not going to let this generalization of Walker’s part go. But then again these scenes are not really in the Disney movie it’s a little forgivable.
Quasimodo as the King of Fools Topsy Turvy Disney Hunchback of Notre Dame
Illustration of Quasimodo as the Pope of Fools by Edouard de Beaumont 1844
Shock the Priest Topsy Turvy Disney Hunchback of Notre Dame
Another slight problem with his fact checking is the Feast of Fools, Walker calls it a celebrations of Gypsy but the Feast of Fools was a Festival which akin to April’s Fool. Also he brings up some confusion on the way the Gypsy are portrayed. I think that in his thinking the Feast of Fool tripped him up in this explanation but when he says that Esmeralda say that they’re not all thieves but then there is the Court of Miracle where they keep there stolen stuff. However this a problem of making the Court of Miracles in a Gypsy haven which is not in either the book or actuality. In the book the Court of Miracles is where beggars and thieves lives and some Gypsy live there as well including Esmeralda. In actuality the Court of Miracles is the slums.
Gargoyles A Guy like you Disney Hunchback of Notre Dame
Walker is a fan of this movie however like me he did hate the Gargoyles. He bring up an interesting point about the Gargoyles being Judgmental and berating each others one looks, which goes against the point of the movie. Walker admits that he could have given the film credit if they were imaginary. The thing is they were supposed to be, if you listen to the commentary that’s what they strived for but they just forgot and there are too many inconsistencies. The film tried they just failed to make that aspect come out.
Molten Lead over Notre Dame Disney Hunchback of Notre Dame
Frollo groping Esmeralda
Notre Dame of Paris Disney Hunchback of Notre Dame
Walker likes the look of the movie, how grand everything looks and the shear scope. He likes both Frollo and Quasimodo but really didn’t mention the other character except the Gargoyles. He did mention Esmeralda and Phoebus’ romance being boring. He like Hellfire and The Bells of Notre Dame. He like that the film tackles the issues of faith, Good, Evil, Heaven, Hell and Lust. Which if you’re going to do Hunchback of Notre Dame you need to handle the lust, I mean that drives the plot.
Frollo and Baby Quasimodo during the Bells of Notre Dame Disney Hunch back of Notre Dame
Esmeralda as a fire demon dancing Hellfire Disney Hunchback of Notre Dame
Frollo singing Hellfire Disney Hunchback of Notre Dame
Walker admits the film is clunky but on the whole he loves it. He can understand why it wasn’t a be hit and he admires it for the risks it took.
Djali licking Phoebus with Esmeralda Hunchback of Notre Dame Disney
The Old Heretic Disney Hunchback of Notre Dame
Clopin, Phoebus and Quasimodo Court of Miracles Disney Hunchback of Notre Dame
The thing about it is if you’re a fan of Hugo’s book, you can still like it, I think you just have to accept it as a different story, which it is. I’ve commented enough on this version (6 months) but it’s not a bad movie for what it is: a children’s version of Hunchback of Notre Dame, it works, so I agree with Walker, just wished his fact checking had been better. (Though I’m not a big fan of Quasimodo)
Quasimodo reacting to the craziness Topsy Turvy Disney Hunchback of Notre Dame
Topsy Turvy follows in the path of the big show stopping music numbers of Disney. Other songs like this included (but not limited to) Under the Sea (The Little Mermaid), Be Our Guest (Beauty and the Beast) and A Friend Like Me ( Aladdin). Unlike these, Topsy Turvy is not a show stopper, it doesn’t stop the movie for the sake of a spectacle, but instead Topsy Turvy propels the plot forward.
Clopin during the Feast of Fools Disney Hunchback of Notre Dame
There is a lot that happens within the course of the song with regards to story telling. The festive starts and Quasimodo gets caught in the swing of it, Quasimodo meets Esmeralda, Esmeralda dances getting the attention of Quasimodo, Phoebus and Frollo, the King of Fools contest starts, and Quasimodo is crown the king. There so much that happens that the song is broken up into four part essentually. These parts are well connected and the last portation with Quasimodo as the King of Fools features a keynote change to denote the ending of the song.
Clopin Topsy Turvy Disney Hunchback Notre Dame
Quasimodo Topsy Turvy Disney Hunchback of Notre Dame
Esmeralda's Dance Disney Hunchback of Notre Dame
As far as the song is concerned it’s fun. It’s very celbratory, the lyrics are clever and Paul Kandel does well singing it. It’s the only Disney song to use a word meaning prostitutes. The line “Join the bums and theives and strumpets,” a strumpets is an old fashion word for a prostitute or a harlot. Kind of intresting that the only Dinsey song to use a word for prostitute would also feature a pole dance.
Reversal Topsy Turvy Disney Hunchback of Notre Dame
Quasimodo reacting to the craziness Topsy Turvy Disney Hunchback of Notre Dame
Topsy Turvy CG Crowd Disney Hunchback of Notre Dame
The visuals help make this song memorable. There lots of reversals to help keep the momentum going and the fun up. This visually also give Quasimodo something to react to and since he is seeing all this craziness for the first time, Quasimodo acts as the audience in this song. There is a cast of thousand. The crowds were made using CG and at the time were a feat but the crowd in movie hasn’t aged well.
Clopin Topsy Turvy Disney Hunchback Notre Dame
The song has several reference that harken back to Victor Hugo’s Novel. First the lyrics mention the date a being January 6, which is the day the Feast of Fools took place on. Of course the movie doesn’t seem to take place in winter, then again it could just be unseasonably warm.
Esmeralda's Dance Disney Hunchback of Notre Dame
Another Reference is Clopin referring to Esmeralda as “La Esmeralda”. Esmeralda in the book is very often referenced to with the article “La.”
Shock the Priest Topsy Turvy Disney Hunchback of Notre Dame
The last reference and probably the most interesting. Is on the line “shock the priest” Clopin is holding a Frollo puppet. This is a clear reference to Frollo being a priest in the book.
Quasimodo as the King of Fools Topsy Turvy Disney Hunchback of Notre Dame
The song itself is fine, it big and fun but it’s not my favorite. I would position this song in the middle of the ranking however I can understand why many would like it, it’s a fun song that adds to the movie and alludes to the book very appropriately.
Next Song – God Help the Outcast
Esmeralda singing "God Help the Outcast" Disney Hunchback of Notre Dame
“Clopin has looks very similar to Kuzco from the Emperor’s New Groove. Has a long pointy long face, straight long black hair, pointy nose, and thin. Clopin is older and has a few age lines, balding (a little bit) a beard, bushy eye brows and some missing teeth. Clopin gets two costumes, a performance look and a casual look. Unlike Esmeralda he is seen more in this performance outfit. It Harlequin that is purple and yellow with bells on his neck piece, a purple mask, and long back gloves. He has wears a purple hat with a big yellow feather. The hat is akin to the one that Thomas Mitchell wore in the 1939 version. Clopin casual costume looks similar to this performance garb but it all purple and less festive. He also wears the same hat. Like Esmeralda and Djali, Clopin also wears a single golden hoop earring. He cosplays (costume play) as Frollo. He also makes awesome expressions.”
Clopin noticing Quasimodo during the Feast of Fools Disney Hunchback of Notre Dame
Kuzco from The Emperor's new Groove Disney
Clopin Disney Hunchback of Notre Dame
Clopin’s look is kinda a model look of certain Disney characters. Much like how Disney villains can fall into two basic groups, thin and big, the good guys have their models too. For instance the fathers in Disney movies are usually dumpy old men.
Human Lumiere and Babette Disney Beauty and the Beast
Clopin at the end Disney Hunchback of Notre Dame
The point I’m getting at is Clopin is reminiscent to the look of other characters like him; the larger-than life sidekick. Typically this character is not human, Sebastian, Lumiere ( through is human spends the bulk of the movie as a candlestick), Genie, Timon, Mushu etc, etc . However take a look at Lumiere as human, and you can see the resembles to Clopin. Lumiere has a long face, pionty nose, and thin. Of course Clopin is a little more rough around the edges but Lumiere works in a castle and Clopin is a busker. But they are both entertainer, (what was Lumiere’s job exactly?)
Clopin with Frollo Puppet Disney Hunchback of Notre Dame
Human Lumiere Disney Beauty and the Beast
One could say that Kuzco as man character doesn’t fall into this catgeory and Clopin similarity to Lumiere is a considence. I would that Kuzco is pretty over the top and spend most of his time as Llama so I think he can fit into the category and he a slight exception.
Clopin Disney Hunchback Notre Dame
So Clopin’s look follows a grand tradition of Disney character design which places character into convientional models which aids them in their quest for more money, by making the same old stuff. Actually Disney can you go back to the same old stuff, I miss it.
Concept Art of Clopin Disney Hunchback of Notre Dame
And for no reason Clopin’s Concept Art.
Next Time – I suppose logically it would be the Gargoyles (Shudders)
Victor, Hugo and Laverne singing A Guy like you Disney Hunchback of Notre dame
Phoebus asking for Esmeralda’s name Disney Hunchback of Notre Dame
Phoebus is the dashing and handsome captain of the guard. Due to this namesake, Phoebus (Apollo) he has a very yellow look, gold armor, blond hair and a beard. He has a bit of a Roman look. His beard, with cape his hair style, aquiline nose are all more Roman than late medieval. Oddly enough, Phoebus’ only describe featured in the book is his mustache which is in the “Burgundian Style.” Phoebus is first Disney guy to get facial hair, so kudos to Disney for at least taking something from the book as a basis. Well one could argue that in the 23 version and the 39 version Phoebus had a mustache, so who knows what Disney was going off of, besides the production crew. At least they went there and gave him some form of facial hair The important this is that Phoebus should be handsome, he can be a jerk, a hero or a gloried extra but he must be a pretty boy, and Disney at least did that.
Phoebus Disney Hunchback of Notre Dame
Disney Phoebus Hunchback of Notre Dame
Phoebus Disney Hunchback of Notre Dame
Phoebus concept art isn’t much different than how he appears in the movie. However he looks like John Smith from Pocahontas. For More Concept Art of Hunchback
Concept Art of Phoebus Disney Hunchback of Notre Dame
Concept Art of Phoebus Disney Hunchback of Notre Dame
Concept Art of Phoebus Disney Hunchback of Notre Dame
John Smith Disney Pocahontas
I mean, It’s John Smith with a beard.
Phoebus’ armor Disney Hunchback of Notre Dame
Phoebus wears the most useless armor ever, honestly I don’t know why he bothers with it, maybe the gold makes him feels special or pretty but clearly it’s just for show. Djali hits him in the gut and inflicts some pain but when a candelabra hits him the face he shakes it off. He gets shot with an arrow through back (and yet it almost got his heart) and he nearly drowns in it. Frankly he’s better off without it.
Djali in gut Disney Hunchback of Notre Dame
Phoebus after getting hit by Djali Disney Hunchback of Notre Dame
Phoebus being hit by Esmeralda Disney Hunchback of Notre Dame
Phoebus being hit by an arrow Disney Hunchback of Notre Dame
Phoebus’ look is pretty generic looking considering the rest of the characters. He’s conventially handsome with a slight roman look mix with a little John Smith through for good measure. The result is a tad on the boring which is why his look didn’t change much from the concept art.
Phoebus noticing Esmeralda’s “Disgusting Display”
Phoebus and the Map Disney Hunchback of Notre Dame
Esmeralda is the most divergent character in the Disney version from the book in both looks and personality. I already talked about her personality, now let’s look at her looks.
Disney Esmeralda Hunchback of Notre Dame dancing
The Disney Esmeralda looks 100% a traveler*. She has a darker complexion, dark hair, and light green eyes (with no glint). Her eyes also do not change color pending on how much light is in the space, which kind of makes them look witchy. She keeps her hair pulled back which it creates volume. This bigger hair makes her look older. When her hair is down she looks younger. Her hair also has a slight curl. Though in the middle of the epic running away from Frollo, her hair looks straight but that could just be inconsistencies in animation or the wind, take your pick. But it does look straight. However it also fair to point out that this voluminous hairstyle was on trend in the late 90s.
Esmeralda complimenting Quasimodo Disney Hunchback of Notre Dame
Her age is very vague. Most of the Disney characters have a rough age range or they just say how old they are like Ariel and Jasmine. With this shift in Disney heroines being somewhat more independent and less dreamy, they appear to be older than the typical “Disney princess” (except Tiana, I would say she is like a compromise between the archetypal Princess and the confident independent heroine of the late 90s).
The question is how old is Disney’s Esmeralda? With the age inflation that Disney implements, I’d say she most likely 22 at the youngest, which is “old” for a Disney heroine. The long and short of it is, Esmeralda is meant to be older like “she’s been around.” This is not my phasing, watch the commentary, it’s the scene where Esmeralda is helping Quasimodo from the pillory. To listen to the commentary, The DVD.
One reason why this version made her older could have been to help establish her relationship with Quasimodo as more maternal, more like a big sister than romantic. This could have made her pairing with Phoebus appear more palatable for the audience, though given a lot of bad-faith internet discourse it didn’t really work that way.
19th Century Illustration of Esmeralda with Djali
Esmeralda’s Dance Disney Hunchback of Notre Dame
Against the original novel by Victor Hugo, Esmeralda’s looks are very different. Esmeralda is never described in graphic detail but she’s described as very beautiful frequently by many characters. Disney Esmeralda is meant to be beautiful certainly but she is never called beautiful in the movie. The closest mention to her looks is Clopin saying she’s “The Finest Girl is France.”
19th century Illustration of Esmeralda
Esmeralda’s Dance Disney Hunchback of Notre Dame
Esmeralda in the book is not genetically a full traveler*. Her mother is a French women and while her Father could have been a traveler, it is never actually mentioned who was her father.
Esmeralda has a golden skin tone, black hair and black eyes. Part of Esmeralda’s charm in the book is her innocence and her total unawareness of her own beauty. Disney’s Esmeralda is the complete and utter opposite; she knows her appeal, exploits it and given that quote by the director Kirk Wise that I mention earlier, I’m not sure how innocent is in the movie. So it safe to say that Disney did not use Hugo for even a basis of Esmeralda’s design.
Concept Art for Esmeralda Disney Hunchback of Notre Dame
Concept Art for Esmeralda Disney Hunchback of Notre Dame
Concept Art for Esmeralda Disney Hunchback of Notre Dame
Looking at the concept art, Esmeralda started off looking more youthful and somehow along the way she lost the youthful look. My guess the vocal inspiration turned the tables on the character design. Alas Demi’s Moore doesn’t sound youthful, at least not when the film was recording the voices. For More Concept Art of Hunchback
Esmeralda giving Frollo a peck on the nose Disney Hunchback of Notre Dame
It’s actually not Disney’s fault that Esmeralda’s looks/acts sexy whereas Hugo’s Esmeralda did not. The fault lies in the film history of Hunchback movies.
Esmeralda has long been depicted as sexy or at least no stranger to feminine charms. Esmeralda has also been depicted by actresses who are more known for their sex appeal. Such actresses have been Stacia Napierkowska, Theda Bara, Gina Lollobrigida and Salma Hayak. Also Disney models their characters after the voice actor playing them, so with the choice of Demi Moore it was inevitable that Disney Esmeralda was going to be sexy and follow the line of sexy Esmeraldas.
In a featurette of the movie, Moore said she could see herself in Esmeralda’s animation. While Disney took their cues from the 1939 version, I think Esmeralda’s look was based somewhat on Gina Lollobrigida’s Esmeralda as well as Demi Moore (maybe, I can’t really tell, I haven’t seen a ton of Moore’s films discern her mannerism and/or acting style in Esmeralda’s animation.)
Demi Moore
Esmeralda Disney Hunchback of Notre Dame
Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956
*Since 2021 the blog has been using the words Travelers or Nomads to convey the group of people that Esmeralda is associated with while trying to be respectful. You can read that post here. I do tend to favor the travelers usage.
As I mention in my Character analysis of Frollo, he is of the elegant Disney Villain variety. Other Villains include but are not limited to, Jafar, Yzma and Doctor Facilier. Frollo is thin and tall, (perfect super model body). He has a very angler face and a hook nose. Like many of the characters he has small eyes. Oddly enough he has grey hair but black eyebrows which are thin. Thin eyebrow makes one look older and fuller brow make one look younger. So Disney Frollo is old, and considering he looked old in the back story, he’s probably clocks in at 60 or so.
Frollo and Phoebus Disney Hunchback of Notre Dame
Frollo Hunchback of Notre Dame Disney
Judge Claude Frollo
He wears a long black robe with purple and red elements. As I also mentioned in my 1939 costume post, long black slabs of fabric look very unapproachable and it’s like a giant arrow that says” I’m a bad guy”. The first time you see Frollo, you know this be the villain. Of Course a big black scary horse helps, plus he arrests people for no reason. However his clothes assert his evil.
Frollo and Quasimodo Hunchback of Notre Dame Disney
Frollo and an illusion of Esmeralda during Hellfire
Frollo Hunchback of Notre Dame Disney
So how does Disney Frollo compare with Frollo in the book? Well in the book Frollo’s face is described as austere, calm and sombre. He’s bald with a few gray hair that form a natural tonsure. He has a broad forehead that is furrowed with wrinkles and deep-set eyes. His eyes are the only thing expressive about him. Frollo is also 35 in the book. Which is supposed to be old but the idea is that he’s not too old, just old to shallow 16 year-old. Disney Frollo’s does has an austere look but Disney didn’t base Frollo’ s design off the book. They based it off of Sir Cedric Hardwicke’s look. They have the same dower look that gives way to insane bat-shit crazy looks. They have the same framing locks which is impossible not to notice. Disney’s Frollo is just older and balder, though he’s only balding. But it doesn’t take a genius to see where Disney got their inspiration from. Disney Frollo is almost an exact copy of Hardwicke’s Frollo.
Lemud Illustration of Frollo
Frollo Hunchback of Notre Dame Disney
Jehan Frollo (Sir Cedric Hardwicke) 1939 Hunchback of Notre Dame
So we’ve looked deeper into the characters of Disney’s Hunchback of Notre Dame now let’s look at them on a shallower level. Of course I mean looks.
Looks are always important with a Hunchback adaptation as you have the extreme beauty and the extreme ugly in the characters. I mention looks briefly in the character analysis but I’m going to a step further is reviewing looks now. So Let’s Get Superficial!!!
A Memorable Character who has no affect on the plot is The Old Heretic (voiced by Gary Trousdale one of directors who as did non-baas for Djali). The guy who yells “I’m Free’ after getting out of some form of confinement but then immediately gets into a new one and then proclaim “Dang it” because they can’t use the word Damn.
The Old Heretic is free Disney Hunchback of Notre Dame
The Old Heretic falling Disney Hunchback of Notre Dame
The Old Heretic railing against the cruel hand of fate Disney Hunchback of Notre Dame
So why I’m I bothering with this character. Well, he’s funny, he’s a running gag done well. You see him twice, it the same joke but it’s funny. And though the film goes out of it’s way to do this joke, it feel natural and not forced. Mainly because of control freak Frollo it’s believable that an old guy would be locked away in a cage for X number of years. But odd that a stock would left open during a festival.
The Old Heretic Disney Hunchback of Notre Dame
The Old Heretic Disney Hunchback of Notre Dame
The Old Heretic Disney Hunchback of Notre Dame
The Old Heretic looks likes Jafar from Aladdin in his disguise (this make four cameos by other Disney characters, others are Belle (Beauty and the Beast), Carpet (Aladdin), Pumbaa (The Lion King) and the Baker (Beauty and the Beast) . Maybe the Jafar Disguise is the default look for Disney’s prisoners. If Disney made a version of the Count of Monet Cristo, Abbe Faria would probably look like Jafar/Old Heretic too.
Jafar in Disguise Disney Aladdin
Belle, Carpet, and Pumbaa
Baker Figurine Disney Hunchback of Notre Dame
The Baker Disney Beauty and the Beast
Little is known about the Old Heretic. We have no idea why he is a heretic or even how old he is. You don’t even learn that he is supposed to be a heretic. One thing that we do know is this; he has a Confinement Destiny*. He just a gag no more no less. But in the scope of a running gag it’s enjoyable.
The Old Heretic Disney Hunchback of Notre Dame
The Old Heretic Disney Hunchback of Notre Dame
The Old Heretic Disney Hunchback of Notre Dame
*This is a lame joke relating to Ananke (very simply it means Death Destiny). Ananke plays a big part in the novel and I’m making up another type of destiny, it’s a lame joke, I have a Lame Joke Destiny ^_~.
The main characters of Disney’s Hunchback don’t give us much indication of how “normal” people of Paris conduct themselves. Quasimodo is a forced shut-in, Frollo essentially King, Esmeralda and Clopin are outcasts, and Phoebus, well he just comes off too perfect to really be associated with “normal people”. So which characters represent as Frollo put it “the common, vulgar, weak, licentious crowd”? That would be the two guards that are seen throughout the movie. They are credited as the Brutish Guard (voiced by Corey Burton) and the Oafish Guard (voiced Bill Fagerbakke aka Patrick from SpongeBob SquarePants ). I’m just going to call them as Brute and Oaf.
Esmeralda, Brute and Oaf Disney Hunchback of Notre Dame
Brute and Oaf Disney Hunchback of Notre Dame
Brute and Oaf shooing away nobody Disney Hunchback of Notre Dame
We first see Brute and Oaf harassing Esmeralda because she’s a Gypsy and judging by all the gold in her hat, she is probably better paid then them. Anyway they try to assert their authority but then became submissive when Phoebus out ranks them. They are quite stupid, they shoo away people to show Phoebus to the Palace of Justice, but when viewed from behind you can hear them still shooing people but there is no there. These guy are all talk and no action, Djali can take them with very little effort.
Brute and Oaf up to no good Disney Hunchback of Notre Dame
Brute and Oaf Disney Hunchback of Notre Dame
Brute and Oaf trying to crowd surf Disney Hunchback of Notre Dame
Brute and Oaf are the main cause for the getting the plot moving. Yes, it’s all them. If wasn’t for them, Quaismodo would have been King of Fools without incident and Frollo would just have been mad at him. But because Oaf throw a tomato (where did he even get that) it sets the chain of events into motion. The Crowd throws food at Quasimodo then ties him down, Frollo refuses to help, Esmeralda helps Quasimodo, Frollo gets mad at her, she defies him and hello chase scene and obsession. Thank you Oaf and Brute for being common, vulgar, weak, and licentious and getting the plot in motion.
Djali takes out Brute and Oaf Disney Hunchback of Notre Dame
Brute with Achilles Disney Hunchback of Notre Dame
Brute and Oaf Disney Hunchback of Notre Dame
So Brute and Oaf represent the common people, they promote distrust in authority figures for Esmeralda, cause the plot to take off but that not it. They also provide some humor. Brute provides Achilles with a sit and oaf provides some amusement being an oaf and all. Plus Oaf’s voice sounds comedic (Patrick from Spongebob). But don’t count on them in a pinch – storming a certain cathedral – they’re no help at all.
Brute and Frollo Disney Hunchback of Notre Dame
Oaf and Phoebus Disney Hunchback of Notre Dame
Basically Brute and Oaf are glorified extras but they do something for the plot unlike some glorified extras that are memroable but do nothing for the plot, just add humor.
follows in the path of the big show stopping music numbers of Disney. Other songs like this included (but not limited to) Under the Sea (The Little Mermaid), Be Our Guest (Beauty and the Beast) and A Friend Like Me ( Aladdin). Unlike these, Topsy Turvy is not a show stopper, it doesn’t stop the movie for the sake of a spectacle, but instead Topsy Turvy propels the plot forward.
