I don’t really enjoy the singing or the performance that much, Tony Jay is just infinitely cooler as Frollo (see I did a thing there). However I enjoy the lyric (here is another video with the French lyrics and translation) Then I had a thought, how cool would it be if Daniel Lavoie (Frollo in Notre Dame de Paris) sang a cover of Hellfire in either English or French? That would be sooo awesome ^^ Anyway enjoy “Infernal”
Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame
I’d say that the songs in Der Glöckner von Notre Dame
Ann Christin Elverum as Esmeralda Der Glöckner von Notre Dame
First off, I HATE, hate that Esmeralda doesn’t get a solo in this. With exception of the Archdeacon, Clopin and the gargoyles she the only character not get one. Now you maybe thinking “But Hunchblog the majority of the characters in this didn’t have their own songs. ” Well that is true but let’s face, each of the gargoyles couldn’t get their own song they’re a trio and as a trio they almost get a single song, Clopin may not a single song but he sings a lot as the narrator and the archdeacon is hardly even a character so he doesn’t count. Beside the plot pretty much revolves around her you’d think she’d get one but her only big songs has Quasimodo in it. I mean in Notre Dame de Paris every character got one even Fleur de Lys (Phoebus’ Fiancee) got one (La monture
Esmeralda and Antoine Der Glöckner von Notre Dame
I also got bit tired of the gargoyles singing over people. I do think it was a great way to show that gargoyles are 100% in Quasimodo’s head but it’s gets a bit old after a while. I think the show kept putting the gargoyles in songs so that A Guy Like you wouldn’t feel out of place. Another thing that gets old is hearing Draußen (Out There) over and over again. Anytime the play wants to reenforce Quasimodo to the audience Draußen is played. Admittedly this maybe unfair because Die Glocken Notre Dames is the most overused as in the play this how Clopin does most of his narrating but since I’ve been judging off the CD it’s Draußen that got old.
Esmeralda and Quasimodo Der Glöckner von Notre Dame
So yeah the songs are good for the most part but what I think really helps a lot of these songs is that singing quality is better. Though I’ve picked on Draußen in this review, I much prefer it in this musical than in the Disney movie along with Ein Mann wie du (A Man like you). The singers are just much better and that helps the enjoyment of the songs. Conversely, Hellfire suffers for this and it’s not because the is bad, I mean he put emotionally intensity into the next song Esmeralda, but maybe Hellfire is Tony Jay’s and no one else compares. Esmeralda and Clopin are one the level though the cresendo at the end of Bell isn’t as powerful as Kendal but he does a great job otherwise.
Esmeralda and Clopin during Drunter Drüber” (Topsy Turvy) Der Glöckner von Notre Dame
The musical does make the recycled Disney movie songs feel like it’s own which is nice, you don’t feel like their just simply lifted from the movie and put in to a musical. And while I do prefer Notre Dame de Paris Der Glöckner von Notre Dame has wonderful music. Just wish Esmeralda got one song to herself.
Next Time – The Production; Sets
Frollo and Quasimodo Der Glöckner von Notre Dame
This the fourth part of my review on the music of Der Glöckner von Notre Dame
Das Licht des Himmels
Drew Sarich as Quasimodo in Der Glöckner von Notre Dame
Das Licht des Himmels (Heaven’s Light) is identical to the Disney version. The minor difference is that a used piano during the part where Quasimodo calls Esmeralda an angel. That’s it. It’s still sweet and is a good counter to Quasimodo’s bitterness of his unrequited love.
Das Feuer der Hölle
Norbert Lamla as Frollo Der Glöckner von Notre Dame
Here’s a question for all of you, What do like about Hellfire in the original Disney movie? Is it the song itself? Tony Jay’s singing? The Animation? Or the fact that this song about hell and lust was produced under the Mouse? And when those things like the animation, Tony Jay and the Disney movie context are removed is the song still as awesome? I would like to say yes but this version is not my favorite, there is something about the way Norbert Lamla sings it that just devoid of the emotional intensity that Jay gave it. I’m not saying Lamla is a not a good singer because he is. I think he maybe trying to mimic Jay’s performance. Maybe this is number is more amazing on stage than it sung. Though from what I’ve read the stage re-creates the Disney Hellfire sequence. But it just doesn’t compare to the Disney version but it couldn’t have been better in it’s own right.
Next Time – End of Act 1 Esmeralda
Esmeralda saving Phoebus Der Glöckner von Notre Dame
Today is Quasimodo Sunday ( Low Sunday… First Sunday after Easter)
So since Disney’s Hunchback of Notre Dame is character driven let’s look at the main characters.
First let’s start with the titular character Quasimodo (Tom Hulce). Quasimodo is depicted as caring, gentle, kind, shy, and dreamer who dreams of something beyond his sheltered life (classic Disney Princess erm hero.) At first all he wants is to spend one day among the people of Paris and sings about it à la “Part of that World” type of “I want” song.
When someone shows him kindness he answers with loyalty. He does has a bit of an emo-side. Later in the film he hopes for love but that doesn’t come to fruition but he is happy that Phoebus and Esmeralda have each other and that is enough for him at the end of the film.
The next important character is Frollo (Tony Jay). Frollo is a hypocritical judge who HATES the romani people. He regards them as the reason why Paris is going to hell in hand-basket. He sees no harm in killing people especially ugly babies if he views in the best interest of “justice.”
He also has a pious streak, which he quite proud of. During the course of the movie he develops an unhealthy obsession with Esmeralda where he uses tons of public funds to barrack her in Notre Dame and when she escapes he set Paris ablaze and then blames it other people because hey he just doing his job (it’s a good thing King Louis IX is not a main character or somebody would have been fired).
Esmeralda (Demi Moore), the beautiful Romani dancer, who is often referred to as “girl” but she comes off as older than Quasimodo who is 20. She is kind and has a fierce sense of justice and loyalty. She knows a wide assortment of parlor tricks that she can use in a pinch. She also can read palms though she is is a dancer by trade.
Esmeralda is always accompanied by her pet Goat Djali. Djali turn offs include heights, ugly faces and hangings. Turn ons include dancing, money, and eating wood cravings. Djali is used more as comic relief but Djali is a from the original book.
Phoebus (Kevin Kline), another attractive character, Phoebus has been called back from the wars by Frollo to protect Paris from the Romani; an assignment he takes with major annoyance and a grain of salt. He has a dry wit and is a flirt but he also has a high sense of morality and won’t kill people just because crazy old Frollo says so. He also has a horse named Achilles who enjoys heeling and sitting on people he doesn’t care for.
Clopin (Paul Kandal) , the leader of the Court of Miracle and the story teller. He is an extrovert who loves to have a good time whether it’s entertaining small children, all of Paris at the festival of fools or hanging trespassers. Where Clopin is the party is.
Gargoyles, the comic relief characters Victor (Charles Kimbrough), Hugo (Jason Alexander) and Laverne (Mary Wickes/Jane Withers). The three only come to life for Quasimodo and once for Djali. They have their distinctive personality, Victor is prim and calm, Hugo is loud and fun loving, and Laverne is old and tells it like it is. There loyal to their pal Quasimodo and to encourage him to follow his heart. But they’re annoying as all hell.
Archdeacon (David Ogden Stiers), the kind, caring, gentle, wise Archdeacon of Notre Dame. As Archdeacon he has some authority over Frollo and Frollo while not happy is at least compliant. He the one who guilts or rather scares into taking care of Quasimodo.
Next Time more on the more characters of Disney’s Hunchback of Notre Dame
The Disney version starts off with Clopin (Paul Kandel) regaling small children with the tale of the mysterious bell ringer and how he came the position. Though a song (The Bells of Notre Dame) and a flashback Clopin tells of a group of Gypsies entering Paris via the Seine, the notable Gypsy is a women with a child. After docking the Romani are caught by Judge Claude Frollo (Tony Jay). Frollo doesn’t care much for gypsies and orders their arrest but when he tries to take the baby from the women (he thinks it stolen goods) she runs toward Notre Dame. After the chase Frollo kills the women on the steps of Notre Dame and Frollo tries to drown the child who is deformed. Before Frollo can do it he’s stop by the Archdeacon (David Ogden Stiers) who guilts Frollo into taking care of child but Frollo demands that the child must live in the bell-tower. Clopin then asks us to consider what the bells supposedly say “who is the monster and who is the man”
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