As Esmeralda been adapted for different versions of The Hunchback of Notre Dame, she has wore red a lot.

Esmeralda & Phoebus Illustartion picture image

Esmeralda & Phoebus Illustartion

The first couple adaptations La Esmeralda (the opera and the Ballet)  her costumes has red details.

Costume design for La Esmeralda Opera 1831 picture image

Costume design for La Esmeralda Opera 1831

 

In 1839, Belgium Painter, Antoine Wiertz depicted her in all red.

Painting of Esmeralda and Djali by Wiertz

Painting of Esmeralda and Djali by Wiertz

In 1870 ballerina, Adelina Patti, is depicted in a costume with a red skirt. The Ballets runs the gambit of colors from blue to green to pink though red seems to be the popular color choice.

Adelina Patti as Esmeralda 1870 picture image

Adelina Patti as Esmeralda 1870

 

Paloma Herrera as La Esmeralda Ballet picture image

Paloma Herrera as La Esmeralda Ballet

La Esmeralda Ballet picture image

La Esmeralda Ballet

La Esmeralda Ballet with Phoebus picture image

La Esmeralda Ballet with Phoebus

 

 

 

 

 

 

It’s not till we get to the movies that we see red surfacing as the dominate color for her. The 1923 movie has at least two instances of a colorized posters one is yellow and purple and the other has red details.

Hunchback of Notre Dame 1923 Lon Chaney picture image

Hunchback of Notre Dame 1923 Lon Chaney

Hunchback of Notre Dame 1923 Poster picture image

Hunchback of Notre Dame 1923 Poster

 

 

 

 

 

 

 

 

 

 

In 1939 despite Walter Plunkett’s design being mostly blue with red details and a red vest the coloration of her dress on a poster is all red.

Walter Plunkett design Costume for Esmeralda 1939 Hunchback of Notre Dame picture image

Plunkett’s costume design for Esmeralda 1939 Hunchback of Notre Dame

Movie poster for 1939 Hunchback of Notre Dame picture image

Movie poster for 1939 Hunchback of Notre Dame

 

 

 

 

 

 

 

 

 

 

Though to be fair there are a few posters  where she wears green and blue, but there is more red.

Hunchback of Notre Dame 1939 Poster picture image

Hunchback of Notre Dame 1939 Poster

Movie poster for 1939 Hunchback of Notre Dame picture image

Movie poster for 1939 Hunchback of Notre Dame

 

 

 

 

 

 

 

In the 1956 version Esmeralda wears all red for most of the movie.

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture image

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

But I find it curious that she wears yellow at her ill-fated meeting with Phoebus over red.

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture image

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

 

 

 

 

 

 

 

 

In 1996 Disney version Esmeralda wears red during her dance performance but for most part she wears purple.  I do have to wonder if Anne-Marie Bardwell had something to do with Esmeralda wearing purple throughout the movie as she was  credited in Character Design/ Visual Development and one of the animators on Esmeralda.

Esmeralda Disney Hunchback of Notre Dame picture image red dress

Esmeralda Disney Hunchback of Notre Dame Dancing

Though she wears red/dark pink in Der Glockner von Notre Dame the German musical.

 

Esmeralda dancing Der Glöckner von Notre Dame Picture Image

Esmeralda Dancing Der Glöckner von Notre Dame

 

 

In Notre Dame de Paris Esmeralda wears green but there is one red dress that was wore  for advertising for the London cast and the 2001 French cast. This dress is only wore once on stage in the Russian version during her meeting with Phoebus. And even in the 2010/2011 concerts Helene Segara wore red to sing the musical.

Tina Arena As Esmeralda in the Promotional Red Dress Notre Dame de Paris 2000 London Castpicture image

Tina Arena As Esmeralda in the Promotional Red Dress Notre Dame de Paris 2000 London Cast

Helene Segara performing Bohemienne at Bercy Concert picture image

Helene Segara performing Bohemienne at Bercy Concert

 

 

 

 

 

 

 

 

 

 

 

Recently in the new illustration novel by Benjamin Lacombe and the  Graphic Novel by Robin Recht and Jean Bastide, Esmeralda wears red.

Esmeralda by Benjamin Lacombe Notre Dame de Paris picture image

Esmeralda by Benjamin Lacombe Notre Dame de Paris

Esmeralda Notre Dame de Paris Graphic Novel by Robin Recht and Jean Bastide picture image

Esmeralda Notre Dame de Paris Graphic Novel by Robin Recht and Jean Bastide

 

 

 

 

 

 

 

 

 

 

When you look at all these instances, why is red her default color? Is it because green is too obvious for her given that her name means Emerald and red is opposite color to green making it the non-obvious choice? Seems a rather simplistic design notion for a costume, especially when one thinks that the color red is in total opposition to her as character.

Esmeralda Statuette by Armani picture image

Esmeralda Statuette by Armani

 

The color red typically is associated in Western cultural with  passion, desire, love and sexuality. Esmeralda’s personality is lighthearted, innocent, naive and modest. She doesn’t seem the type character to outwardly express her sexuality because even though she inspires desire in others, she herself is unaware of it.

Red is also in opposition of Esmeralda’s allegorical role as the Virgin Mary who traditionally wears either wears blue or turquoise.

Red also seems to age Esmeralda, her main point of interest in the novel is her youth, blue and green are more youthful colors but red comes off as mature.

Finally in the Romani culture, red is a color of ill omen as it’s associated with Blood (The Lure of the Gypsy Culture ) Though maybe the costume is meant her to  be ironic like she is subconsciously giving her in to tragic fate, though she lives more often than she dies and I don’t think the costume designers are that clever or that cerebral.

Shirel as Esmeralda in the Red with Laurent Ban as Phoesbus Notre Dame de Paris 2001 French Cast picture image

Shirel as Esmeralda in the Red with Laurent Ban as Phoesbus Notre Dame de Paris 2001 French Cast

 

However, maybe this whole matter is quite simple, does Esmeralda wear red in the book?
In the book there are  only a few instances where her clothing is described. When Gringoire first sees her, she is wearing a golden bodice (Book 2 chapter 3 Kisses for Blows) Frollo mentions that she wears blue when he first saw her dance (Book 8 chapter 4 Lasciate Ogni Speranza) and of course she wears white in the later part of the story when she condemn to die and brought into Notre Dame.

I think there maybe an instance of her wearing a multicolored skirt but I can’t find the instance in the book and her necklace that contains her baby shoe is stung with red seed beads,  other that she does not wear red. So why is she in red since red is in total opposition to her as character and there is no precedence for it in the novel.

Auguste Couder's Painting of Frollo stabbing Phoebus picture image

Auguste Couder’s Painting of Frollo stabbing Phoebus

If Esmeralda doesn’t wear in the book and it’s a color that is against every aspect of her character why does red seem to be the color of choice for her.

One reason I think is red is an easy color choice to make for when a character is suppose to stand out and be thought as desirable. There might be another level, Esmeralda is a Gypsy, this gives her an sense of exoticism and one popular style of art in the 19th century was Orientalism. Orientalism in art meant depicted exotic sense from place that were exotic to Europeans. The paintings use a lot of rich colors and a lot of red especially for women.

Une Beaute Prientale by Paul de la Boulaye picture image

Une Beaute Prientale by Paul de la Boulaye

 

So her being in red could mean that the costume designers are saying Esmeralda is an exotic beauty who is sexual desirable even though Victor Hugo meant for Esmeralda to work against the stereotype, why else would he have Gringoire said this to Frollo about her;

I certainly  consider it a great rarity to find such nun-like prudery fiercely maintained in the midst of those gipsy girls, who are so easily tamed” (Book 7, chapter 2). Esmeralda’s purity is part of her allure and to have her wearing red more less bastardizes the point of  her character

Painting of Esmeralda and Djali by Wilhelm Marstrand

Painting of Esmeralda and Djali by Wilhelm Marstrand

Red is just the wrong color for Esmeralda as a character and is it far too over done to be her dominant color anymore, details are fine but it’s too much red  but in over 170 years worth of adaptations it has become a boring cliche. I think this  is a cliche that need to at very least ebb. Costume designers of newer Hunchback adaptions if you read this please consider using different colors and if you must use red make it details or at the very least  try a different tone it doesn’t always have to fire engine red.

Esmeralda and Frollo Disney Hunchback of Notre Dame picture image

Esmeralda mocks Frollo Disney Hunchback of Notre Dame

Quasimodo clapping Disney Hunchback of Notre Dame

Quasimodo Clapping

I don’t think Disney denies knowledge of Hunchback like they do with the Black Cauldron it’s just very clear that from a  business stand point that Hunchback didn’t make the money that Disney was used to after the Renaissance and so it gets looked over in favor of the cash-cows. But why did Hunchback fail to garner the reviews and money and is hence ignored?  Well that is actually an easy question to answer, and it not so much the title translation it’s actually film history. You see the oldest surviving movies of Hunchback (the 1923 version and the 39 version) were both star vehicles for the actors who played Quasimodo. As a result Quasimodo has been the coveted role in Hunchback, it something I like to call “The Quasimodo Factor©” (more on this later) . (Why do you think Josh Brolin is playing Quasimodo, it’s because he a producer and chose to play him.) So as a Quasimodo has been pushed to the main character role even though he is not in the book.

Frollo and Quasimodo during Out There Disney Hunchback of Notre Dame picture image

Frollo and Quasimodo during Out There Disney Hunchback of Notre Dame

 

I think this was Disney’s problem from the onset, they thought this film demanded Quasimodo and it didn’t matter how he was depicted. So Quasimodo with his sweet/bland personality was favored over the more interesting characters like Frollo, Clopin and Esmeralda.

Esmeralda and Quasimodo Disney Hunchback of Notre Dame picture image

Esmeralda and Quasimodo Disney Hunchback of Notre Dame

 

I have to wonder that if Disney had made Frollo and Esmeralda the focus and put Quasimodo in a role where he was a minion and through some kind of exposure to Esmeralda is turned good if the movie who have done better. Was Disney too blindsided by Chaney and Laughton to see that it might have the Hunchback that bought down Notre Dame. I mean don’t get me wrong Disney was in a hard position with his one making an adult classic into a children-friendly film and I think for they did it worked, and I’m not bashing on Quasimodo but here is a challenge, list your favorite character from this movie and then list your favorite character from other Disney movies and see how  often did you site the protagonist as being one of your top. I bet comparatively people like other disney protagonists over Quasimodo.  So I think Quasimodo and the film revolving around him is the down fall and you can thank the 1939 version and the 1923 version for this.

 

Next Movie to be Reviewed – The 1923 Version Starring Lon Chaney….. oh….

 

Hunchback of Notre Dame 1923 Lon Chaney picture image

Hunchback of Notre Dame 1923 Lon Chaney

 

 

 

 

 

 

 

 

 

*I’ll tell you what I’ll rank Disney characters too,  leave a comment with  5-7 disney movies, can be any movie (not Oliver I haven’t seen it but anything else is fair game (I think)) if I don’t hear from people by the  April 23th I’ll just choose at random. If  in the event I get more comments  I’ll pick the top 5-7 Disney movies that people picked Got it?

Maureen O'Hara and Anthony Quinn in Only the Lonely  picture image

Maureen O'Hara and Anthony Quinn in Only the Lonely

A couple of days ago I decided to watch Only the Lonely (Great movie by the way) which stars Maureen O’Hara who play Esmeralda in the 1939 verion of Hunchback of Notre Dame. The movie also had in Anthony Quinn who play Quasimodo in the 1956 french version of Hunchback of Notre Dame.

Maureen O'Hara as Esmeralda

Maureen O'Hara as Esmeralda

Anthony Quinn as Quasimodo

Anthony Quinn as Quasimodo

 

 

 

 

 

 

In the Only the Lonely Quinn’s character is in love with Maureen’s character. It was just great to see two Hunchback alums in a movie. As it turns out O’Hara and Quinn were in five other movies together. The Magnificent Matador , Against all Flags, Sinbad the Sailor , Buffalo Bill, and The Black Swan.

Kind of makes you wonder what it would have been like in they played opposite in Hunchback of Notre Dame.

So I typically make a video for the movies I review. I did the 1939 and the Disney. Here’s my video for the sequel,

http://www.youtube.com/watch?v=amelFmlO3Sk

Beauty and the Beast Concept Art  Disney

Beauty and the Beast Concept Art Disney

La Belle et la Bete picture image

La Belle et la Bete

 

 

 

 

 

 

So as I’ve mentioned several times Disney takes older movies and re-makes them with their sacchrine Disney stamp. Aladdin  is based off of the Theif of Baghdad 1924 and1940 and The Thief And The Cobbler. Beauty and the Beast based  is off of La Belle et La Bete, though Belle is based off of Hepburn’s portayle of Jo from Little Women . And Be Our Guest uses Gustav Mahler’s Symphonie 3 First Movement for the melody.   And of course Disney is based Hunchback off of the 1939 version of Hunchback of Notre Dame with slight hints made to the Lon Chaney version in 1923. However Disney will never admit to doing this instead they do the opposite. In the DVD audio commentary, Directors Gary Trousdale and Kirk Wise  and Producer Don Hahn basically criticize the 1939 version and the 1923 version. They claim that these two movies have made Quasimodo into a monster.  While Lon Chaney’s version is consider to be horror, it is not, Chaney is not the horrific monster that commentary paints him as. And as Charles Laughton’s Quasimodo well Disney’s Quasimodo is far more monstrous.

 

Quasimodo during Out There Disney Hunchback of Notre Dame picture image

Singin’ in the Rain meets King Kong Shot

Reverse King Kong Shot Disney Hunchback of Notre Dame picture image

Reverse King Kong Shot Disney Hunchback of Notre Dame

 

 

 

 

 

 

It makes me more than a little angry that Disney uses these sources but in an commentary they debase them and then they discuss other movies that they took inspiration from Like King Kong and Singin’ in the Rain . They also mention Minster Toad’s Wide Ride and Fantasia  in relation to Hellfire. It’s just annoying the way the directors and producer go on about how the brought a sense of humanity to Quasimodo that the old Hollywood failed to do.

Next Time – Conclusions

Phoebus, Quasimodo, Esmeralda Disney Hunchback of Notre Dame

Phoebus, Quasimodo, Esmeralda Disney Hunchback of Notre Dame

 

For the most part Hunchback of Notre Dame has stunning animation and visuals, and isn’t that what Disney is know for… beside songs, and Princesses and Branding the Hell out their movies. Unfortunately Hunchback has one aspect of their visuals that hasn’t aged well; the CG crowds.

 

Topsy Turvy CG Crowds Hunchback of Notre Dame Disney

Topsy Turvy CG Crowds Hunchback of Notre Dame Disney

Topsy Turvy CG Crowds Hunchback of Notre Dame Disney

Topsy Turvy CG Crowds Hunchback of Notre Dame Disney

 

 

 

 

 

 

Hunchback of Notre Dame has had a history of big crowds scenes, they can be seen the the 1923 version, 1939 version and most of the other film versions have scene with a ton of people. So of course Disney had to this to and the opted for computer generate crowds that the could swap out clothing hair and other traits, it was a time saver. The crowds can be seen in Topsy Turvy, the climax and the ending. And My God they stick out against the film’s art style. There just not refined enough to blend in remote to the film. However it is possible to over look it.

Climax CG Crowds Hunchback of Notre Dame Disney

Climax CG Crowds Hunchback of Notre Dame Disney

Finale CG Crowds Hunchback of Notre Dame Disney

Finale CG Crowds Hunchback of Notre Dame Disney

 

 

 

 

 

 

But still when the are notice they’re clunky, angular and not very pretty.  They actually bring the visuals down for me, perhaps I’m too harsh  but they look like the come from a cheap and boring video game about peasants who wear a lot of brown.

Beside the Crowds there is another aspect of the that Disney didn’t quite get right

Next Time – Notre Dame de Disney’s Hunchback of Notre Dame

Notre Dame of Paris Disney Hunchback of Notre Dame

Notre Dame of Paris Disney Hunchback of Notre Dame

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

God Help The Outcasts is a very different Disney heroine song. Many of the Female Disney Characters sing about wanting something for themselves. While Esmeralda is singing about wanting something that is not for her. She is being  selfless which furthers elevates her into the mature sector.

 

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

 

The song is simple, it’s Esmeralda praying for the welfare of her people. This humble and selfless prayer is shown in contrast to the other parishioners who pray for selfish things like wealth, fame and love. This scene is pretty much lifted from the 1939 version albeit with some differences but the overall scene and content is the same.

 

Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame

 

Unlike in the 1939 version, during the course of the song Esmeralda walks through the sanctuary of Notre Dame. It’s the only time in the Hunchback of Notre Dame where we get to see the interior of  Notre Dame other than the bell tower. While it’s nice to see the sanctuary portion of Notre Dame there are more than a few things wrong with how Notre Dame is presented. I’ll go more in depth on that later for now let’s get into the reviewing the  song’s content.

Esmeralda Disney Hunchback of Notre Dame singing "God Help the Outcast" picture image

Esmeralda singing “God Help the Outcast” Disney Hunchback of Notre Dame

 

The song musically is nice and is pleasant. It’s one of two ballads that made it into the film. It’s the prettiest song in the movie and it’s sung well by Heidi Mollenhauer. However there is an air of  condescension with this song. As Esmeralda is trying to sound humble she is saying some really condescending lines. She asks for nothing because she is lucky and better off then most of her people and if God doesn’t help no one will help them.  She also reminds Gods that everyone is “children of God” and that Mary should relate to her because she thinks Mary was once an outcast like her. This another fault with the song, she’s in Notre Dame de Paris, in any Notre Dame, Mary is the figure of reverence. However she starts praying to Mary and then instantly switchs to God. Maybe it’s her “outcast” “pagan” ways that she would do this flippantly  but my guess is God is more dramatic and fits song meters better,  Even though Mary embodies compassion. Then again Frollo prays to Mary to burn Esmeralda, so what is the movie trying to say about Mary? I mean everyone seems to be trying to get out of Notre Dame.

 

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

There is also all her “I” statements that are kind of off putting. Her lines are “I ask for nothing, I can get by, but I know so many less lucky than I”  these lyrics just seem to reek with “I’m better than you” mentality.

Esmeralda looking at the Virgin Mary Maureen O'Hara 1939 Hunchback of Notre Dame picture image

Esmeralda looking at the Virgin Mary, Maureen O’Hara 1939 Hunchback of Notre Dame

 

In the  spectrum of the “Esmeralda’s Prayer”  which isn’t in the book,  God Help the Outcast is the worst. Beside this song there are two other prayers, the fore-mention 1939 version  and Ave Maria Paien from Notre Dame de Paris. In the 1939 version, Esmeralda (Maureen O’Hara) asks “The mother of God” to help her people, she says that Mary can take all that she has but Esmeralda presents Mary with a Method; she asks to speak to the King as he is a authority figure and can help her and her people, which he does as the end.  In the 1939 version, Esmeralda  is sincere and humble, and as she not insulting anyone by saying she’s better off. In Ave Maria Paien (The Pagan Ave Maria) Esmeralda is (pending on which version your listening to) asking for a few things, protection from the fools who are in control and the joining of all people. The essence of the song is she wants Ave Maria on her side. Is it humble and selfless?  Not really, she does come off as humble and sincere though. Disney Esmeralda is sincere but she seems to have a defeatist attitude, only god can help and no one else can, she’s powerless to do anything.  Maybe Esmeralda should have ask God to make Frollo tolerant. At least that would have been proactive.

 

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

 

The problem with God Help the Outcasts isn’t the music or the singing, it’s the content. While it’s great that Esmeralda is mature and is capable of praying selflessly but in the course of the song she’s pretty much insulting her people, and due to juxtaposition of the her prayer with other parishioners she is making them look bad. So she can’t be selfless and humble without bring others down?

Next Song – Heaven’s Light (I have a little bit  more on God Help the Cast, so stay tuned)

Quasimodo's figurines from "Heaven's Light" Hunchback of Notre Dame Disney picture image

Quasimodo’s figurines from “Heaven’s Light”

Disney Frollo Hunchback of Notre Dame

Judge Claude Frollo

 

As I mention in my Character analysis of Frollo, he is of the elegant Disney Villain variety. Other Villains include but are not limited to, Jafar, Yzma and  Doctor Facilier. Frollo is thin and tall, (perfect super model body). He has a very angler face and a hook nose. Like many of the characters he has small eyes. Oddly enough he has grey hair but black eyebrows which are thin.   Thin eyebrow makes one look older and fuller brow make one look younger. So Disney Frollo is old, and considering he looked old in the back story, he’s probably clocks in at 60 or so.

Frollo Hunchback of Notre Dame with Phoebus Disney

Frollo and Phoebus Disney Hunchback of Notre Dame

Frollo Hunchback of Notre Dame Disney

Frollo Hunchback of Notre Dame Disney

Frollo Hunchback of Notre Dame Disney

Judge Claude Frollo

 

 

 

 

 

 

He wears a long black robe with purple and red elements. As I also mentioned in my 1939 costume post, long black slabs of fabric look very unapproachable and it’s like a giant arrow that says” I’m a bad guy”. The first time you see Frollo, you know this be the villain. Of Course a big black scary horse helps, plus he arrests people for no reason. However his clothes assert his evil.

Frollo and Quasimodo Hunchback of Notre Dame Disney

Frollo and Quasimodo Hunchback of Notre Dame Disney

Frollo Hunchback of Notre Dame Hellfire Disney

Frollo and an illusion of Esmeralda during Hellfire

Frollo Hunchback of Notre Dame Disney

Frollo Hunchback of Notre Dame Disney

 

 

 

 

 

 

So how does Disney Frollo compare with Frollo in the book? Well in the book Frollo’s face  is described as austere, calm and sombre. He’s bald with a few gray hair that form a natural tonsure. He has a broad forehead that is furrowed with wrinkles and deep-set eyes. His eyes are the only thing expressive about him. Frollo is also 35 in the book. Which is supposed to be old but the idea is that he’s not too old, just old to shallow 16 year-old. Disney Frollo’s does has an austere look but Disney didn’t base Frollo’ s design off the book. They based it off of Sir Cedric Hardwicke’s look. They have the same dower look that gives way to insane bat-shit crazy looks. They have the same framing locks which is impossible not to notice.  Disney’s Frollo is just older and balder, though he’s only balding. But it doesn’t take a genius to see where Disney got their inspiration from. Disney Frollo is almost an exact copy of Hardwicke’s Frollo.

Lemud Illustration of Frollo

Lemud Illustration of Frollo

Frollo Hunchback of Notre Dame Disney

Frollo Hunchback of Notre Dame Disney

Jehan Frollo (Sir Cedric Hardwicke) 1939 Hunchback of Notre Dame

Jehan Frollo (Sir Cedric Hardwicke) 1939 Hunchback of Notre Dame

 

 

 

 

 

 

Next up Esmeralda the “pretty” one

Esmeralda Disney Hunchback of Notre Dame singing "God Help the Outcast"

Esmeralda singing "God Help the Outcast" Disney Hunchback of Notre Dame

The Gargoyles – Victor, Hugo and Laverne.

The Gargoyles; Hugo Laverne, Victor Hunchback of Notre Dame Disney

The Gargoyles; Hugo Laverne, Victor Hunchback of Notre Dame Disney

The Gargoyles are the most annoying characters in this movie. They’re the comic relief but they fail at it (ok there are some funny bits but they’re few and very far between).

Hugo Disney Hunchback of Notre Dame

Hugo Disney Hunchback of Notre Dame

Hugo (voiced by Jason Alexander), the short piggish one, is a load mouth and the most annoying. He also has a thing for Djali.

Victor Disney Hunchback of Notre Dame

Disney Hunchback of Notre Dame

Victor (voiced Charles Kimbrough) is the tall prissy serious one. He is the least interesting.

Laverne Disney Hunchback of Notre Dame

Laverne Disney Hunchback of Notre Dame

Laverne (voiced by Mary Wickes/ Jame Withers) is the old one who tells it like is. She is probably the most of tolerable of the gargoyles.

Victor and Hugo were named for Victor Hugo the author, the writers thought they were being clever and they  really wanted to prove they had read the book. Laverne was named after Laverne Andrews, one of The Andrew Sisters. They each have their own personalities and at least they balance each other out.

Hugo and Djali Disney Hunchback of Notre Dame

Hugo and Djali Disney Hunchback of Notre Dame

Laverne and the birds Disney Hunchback of Notre Dame

Laverne and the birds Disney Hunchback of Notre Dame

Victor, Hugo and Laverne at the end Disney Hunchback of Notre Dame

Victor, Hugo and Laverne at the end Disney Hunchback of Notre Dame

 

 

 

 

 

 

The Theory goes that the  Gargoyles are aspects of Quasimodo’s imagination because he is a forced shut-in who is  desperate to be love. However the Director people who thought they were being all smart and junk by trying to deep and profound, forgot (actually they didn’t forget they’re just inconsistent) that Djali interacted with Hugo and they fought to defend Notre Dame.  Quasimodo’s main squeeze also saw the Gargoyles in the Sequel {shudders at the thought of the sequel shudders}. So let’s say that the directors are right and their theory  that the Gargoyles are imaginary holds water; does this mean Quasimodo imagines Djali seeing Hugo? Does his means when Quasimodo is crowned King of Fools he imagines the Gargoyles cheering him on?  Does he imagines the Gargoyles the throwing stuff off off Notre Dame and the soldiers getting hurt especially when Quasimodo is occupied? Does this mean that Quasimodo is the source the pop culture anachronisms? And if the Gargoyles are Quasimodo’s imagination does this mean that after Quasimodo made some real life friends and was accepted by the people the Gargoyles would cease to be? Because they’re still around in the {shudders} sequel {shudders}. If Quasimodo lives in his head this much does this mean Quasimodo in the book is more functional? Plus he must be contently winded from lugging three stone statues around the place, then again made that’s why he can lift up Phoebus in full armor one handed.  Personally I think that the Gargoyles are Pan’s Labyrinthesque beings; only those who are innocent and pure can see them, hence why Quasimodo and Djali can see them but they can some effect on the actual world.  Though in the German Musical, Der Glockner van Notre Dame, they are imaginary (and they have different names).

 

Victor, Hugo and Laverne singing A Guy like you Disney Hunchback of Notre dame

Victor, Hugo and Laverne singing A Guy like you Disney Hunchback of Notre dame

Victor, Hugo and Laverne draw pictures Disney Hunchback of Notre Dame

Victor, Hugo and Laverne draw pictures Disney Hunchback of Notre Dame

Hugo in drag as Esmeralda Disney Hunchback of Notre Dame

Hugo in drag as Esmeralda Disney Hunchback of Notre Dame

 

 

 

 

 

 

 

So why are the sidekicks Gargoyles in the first place? Well the oh so smartie directors said in the commentary that Quasimodo speaks to the Gargoyles in the book. They also claim that Quasimodo has long conversations (plural) with the Gargoyles. Looking over the book, I found that he was fond of a ‘grotesque personages sculptured on the wall’, and to this he says “why wasn’t I made of stone like you” (book 9 chapter 4  Earthenware and Crystal). I’m not sure what version of the novel they read where Quasimodo had long conversations with Gargoyles (1939 version? In the 1939 version Quasimodo utters this line to a gargoyle).   If they were going to base a sidekick character off of objects that Quasimodo had a relationship with, it should have been the bells. They could’ve a sassy bell named Patti (Patti the Bell (Patti LaBelle) bad joke) that would have much better than the Gargoyles.

Hugo plays poker Disney Hunchback of Notre Dame

Hugo plays poker Disney Hunchback of Notre Dame

Victor and Laverne singing A Guy like you Disney Hunchback of Notre dame

Victor and Laverne singing A Guy like you Disney Hunchback of Notre dame

Gargoyles Victor, Hugo and Laverne, make an Amadeus reference Disney Hunchback of Notre Dame

Gargoyles make an Amadeus reference Disney Hunchback of Notre Dame

 

 

 

 

 

 

 

So what do the Gargoyles do in the film? They’re Quasimodo’s friends and guardians. They make [try] funny quips. They also make pop culture references. Disney has a habit of doing this. They started with the Genie in Aladdin. With the Genie it makes a level of sense because Genies are a supernatural beings, but in Hunchback this doesn’t work as well. The Gargoyles are part of Notre Dame, so how can they have inferences to the future? I don’t care that they magically – they’re part of an ancient building, they should be funny without making stupid references, Djali doesn’t resort it. Plus if they’re in fact imaginary, this means Quasimodo is the one doing it, so it makes even less sense.  The only thing that the Gargoyles do well is they get Quasimodo off his ass and encourage him. But they also build Quasimodo’s expectations up too high. They convince him that Esmeralda is in love with him, which leads to some of Quasimodo’s emoness when she doesn’t reciprocate.

Victor and Laverne's drawing of Esmeralda Disney Hunchback of Notre Dame

Victor and Laverne's drawing of Esmeralda Disney Hunchback of Notre Dame

Hugo draws Djali Disney Hunchback of Notre Dame

Hugo draws Djali Disney Hunchback of Notre Dame

Victor, Hugo and Laverne trying to liberate Quasimodo in emo-mode Disney Hunchback of Notre Dame

Victor, Hugo and Laverne trying to liberate Quasimodo in emo-mode Disney Hunchback of Notre Dame

 

 

 

 

 

 

 

So the point of the Gargoyles is to provide levity but they just distract from the movie. Disney boasts the Hunchback as being their darkest movie but the Gargoyles hinder it.  Plus the movie has some good levity already, Phoebus, Esmeralda, Clopin, Djali, Achilles, those stupid bumbling guards, the old heretic, the torturer guy etc, they all provide good comedy while keeping the flow of the movie and without making references. Disney really could have done better in the sidekick department for Quasimodo.

Speaking of Sidekicks next time – Achilles and Djali

Disney Djali eating wooden a figurine

Disney Djali eating wooden a figurine

Achilles and Phoebus Disney Hunchback of Notre Dame

Achilles and Phoebus Disney Hunchback of Notre Dame

 

So what you may not know about me is that in addition to expressing a geeky fandom on a blog, I also make/edit music videos. Typically I use anime sources (another geeky fandom ^_^). So while I was reviewing the 1939 version I made a little promotional music video using the 39 version. Some of you may have seen it already but for those of you who didn’t,

or click here to view on youtube