More Pictures of the Asian Tour Cast of Notre Dame de Paris, Enjoy
I’ve made no secrets that I love costumes but I got to say the costumes in Der Glöckner von Notre Dame do nothing for me. For the most part they are pretty generic. The costumes were design by Sue Blane of Rocky Horror fame but I feel like there was little to no real effort put into them.
My first problem is the use of colors. Costumes used in musicals can help identify the characters and colors are a great way to do this. When colors are used like that they can add a style to the overall look of the show. Some examples are Romeo and Juliet where Montagues are in Blue and Capulets are in Red. Notre Dame de Paris also does a good job of using colors to distinguish the characters Esmeralda- Green, Quasimodo- Red, Frollo- Black ect. In Glöckner Quasimodo wears red but so does Esmeralda, Clopin wears brown, Frollo wears Black and Purple, Gargoyles in grayish taupe, Phoebus is wears Dark Blue and Gold? So the colors they wear do not make characters stand out from each other.
A second problem is the details on the costumes. It not that they’re badly done, it’s just that, if you’re sitting in the audience of the show you’re not going to see them. Little details don’t work in musicals. So the lace on Esmeralda’s Blouse and embroidery on her corset are lost to the audience. All the costumes I’m sure are lovely up close but it’s wasted from the audience’s perceptive.
The one costume(s) that I like are the a gargoyles, at least they have a sense of drama and design to them. Quasimodo is hardly ugly, Esmeralda looks like she threw together a renaissance fair costume from her closet, Phoebus looks more like a musketeer than Burgundian Knight, the Archdeacon’s costume looks way too modern and Frollo’s costume just looks like they copied Frollo’s costume from the 1939 version, fitting given that Disney copied that movie but kind of lazy. Clopin has two costumes, the beggar and the King of Gypsies, and yet I don’t get a true sense of personality from either one. There is just no cohesion to these costumes, no style no real personality that makes these costume feel like they belong to the show.
Next Time – Stage vs Film
I’d say that the songs in Der Glöckner von Notre Dame are good. Sure there are some weak songs but they’re thoughtful and the either drive the plot forward or develop a character. However the music is not without problems.
First off, I HATE, hate that Esmeralda doesn’t get a solo in this. With exception of the Archdeacon, Clopin and the gargoyles she the only character not get one. Now you maybe thinking “But Hunchblog the majority of the characters in this didn’t have their own songs. ” Well that is true but let’s face, each of the gargoyles couldn’t get their own song they’re a trio and as a trio they almost get a single song, Clopin may not a single song but he sings a lot as the narrator and the archdeacon is hardly even a character so he doesn’t count. Beside the plot pretty much revolves around her you’d think she’d get one but her only big songs has Quasimodo in it. I mean in Notre Dame de Paris every character got one even Fleur de Lys (Phoebus’ Fiancee) got one (La monture) and she is seldom even in the adaptations. So that was a BIG negative.
I also got bit tired of the gargoyles singing over people. I do think it was a great way to show that gargoyles are 100% in Quasimodo’s head but it’s gets a bit old after a while. I think the show kept putting the gargoyles in songs so that A Guy Like you wouldn’t feel out of place. Another thing that gets old is hearing Draußen (Out There) over and over again. Anytime the play wants to reenforce Quasimodo to the audience Draußen is played. Admittedly this maybe unfair because Die Glocken Notre Dames is the most overused as in the play this how Clopin does most of his narrating but since I’ve been judging off the CD it’s Draußen that got old.
So yeah the songs are good for the most part but what I think really helps a lot of these songs is that singing quality is better. Though I’ve picked on Draußen in this review, I much prefer it in this musical than in the Disney movie along with Ein Mann wie du (A Man like you). The singers are just much better and that helps the enjoyment of the songs. Conversely, Hellfire suffers for this and it’s not because the is bad, I mean he put emotionally intensity into the next song Esmeralda, but maybe Hellfire is Tony Jay’s and no one else compares. Esmeralda and Clopin are one the level though the cresendo at the end of Bell isn’t as powerful as Kendal but he does a great job otherwise.
The musical does make the recycled Disney movie songs feel like it’s own which is nice, you don’t feel like their just simply lifted from the movie and put in to a musical. And while I do prefer Notre Dame de Paris Der Glöckner von Notre Dame has wonderful music. Just wish Esmeralda got one song to herself.
Next Time – The Production; Sets
This is the Ninth Part (or the last part) of my review on the music of Der Glöckner von Notre Dame
Grand Finale or Ultimo Finale is the ending and occurs in two parts. The Finale is where the two most famous differences occurs; The death of Frollo by Quasimodo and the death of Esmeralda. Apparently the translator Michael Kunze campaigned to have Esmeralda die which makes it more like the book, though her death is by a different method. Kunze’s reasoning for this is that Esmeralda’s death would be viewed by European audiences as moving and more romantic of an ending. We’ll see how the American Broadway version handles this, though I kind of hope they keep the German ending.
The Final starts with Frollo pronouncing Esmeralda’s sentence then it goes into “song” portion. I use the word song in quotes because the Finale is a melody piece as it uses songs from throughout the show with one exception. So it starts pretty much the same as the movie with Sanctuary playing complete with latin lyrics as Esmerlada starts being burned and Quasimodo saves her and proclaiming sanctuary. Then Phoebus starts railing the people of Paris with the tune of Einmal (Once). Then the scene shifts back to Quasimodo who is defending Notre Dame from Frollo and his minions as he sings the tune of Wie aus Stein (Made of Stone).
After he pours the led from Notre Dame Quasimodo checks in on Esmeralda who is dying. My guess is she dying of asphyxia which is a condition of severely deficient supply of oxygen in body that arises from being unable to breathe normally. In her case this occurred from the fire. Anyway Quasimodo and Esmeralda have little conversation while Draußen (Outside) is played in the background. Esmeralda thanks Quasimodo for being her friend and then sings Hoch über der Welt (High above the World) and then the conversation continues for a couple more lines and then she dies. After she dies Frollo comes in and sings about how he happy to be free of her to the tune of Esmeralda but he sings this in a creepy, off balanced way. Quasimodo gets mad and the song shifts to a new melody with gargoyle singing with the latin choir. The gargoyle basically sing that God strikes the wicked, so the gargoyles, or aspects of Quasimodo’s own mind are telling him that he should kill Frollo, which he does by throwing Frollo off of Notre Dame, like in the book. I will point out that Quasimodo in the book does this in a fit of rage and here it’s a little more pre-mediated. After this the gargoyles sing Zuflucht (Refuge) about how the world is both cruel and kind. Quasimodo then sings Draußen (Outside) and sings about how he must live out there with all the pain, sorrow and fear that world can bring. He the carries Esmeralda outside and is joined by Phoebus. The ensemble then sing Einmal with as Quasimodo disappears. Then Clopin in his narrator role sings Die Glocken Notre Dames (The Bells of Notre Dame) and it’s pretty akin to the reprise at the end of the movie.
It’s vague what happens to Quasimodo but given how he sings about living it is doubtful that Quasimodo goes off to die. Also considering the two deaths this pretty much same except for Quasimodo and Esmeralda epic running away scene, that’s not there either.
So both Musically and plot wise we have a lot going on. However it’s a fitting ending. All the songs used here fit well together so while it could have felt a bit all over the place the emotional intensity flows well from one into the next. So if you like all these song before you’ll like them here.
Next time – A conclusion of the music
On 2/12/12 Lindsay Ellis (Nostalgia Chick) released a list of the Top Ten Hottest Animated guy. The list was compiled with a survey she conducted on her Facebook page and Twitter with women writing in their top pick of the Hottest animated guy from 1995-2002. And the character that came at number 10 was Disney’s Frollo.
Now Ellis suggested that women prefer character to physical appearance. And these characters are usually “projects”, men women can change. And with the case of Frollo he is the most sexual overt Disney character and yet very put off by it, making him relatable and yet torture. But given the fact that he kills people he is also a bad boy. And the mere fact that people generally think that if Frollo could fulfill his sexual desire this would cure him of his obsession and genocidal tendencies, which wouldn’t happen but this adds to the sexual fantasy.
Now given that Frollo was the villain and villains are never meant to be attractive it’s interesting to mention that Frollo was the only villain to make this list. Maybe this is because of the Disney villains, he’s the most interesting and has the most characterization.
I do have to wonder if Disney had handle Phoebus’ character differently would be have made the list? Phoebus could have easily been a bad boy who gets reformed, I mean he did in the book. And given that women aren’t has put off by looks, if Quasimodo was more tormented could he have made the list? My guess, Phoebus yes but Quaismodo no. Disney would have never, never made him tortured, Quasimodo was suppose to be gentle, kind and innocence which are majors turns off. But it’s also might help that Frollo that he was in a power position, he can burned all of Paris and meets no opposition from anyone, except justice freaks Phoebus and Esmeralda.
Would I have sited Disney Frollo as one the “Hottest Animated Guys”? Gotta say no, I wouldn’t, I like him as a character but I don’t find him “Hot” at all.
Not that anyone at Thatguy needs me to drive traffic to them but here is the link to the video, you can find out who else is one the list and who is #1
In the Spirit of Valentine’s Day I want to pick Fan-Art that was romantic in nature but then I saw this;
It was so silly and on point that I had to post it this week. Art by SamaHatter. I also like the mixing of the Hunchback sources as inspiration for how the guys look also I love the cute style.
As another possible Frollo choice for a movie version may I present Iain Glen.
Iain Glen has been in many British shows and movies and has done stage work. The popular show he has been in include but are not limited to MI-5 (season 9 as Vaughan Edwards), Doctor Who
(Season 5 as Octavian), Game of Throne
(as Ser Jorah Mormont) and Downton Abbey
(Season 2 as Sir Richard Carlisle).
Now I have no shame in saying that I’m a fan of Downton Abbey and his role as the as the obsessive and possessive Richard Carlisle indicated to me that he would make a great Frollo. And when I watch Wives and Daughters (he plays Mr. Preston another character who is obsessively in love) it solidify the idea that he would make an awesome Frollo. Also based on his performance in Game of Thrones where he plays a Knight who is protective and secret in love with a much younger girl I really believe he would make an ideal Frollo.
Plus he has the right look and his voice has a low, cold and threatening vibe. Another reason to cast him is like Frollo he has a sex appeal but it’s not because he’s conventionally attractive. He is defiantly a top pick for Frollo (in my mind).
Tell me what you think would Iain Glen make a good Frollo?
This is the sixth part of my review on the music of Der Glöckner von Notre Dame
Trommeln in der Stadt
Trommeln in der Stadt (Drums in the City) is a new song that uses Sanctuary from the original soundtrack. This song opens Act 2 and it expresses what the citizens think of Crazy Frollo’s search for Esmeralda. At first when they though it as just about “cleansing” (creepy word choice huh?) the city of Gypsies that was fine but with the all the soldiers, blockages and fire they’re are none to happy about it.
Like I said this song uses the music from Santuary, which is the music playing when Quasimodo is recusing Esmeralda from the Pyre in the movie, so the music is great. It’s dramatic and has high energy which is a great way to start the the second act. It also great to see how the normal people of Paris react to Frollo’s obsession.
Ein Mann wie du
Ein Mann wie du (A Man like you) is A Guy like you. It pretty much the same as the original song but it’s less annoying. Instead of making visual gags the Gargoyles throw random French words and phases into the song. Which isn’t as annoying as it sounds.
The song has one other difference Quasimodo sings in it. From what I can understand of the lyrics (because my German is non-existence) is that Quasimodo expresses that he wants to believe the Gargoyles but doesn’t quite. Musically I don’t think it adds much I guess it adds a bit of character development because this musically is a a lot guilty at throwing Quasimodo at the audience but at least he is more interesting here than the Disney movie Quaismodo.
Given that this song in it’s conception is song that provides levity it’s a little awkwardly placed in this musical. As movies have continuous action something was need after Hellfire, the torture of Gypsies, the burning of the house, Phoebus getting shot and falling in the river to bright up the mood and while I don’t like A Guy like you at least the placement makes sense. Ein Mann wie du as a song of levity doesn’t really work. It’s the second song in Act 2 so the audience has had a break and the song prior didn’t have an emotional investment in it as it’s just about the Citizens of Paris. So ultimately and this pains me to say it’s not as successful as A Guy like you, it’s just better performed and not nearly as annoying.
So it’s mixed I don’t hate this song as I hate it’s Disney counterpart but I dislike the song in the musical as it doesn’t work as it’s concept intended. It hard because I like 10x better than the Movie version.
Next Time-
Weil du liebst
Tanz der Zigeuner
Weil du liebst
I’ve found a ton of pictures from the Asian Tour Cast but in an effort to keep my sanity I’m going to post them over a series of posts, so Enjoy!



























































