Streets In Front of Notre Dame,  1956 Hunchback of Notre Dame    picture image

Streets In Front of Notre Dame, 1956 Hunchback of Notre Dame

Unlike other versions of The Hunchback of Notre Dame I can tell I’m looking at a set in the 1956 version. The sets are nice and they do their job well but there is no life to them. That maybe the fault of the film’s direction and not entirely the sets themselves.

The upper Set of Notre Dame, 1956 Hunchback of Notre Dame, picture image

The upper Set of Notre Dame, 1956 Hunchback of Notre Dame

Notre Dame itself looks fine. It has a nice sense of age and weathering on it. But you never see the full grandeur of it. You get hints of it in shots of the city but nothing expansive.

Esmeralda's room set, 1956 Hunchback of Notre Dame    picture image

Esmeralda’s room set, 1956 Hunchback of Notre Dame

You do get a sense of the narrow poky streets of medieval Paris but with the flat angles of the direction of this movie the sets really just sit in the background and do not get a sense of feeling like I have been transported back in time I feel like I’m looking at decent looking sets.

Esmeralda (Gina Lollobrigida) in the bell tower, 1956 Hunchback of Notre Dame  picture image

Esmeralda (Gina Lollobrigida) in the bell tower, 1956 Hunchback of Notre Dame

I had there been more style to way this film was shot maybe the sets would have stood out more and felt less fake. I feel like the sets were designed for Disney’s Epcot Medieval Paris Experience*” and not a movie.

Interior Set,  1956 Hunchback of Notre Dame picture image

Interior Set, 1956 Hunchback of Notre Dame

 

Next Time – The style of this movie i.e. The Direction

The Famous Sanctuary scene at a flat angle, 1956 Hunchback of Notre dame

The Famous Sanctuary scene at a flat angle, 1956 Hunchback of Notre dame

 

 

 

 

 

 

(*) This totally should exist

For this post, I’m just going to look at Esmeralda’s costumes from the 1956 version of the Hunchback of Notre Dame.

Gina Lollobrigida as Esmeralda, 1956 Hunchback of Notre Dame , picture image

Gina Lollobrigida as Esmeralda, 1956 Hunchback of Notre Dame

Esmeralda’s red costume is the most remembered costume from this movie. Now this was the first colorized movie version so prior to this, Esmeralda’s costume didn’t have “official” colors. Now I have said before that I hate Esmeralda in red and this movie could have started that trend in movies. However I’m not going to let my dislike of a color choice get in the way of this review.

Gina Lollobrigida 1956 as Esmeralda picture image

Gina Lollobrigida as Esmeralda (1956)

This costume is much different from the previous Esmeralda costumes. Instead of a chemise with a corset over it and long skirt , we have a corset under the blouse and long skirt. Now one can argue that since Romani women were not much of a subject of medieval paintings it’s hard to know what exactly what they wore. However I highly doubt any Romani women would have wore what Esmeralda is depicted as wearing in this film. This costume really reads as a 1950’s rendering of a Gypsy. Is that a bad thing? No, not really.

How a common fashion styles impacts costumes in movies keeps things interesting, at least for me. However the cinch waist and defined bust line was a big hallmark of 50’s fashion.

So let me say what is wrong with costume from a more or less history/story context and then I will state what I think the positives are.

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture image

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

First off, the corset. The corset didn’t become and undergarment till the 16th century, and the definition wouldn’t have been so defined as this. I personally find the waist line on this costume to be too much.

Second I find the monochromatic color a little odd. The only other character in this movie too wear one color is Frollo (and in one scene Jehan). It just seems out of place and character to make her wear a single color.

I get what they were trying to do in putting her in one color, it was to make her stand out from all the extras, but if just makes it look like she is from a different movie. I think that is main compliant I have with this costume, it has no synergy with it and the other costumes making it look out of place.

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 image picture

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

There also the little matter of her dagger being used as as accessory. In the Book Esmeralda concealed her little dagger as it was against the law to carry one. Here it’s on full display which makes it seem more like a part of her costume rather than a plot point or a weapon. And then there are the darts.

A dart is a sewing technique where fabric is folded and sewn to give it a three dimensional shape. The dart was pioneered in the early 1950’s. Esmeralda’s costume has a total of two sets of darts. One sets on the bust and the other runs vertical on the front. It’s a utilitarian anachronism but it makes the costume look way more modern than the other costumes in the movie.

Gina Lollobrigida as Esmeralda, 1956 Hunchback of Notre Dame , poicture image

Gina Lollobrigida as Esmeralda, 1956 Hunchback of Notre Dame

Esmeralda second costume is a little bit more refined. She wears a yellow costume that has the same basic components as her red one but with a gold trim along the bust. This costume has different tones of gold which break it up nicely. Again it looks a bit modern for the style of the movie.

 

Gina Lollobrigida as Esmeralda, 1956 Hunchback of Notre Dame, picture image

Gina Lollobrigida as Esmeralda, 1956 Hunchback of Notre Dame

Then there is her third costume which is nothing more than a white shift. Which is exactly what it should be.

It probably her least interesting costume but it fits in the most with movie and the book. Also when she wears the shawl with it, I think it’s a nice touch.

Esmeralda (Gina Lollobrigida) dances, 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida) dances, 1956 Hunchback of Notre Dame

All in all her costumes defiantly have a sense a style and the departure from the normal Gypsy look is refreshing. Do I personally love these costumes? No but I don’t hate them despite my nitpicking. I just wish that red costume as it is the iconic costume blended better in the film better.

Next 1956 Article – Costumes of the other Characters

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame picture iamge

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

 

Quasimodo (Anthony Quinn) & Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame picture image

Quasimodo (Anthony Quinn) & Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

The acting in the 1956 version of The Hunhcback of Notre Dame much like the characters lacks depth.

However like I said when I first started this version, I’m basing this review on the english dubbed version.

Esmeralda (Gina Lollobrigida) and Quasimodo (Anthony Quinn), 1956 Hunchback of Notre Dame picture

Esmeralda (Gina Lollobrigida) and Quasimodo (Anthony Quinn), 1956 Hunchback of Notre Dame

The only two actors who spoke their lines in English were Anthony Quinn and Gina Lollobrigida, so the bulk of the characters were dubbed. Which doesn’t help the acting style as there is a disconnect between the action and the vocals.

However the acting isn’t much better in the French version but it’s more natural so it is  slightly better than the dubbed.

 

Esmeralda (Gina Lollobrigida) with Phoebus (Jean Danet), 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida) with Phoebus (Jean Danet), 1956 Hunchback of Notre Dame

However, I don’t think the fault of the acting is entirely the actors/voice actors’ fault. I think the script and the director are to blame. I sense little or no joy in the direction of the movie and the script is pretty utilitarian.

Any energy or vibrancy in the performance is the actors trying to eject something into the lines. But overall the acting is underwhelming.

 

Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

Next 1956 Article – Costumes

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 image picture

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

Robert Hirsch as Gringoire, 1956 Hunchback  of Notre dame picture image

Robert Hirsch as Gringoire, 1956 Hunchback of Notre dame

Gringoire is another character that can be a lot of different things pending on the needs of the version. He can be the hero, comic relief, narrator or a useless poet.

The 1956 version of Gringoire is the useless poet variety. That’s not to say he isn’t enjoyable. He gets a few funny lines but not enough to say he is the comic relief.

Robert Hirsch as Gringoire, 1956 Hunchback  of Notre dame picture image

Robert Hirsch as Gringoire, 1956 Hunchback of Notre dame

So what does this Gringoire do in this version? Well, this Gringoire pretty much acts like he  does in the book. He write a play that no cares about, he knows Frollo, he is smitten with Esmeralda, he almost gets hanged and marries her but doesn’t push the relationship and is just happy  that she knows his name.  He does want to help save Esmeralda for the removal of sanctuary but he told to stay behind and so he writes instead. And we never see again.

His  character gets no resolution. I mean did he write that poem of the Court of Miracle’s victory with Jean as the hero? We’ll never know and I guess that makes him tragic.

Robert Hirsch as Gringoire, Alain Cuny as Phoebus, & Gina Lollobrigida as Esmeralda, 1956 Hunchback  of Notre dame

Robert Hirsch as Gringoire, Alain Cuny as Phoebus, & Gina Lollobrigida as Esmeralda, 1956 Hunchback of Notre dame

All kidding a side, Gringoire’s depiction in this may keep to book with exception of the ending as he is not tricked by Frollo and doesn’t runs off with Djali but as he doesn’t do much that for the main plot we can’t connect with him.

He’s just a guy who goes with the flow, likes to write and hangs out with pretty ladies and goat. Maybe if we saw his reactions to Esmeralda’s death or if we saw him react to any of the drama it would have added to his character. So Gringoire is dull but he’s few silly lines make him slightly  enjoyable.

Robert Hirsch as Gringoire & Gina Lollobrigida as Esmeralda, 1956 Hunchback  of Notre dame picture image

Robert Hirsch as Gringoire & Gina Lollobrigida as Esmeralda, 1956 Hunchback of Notre dame

Next 1956 Article; Clopin

Philippe Clay as Clopin, 1956 Hunchback  of Notre dame picture image

Philippe Clay as Clopin, 1956 Hunchback of Notre dame

Jean Danet as Phoebus,1956 Hunchback  of Notre dame  picture image

Jean Danet as Phoebus,1956 Hunchback of Notre dame

Phoebus is a character that can fulfill many different niches. He can be a jerk or the love interest pending on the direction the version is taking.

The 1956 version of Phoebus is different, he is a sort of jerk but he does in fact care.

Jean Danet as Phoebus & Gina Lollobrigida as Esmeralda,1956 Hunchback  of Notre dame  picture image

Jean Danet as Phoebus & Gina Lollobrigida as Esmeralda,1956 Hunchback of Notre dame

We first see Phoebus when he rescues Esmeralda from Quasimodo. He is, naturally, instantly attractive to her and proceeds to take her to an inn.  After he pays for the room Esmeralda runs off. This really doesn’t bother him all that much. The owner of the inn says that Esmeralda is too beautiful and wild  which is the kind of woman Phoebus always dreamed of.

Jean Danet as Phoebus & Anthony Quinn as Quasimodo, 1956 Hunchback  of Notre dame  picture image

Jean Danet as Phoebus & Anthony Quinn as Quasimodo, 1956 Hunchback of Notre dame

So it would seem that maybe Phoebus and Esmeralda could have worked out in this version if things had gone differently. I mean, yeah, he is engaged to Fleur de Lys and he seems to  like her enough. But Phoebus does tell Quasimodo that he wished he could have saved Esmeralda. So he does care for Esmeralda even if he is going to be with Fleur de Lys.

Jean Danet as Phoebus & Danielle Dumont as Fleur de Lys, 1956 Hunchback  of Notre dame picture image

Jean Danet as Phoebus & Danielle Dumont as Fleur de Lys, 1956 Hunchback of Notre dame

I could be reading into this a little too much or maybe I’m giving this Phoebus too much credit but it seems to me that Phoebus might have chosen Esmeralda and merely just settled for Fleur de Lys. I think if that was made more apparent in the film it would have given Phoebus a bit more pathos which makes sense as this movie has Anankh has its basis.

Plus it would make the audience connect more to him. However as it stands, two lines makes Phoebus a deeper  and more interesting character than Esmeralda, Quasimodo and Frollo  which is sad but still two lines isn’t enough make him sympathetic.

Jean Danet as Phoebus & Gina Lollobrigida as Esmeralda,1956 Hunchback of Notre dame picture image

Jean Danet as Phoebus & Gina Lollobrigida as Esmeralda,1956 Hunchback of Notre dame

Next Article on the 1956 version: Gringoire

Robert Hirsch as Gringoire, 1956 Hunchback of Notre dame picture image

Robert Hirsch as Gringoire, 1956 Hunchback of Notre dame

 

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame picture image

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

Frollo is the one of the major players in the story as he is the one who gets the story moving. In a way a Hunchback version needs a Frollo that the audience can enjoy whether he is just a dark and twisted man or a tortured priest who is in conflict with his heart and his mind.

So how does the 1956 version hold up?

Frollo (Alain Cuny) practices alchemy, 1956 The Hunchback of Notre Dame picture image

Frollo (Alain Cuny) practices alchemy, 1956 The Hunchback of Notre Dame

To the film’s credit this is the first time we see Frollo as a priest who practices alchemy and lusts after Esmeralda . Too bad he’s boring, I have seen pieces of toast more interesting than him. Much like this version’s depiction of Quasimodo, this Frollo fails.

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame picture iamge

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

First off, his looks. It’s not Cuny is ideally handsome but he is WAY too handsome to play Frollo. Frollo, while he isn’t suppose to be old, he is suppose to look austere not rugged. It doesn’t help the story when Frollo and Phoebus look like they could be the same fashion show.

Quasimodo (Anthony Quinn) & Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame picture image

Quasimodo (Anthony Quinn) & Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

Now this Frollo marks the first time we see Frollo as he was must to be; a tortured, lusty priest who practices alchemy on the side. The way Frollo showcases his torment in this movie is by scowling, hiding behind walls, and burying his face in this hands.

On the whole we don’t connect with his torment for Esmeralda. We get a few scenes where glares at her but we never see him bear his soul like Frollo does in the 1939 version or in Disney version.

Frollo (Alain Cuny) and Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame picture image

Frollo (Alain Cuny) and Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

The only scene that serve to show Frollo as a more than a pseudo tormented lusty priest is during Esmeralda’s trial where he sort of defends her without giving himself away as the real attacker. But he turns on her when she speaks of love and life.

Also Esmeralda says that during the trail he was the worst face of all so I guess that little scene didn’t have much of an impact the characters. But I guess it’s nice that they tried.

Frollo (Alain Cuny) and Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame, picture image

Frollo (Alain Cuny) and Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

Like I have said Frollo should have a scene where he bears his soul. Whether it’s directly to Esmeralda or to audience, that is where his drama culminates. Keeping bottle up like this Frollo does adds nothing. The only “soul bearing” this Frollo does is he tell Esmeralda that she is his as he tries to force himself on her.

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame picture image

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

I feel rather cheated that this version has the right basis for Frollo but fails to make him interesting and engaging. The Jetlag version of Frollo has more interest than this one and that it is really saying something.

We really can’t feel any torment or conflict from this Frollo because I think the director doesn’t know how to convey it. So in the end we have a great set-up for Frollo but the execution fails to give the drama that the character is meant to bring to the story.

Next 1956 Article – Phoebus

Jean Danet as Phoebus, 1956 The Hunchback of Notre Dame picture iamge

Jean Danet as Phoebus, 1956 The Hunchback of Notre Dame

 

Quasimodo (Anthony Quinn), 1956 The Hunchback of Notre Dame picture image

Quasimodo (Anthony Quinn), 1956 The Hunchback of Notre Dame

Gotta say the 1956 version of Quasimodo was quite a disappointment. For a version that works so hard to maintain the plot of the book it really failed with Quasimodo’s character.

Quasimodo (Anthony Quinn) & Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame picture image

Quasimodo (Anthony Quinn) & Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

 

First off this Quasimodo isn’t a Hunchback, he is a slouch-back. He stands up fairly straight. I’m not sure if was this was the director trying to make Quasimodo more human or Anthony Quinn being lazy. My guess this was the director’s decision and I don’t agree.

You can’t really have the Hunchback of Notre Dame without the Hunch. If the director wanted to humanize Quasimodo he could have done it with the make-up but I think he missed the point. The point of Quasimodo is he the most human character but he looks like a monster. Having him not have the hunch takes away a big part of his character instead of being deformed he is just ugly.  Although in the pillory scene you do see a hunch,  too bad it disappears when he puts his shirt back on.

 

Quasimodo (Anthony Quinn) giving flowers to Esmeralda (Gina Lollobrigida) 1956 The Hunchback of Notre Dame picture image

Quasimodo (Anthony Quinn) giving flowers to Esmeralda (Gina Lollobrigida) 1956 The Hunchback of Notre Dame

 

That is not it though, Quasimodo’s personality is very watered down to point where I’m not quite sure if he has one. He makes comments about people being bad but he spends most of his time mumbling and giggling. He just comes off a childish but with zero charm or interest.

You don’t feel for him; his pain, his love, his despair, nothing. So when we get the the original ending to the book in a movie you can’t feel anything because you have sent two hours not feeling anything for the emotional core of the movie.

 

Quasimodo (Anthony Quinn) laying down next to Esmeralda (Gina Lollobrigida) 1956 The Hunchback of Notre Dame picture image

Quasimodo (Anthony Quinn) laying down next to Esmeralda (Gina Lollobrigida) 1956 The Hunchback of Notre Dame

The movie tries to make you feel for Quasimodo but due the performance you really can’t connect with this Quasimodo and that does weaken the second half of the movie. It’s like all the pieces are there to make an good Quasimodo but they don’t connect right and we’re left with a  half-form Quasimodo.

Quasimodo (Anthony Quinn) on the Pillory 1956 The Hunchback of Notre Dame picture image

Quasimodo (Anthony Quinn) on the Pillory 1956 The Hunchback of Notre Dame

 

The only good thing to come from this Quasimodo is after Esmeralda gives him water he says ‘beautiful” or “Belle” and that inspired one of the greatest Hunchback songs ever.

Quasimodo (Anthony Quinn) with a cat, 1956 The Hunchback of Notre Dame picture image

Quasimodo (Anthony Quinn) with a cat, 1956 The Hunchback of Notre Dame

 

Also why is Quasimodo holding a cat? What’s up with Hunchback versions instering cats into shots?

Next 1956 Article – Frollo

Frollo (Alain Cuny),  1956 The Hunchback of Notre Dame  picture image

Frollo (Alain Cuny), 1956 The Hunchback of Notre Dame

Today’s Fan-art was composed by me using the Heroine Creator on Azalea Dolls

It was inspired by Gina Lollobridga’s Esmeralda in the 1956 version.

Inspired by Gina Lollobridga's Esmeralda using the Heroine Creator on Azalea Dolls picture image

Inspired by Gina Lollobridga’s Esmeralda using the Heroine Creator on Azalea Dolls

Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

 

Without a doubt  this is Esmeralda’s movie. This is made very clear by her 3 minute long dance scene that only cuts away to Frollo staring at her but you can still see her in a reflection. Many consider the 1956 version of The Hunchback of Notre Dame Esmeralda to be one of the best Esmeraldas.  Many feel she has the right look, grace and free-spirited nature that Esmeralda should have. I personally have a few issues with this version of Esmeralda.

Esmeralda (Gina Lollobrigida) dances, 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida) dances, 1956 Hunchback of Notre Dame

First off, I feel like I’m being lied to with this Esmeralda.What she says and how she acts feel in opposition to how she looks and her mannerisms.  I feel like this Esmeralda was written to be played by a young actress but then Gina Lollobridga was cast and the sensuality was turn up.

Lollobridga reads too mature and sultry but then she tries to act innocence and carefree. I don’t believe her when she says that she “has never known men before.” I don’t buy it.

Esmeralda (Gina Lollobrigida) with Phoebus (Jean Danet), 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida) with Phoebus (Jean Danet), 1956 Hunchback of Notre Dame

Although I admit, my issue with Esmeralda’s duality could be because of her costume. Color aside, her two main costumes age her. I will get to costumes in a later post  so I won’t so into too much detail but I feel the veil, the very define corset waistline and the 1950’s cat eye age her.

She looks far more believable as a young women when she in the simple prisoner shift at the end of the movie.

Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

Since Esmeralda is the main focus of this movie you would think that the dynamic between Esmeralda and Frollo would be really strong but Esmeralda and Frollo don’t really have many interactions with each other in this movie.

Esmeralda admits that she afraid of him but she seems to be more uncomfortable around him which robs the would-be drama from their interactions. It fact there scene are a pretty dull.

Esmeralda (Gina Lollobrigida) with Phoebus (Jean Danet), 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida) with Phoebus (Jean Danet), 1956 Hunchback of Notre Dame

I think the dance scene sums up her character in this movie perfectly. She is  aloof, mysterious,  very sensual and slightly exuberant. I mean her personality is there I’m just not sure if it’s the costume, Lollobridga’s mannerism or her natural sex appeal that holds back this Esmeralda as being a great depiction of the character.

Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

 

Next 1956 Article – Quasimodo

Anthony Quinn as Quasimodo

Anthony Quinn as Quasimodo

 

Esmeralda (Gina Lollobrigida) gives Quasimodo (Anthony Quinn) a drink, 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida) gives Quasimodo (Anthony Quinn) a drink, 1956 Hunchback of Notre Dame

Much like the Jetlag version, the 1956 version of Hunchback follows the book pretty faithfully. Sure, they add things, remove things and combine things but this version is the most faithful  known movie version.

Anaykh craved on the wall, 1956 Hunchback of Notre Dame picture image

Anaykh craved on the wall, 1956 Hunchback of Notre Dame

 

It starts with the theme of Anankh which they says means as “evil destiny.” Bit heavy-handed but at least it’s there in the movie.

 

Frollo (Alain Cuny) stares while Esmeralda (Gina Lollobrigida) dances, 1956 Hunchback of Notre Dame picture image

Frollo (Alain Cuny) stares while Esmeralda (Gina Lollobrigida) dances, 1956 Hunchback of Notre Dame

From there the movie follows the book. We have the Feast of Fools, Gringoire’s failed morality play, Esmeralda dances, Frollo is a preist who stares, Quasimodo is named King of Fools, Clopin begs, the kidnapping, Gringoire and Esmeralda are married, Phoebus is a sort of jerk, Frollo practices alchemy Djali spells, and we get that vault ending where after Esmeralda dies and placed into the vault at MountFaucon Quasimodo goes in and lays down beside her to die.

 

Frollo (Alain Cuny) and Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame, picture image

Frollo (Alain Cuny) and Esmeralda (Gina Lollobrigida), 1956 Hunchback of Notre Dame

 

Pretty much the plot of the book is let intact. Of course there are somethings that were changed. First one, no Sister Gudule and Esmeralda is a Romani. Not the  biggest change as movie versions either don’t use this plot or handles it poorly. The second is that Frollo’s confession jail scene and the red door scene are merged. Personally, I love the jail scene it gives Frollo more characterization and the 56 Frollo would have been enhanced by it but again not a big deal I just wish it had been there.

 

THe Court of Miracles carry Esmeralda (Gina Lollobrigida) out of Notre Dame, 1956 Hunchback of Notre Dame picture image

THe Court of Miracles carry Esmeralda (Gina Lollobrigida) out of Notre Dame, 1956 Hunchback of Notre Dame

However one change that is big is the suspension of Sanctuary. In the book Frollo tells Gringoire that  Sanctuary is going to be suspended so that Esmeralda can be his power but this was a lie. However is turned into  reality when the Court of Miracles fell for it and rallied to save Esmeralda but the King thought that they wanted her death and then suspended it. In this version Frollo gets the King to suspended it and the Court tries to save her.  So the beggar are not tricked they try to save and they ultimately fail.

Esmeralda (Gina Lollobrigida) dies, 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida) dies, 1956 Hunchback of Notre Dame

 

Unlike other  versions this is the first known version where Esmeralda dies. However unlike the book her death is different. As the Court of Miracles attacks Notre Dame and Quasimodo defends it, Esmeralda goes to the door and meets the Court. They triumphantly carry her out but then the King’s guard fire arrow at them. Esmeralda turns to run back inside Notre Dame but she is shot by an arrow and dies.

Esmeralda (Gina Lollobrigida) dances, 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida) dances, 1956 Hunchback of Notre Dame

 

It’s admirable that this version follows the book pretty faithfully but like also like the Jetlag version it’s plague with problems that hinders the overall quality of the  movie.

 

 

Next Article for the 1956 version- the character starting with Esmeralda.

Esmeralda (Gina Lollobrigida) with Phoebus (Jean Danet), 1956 Hunchback of Notre Dame picture image

Esmeralda (Gina Lollobrigida) with Phoebus (Jean Danet), 1956 Hunchback of Notre Dame