Clopin during the Feast of Fools Disney Hunchback of Notre Dame
Topsy Turvy follows in the path of the big show stopping music numbers of Disney. Other songs like this included (but not limited to) Under the Sea (The Little Mermaid), Be Our Guest (Beauty and the Beast) and A Friend Like Me ( Aladdin). Unlike these, Topsy Turvy is not a show stopper, it doesn’t stop the movie for the sake of a spectacle, but instead Topsy Turvy propels the plot forward.
Clopin Topsy Turvy Disney Hunchback Notre Dame
There is a lot that happens within the course of the song with regards to story telling. The festive starts and Quasimodo gets caught in the swing of it, Quasimodo meets Esmeralda, Esmeralda dances getting the attention of Quasimodo, Phoebus and Frollo, the King of Fools contest starts, and Quasimodo is crown the king. There so much that happens that the song is broken up into four part essentially. These parts are well connected and the last portation with Quasimodo as the King of Fools features a keynote change to denote the ending of the song.
Quasimodo Topsy Turvy Disney Hunchback of Notre Dame
Esmeralda’s Dance Disney Hunchback of Notre Dame
As far as the song is concerned it’s fun. It’s very celebratory, the lyrics are clever and Paul Kandel does well singing it. It’s the only Disney song to use a word meaning prostitutes. The line “Join the bums and thieves and strumpets,” a strumpets is an old fashion word for a prostitute or a harlot. Kind of interesting that the only Disney song to use a word for prostitute would also feature a pole dance.
Reversal Topsy Turvy Disney Hunchback of Notre Dame
Quasimodo reacting to the craziness Topsy Turvy Disney Hunchback of Notre Dame
Topsy Turvy CG Crowd Disney Hunchback of Notre Dame
The visuals help make this song memorable. There lots of reversals to help keep the momentum going and the fun up. This visually also give Quasimodo something to react to and since he is seeing all this craziness for the first time, Quasimodo acts as the audience in this song. There is a cast of thousand. The crowds were made using CG and at the time were a feat but the crowd in movie hasn’t aged well.
Clopin Topsy Turvy Disney Hunchback Notre Dame
The song has several reference that harken back to Victor Hugo’s Novel. First the lyrics mention the date a being January 6, which is the day the Feast of Fools took place on. Of course the movie doesn’t seem to take place in winter, then again it could just be unseasonably warm.
Esmeralda’s Dance Disney Hunchback of Notre Dame
Another Reference is Clopin referring to Esmeralda as “La Esmeralda.” Esmeralda in the book is very often referenced to with the article “La.”
Shock the Priest Topsy Turvy Disney Hunchback of Notre Dame
The last reference and probably the most interesting. Is on the line “shock the priest” Clopin is holding a Frollo puppet. This is a clear reference to Frollo being a priest in the book.
Quasimodo as the King of Fools Topsy Turvy Disney Hunchback of Notre Dame
The song itself is fine, it big and fun but it’s not my favorite. I would position this song in the middle of the ranking however I can understand why many would like it, it’s a fun song that adds to the movie and alludes to the book very appropriately.
Frollo and Quasimodo during Out There Disney Hunchback of Notre Dame
Frollo and Quasimodo during Out There Disney Hunchback of Notre Dame
Out There is for all intended purposes is a solo but its prelude is duet between Frollo and Quasimodo. Frollo sings about how awful the world is as a means for controlling Quasimodo. When Frollo departs the scene, the mood of the song changes into Quasimodo singing about a yearning to venture beyond the tower and go flocking with the normal people.
Quasimodo during Out There Disney Hunchback of Notre Dame
Ariel Disney The Little Mermaid
There is no good way to say it, “Out There” is a knock off of “Part of your World” from the Little Mermaid. Lots of Disney characters sing this “wanting more” type of song but Out There and Part of that World express the some thought. And it’s interesting that they both point to a direction; up for Ariel and down for Quasimodo and they both mention a desire for the sun and to be with “the people”. They also kind of look alike, red hair and they both wear green. (2026 – Maybe a be harsh calling Out There a Knock Off but they are quite similar and outside of the scope them being I want Songs)
Quasimodo during Out There Disney Hunchback of Notre Dame
So how is the song on a music level? Got say, the song it’s self is pretty typical Disney fare. It’s one of the typical songs you’ll hear in a Disney movie, the dreamer’s song. It’s usually the main character singing about wanting something more. This song is just Quasimodo singing about even if just one day he wants to apart of the people. The music is fine, it’s nice and symphonic. The lyrics are very repetitive: he wants to be to live a day with the regular people, I get.
Quasimodo does come off naive to think that just because people live “out there” this qualifies them as normal and he also insinuates that it’s a gift for them to be normal despite the whole issue with Romani who have to live in catacombs to avoid Frollo’s genocide tendencies.
Quasimodo during Out There Disney Hunchback of Notre Dame
The singing is where this song fails for me. Hulce’s vibrato has too much of a wobble for me. I think this fast vibrato is meant to give Quasimodo an innocence and naivety but it too much wobble. The wobbly vibrato ruins Hulce’s performance for me and do think he a decent enough singer otherwise. (Again 2026 edit – this take of mine has change over the years.)
Quasimodo during Out There Disney Hunchback of Notre Dame
Quasimodo during Out There Disney Hunchback of Notre Dame
Quasimodo singing “Out There” Disney Hunchback of Notre Dame
The best part of the song in the movie is the visuals. I remember the first time I saw it, the part where Quasimodo slid down the buttress was my favorite visual, I thought it looked fun, of course as a kid I thought it was a water slide and not a support structure. I really enjoy Quasimodo interacting with the Notre Dame, he may be dreaming on being on terra firma but Notre Dame is like his private playground.
Belle, Carpet, and Pumbaa
Frollo in the Square during Out There Disney Hunchback of Notre Dame
Satellite Dish during Out There Disney Hunchback of Notre Dame
There are a few things that appear in the song that many viewers don’t seem to notice. The first are cameos, which people notice. The Cameos are Belle (Beauty and the Beast), Pumba (The Lion King) and Carpet (Aladdin). Two other things, is Frollo can be seen in the square as Quasimodo is looking down and a satellite dish can be seen on a house in the bird’s view of Paris or La Cite in this case.
Quasimodo during Out There Disney Hunchback of Notre Dame
So the song is by no means in the top tier of the songs in The Hunchback of Notre Dame, it by no means is it the worst. It’s just a VERY typical formulaic Disney song.
2026 Edit- To be honest, this review is rather harsh. I held it in 2011 but not so much in 2026. And to prove a point “Out There” ranked quite high when I ranked Disney “I Want” Songs with a statical survey. So take than 2011 version of me.
Clopin with puppet during the Bells of Notre Dame Disney Hunchback of Notre Dame
“The Bells of Notre Dame”is the opening to the movie.
The Opening Shot of Disney’s Hunchback of Notre Dame
Paris during the Bells of Notre Dame Disney Hunchback of Notre Dame
Clopin during the Bells of Notre Dame Disney Hunchback of Notre Dame
“The Bells of Notre Dame” starts off like The 1939 version, very appropriately with Bells and Latin choir (unlike the 1939 version). The bells grow in intensity till the title screen goes away and the opening scene starts and the melody of the refrain from Hellfire is heard. From this you get a major sense of drama before you see a single person. Then tone turns gentle and quite, then intense, then more intense. This song is like a roller coaster.
Clopin with Puppet Disney Hunchback of Notre Dame
Quasimodo’s Mother Disney Hunchback of Notre Dame
Frollo during the Bells of Notre Dame Disney Hunchback of Notre Dame
“The Bells of Notre Dame” does a few things for the movie, it introduces three main character, showcases Notre Dame’s importance as the setting of the film and explains the relationship between Quasimodo and Frollo. Disney had a bit of the problem with nature of Victor Hugo’s Hunchback of Notre Dame, Frollo isn’t the colossal jerk he is in the Book.
In the Book Frollo takes Quasimodo in after being moved by empathy for him, not by getting scared by a Statue and the Archdeacon because he murder an innocent women in front of the most important spiritual centers in France and fears hell that takes the baby of his victim as an act of contrition. But Disney villains are never ones for charitable act so Frollo is co-forced into looking after Quasimodo. “The Bells of Notre Dame” also presents the viewers with the moral of the story, “what makes a monster and what makes a man.”
Frollo chases Quasimodo’s mother during The Bells of Notre Dame Disney Hunchback of Notre Dame
Quasimodo’s Mother Disney Hunchback of Notre Dame
The Murder of Quasimodo’s Mother Disney Hunchback of Notre Dame
The Song also sets up the tone of the movie. Disney boosts that Hunchback is their darkest film, and yes it is, but it is after all a Disney film and there is a lot of “humor” in it. “The Bells of Notre Dame” present both facets, the humor, light-hearted Disney Flair and the darker aspects. The dark aspect are easy to see, the backstory, Frollo kills a women, tries to kill a baby and saddled into raising it. The humor comes from Clopin regaling the children with his puppet (love the Clopin Puppet). But even Clopin here is delighting in the dark dramatics of the story.
Frollo seeing Quasimodo for the 1st time Disney Hunchback of Notre Dame
The Well Disney Hunchback of Notre Dame
Archdeacon Disney Hunchback of Notre Dame
But is the song itself successful? Yes, yes it. I would so that it’s one of the best song in the movie right up there with “Hellfire.” It’s dramatic, epic, and grand. Unlike “Hellfire” which has a benefits of being more focused, Bells of Notre Dame has to fulfill it’s purpose and has a lot of ground to cover musically. It’s starts with a Latin choir, goes into a more gentle tone and the gets darker as the Romani are introduced along with Frollo, The Choir returns but more intense as Frollo chases Quasimodo’s mother. There are so many vignettes in this song that it could have been a mess but it’s handle musically very well and the music intensifies the dramatics of the action.
Frollo in fear for his soul during the Bells of Notre Dame Disney Hunchback of Notre Dame
Notre Dame Sees all Disney Hunchback of Notre Dame
Frollo and Baby Quasimodo during the Bells of Notre Dame Disney Hunch back of Notre Dame
Originally this wasn’t even going to be a song, it was going to be spoken dialogue. I’m glad they made it into a song because it’s one of the better songs in the movie. It was the perfect way for the movie to start. “The Bells of Notre Dame” perfectly set-up the tone, setting, characters, motivation, drama, and some light humor of the movie.
Clopin during the Bells of Notre Dame Disney Hunchback of Notre Dame
A Puppet of Quasimodo during the Bells of Notre Dame Disney Hunchback of notre dame
Bells Disney Hunchback of Notre Dame
I would say it’s one the best Disney’s openings. Seriously, Clopin’s crescendo at the end is amazing, it’s probably the single greatest bit of singing in the movie, maybe even Disney History.
I just want to take a moment and get this out there.
Tim Burton
Quasimodo Rescues Esmeralda Illustration
Josh Brolin
A few months ago it was announced that Tim Burton was rumored to be directing a new adaptaion of The Hunchback of Notre Dame slated for 2013 and attach to this is actor Josh Brolin of such movies as Jonah Hex and True Grit as Quasimodo. I was reading some of comments people left on the websites that announced this and mostly they were discussing how Johnny Depp was not playing the leading character in a Tim Burton movie. Unusual? Yes but does this mean that Johnny Depp will not be in the film?
Johnny Depp
My guess he will. Let’s face it Quasimodo not exactly a Depp role, sure he played Ed Scissorhand but I can’t envision Depp as Quasimodo. However I could see him as Gringoire. Gringoire is a poet and sometimes he used as a story-teller (as he more less is the voice for the writer) and more often than not he has been paired up with Esmeralda. I would predict that Johnny Depp will play Gringoire, I can see him as Frollo or Phoebus, however he could play Clopin. For Depp to Play Clopin it would depend of the direction of the film. Clopin is not actually a gypsy in the book but in the film Clopin takes on all of the leaders of the Court of Miracles, so sometimes he’s a Gypsy and sometimes he’s not. However I could see him as Clopin or Gringoire. Though I would lean towards Gringoire.
Helena Bonham Carter
As for Helena Bonham Carter (another staple in a Burton movies), there is a lack of females in Hunchback of Notre Dame and it’s up to the film’s direction if they’ll have more than just Esmeralda. I wouldn’t cast Carter as Esmeralda or Fleur de Lys ( if Fleur de Lys is in this adaptation). Pending on film direction I would cast her as Sister Gudule, Esmeralda’s mother. However if the film doesn’t go for Esmeralda’s back story which I’ve only ever seen twice in adaptations, Carter will have some cameo of some sort maybe La Falourdel (the women who house Phoebus rents a room from in order to seduce Esmeralda). In case I would predict her to be in the film is some capacity.
I hope they get someone who is more akin to Esmeralda in the book; someone who is not overtly sexy and youthful, that would be refreshing to see.
Anyway these are all rumors and predictions, but I would love to hear what you think on this upcoming movie.
Ah, the voice acting in Disney’s Hunchback of Notre Dame. Some of it’s great, some it is just ok and some of the casting is off, which seems to weaken the believability of the characters. This is more or less in the order of rank, as I see it or hear it.. yeah.. I know lame joke.
Tony Jay as Judge Claude Frollo
Tony Jay
The highlight of the voices in the movie is Tony Jay’s rendition of Judge Claude Frollo. Jay’s cold sounding baritone mixed with his British accent makes for the perfect bad guy voice. He gives Frollo’s voice an air calm control that at any second could explode into fevered anger. Also his voice is seductive, you can believe this guy is a charmer and yet he speaks with command and authority. Jay’s voice helps make Frollo a more interesting character.
Jay had been a veteran Disney voice actor and voice actor in general. He’s been in a number of Disney related films and television shows as well many other non disney films, television and recordings of broadway shows. On his IMDB page he has 150 credits but I think he most known for Frollo mainly because Frollo is a horrible person and his voice accentuates brilliantly.
Tony Jay was nominated for an Annie Award for Outstanding Achievement in Voice Acting.
Paul Kandel as Clopin
Paul Kandel
Paul Kandel voiced Clopin and is a Broadway performer. He’s probably the best singer in the film (the crescendo at the end of Bells of Notre Dame gets me every single time) and that’s probably why he ended up with the most songs in the movie. In fact Clopin sings more than he actually speaks. Kandel gives Clopin a sense of fun and whimsy but he also gives him a flair for the dramatics which is a boon for the introductory scene since it’s not funny.
David Ogden Stiers as Archdeacon
David Ogden Stiers
David Ogden Stiers voiced the Archdeacon. Stiers like Jay is a veteran voice actor and has been in many major Disney movies. He’s also primarily a television actor. Stiers runs the gambit of tones with the Archdeacon’s voice; tenderness, command, authority, concern and a little amusement (the Archdeacon sounded a little amused when he thinking about Esmeralda’s merry chase). Just because the Archdeacon is by all account a glorified extra Stiers’ voice helps makes the character more interesting.
Kevin Kline as Captain Phoebus
Kevin Kline
Kevin Kline voiced Phoebus. Kline does well as Phoebus but I think he falls short of Jay and Kandel because I mean really, Phoebus isn’t a hard role to play. Phoebus has a dry wit but so Kline, I mean Kline is practically playing himself. I give Kline credit, he made Phoebus funnier than probably was originally intended which makes him more interesting as character. Because without the humor would Phoebus have been memorable? My guess is no. Kline is also partly responsible for Achilles’ name. He insistent that horse have a name, so they gave the Phoebus’ horse a name at Kline’s insistent.
Fun Fact about Kline’s process – to get into the character of playing a knight, Kline held a sword in hand during recording sessions. He even ruined some recordings because he would hit the microphone (accidently, I’m sure.)
Jason Alexander as Hugo
Jason Alexander
Jason Alexander voiced Hugo. As much as I dislike the gargoyles, I think the voice acting is fine. Jason Alexander is best known as George Costanza on Seinfeld. George is uptight and neurotic, the total opposite of Hugo. Hugo is fun-loving and laid back. I think Alexander does very well in the role. But again, is a fun-loving partier a demanding role? No, not really.
Charles Kimbrough as Victor
Charles Kimbrough
Charles Kimbrough voiced Victor. Kimbrough has been in many types of media; film, TV and voice acting. Kimbrough does well enough as the prim, more serious-minded Victor, but it’s hard to lay out Victor’s personality compare to Hugo and Laverne. So it’s hard to identify how well Kimbrough did as Victor.
Mary Wickes as Laverne
Mary Wickes
Mary Wickes voiced Laverne. Later in Wickes’ career she played cranky old ladies. Two of the movies I remember her in were Little Women (Aunt March) and Sister Act (Sister Mary Lazarus), both characters are tell-it-like-it-is, cranky old ladies much like Laverne. So while she does well in the role she definitely playing her type of role.
Jane Withers as Laverne (recast)
Jane Withers
I want to mention Jane Withers briefly. Mary Wickes died as the film was being recorded and so Jane Withers stepped in to finish the recording and took over the role of Laverne. There are some lines where Wickes started and Withers finished, which is testament to Withers; acting to able to sound almost identical to Wickes.
Tom Hulce as Quasimodo
Tom Hulce
Tom Hulce voiced of Quasimodo. Tom Hulce is most known for his role in Amadeus Mozart. I do not find any fault with Hulce’s acting, I think he does a good job giving Quasimodo tenderness, gentleness and a bit of pitiable emo-ness. I also think Hulce does well exhibiting both Quasimodo’s natural disposition and in contrast to his attitude when he’s with Frollo.
So Why is Hulce’s performance second to the last on this Blog post? Well that is because I wonder what the directors were smoking in making Quasimodo a school boy that’s gentle and sweet. Quasimodo is suppose to be gentle but only to Esmeralda. He’s not suppose have a school boy. I can understand why Disney did this and I understand why Hulce’s voice is good for this type of role but just because I can understand it doesn’t mean I have to condone it. Honestly they made Quasimodo into a Disney Princess. Hulce has a clear voice which is a commonality to the Disney Princess trope. Think about, Quasimodo is a Disney princess, he just a male and not very pretty.
2026 Edit – After years of reflection and change of heart, I get the idea behind a sweet voiced Quasimodo but in 2011 I was stuck on the adherence to the book as a gold standard. So now I do condone the concept and concede that Hulce was fine in the role as the Disney movie depicted the character.
Demi Moore as Esmeralda
Demi Moore
Demi Moore voiced of Esmeralda. Like Quasimodo, I think casting was way off. I get that they wanted something different. The directors liked Moore’s husky and rough tone of voice and they liked that she also had a tenderness to it, but Moore ages the character. It’s weird looking at the concept art, how youthful Esmeralda started and how mature she looks/acts in the movie. I understand that the decision to cast Moore was intentional and as part the process of animation is that Esmeralda took on Moore’s looks and mannerism but I don’t think the pay off was good in the long run.
I think Esmeralda is too much like Moore and effectively Moore was playing herself (or at the most her type-cast role) so she didn’t exactly have to exert her acting prowess. Also I think Moore got the role due to sex appeal and popularity. And point Deductions for being the only one of the cast not able to sing her character’s song, though if can’t sing than she can’t sing, but they could have just had Heidi Mollenhauer do the role in it entity, she is an singer/actress after all. They fact they they didn’t just mean that Moore was cast for her popularity and appeal.
2026 Edit- Again it’s been years since this blog post was written and I have long since changed my mind on The Disney version. Disney’s Esmeralda is vastly different from the book and a lot of the differences comes from Moore being an inspiration for the character. So I’m a still on fence about the voice choice. But Moore does add a sense maturity and warmth that work for the story of the Disney version so I think she does a good job with the acting of the role.
Shout Outs/Kudos
Gary Trousdale
Shout out/Kudos to GaryTrousdale voice of Djali (that not a bleat) and the OldHeretic.
Corey Burton
Bill Fagerbakke
Shout out/Kudos to Corey Burtonand BillFagerbakke, Brutish and OafishGuardsthese two made those characters hilarious.
What can we say about Disney’s Archdeacon in terms of looks? Well he’s old, he has white hair, he has long bushy sideburns and eyebrows. He has a square-ish face with a bulbous nose. He’s not much of a looker.
Archdeacon Stopped Disney Hunchback of Notre Dame
Archdeacon Disney Hunchback of Notre Dame
Much like the 1939 version his duds look modern and not medieval. I give Disney a little credit this vestments look less modern than the 1939 version, but not enough to praise Disney for their astute costume research.
Archdeacon Disney Hunchback of Notre Dame
Archdeacon Disney Hunchback of Notre Dame
he Archdeacon is also ages during the film. When we first see him in the flashback, his hair is just grayish black. In the DVD commentary, the directors made a point of mentioning how Frollo looked 20 years younger in the flashback, and in a subtle was he does a little bit but you can really see it with the Archdeacon’s look. Mainly because Frollo goes from ashen gray to gray whereas the Archdeacon goes from grayish black to white. Not sure who is older, Frollo or the Archdeacon, my guess would be the Archdeacon.
David Ogden Stiers
Cogsworth from Disney Beauty and the Beast
The Archdeacon also bares a striking resemblance to his Voice Actor David Ogden Stiers. It’s part of Disney’s process to record the voice actors during their recording session and infuse the voice actors into character’s animation and character design. This would mean that the Archdeacon and Cogsworth from Beauty and the Beast look-alike
Archdeacon smiling oddly Disney Hunchback of Notre Dame
That’s pretty much it, he’s not in the movie for long and he only kind of a main characters so I think his looks are more functional than indicative of personality. But he does make a creepy smile. Expressions are one thing Disney excels at. I don’t know, I find that smile really odd, maybe it’s the half closed eyes and the downward tilt of his head and the upward eyebrow.
Well that’s it, we’re done with the character analysis of Disney.
Frollo’s Long is nose and he wears a truss/dress Disney Hunhcback of Notre Dame
Hugo, Victor and Laverne are the agents of forced levity in Disney’sHunchback of Notre Dame. They all have distinct personally and looks.
Hugo
Hugo Disney Hunchback of Notre Dame
Hugo is the short and fat one. He has a pig nose, thin horns that point straight up, bat-like wings, hooves for hand, rounded teeth and animal-like ears. He also for some reason is the only one of the three gargoyles to have a belly button. Hugo is the most animal looking among the three. This is he is the crudest and I think Disney thinks that he’s the funniest, in the infantile sense so he has to look somewhat amusing or people are going to believe he’s the “funny” one.
Victor
Victor Disney Hunchback of Notre Dame
Victor is the tallest and largest of the three. He also the most muscular of the three. He’s the only one not to have horns, instead he has elf-like ears, large angel wings, an underbite, two fanged teeth and his hands are more like claws , almost human but a tad more beastly than human. His nose is stylized but almost human. His more human-like form is indicative of his prissy-like, prime, introverted personality.
Laverne
Victor and Laverne singing “A Guy like you” Disney Hunchback of Notre dame
Laverne is the female of the group. She has the most human-like hands. Her face looks old and she has no teeth. She has cherub wings, fatter and short horns than Hugo and there’re wider. She also have like a crown like detail that frames her horns. Her ears and nose like the most human too except her nose is a bit bulbous. Her no nonsense, tell it like it is personality is the reason why her features look more human than Victor and Hugo. The human-look enables Laverne to be take more seriously. I mean if she looked like Hugo, I doubt people who believe her “old women who tells it like it is” persona.
Concept Art
Gargoyle Concept Art Disney Hunchback of Notre Dame
Gargoyles Concept Art Disney Hunchback of Notre Dame
Gargoyle Concept Art Disney Hunchback of Notre Dame
The Stains
Looking at the concept art, the gargoyles went through a lot of revisions. But the gargoyles went through at lot of revisions as the film progress during the course of it’s animation. It was originally convinced that these three gargoyles were the stone mason’s cast-off and they’re something of outcast which is why Quasimodo gravitated towards these three, if the imagination theory is true (which like so many other things in this movie is inconsistent in it’s execution). The film never did played this angle. Also they were going to have tiny imperfections like a chip ear, but that was never realized either in the film.
Stains on Gargoyles Disney Hunchback of Notre Dame
Early in the production and this can be seen on the gargoyles in their introductory scene, the gargoyles have stains on them from the elements. The studio had maps for each gargoyle in order to keep the stains consistently placed. Then the idea was abandoned as the film progress. Funny it’s it, they tried so hard to be consistent on a detail that few noticed and then abandoned it but they very inconsistent with the light in the characters eyes.
Phoebus asking for Esmeralda’s name Disney Hunchback of Notre Dame
Phoebus is the dashing and handsome captain of the guard. Due to this namesake, Phoebus (Apollo) he has a very yellow look, gold armor, blond hair and a beard. He has a bit of a Roman look. His beard, with cape his hair style, aquiline nose are all more Roman than late medieval.
Oddly enough, Phoebus’ only describe featured in the book is his mustache which is in the “Burgundian Style.” Phoebus is first Disney guy to get facial hair, so kudos to Disney for at least taking something from the book as a basis. Well one could argue that in the 23 version and the 39 version Phoebus had a mustache, so who knows what Disney was going off of, besides the production crew. At least they went there and gave him some form of facial hair The important this is that Phoebus should be handsome, he can be a jerk, a hero or a gloried extra but he must be a pretty boy, and Disney at least did that.
Phoebus Disney Hunchback of Notre Dame
Disney Phoebus Hunchback of Notre Dame
Phoebus Disney Hunchback of Notre Dame
Phoebus concept art isn’t much different than how he appears in the movie. However he looks like John Smith from Pocahontas. For More Concept Art of Hunchback
Concept Art of Phoebus Disney Hunchback of Notre Dame
Concept Art of Phoebus Disney Hunchback of Notre Dame
Concept Art of Phoebus Disney Hunchback of Notre Dame
John Smith Disney Pocahontas
I mean, It’s John Smith with a beard.
Phoebus’ Useless Golden Armor
Phoebus’ armor Disney Hunchback of Notre Dame
Phoebus wears the most useless armor ever, honestly I don’t know why he bothers with it, maybe the gold makes him feels special or pretty but clearly it’s just for show. Djali hits him in the gut and inflicts some pain but when a candelabra hits him the face he shakes it off. He gets shot with an arrow through back and yet it almost got his heart and he nearly drowns in it.
Djali in gut Disney Hunchback of Notre Dame
Phoebus after getting hit by Djali Disney Hunchback of Notre Dame
Phoebus being hit by Esmeralda Disney Hunchback of Notre Dame
Phoebus being hit by an arrow Disney Hunchback of Notre Dame
Frankly he’s better off without the ornamental armor.
Phoebus noticing Esmeralda’s “Disgusting Display”
Phoebus’ look is pretty generic looking considering the rest of the characters. He’s conventionally handsome with a slight roman look mix with a little John Smith through for good measure.
Phoebus and the Map Disney Hunchback of Notre Dame
Phoebus Disney Hunchback of Notre Dame
The result is a tad on the boring which is why his look didn’t change much from the concept art.
I was hoping to post the Phoebus installment of “Let’s get Superficial” today since I won’t be able do it this weekend, however it’s been delayed and it’s not ready yet. But since I’m trying to update more often (two-three times a week), I’ve made this for fun;
Find the differences and leave a comment with the answers. There are 6 differences in total. There are not meant to be too hard or too challenging, just fun. I’ll post the original picture next time. So have fun. ^_^
Esmeralda is the most divergent character in the Disney version from the book in both looks and personality. I already talked about her personality, now let’s look at her looks.
Disney Esmeralda Hunchback of Notre Dame dancing
The Disney Esmeralda looks 100% a traveler*. She has a darker complexion, dark hair, and light green eyes (with no glint). Her eyes also do not change color pending on how much light is in the space, which kind of makes them look witchy. She keeps her hair pulled back which it creates volume. This bigger hair makes her look older. When her hair is down she looks younger. Her hair also has a slight curl. Though in the middle of the epic running away from Frollo, her hair looks straight but that could just be inconsistencies in animation or the wind, take your pick. But it does look straight. However it also fair to point out that this voluminous hairstyle was on trend in the late 90s.
Esmeralda complimenting Quasimodo Disney Hunchback of Notre Dame
Her age is very vague. Most of the Disney characters have a rough age range or they just say how old they are like Ariel and Jasmine. With this shift in Disney heroines being somewhat more independent and less dreamy, they appear to be older than the typical “Disney princess” (except Tiana, I would say she is like a compromise between the archetypal Princess and the confident independent heroine of the late 90s).
The question is how old is Disney’s Esmeralda? With the age inflation that Disney implements, I’d say she most likely 22 at the youngest, which is “old” for a Disney heroine. The long and short of it is, Esmeralda is meant to be older like “she’s been around.” This is not my phasing, watch the commentary, it’s the scene where Esmeralda is helping Quasimodo from the pillory. To listen to the commentary, The DVD.
One reason why this version made her older could have been to help establish her relationship with Quasimodo as more maternal, more like a big sister than romantic. This could have made her pairing with Phoebus appear more palatable for the audience, though given a lot of bad-faith internet discourse it didn’t really work that way.
19th Century Illustration of Esmeralda with Djali
Esmeralda Disney Hunchback of Notre Dame Dancing
How Does the Disney Character Design Compare to the Novel?
Against the original novel by Victor Hugo, Esmeralda’s looks are very different. Esmeralda is never described in graphic detail but she’s described as very beautiful frequently by many characters. Disney Esmeralda is meant to be beautiful certainly but she is never called beautiful in the movie. The closest mention to her looks is Clopin saying she’s “The Finest Girl is France.”
19th century Illustration of Esmeralda
Esmeralda’s Dance Disney Hunchback of Notre Dame
Esmeralda in the book is not genetically a full traveler*. Her mother is a French women and while her Father could have been a traveler, it is never actually mentioned who was her father.
Esmeralda has a golden skin tone, black hair and black eyes. Part of Esmeralda’s charm in the book is her innocence and her total unawareness of her own beauty. Disney’s Esmeralda is the complete and utter opposite; she knows her appeal, exploits it and given that quote by the director Kirk Wise that I mention earlier, I’m not sure how innocent is in the movie. So it safe to say that Disney did not use Hugo for even a basis of Esmeralda’s design.
Concept Art for Esmeralda Disney Hunchback of Notre Dame
Concept Art for Esmeralda Disney Hunchback of Notre Dame
Concept Art for Esmeralda Disney Hunchback of Notre Dame
Looking at the concept art, Esmeralda started off looking more youthful and somehow along the way she lost the youthful look. My guess the vocal inspiration turned the tables on the character design. Alas Demi’s Moore doesn’t sound youthful, at least not when the film was recording the voices. For More Concept Art of Hunchback
Esmeralda giving Frollo a peck on the nose Disney Hunchback of Notre Dame
It’s actually not Disney’s fault that Esmeralda’s looks/acts sexy whereas Hugo’s Esmeralda did not. The fault lies in the film history of Hunchback movies.
Esmeralda has long been depicted as sexy or at least no stranger to feminine charms. Esmeralda has also been depicted by actresses who are more known for their sex appeal. Such actresses have been Stacia Napierkowska, Theda Bara, Gina Lollobrigida and Salma Hayak. Also Disney models their characters after the voice actor playing them, so with the choice of Demi Moore it was inevitable that Disney Esmeralda was going to be sexy and follow the line of sexy Esmeraldas.
Demi Moore
In a featurette of the movie, Moore said she could see herself in Esmeralda’s animation. While Disney took their cues from the 1939 version, I think Esmeralda’s look was based somewhat on Gina Lollobrigida’s Esmeralda as well as Demi Moore (maybe, I can’t really tell, I haven’t seen a ton of Moore’s films discern her mannerism and/or acting style in Esmeralda’s animation.)
Esmeralda Disney Hunchback of Notre Dame
Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956
*Since 2021 the blog has been using the words Travelers or Nomads or Romani to convey the group of people that Esmeralda is associated with while trying to be respectful. You can read that post here. I do tend to favor the travelers usage.
is for all intended purposes is a solo but its prelude is duet between Frollo and Quasimodo. Frollo sings about how awful the world is as a means for controlling Quasimodo. When Frollo departs the scene, the mood of the song changes into Quasimodo singing about a yearning to venture beyond the tower and go flocking with the normal people.
, the directors made a point of mentioning how Frollo looked 20 years younger in the flashback, and in a subtle was he does a little bit but you can really see it with the Archdeacon’s look. Mainly because Frollo goes from ashen gray to gray whereas the Archdeacon goes from grayish black to white. Not sure who is older, Frollo or the Archdeacon, my guess would be the Archdeacon.
, the gargoyles went through a lot of revisions. But the gargoyles went through at lot of revisions as the film progress during the course of it’s animation. It was originally convinced that these three gargoyles were the stone mason’s cast-off and they’re something of outcast which is why Quasimodo gravitated towards these three, if the imagination theory is true (which like so many other things in this movie is inconsistent in it’s execution). The film never did played this angle. Also they were going to have tiny imperfections like a chip ear, but that was never realized either in the film.
