Which Disney Princess Matches Your Zodiac Sign? If you’re a Scorpio,rejoice you’re Esmeralda according to ChaCha.com.  here is the write up;

Esmeralda Disney Hunchback of Notre Dame picture image

Esmeralda Disney Hunchback of Notre Dame

Scorpio is known as The Fascinator, a secretive sign, like Esmerelda from ‘The Hunchback of Notre Dame.’ You are passionate, emotional, loyal and determined, and you love solving puzzles! Silvermist from ‘Tinker Bell’ would also be a Scorpio.

 

You can find your Disney Princess Zodiac here;

Which Disney Princess Matches your Zodiac Sign

Which one Princess is your Zodiac? I got Cinderella

Sets of the 1982 Version of The Hunchback of Notre Dame picture image

Sets of the 1982 Version of The Hunchback of Notre Dame

There are two types of Hunchback movies; the ones that are well done but do not even pretend to follow the book and there are the types that follow the book but lack any sense of effort by the cast and the crew. The 1982 version however falls in between these types. It has a lot of weird flaws and does commit a major sin where Esmeralda is concerned but it feels like a genuine effort was put into this version.

So is the 1982 version good, adequate, or awful? I would venture to say it’s good, it’s not as great as it could have been but considering some of the other versions that exist this one is one of the better versions.

Next Hunchback version – I haven’t decided yet ^^”

 

Notre Dame, Paris, France - Matted Photo

Notre Dame, Paris, France – Matted Photo

It’s true that Notre Dame owes a lot of its cultural significance to Victor Hugo and his novel but Notre Dame didn’t just sit there and let Hugo’s imagination work with out her influence.

Anaykh craved on the wall, 1956 Hunchback of Notre Dame picture image

Anaykh craved on the wall, 1956 Hunchback of Notre Dame

One story goes is that as Hugo was up in the towers of Notre Dame he came across a word craved on the wall. The Word was “Ananke.” Ananke is a noun that means “force, constraint, necessity” and is the personification of destiny, necessity and fate. Seeing this word craved on the wall made Hugo think about the person who wrote it. From this word Frollo was conceived, making him the first character for the novel. Ananke is also a major theme in the novel.

Quasimodo is crowned King of Fools (Charles Laughton) 1939 Hunchback of Notre Dame picture image

Quasimodo is crowned King of Fools (Charles Laughton) 1939 Hunchback of Notre Dame

Also while Hugo was exploring Notre Dame, the cathedral was going though repairs. One of the stoneworkers was a Hunchback who was also British. His name was Henry Sibson This suggests that Quasimodo was inspired  by Sibson.

You can get the  Print of Notre Dame by clicking here!

Sets of the 1982 Version of The Hunchback of Notre Dame picture image

Sets of the 1982 Version of The Hunchback of Notre Dame

One of the Hallmarks of any Hunchback adaptation is Notre Dame and since Notre Dame falls into the set category this makes the sets important to the movie. At least the sets should be important to the film but in the case of the 1982 version they are not. The sets in the movie are not showcased and this makes them look uninteresting and not memorable.

Sets of the 1982 Version of The Hunchback of Notre Dame picture image

Sets of the 1982 Version of The Hunchback of Notre Dame

The film does not waste a single shot to establish anything, not even Notre Dame. We only get a few shots of parts of the Cathedral, mainly the door and the gallery. The reason for that that might be the didn’t really have a full scale set of the facade or a even model. They just had a set of the door up to the row statues and the upper galley where Esmeralda and Quasimodo look down on Paris. The most they seem to have of the facade is probably a matte painting.

Interior Set of the Bell tower, 1982 Version of The Hunchback of Notre Dame picture image

Interior Set of the Bell tower, 1982 Version of The Hunchback of Notre Dame

Other than that the interiors sets of Notre Dame are very dark and seem imposing which goes against the ideology of Gothic Architecture of letting the light into the interior. Though we don’t get many shot of Notre Dame’s Sanctuary. However most of the sets are dark in the movie which doesn’t help them to stand out to the viewer.

Sets of the 1982 Version of The Hunchback of Notre Dame picture image

Sets of the 1982 Version of The Hunchback of Notre Dame

But are the sets bad? No, they are not when you actually look at them. They look like are they are nicely made and have good aging to them. The problem is the film doesn’t care about the sets so the viewers can’t care about them, not even Notre Dame. Which is unfortunate because they are actually decent sets.

Next 1982 Article…………..

Paris Skyline by Michael Tompsett

Paris Skyline by Michael Tompsett

By the early 1800’s Notre Dame was in a sad state. The local government thought about tearing it down. Then, in 1804, Napoleon decided it was the perfect place for his coronation, which gave the gave the old girl a new lease on life.. However it wasn’t till 1831 that Notre Dame was given a large public opinion boost.

On January 15th 1831, Notre Dame de Paris was published. Hugo was commissioned to write the novel and its agenda was to increase appreciation of old gothic structures. Which it did and Notre Dame was given a restoration. And thanks to both Napoleon and Hugo (but mostly Hugo), Notre Dame is one of jewels of the Parisian Skyline.

You can get the painting of the Paris Skyline by Michael Tompsett, by clicking here, It’s very pretty isn’t it?

Like so many other movies, The 1982 adaption of the Hunchback is influenced by its times, in this case the infamous early 1980s. The costumes themselves are not super 80s looking, I mean when you think about the 80’s these costumes could have been so much more crazy. The costumes were design by Phyllis Dalton who designed the costumes for another little known 1980s medieval fantasy movie, I dunno maybe you have heard of it; The Princess Bride.

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame, picture image

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

Esmeralda gets two costumes, which look very similar. The first one is a blue corset that has sleeves and a leaf-y gold pattern and a blue skirt with a green under skirt. The second is a pink cinch corset so her chemise is more part of the look.It also has a matching pink skirt.

Overall these two costumse don’t scream “I’M THE 80’s” but nor do they suggest a poor Gyspy girl. The fabric appears to be some form of satin. Satin did exist in the middle ages but it was very expensive. Now it’s very possible it was gifted to her but the costumes are too pristine looking.

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame picture iamge

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

The pink is an interesting color choice. Pink is a lighter tone for red and red is Esmeralda’s default color for films. But the choice of pink keeps her young and feminine looking and works against her becoming over-sexualized. That being said, Esmeralda’s costumes are not anything special, they’re pretty sedate and boring.

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame picture image

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame

Now the part everyone cares about; Quasimdo’s make-up! How does this version measure up to Laughton’s and Chaney’s looks? It measures up fairly well. Hopkins’s looks like Laughton’s Quasimodo. He’s got the protrusion, the one good eye, the ugly teeth and rounded nose. It’s a good interpretation of Quasimodo and Laughton’s look.

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame picture image

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame

So what part of the costumes scream the 1980’s? The Hair! Oh, the hair in this, it’s totally the 80’s. Let‘ s start with Esmeralda. Esmeralda has big curly hair but a little more than that it’s layered to have more volume near her face.

And Quasimodo has a mullet, which heyday was the 80s’. The hair is where all the 80 glory lives.

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame picture image

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

On the whole the costumes are average at best. There is nothing remarkable or memorable but the hair is a shining example of 80’s-ness.

Next 1982 article sets.

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame picture image

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame

The Bells of Notre Dame picture image

The Bells of Notre Dame

Weighting in at an impressive 13271kg and singing a lovely F#2; Meet Emmanuel, the leader of the group.

Marie, the Glamorous one,  weighs 6023kg and belts a delightful G#2.

Gabriel, the Shy one, weighs 4162 kg and makes a sweet A#2.

The Heart-breaker of the ensemble, Anne Geneviève weighs  3477 kg and omits an enticing B2.

Denis, the Smooth one weighs 2502 kg and serenades the people with a  cool C#3.

Marcel, the Cute one weighs 1925 kg and  makes an angelic D#3.

Étienne, the Graceful one, weighs  1494 kg chants a magical E#3.

Bad-Boy, Benoît-Joseph, weighs 1309 kg blasts a strong F#3.

Maurice, the Heartthrob of the group, weight 1011 kg and charms the ladies with his seductive G#3.

Jean-Marie, the Wild  one, weights 782 kg and makes a daring A#3.

Check their live performance for Notre Dame 850 birthday

(Personality traits of the bells are meant for humor purposes only)

Didi and Betty in Notre Dame, Rugrats in Paris, picture image

Didi and Betty in Notre Dame, Rugrats in Paris

This reference comes from Rugrats In Paris. In this movie the Rugrats crew go to Paris and admits their normal wacky misadventures the babies have to stop a wedding. The Wedding takes place as Notre Dame de Paris. Didi marvels at being at the grand Parisian edifice while Betty makes remarks that if you see one church you have seen them all and to wake her if Didi should see a hunchback.

Plus the film has a couple of great shots of Notre Dame.

Notre Dame Interior,  Rugrats in Paris pictureimage

Notre Dame Interior, Rugrats in Paris

Notre Dame, Rugrats in Paris, picture image

Notre Dame, Rugrats in Paris

Notre Dame, Rugrats in Paris, picture image

Notre Dame, Rugrats in Paris

What can I say I’m a sucker for a movie that has elements of French and Japanese culture in it.

David Suchet as Clopin, 1982 Hunchback of Notre Dame picture image

David Suchet as Clopin, 1982 Hunchback of Notre Dame

Clopin in the 1982 version is a lot more ruthless, cut-throat, and practical than he is other versions.

David Suchet as Clopin, 1982 Hunchback of Notre Dame picture image

David Suchet as Clopin, 1982 Hunchback of Notre Dame

He has no sense of merriment to him. Instead he is all about getting money by stealing methods and using his authority as king. He uses Esmeralda as distraction to steal and for all intended purposes threatens her when she refuses to dance. He also doesn’t like being question at all by anyone.

David Suchet as Clopin, 1982 Hunchback of Notre Dame picture image

David Suchet as Clopin, 1982 Hunchback of Notre Dame

He has a protective streak in a practical way in that he wants to secure the longevity of the people of the Court of Miracles. He doesn’t want to save Esmeralda from Notre Dame at first because Esmeralda is protected there and fed so he counts her lucky. He does want to save when she being threaten from the suspension of sanctuary.

David Suchet as Clopin, 1982 Hunchback of Notre Dame picture image

David Suchet as Clopin, 1982 Hunchback of Notre Dame

He does all the usual Clopin tasks but he’s pragmatic and very joy-less in way he conduces himself.

Next 1982 article costumes

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame, picture image

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame