Denis Lavant in Tuvalu as Anton picture image

Denis Lavant in Tuvalu as Anton

I Saw Tuvalu on a whim and though it was an odd movie but I enjoyed it. Who wouldn’t like a movie that is german expressionism revival about a love triangle sets in a collapsing bathhouse and that is a practically silent film. No seriously as odd as this film is it’s very enjoyable but one thing that struck me while watching it was Denis Lavant, who played the lead. Watching him in Tuvalu convinced me that he would make the perfect Quasimodo.

Denis Lavant picture image

Denis Lavant

Why would he make a perfect Quasimodo? First Lavant has made career on his unique face. A unique face is a plus for a Quasimodo. He’s not just some pretty-boy that put a heap of make-up on. Lavant’s natural roughness would add to Quasimodo’s pathos and make it feel more natural.  Second he has the ability to act without speaking which I think a person playing Quasimodo should have given that Quasimodo is a psychically demanding role.

Denis Lavant picture image

Denis Lavant

In my mind Denis Lavant was born to play Quasimodo. Watch Tuvalu or another one of Denis Lavant’s movies and see if you agree. I recommend watching Tuvalu though to really get a understanding of Lavant’s potent as Quasimodo.

Esmeralda and Quasimodo Der Glöckner von Notre Dame image picture

Esmeralda and Quasimodo Der Glöckner von Notre Dame

I’ve made no secrets that I love costumes but I got to say the costumes in Der Glöckner von Notre Dame do nothing for me. For the most part they are pretty generic. The costumes were design by Sue Blane of Rocky Horror fame but I feel like there was little to no real effort put into them.

 

Frollo and Phoebus Der Glöckner von Notre Dame picture image

Frollo and Phoebus Der Glöckner von Notre Dame

My first problem is the use of colors. Costumes used in musicals  can help identify the characters and colors are a great way to do this. When colors are used like that they can add a style to the overall look of the show. Some examples are  Romeo and Juliet where Montagues are in Blue and Capulets are in Red. Notre Dame de Paris also does a good job of using colors to distinguish the characters Esmeralda- Green, Quasimodo- Red, Frollo- Black ect. In Glöckner Quasimodo wears red but so does Esmeralda, Clopin wears brown, Frollo wears Black and Purple, Gargoyles in grayish taupe, Phoebus is wears Dark Blue and Gold? So the colors they wear do not make characters stand out from each other.

 

Judy Weiss as Esmeralda in Der Glöckner von Notre Dame

Judy Weiss as Esmeralda in Der Glöckner von Notre Dame

A second problem is the details on the costumes. It not that they’re badly done, it’s just that, if you’re sitting in the audience of the show you’re not going to see them. Little details don’t work in musicals. So the lace on Esmeralda’s Blouse and embroidery on her corset  are lost to the audience. All the costumes I’m sure are lovely up close but it’s wasted from the audience’s perceptive.

 

Quasimodo with Antoine, Charles and Loni Der Glöckner von Notre Dame picture image

Quasimodo with Antoine, Charles and Loni Der Glöckner von Notre Dame

The one costume(s) that I like are the a gargoyles, at least they have a sense of drama and design to them. Quasimodo is hardly ugly, Esmeralda looks like she threw together a renaissance fair costume from her closet, Phoebus looks more like a musketeer than Burgundian  Knight, the Archdeacon’s costume looks way too modern and Frollo’s costume just looks like they copied  Frollo’s costume from the 1939 version, fitting given that Disney copied that movie but kind of lazy. Clopin has two costumes, the beggar and the King of Gypsies, and yet I don’t get a true sense of personality from either one. There is just no cohesion to these costumes, no style no real personality that makes these costume feel like they belong to the show.

Esmeralda and Clopin Tanz auf dem Seil Der Glöckner von Notre Dame picture image

Esmeralda and Clopin Tanz auf dem Seil Der Glöckner von Notre Dame

Next Time – Stage vs Film

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame picture image

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame

Cast Poster of Disney Hunchback of Notre Dame

Cast Poster of Disney Hunchback of Notre Dame

In honor of my 200th post I decided to do something special. So I made a Comic entitled Quasimodo’s Date. Enjoy.

Quasimodo's Date Comic Made by The Hunchblog

Comic made by me, if you wish to post it somewhere else, please give the Hunchblog credit.

Another round of picture from the  Asian Tour Cast of Notre Dame de Paris. Enjoy the pictures

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda & Ian Carlyle as Clopin Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda & Ian Carlyle as Clopin Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda & Ian Carlyle as Clopin Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda & Ian Carlyle as Clopin Asian Tour Notre Dame de Paris

Gringoire during the Court of Miracles Asian Tour Notre Dame de Paris picture

Gringoire during the Court of Miracles Asian Tour Notre Dame de Paris

Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris picture image

Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda & Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda & Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda & Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda & Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris

Candice Parise as Esmeralda & Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris picture image

Candice Parise as Esmeralda & Matt Laurent as Quasimodo Asian Tour Notre Dame de Paris

The Cast of the Asian Tour Notre Dame de Paris picture image

The Cast of the Asian Tour Notre Dame de Paris

 

 

 

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame picture image

Der Glockner von notre Dame German Musical of Disney Hunchback of Notre Dame

 

I’d say that the songs  in Der Glöckner von Notre Dame are good. Sure there are some weak songs but they’re thoughtful and the either drive the plot forward or develop a character. However the music is not without problems.

 

Ann Christin Elverum as Esmeralda Der Glöckner von Notre Dame picture image

Ann Christin Elverum as Esmeralda Der Glöckner von Notre Dame

 

First off, I HATE, hate that Esmeralda doesn’t get a solo in this. With exception of the Archdeacon, Clopin and the gargoyles she the only character not get one. Now you maybe thinking “But Hunchblog  the majority of the characters in this didn’t have their own songs. ” Well that  is true but let’s face, each of the gargoyles couldn’t get their own song they’re a trio and as a trio they almost get a single song, Clopin may not a single song but he sings a lot as the narrator and the archdeacon is hardly  even a character so he doesn’t count. Beside the plot pretty much revolves around her you’d think she’d get one but her only big songs has Quasimodo in it. I mean in Notre Dame de Paris every character got one even Fleur de Lys (Phoebus’ Fiancee) got one (La monture) and she is seldom even in the adaptations. So that was a BIG negative.

 

Esmeralda and Antoine Der Glöckner von Notre Dame pictureimage

Esmeralda and Antoine Der Glöckner von Notre Dame

I also got bit tired of the gargoyles singing over people. I do think it was a great way to show that gargoyles are 100% in Quasimodo’s head but it’s gets a bit old after a while. I think the show kept putting the gargoyles in songs so that A Guy Like you wouldn’t feel out of place.  Another thing that gets old is hearing Draußen (Out There) over and over again. Anytime the play wants to reenforce Quasimodo to the audience Draußen is played. Admittedly this maybe unfair because Die Glocken Notre Dames is the most overused as in the play this how Clopin does most of his narrating but since I’ve been judging off the CD it’s Draußen that got old.

 

Esmeralda and Quasimodo Der Glöckner von Notre Dame image picture

Esmeralda and Quasimodo Der Glöckner von Notre Dame

 

So yeah the songs are good for the most part but what I think really helps a lot of these songs is that singing quality is better. Though I’ve picked on Draußen in this review,   I much prefer it in this musical than in the Disney movie along with Ein Mann wie du (A Man like you). The singers are just much better  and that helps the enjoyment of the songs. Conversely, Hellfire suffers for this and it’s not because the is bad, I mean he put emotionally intensity into the next song Esmeralda, but maybe Hellfire is Tony Jay’s  and no one else compares. Esmeralda and Clopin are one the level though the cresendo at the end of Bell isn’t as powerful as Kendal but he does a great job otherwise.

 

Esmeralda and Clopin during Drunter Drüber" (Topsy Turvy) Der Glöckner von Notre Dame picture image

Esmeralda and Clopin during Drunter Drüber” (Topsy Turvy) Der Glöckner von Notre Dame

The musical does make the recycled Disney movie songs feel like it’s own which is nice, you don’t feel like their just simply lifted from the movie and put in to a musical. And while I do prefer Notre Dame de Paris Der Glöckner von Notre Dame has wonderful music. Just wish Esmeralda got one song to herself.

 

Next Time – The Production; Sets

Frollo and Quasimodo Der Glöckner von Notre Dame picture image

Frollo and Quasimodo Der Glöckner von Notre Dame

This is the Ninth Part (or the last part) of my review on the music of Der Glöckner von Notre Dame

Molten Lead Der Glöckner von Notre Dame picture image

Molten Lead Der Glöckner von Notre Dame

Grand Finale or Ultimo Finale is the ending and occurs in two parts. The Finale is where the two most famous differences occurs; The death of Frollo by Quasimodo and the death of Esmeralda. Apparently the translator Michael Kunze campaigned to have Esmeralda die which makes it more like the book, though her death is by a different method. Kunze’s reasoning for this is that Esmeralda’s death would be viewed by European audiences as moving and more romantic of an ending. We’ll see how the American Broadway version handles this, though I kind of hope they keep the German ending.

Judy Weiss as Esmeralda with Frollo (Norbert Lamla) Der Glöckner von Notre Dame picture images

Judy Weiss as Esmeralda with Frollo (Norbert Lamla) Der Glöckner von Notre Dame

The Final starts with Frollo pronouncing Esmeralda’s sentence then it goes into “song” portion. I  use  the word song in quotes because the Finale is a melody piece as it uses songs from throughout the show with one exception.  So it starts pretty much the same as the movie with Sanctuary playing complete with latin lyrics as Esmerlada starts being burned and Quasimodo saves her and proclaiming sanctuary. Then Phoebus starts railing the people of Paris  with the tune of Einmal (Once). Then the scene shifts back to Quasimodo who is defending Notre Dame from Frollo and his minions as he sings the tune of Wie aus Stein (Made of Stone).

Esmeralda dying  Der Glöckner von Notre Dame picture image

Esmeralda dying Der Glöckner von Notre Dame

After he pours the led from Notre Dame Quasimodo checks in on Esmeralda who is dying. My guess is she dying of asphyxia which is a condition of severely deficient supply of oxygen in body that arises from being unable to breathe normally. In her case this occurred from the fire. Anyway Quasimodo and Esmeralda have  little conversation while Draußen (Outside) is played in the background. Esmeralda thanks Quasimodo for being her friend and then sings Hoch über der Welt (High above the World) and then the conversation  continues for a  couple more lines and then she dies. After she dies Frollo comes in and sings about how he happy to be free of her to the tune of Esmeralda but he sings this in a creepy, off balanced way. Quasimodo gets mad and the song shifts to a new melody with gargoyle singing with the latin choir. The gargoyle basically sing that God strikes the wicked, so the gargoyles, or aspects of Quasimodo’s own mind are telling him that he should kill Frollo, which he does by throwing Frollo off of Notre Dame, like in the book. I will point out that Quasimodo in the book does this in a fit of rage and here it’s a little more pre-mediated. After this the gargoyles sing  Zuflucht (Refuge) about how the world is both cruel and kind. Quasimodo then sings Draußen (Outside) and sings about how he must live out there with all the pain, sorrow and fear that world can bring. He the carries Esmeralda outside and is joined by Phoebus. The ensemble then sing Einmal with as Quasimodo disappears. Then Clopin in his narrator role sings Die Glocken Notre Dames (The Bells of Notre Dame) and it’s pretty akin to the reprise at the end of the movie.

Quasimodo carrying Esmeralda Der Glöckner von Notre Dame picture image

Quasimodo carrying Esmeralda Der Glöckner von Notre Dame

It’s vague what happens to Quasimodo but given how he sings about living it is doubtful that Quasimodo goes off to die. Also considering the two deaths this pretty much same except for Quasimodo and Esmeralda epic running away scene, that’s not there either.

So both Musically and plot wise we have a lot going on. However it’s a fitting ending. All the songs used here fit well together so while it could have felt a bit all over the place the emotional intensity flows well from one into the next. So if you like all these song before you’ll like them here.

Next time – A conclusion  of the music

Esmeralda dancing Der Glöckner von Notre  Dame Picture Image

Esmeralda Dancing Der Glöckner von Notre Dame

 

On 2/12/12 Lindsay Ellis (Nostalgia Chick) released a list of the Top Ten Hottest Animated guy. The list was compiled with a survey she conducted on her Facebook page and Twitter with women writing in their top pick of the Hottest animated guy from 1995-2002. And the character that came at number 10 was Disney’s Frollo.

Frollo singing Hellfire Disney Hunchback of Notre Dame picture image

Frollo singing Hellfire Disney Hunchback of Notre Dame

Now Ellis suggested that women prefer character to physical appearance. And these characters are usually “projects”, men women can change. And with the case of Frollo he is the most sexual overt Disney character and yet very put off by it, making him relatable and yet torture. But given the fact that he kills people he is also a bad boy. And the mere fact that people generally think that if Frollo could fulfill his sexual desire this would cure him of his obsession and genocidal tendencies, which wouldn’t happen but this adds to the sexual fantasy.

Frollo Hunchback of Notre Dame groping Esmeralda Disney picture image

Frollo groping Esmeralda

 

Now given that Frollo was the villain and villains are never meant to be attractive it’s interesting to mention that Frollo was the only villain to make this list. Maybe this is because of the Disney villains, he’s the most interesting and has the most characterization.

 

Phoebus Disney Hunchback of Notre Dame picture image

Phoebus Disney Hunchback of Notre Dame

Quasimodo gazing at Esmeralda Hunchback of Notre Dame Disney picture image

Quasimodo gazing at Esmeralda

I do have to wonder if Disney had handle Phoebus’ character differently would be have made the list? Phoebus could have easily been a bad boy who gets reformed, I mean he did in the book. And given that women aren’t has put off by looks, if Quasimodo was more tormented could he have made the list? My guess, Phoebus yes but Quaismodo no. Disney would have never, never made him tortured, Quasimodo was suppose to  be gentle, kind and innocence which are majors turns off. But it’s also might help that Frollo that he was in a power position, he can burned all of Paris and meets no opposition from anyone, except justice freaks Phoebus and Esmeralda.

Frollo Hunchback of Notre Dame Disney picture image

Frollo Hunchback of Notre Dame Disney

Would I have sited Disney Frollo as one the “Hottest Animated Guys”? Gotta say no, I wouldn’t, I like him as a character but I don’t find him “Hot”  at all.

Not that anyone at Thatguy needs me to drive traffic to them but here is the link to the video, you can find out who else is one the list and who is #1

This is the eighth part of my review on the music of Der Glöckner von Notre Dame

Wie aus Stein

Drew Sarich as Quasimodo in Der Glöckner von Notre Dame picture image

Drew Sarich as Quasimodo in Der Glöckner von Notre Dame

 

Wie aus Stein is Quasimodo’s despair song. The song is lifted from the movie when the gargoyles are trying to convince Quaismodo to save Esmeralda who is moments away from death. In the  musical this scene occurs the night before Esmeralda is to be sentenced and instead of a short scene between the gargoyles and Quasimodo, we have a song.

This song is Quasimodo at his most angry and his most broken-hearted. He is clearly angry at the gargoyles as they don’t understand his pain as they’re made of stone and he wishes he was like them. He regrets his emotions and wishes they would go away. I really can’t not imagine the Disney movie Quasimodo getting this angry and morose. Plus it’s nice to hear Quasimodo really telling off the gargoyles.

The title Wie aus Stein (Made of Stone) is taken from the original book when Quasimodo mournfully asks why he wasn’t made of stone. He’s not exactly angry in the book but more sad that he is in love with Esmeralda and can’t really do anything about it.

Musically this song is great it has  wonderful tension and drama. Quasimodo voice moves though  these soft parts  like suppressing rage and parts him fully expressing his rage with great power in his voice.  Quasimodo’s angry and despair really come though.

I really enjoy this song, it’s a great way to showcase the singer for Quasimodo. I find this song oddly additive and it’s one of my favorites from the show.

Watch a video clip of Wie aus Stein here

 

Einmal

Ann Christin Elverum as Esmeralda singing Einmal Der Glöckner von Notre Dame picture image

Ann Christin Elverum as Esmeralda singing Einmal Der Glöckner von Notre Dame

 

Einmal (Once) is the song Someday which was created as a second option for the song used in the “Esmeralda Prayer” sequence in the movie. However Someday was used as the credit song which had two pop song recording.

Einmal occurs after Frollo gives Esmeralda his ultimatum in jail (Be Mine or Die). Esmeralda considers taking it if only to save Phoebus. Phoebus tells her she should do it for herself, so she can live. Esmeralda  says she doesn’t consider a life with Frollo living. She then sings along with Phoebus and eventually with Clopin and the ensemble about how she hopes the world will learn after countless war and  bloodshed to live and not to hate.

Unlike Someday, Einmal’s lyrics are less soft and gentle. In Someday. Esmeralda sings about the world becoming more mature and in Einmal she sings about the world learning after making mistakes. The song ends as Esmeralda about to be put to death which makes this song all the more poignant and dramatic as Esmeralda dying wish for the world.

 

Judy Weiss as Esmeralda singing Einmal Der Glöckner von Notre Dame picture image

Judy Weiss as Esmeralda singing Einmal Der Glöckner von Notre Dame

 

Muscially it’s a pretty song and while I like the inclusion of Phoebus, Clopin and the crowd, this means Esmeralda does not get a solo song of her own, which I find a bit sad.  But as the song stands on it’s own merits, it is quite lovely and powerful with the overlays of singing.  And like Wie aus Stein it’s high on my list of favorites from the show.

Watch a video clip of Einmal here

 

A Final Thought on these songs;
Wie aus and Einmal are very nice counterpoints to each other in both mood and meaning. In Wie aus Stein we have Quasimodo who is depairing in life and in Einmal we have Esmeralda who has hope as she about to die. It a just a nice example of selfness vs altruism in the show, and I love contrast.

 

Next Time – The Grand Finale,

Molten Lead Der Glöckner von Notre Dame picture image

Molten Lead Der Glöckner von Notre Dame