The order of how the story plays outs in La Esmeralda is baffling. Itâ€™s near insulting to the original story. Who in their right mind puts a scene that is Quasimodoâ€™s grand introduction halfway through the story? At least that is what I thought at first.
Yes, itâ€™s an odd choice to have key scenes like the kidnap attempt and the Pope of Fool to unfold out of sequence however itâ€™s a ballet so the story canâ€™t follow as rigidly to have the same dramatic flow of the book or movies. Â The more I thought about the order of Â the scenes as they appear in this Ballet the more I relived that the second act was lacking in context. There was more dramatic performance but they needed to pad out the runtime. This why that Greek myth segment was a major focus in the second act and why I think the Pope of Fools was at the start of second act. I think dramatic flow was the reason behind the switch of Esmeraldaâ€™s marriage to Gringoire and the kidnap attempt. Â Â
Â Â Â
Now I could be wrong, I know nothing about Ballets but the strategies for adapting a book into a ballets are different from movies or third-rate kid videos Â based on better movies based on depressing French literature from the 1830s. I would say that the switching of the scenes is evident of the adaptation strategies employed by the creator(s) of La Esmeralda. So Â while I may disagree with the choice in theory, I understand why they rearranged the story. Â ÂFollow thehunchblog