Like so many other movies, The 1982 adaption of the Hunchback is influenced by its times, in this case the infamous early 1980s. The costumes themselves are not super 80s looking, I mean when you think about the 80’s these costumes could have been so much more crazy. The costumes were design by Phyllis Dalton who designed the costumes for another little known 1980s medieval fantasy movie, I dunno maybe you have heard of it; The Princess Bride.

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame, picture image

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

Esmeralda gets two costumes, which look very similar. The first one is a blue corset that has sleeves and a leaf-y gold pattern and a blue skirt with a green under skirt. The second is a pink cinch corset so her chemise is more part of the look.It also has a matching pink skirt.

Overall these two costumse don’t scream “I’M THE 80’s” but nor do they suggest a poor Gyspy girl. The fabric appears to be some form of satin. Satin did exist in the middle ages but it was very expensive. Now it’s very possible it was gifted to her but the costumes are too pristine looking.

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame picture iamge

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

The pink is an interesting color choice. Pink is a lighter tone for red and red is Esmeralda’s default color for films. But the choice of pink keeps her young and feminine looking and works against her becoming over-sexualized. That being said, Esmeralda’s costumes are not anything special, they’re pretty sedate and boring.

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame picture image

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame

Now the part everyone cares about; Quasimdo’s make-up! How does this version measure up to Laughton’s and Chaney’s looks? It measures up fairly well. Hopkins’s looks like Laughton’s Quasimodo. He’s got the protrusion, the one good eye, the ugly teeth and rounded nose. It’s a good interpretation of Quasimodo and Laughton’s look.

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame picture image

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame

So what part of the costumes scream the 1980’s? The Hair! Oh, the hair in this, it’s totally the 80’s. Let‘ s start with Esmeralda. Esmeralda has big curly hair but a little more than that it’s layered to have more volume near her face.

And Quasimodo has a mullet, which heyday was the 80s’. The hair is where all the 80 glory lives.

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame picture image

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

On the whole the costumes are average at best. There is nothing remarkable or memorable but the hair is a shining example of 80’s-ness.

Next 1982 article sets.

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame picture image

Anthony Hopkins as Quasimodo, 1982 Hunchback of Notre Dame

Today’s Prophecy comes from the novel

 

“But no, I still crawl; I bruise my face and knees on sharp stones of the subterranean way.”

Today will be a rough day for you.

 

The Bells of Notre Dame picture image

The Bells of Notre Dame

Weighting in at an impressive 13271kg and singing a lovely F#2; Meet Emmanuel, the leader of the group.

Marie, the Glamorous one,  weighs 6023kg and belts a delightful G#2.

Gabriel, the Shy one, weighs 4162 kg and makes a sweet A#2.

The Heart-breaker of the ensemble, Anne Geneviève weighs  3477 kg and omits an enticing B2.

Denis, the Smooth one weighs 2502 kg and serenades the people with a  cool C#3.

Marcel, the Cute one weighs 1925 kg and  makes an angelic D#3.

Étienne, the Graceful one, weighs  1494 kg chants a magical E#3.

Bad-Boy, Benoît-Joseph, weighs 1309 kg blasts a strong F#3.

Maurice, the Heartthrob of the group, weight 1011 kg and charms the ladies with his seductive G#3.

Jean-Marie, the Wild  one, weights 782 kg and makes a daring A#3.

Check their live performance for Notre Dame 850 birthday

(Personality traits of the bells are meant for humor purposes only)

This is old news but it’s new to me, Emerald Green is the color of 2013, Esmeralda would be so happy. It also a very in color for fall.

So how you add this color in to your wardrobe and maintain some of the essences of Esmeralda? An Emerald Esmeralda so to speak.

here are a few nice options,

Tolani Women's Emerald Tunic Top pictue image

Tolani Women’s Emerald Tunic Top

 

 

Tolani Women’s Emerald Tunic Top I really love this tunic.

 

 

 

 

 

 

The pattern on this reminds me the Notre Dame de Paris Esmeralda costume.

 

Columbia Women's Arcadia Rain Jacket picture image

Columbia Women’s Arcadia Rain Jacket

 

 

 

Columbia Women’s Arcadia Rain Jacket

 

 

 

 

 

 

Mango Women's Embossed Belt Dress picture image

Mango Women’s Embossed Belt Dress

 

 

 

Mango Women’s Embossed Belt Dress

 

 

 

 

 

Bonus

Fall is the season for Renfaires

Didi and Betty in Notre Dame, Rugrats in Paris, picture image

Didi and Betty in Notre Dame, Rugrats in Paris

This reference comes from Rugrats In Paris. In this movie the Rugrats crew go to Paris and admits their normal wacky misadventures the babies have to stop a wedding. The Wedding takes place as Notre Dame de Paris. Didi marvels at being at the grand Parisian edifice while Betty makes remarks that if you see one church you have seen them all and to wake her if Didi should see a hunchback.

Plus the film has a couple of great shots of Notre Dame.

Notre Dame Interior,  Rugrats in Paris pictureimage

Notre Dame Interior, Rugrats in Paris

Notre Dame, Rugrats in Paris, picture image

Notre Dame, Rugrats in Paris

Notre Dame, Rugrats in Paris, picture image

Notre Dame, Rugrats in Paris

What can I say I’m a sucker for a movie that has elements of French and Japanese culture in it.

David Suchet as Clopin, 1982 Hunchback of Notre Dame picture image

David Suchet as Clopin, 1982 Hunchback of Notre Dame

Clopin in the 1982 version is a lot more ruthless, cut-throat, and practical than he is other versions.

David Suchet as Clopin, 1982 Hunchback of Notre Dame picture image

David Suchet as Clopin, 1982 Hunchback of Notre Dame

He has no sense of merriment to him. Instead he is all about getting money by stealing methods and using his authority as king. He uses Esmeralda as distraction to steal and for all intended purposes threatens her when she refuses to dance. He also doesn’t like being question at all by anyone.

David Suchet as Clopin, 1982 Hunchback of Notre Dame picture image

David Suchet as Clopin, 1982 Hunchback of Notre Dame

He has a protective streak in a practical way in that he wants to secure the longevity of the people of the Court of Miracles. He doesn’t want to save Esmeralda from Notre Dame at first because Esmeralda is protected there and fed so he counts her lucky. He does want to save when she being threaten from the suspension of sanctuary.

David Suchet as Clopin, 1982 Hunchback of Notre Dame picture image

David Suchet as Clopin, 1982 Hunchback of Notre Dame

He does all the usual Clopin tasks but he’s pragmatic and very joy-less in way he conduces himself.

Next 1982 article costumes

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame, picture image

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

Notre Dame's Floor Plan  picture image

Notre Dame’s Floor Plan

Construction  on Notre Dame de Paris began  in 1163 when the first cornerstone was laid down.  It was completed between 1250-1345.

Interior of Notre Dame  picture image

Interior of Notre Dame

Notre Dame is a prime example of Gothic architecture. Gothic architecture is characterized by pointed arches, vertical heights, flying Buttress, vaulted ceiling, light and airy interiors, gargoyles, and decorative and ornate style.

Illustration of Flying Buttresses picture image

Illustration of Flying Buttresses

Notre Dame was among the first buildings in the world to use flying buttresses. The reason for a buttress is to resist the lateral forces pushing a wall outward by redirecting them to the ground. The flying buttress does not connect to the wall or ground and instead the the lateral forces  are being transmitted by an intervening space. The flying butress made it possible for buildings to be taller, creating larger Rose windows and reinforce  the wind loading on buildings.

Speaking of Rose Windows, or sometimes called a Catherine windows, a Rose window is a term for  a circular window in Gothic architecture.  Though the term Rose window wasn’t used till the 17th century.

Notre Dame's South Rose Window picture image

Notre Dame’s South Rose Window

The South window was a gift from King Saint Louis and was designed by Jean de Chelles and Pierre Montreuil. It depicts  Christ surrounded by saints and angels.  The North window was also designed by Jean de Chelles and depicts the old testament surrounding the Virgin Mary. There is also the Western Rose Window, which is the window of the facade which also depicts the Virgin Mary.

Notre Dame's Gargoyle picture images

Notre Dame’s Gargoyles

Probably Notre Dame’s more iconic feature is its Gargoyles. Gargoyles are used as decorative element and as gutters. The myth behind the Gargoyles on Churches is that they keep evil spirits away.