Quasimodo singing, Out There, Hunchback of Notre Dame, Disney
According to a few news outlets the report is that Bob Iger is canceling the Live-Action Remake of The Hunchback of Notre Dame.
Now as of now take this with a grain of salt but given all the issues surrounding Disney with their latest releases, the current attitudes towards live-action remakes, and Iger’s feelings towards the original 1996 movie this news seems very likely.
Given the news back in May of this year from Alan Menken about the project being in limbo and that there had been little to no news about the production, this news is not a surprise.
The sources allude that things could change but this project isn’t a priority to Iger (who also said that “writers and actors going on strike are not being “realistic” with their expectations.”)
Could Gad go rouge and do a Hunchback version himself? I don’t know but it’s an intriguing thought. He has producing credits with Mandeville Films but that doesn’t mean he has any power or pull. Plus Mandeville Films has a partnership with Universal, which technically has Quasimodo in the “Universal Monster” category, which was a movie franchise that was canceled.
If Gad wanted to a version he more than likely could but it wouldn’t be the Disney version and it would take a while to develop. And after 4+ years of developing the Disney live-action project he may not even want to.
So yet another new movie version of Hunchback that is seemingly not to be made.
Esmeralda & Djali sulk
What do you think would you welcome a Gad Hunchback version that was not a Disney Live-Action Remake?
Quasimodo & Frollo, Episode 17: The Abomination’s Revenge
This episode starts off with a bang, a literal bang as explosions are going off. François proves he immortal as he walks into an explosion and is fine, not a scratch or even a burn.
Turns out the reason behind the explosions is Frollo but not in way one might think. Turns out it’s because in his youth Frollo’s greed made him hire an assistant in his work under Quasimodo’s awesome parents. The assistant was a young man named Robert who because of Frollo gets turned into a Lizard-person and vowed revenge under the alias “The Abomination.” And now he stalks Frollo, let that one sink in.
Frollo begs the Gang of Pals for help by locking him in the Bastille. The Abomination finds them and Quasimodo tries to talk him down but the opposite happens and Quasimodo wants to go after Frollo. However François the seemingly immortal got pushed into a wall and needs help so Quasimodo lets Frollo get away and Robert is now their friend and is going to help in the search for Quasimodo’s awesome noble parents.
This episode has a lot of good ideas but it’s an execution problem. One issue and this MIGHT not be the show’s fault was the audio was lagging. But the animation was notably lower quality in this episode and the dialogue was awkward.
So while it was a little silly watching Frollo begging to be locked up it wasn’t as enjoyable as it could have been. And I was genuinely into the plot summary but alas couldn’t enjoy it can much as I wanted. Plus François, he is very grating and not in a fun way this time. At least Djali was in this episode that is always a net positive.
There is no cave or spooky tunnels in this episode….weird.
Episode 18: The Barbarians
Quasimodo & François in their uniforms, Episode 18: The Mercenary/Barbarians
Or rather The Mercenary which is what the title card says and makes more sense. And before we start Frollo’s subterranean lair is featured so we have our “cave quota” I was worried we weren’t going have one.
So the plot roughly goes that a warlord named Tisphaine is attacking villages. The King sends Dennis as his messenger. Why? Good Question but Dennis get captured. Meanwhile Quasimodo volunteers for the army and does his pal François. Quasimodo also introduces him by his birth name. He does seem cool with everyone calling him Quasimodo though so it’s all good which is good for the show since Quasimodo is on the title. Also the army uniforms look more like scout uniforms. Quasimodo gets his gymnastic badge and François is forever working on that poetry one.
Meanwhile in Frollo’s spacious subterranean lair he has a fun new war weapon but he needs Dragon (the stone gargoyle of Notre Dame) to fly it. His plan to join up with his old friend Tisphaine in hopes of “owning the world.”
Meanwhile Esmeralda sees Dragon flies off and hears about Dennis’ capture and is sent off to the rescue.
In the end Quasi gets Tisphaine to smash the Frollo’s weapon and get catapulted away with the old rope tied to the top of a bent tree trick…..sure… in this magical world of magical adventures that is a thing they can do. Frollo is left in charged and the mercenaries want to be paid and thus Frollo like any good CEO runs off refusing to pay the workers. And finally Gang of Pals all get their merit badges for saving France…again.
This one was weird one. Like France is in danger and yet it feels very low stakes. The characters get capture and breakout only to get capture and break out again. The warlord is cast off via a tree-catapult and that is ends of the conflict. Is he dead? Or is the embarrassment of his dealing Quasimodo make him not a warlord any more? There is also same very weird dialogue that Frollo has with Azarof that makes it seem like Azarof betrayed Frollo or something. Maybe a scene was cut from the episode but Frollo is fine with whatever Azarof did was but I’m confused.
On some positive notes; Tisphaine’s voice actor is selling it; Frollo seems to have a lot of friends, good for him; and Esmeralda’s disguise was a pretty good outfit. Otherwise this episode was underwhelming.
Do you live in or near Montreal? Or are you planning on visiting Montreal or Quebec during Aug 2nd through the 12th? Do you like Notre Dame de Paris and what to see it? Or have you never seen it and would like the chance?
Well you’re in luck because the show is being performed in Montreal Aug 2nd-12th at the Salle Wilfrid-Pelletier! So go see if you can.
I got this sheet music over a decade ago however I had barely touched it till recently. I took piano lessons for seven years and I would say I’m passable. At best maybe fair, B- or C+ on a good day maybe. I do really enjoy playing the piano however even if I’m not good. There was period in late fall of 2020 when I was playing more which was a coping mechanism. However I don’t recall playing “Belle” during that period of time. Then I stopped playing and started up again a few weeks ago and “Belle” is very enjoyable to play.
This particular arrangement has vocal accompaniment but I tend to just play the vocals. The vocals are just more fun but I do want to get better with the accompaniment. I find Quasimodo’s verse the easiest to play and Phoebus’ hardest. This is because all the notes in the first part of the verse are flat and mind you I’m not an accomplished piano player so a little tricky, still fun though. C and F flats throw me off.
My mind did a shut down once playing this. I had been playing “In the Hall of the Mountain King” which starts off similarly so when I switched to “Belle” I was had a moment where I couldn’t figure out what I was playing.
I might try and get a Disney Hunchback sheet music book at some point, I do have other pieces that I want to learn/relearn before I get anything new. “Moonlight Sonata” was the last piece I was working on before I stopped taking lessons so ideally I would love to get passable at that one. But for right now I’m enjoying playing “Belle.”
Esmeralda, François, Quasimodo, Episode 16, The Duel of Magicians, The Magical Adventures of Quasimodo
It rather just occurred to me that there is a percentage of children whose first experience of the characters is this show since it pre-dates the Disney movie by mere weeks. The approach to the characters is far different as is the scope of the story. Just a little interesting aspect to consider.
Also a question, what age range is this show for? I’d say 6 to maybe 8? But maybe 5 to 7? I can’t see a ( or 10 year old gravitating for this show but I could be wrong. Also it depends on the child.
In this episode we get a backstory about Esmeralda’s locket, which was passed down from her grandmother’s great-grandmother after she healed the High Priestess of Council of Magicians in the woods. Since the locket has lost its energy the gang of pals ventures to find the magicians. Naturally Frollo gets winds of this plans and also goes so that he get more power. Why he doesn’t wait? Who can say?
After the gang of pals gets lost Frollo infiltrates the Magicians and spreads lies about the gang. Isabel, the High Priestess, isn’t paying it and has Esmeralda and Frollo Magician duel which reveals what in their hearts. Esmeralda conjures spring and Frollo conjures gold and thus loses and gets his mind wiped about the magicians. Prior to the duel Isabel recharges the locket and after the duel she gives Esmeralda a magic rings the reveal friend and foe which Esmeralda plans to give to her grandmother.
This episode is alright. There is nothing to really push it into the delightful range but nothing that makes it overly annoying. Frollo did have to take some stupid pills for this one to work but there needs to some conflict. I did enjoy Esmeralda dancing and François was used sparingly.
And if you’re wondering if there is a cave in this episode, the answer yes of course, gotta have a cave for that cave quota….
Oddly I do read books that are not Hunchback or written by Hugo or French lit. I’m a rather a slow reader because I tend to read book before bed and I actually read this book awhile ago but it was great and I highly recommend it.
The book is The Shadow of the Wind by Carlos Ruiz Zafón. It a mystery set in the 1940s-50s surrounding a book and the author of the book. I don’t typically read books like this but I greatly enjoyed it. I even sort of got the a figured out a but of the mystery more the “who” not the “why.” Maybe it wasn’t hard guess but still I recommend the reading it. Here’s the Amazon summary.
“Barcelona, 1945: Just after the war, a great world city lies in shadow, nursing its wounds, and a boy named Daniel awakes on his 11th birthday to find that he can no longer remember his mother’s face. To console his only child, Daniel’s widowed father, an antiquarian book dealer, initiates him into the secret of the Cemetery of Forgotten Books, a library tended by Barcelona’s guild of rare-book dealers as a repository for books forgotten by the world, waiting for someone who will care about them again.
Daniel’s father coaxes him to choose a volume from the spiraling labyrinth of shelves, one that, it is said, will have a special meaning for him. And Daniel so loves the novel he selects, The Shadow of the Wind by one Julian Carax, that he sets out to find the rest of Carax’s work. To his shock, he discovers that someone has been systematically destroying every copy of every book this author has written. In fact, he may have the last one in existence. Before Daniel knows it, his seemingly innocent quest has opened a door into one of Barcelona’s darkest secrets, an epic story of murder, magic, madness, and doomed love.
An uncannily absorbing historical mystery, a heart-piercing romance, and a moving homage to the mystical power of books, The Shadow of the Wind is a triumph of the storyteller’s art.”
-Translated by Lucia Graves (Amazon)
I only read the first book so I can only recommend that one but I would read other books which are separate stories.
It been a VERY LONG TIME since we have done a proper Hypothetical casting post so I thought let’s get back into the groove and cast multiple characters from a single show.
Let’s looks at Bridgerton, which I enjoy (season 3 hype) for casting options.
For those of you who do not know Bridgerton is Netflix show based on Julia Quinn’s Recency Romance Book Series. It has so far one spin-off series with Queen Charlotte but for this casting we will just source the flagship series (I will add a two actors from Charlotte as bonus because I think they would suit the role too.)
For this casting let’s use actors who have appeared in Bridgerton for a Disney version, plus one extra character because I want to. These casting picks are based on the Disney movie so the picks are based off of looks and acting. Let’s ASSUME they all can sing. Side note the gargoyles were a puzzler…..
Jonathan Bailey as Quasimodo
Jonathan Bailey as Anthony Bridgerton Season 2
Quasimodo requires nuance to play and I think Jonathan Bailey could be up to the task. I mean he could Phoebus or even Frollo but we’re going Quasimodo. Give Bailey as bit of an acting challenge. Plus most actors would love to play Quasimodo.
Simone Ashley as Esmeralda
Simone Ashley as Kate Sharma Bridgeton Season 2
Simone Ashley has already been in one live action, The Little Mermaid it wasn’t a leading role. She would make a PERFECT Disney Esmeralda. She has the right type of look and she plays the head-strong, smart, no-nonsense type but with a soft sensitivity that Disney’s Esmeralda has in spades. Plus she has danced in Bridgeton.
Anthony Head as Frollo
Anthony Head as Lord Sheffield, Bridgerton Season 2
Anthony Head is one episode of season 2 so it counts. Bridgerton, and I might just have rewatch it, doesn’t have a large swath of what I would consider “Frollo-types” in the cast but I think he could make a great Frollo. He has the right look for the part and is a decent age for Disney Frollo, he can also sing which is a plus.
Freddie Stroma as Phoebus
Freddie Stroma as Prince Friedrich, Bridgerton Season 1
Phoebus should be an easy casting and that makes can make it hard. Freddie Stroma would be fine in as Phoebus but Bridgerton has many options and this just the one I picked. Originally I had considered Jonathan Bailey and Regé-Jean Page for Phoebus however Freddie Stroma just edged them out for Phoebus.
Regé-Jean Page as Clopin
Regé-Jean Page as Duke of Hasting Bridgerton Season 1
Regé-Jean Page as Clopin just seemed right. Don’t know why just does. I think he could have fun in the role furthermore couldn’t just see him killing the songs.
Hugh Sachs as Hugo
Hugh Sachs as Brimsley Bridgeton
Hugo was the hardest to cast. I think if there was new iteration of the gargoyles they have to tone them down like in the German musical, especially Hugo. So in the end I just considered just voices so it’s Hugh Sachs who plays Brimsley, also very coincidental about the names. He really the only one from the Bridgeton cast would could voice Hugo effectively.
Julian Ovenden as Victor
Julian Ovenden as Henry Granville Bridgerton Season 1
Originally it was going to be Anthony Head for Victor and Julian Ovenden for Frollo but the deciding factor was age. Disney Frollo skews older than other versions of the character so I swapped them. I do think Julian Ovenden can play the stately, sensitive slight comedic Victor very well and he can also sing very well.
Julie Andrews as Laverne
Julie Andrews
This is an indulgence because it is the treasure to humanity Julie Andrews. She is perfect and would make a perfect Laverne I have no doubt. Goldie Rosheuvel and Adjoa Andoh would also be great picks for Laverne but had to go with Andrews.
Bonus: Jessica Madsen as Fleur de Lys
Jessica Madsen as Cressida, Bridgerton Season 1
Fleur de Lys does not appear in the Disney version but Madsen as Cressida is much like a Fleur de Lys that I HAD to mention the casting. Plus a remake could add her in, the musical sort of did but is was more of name drop/homage.
Extra – I think Sam Clemmett (young Brimsley) and Guy Henry (Dr. Monro) from Queen Charlotte would be great picks for Quasimodo and Frollo respectively but I just wanted to keep this to Bridgerton but they were my first initials picks.
If you like this let know maybe I will do more like it and suggestions for casting are always welcome though I have a backlog.
I love Notre Dame de Paris and I love costumes so here some ideas for more costumes for the show.
Let me just preface by saying these ideas are adding, not subtracting or even really changing existing costumes in the show. Also I only have ideas for three characters.
So let’s start with the idea that is the least likely to happen, (also I do not think any of these ideas will get used in the show but if they do that would be great.)
1st idea: Quasimodo’s Grand Reveal
Gringoire spotting Quasimodo during the Feast of Fools
When Quasimodo is first seen in the show he on the cathedral rock wall structure and the audience sees his figure descending down. I think it could be cool if he had a cloak that really accentuates his form. Maybe with a wired structure or something. The cloak could be made in such a way it’s pulls a parts prior to his song for a dramatic true reveal. Might be hard to execute but could be done. It’s not like the his entry isn’t enough as is, this would just be extra spectacle . Or they do opposite and hide Quasimodo’s form with the cloak till his first song making him more of a reveal.
2nd idea: More Esmeralda Costumes
Hiba Tawaji as Esmeralda
As I said I like costumes so more costume is always a plus and it’s more of a plus when they added thoughtful. Esmeralda doesn’t necessarily need more costume changes but there are places in the show that they could go and would work for the narrative. In theory she could be a different dress for the Fête much like in the Disney movie. This one is least necessary but I just wanted to mention it as possibility.
At the end of act 1 she meets Phoebus for their tryst. In a few movies versions Esmeralda gets a costume change for their meeting. Also the show did use a red rose fringe dress for promotion that depicted this scene. The dress was used for the London cast, 2001 French Cast also maybe the Russian cast too. So this would a very good place to add another pretty costume for Esmeralda.
Shirel as Esmeralda in the Red with Laurent Ban as Phoebus Notre Dame de Paris 2001 French Cast
Beginning of Act 2 Esmeralda as been arrested for killing/attacking Phoebus. She is recused by Quasimodo. In the book Quasimodo gives her some new clothing which is white and a nun’s habit. Not saying that for “Vivre” but it would be nice to have different costume from the prisoner one. Also in the original cast Esmeralda had her ruffle dress plus a lab coat looking item which she wears after “Vivre” though that could be for practical reasons. So she had two looks in the 2nd act, at least she did in the pro-shot. Maybe something white and a little ethereal and ephemeral to counter the previous costume which is now a heavy textured costume.
3rd idea: The Noblelady Fleur de Lys
Lilly-Jane Young as Fleur de Lys Asian Tour Cast Notre Dame de Paris 2012
This idea would be the easiest to add to the show. A lot of the costumes have multiple layers, like coats and vests. Though over the years the production have played around with it, Gringoire still have his coat as does Frollo. Clopin has lost his coat in favor of a vest. Esmeralda has long since lost her lab coat thing. Phoebus’ chainmail get taken off and on but Quasimodo and Fleur de Lys never got an extra layer. It makes sense for Quasimodo but for her….
I think Fleur de Lys should have detachable sleeves for the 1st act and for the curtain call and them have off for act 2. This would give her more prim elite noblewoman appearance in 1st act and then 2nd act when she use her sexuality to get Phoebus to make sure Esmeralda hangs her bare arms would further get the point across. She’s showing some skin to manipulate her man though showcase the power dynamics in their relationship. It would show how her character has changed throughout the show.
The type of sleeves I would like to see for her is not historically accurate but none of the costumes in this show are so it doesn’t matter. I would like to see her with long sleeves with a tippet. A tippet is hanging piece of fabric off a part of a garment. For Fleur de Lys it would a long streamer attract to the upper part of the sleeves. In this picture of Buttercup from The Princess Bride, the silver part of the sleeve is the tippet. So that and the sleeves would be detachable.
I could see the performer having fun this these especially during the curtain calls as the Fleur de Lys performers tends to spin and hold her arms out. Plus it would make her look even more noble and would be a subtle change from the first act to the second act.
So are my costume ideas for Notre Dame de Paris. If i could pick one it was be Fleur de Lys sleeves, even the designer went in a different direction it would be great for the character.
Notre Dame de Paris July 2022 New York City Lincoln Center
Notre Dame de Paris is returning to Lincoln Center in New York City. The Cast also performed in Turkey back in May and is returning to Paris in late November at the original venue of the Palais des congrès de Paris
As for the Lincoln Center performances, it was recently extended by a week. Shows start June 22 and go til July 16th.
The cast is very similar to last year
Quasimodo – Angelo Del Vecchio Esmeralda – Elhaida Dani Frollo- Daniel Lavoie Gringoire – Gain Marco Schiaretti Clopin – Jay Fleur de Lys – Alyzée Lalande Phoebus – Jérémy Amelin
So if you are able to go, please go and maybe it will return again. I read that it was returning to New York for the 25th anniversary of the show but it would great if comes back again soon.
On personal note I don’t think I can go this year, I would to love of course but it’s doubtful. Hopefully it will come back again soon that would be so wonderful. If you’re going I hope you enjoy.
I know I harp on new versions but bear with me for this post. I have too many thoughts and feelings. Sorry this got a little too long, scroll to end of the post for TLDR
Esmeralda and Quasimodo looking over the edge of Notre Dame
I used to think that for content any new version of Hunchback regardless of its quality was a good thing. A new notable movie or TV show adaptation with a wide release would mean more current content and hopefully views, that’s always the hope.
Since this blog started WAY back in very late 2010 there hadn’t been a new movie/TV adaptation since 1999 which isn’t a well known France version and I can’t honestly speak to its lasting impact. Prior to that it would be 1997 TV adaptation with Mandy Patinkin and Salma Hayek. And again it doesn’t have the same cultural significance as the version that came out the year before which is the Disney version. The Disney movie is the de facto movie version along with the 1923 Lon Chaney film. The 1939 and 1956 are both highly regarded but really only for movie buffs or Hunchback completionists.
In the intervening years between the Disney version and now, multiple movie and tv versions have been announced and then quietly canceled.
However the one “version” that did get announced and released since 1996, the one that broke the 27 year gap between versions, or 24 year if you want count the 1999 version, was Quasi. A version that is only nominally a version (you can read my review of it here). At at best it’s pseudo-sequel of Hunchback. However it’s really a lie, it’s has as little to do with anything similar to the source material or any other version. They could have easily name drop a character even by their job title. Like a line about Quasi having a crush on a dancing girl would have been at least something.
Quasi gave me an existential crisis. After over a decade of nothing (aside from musicals) this what came out? Then to pile on, not long after Quasi came out there was the “news” about Disney getting cold feet about their Hunchback live-action remake.
When Disney first really started getting into the trend of live-action remakes I thought it was a forgone conclusion that they would give Hunchback the same treatment. In 2019 it was announced that they were going remake it with Josh Gad. And then Menken recently said the project was in limbo. There seems to be some dispute on “Hellfire” though that could have been an example that Menken offered and there is more issues that not being reported. Prior to this Gad had alluded to the hope that the ‘powers that be” letting them make the movie in a way that the original movie deserves. Seems like the executives and the creatives have differing opinions on how this movie should be handled.
Disney has always been blind about Hunchback. Many have mused that they marketed the film all wrong which focused on the “Topsy Turvey” number and the gargoyles making it seem fun and bright for kids and while for it’s for kids, it’s not the typically Disney fare. Then there is what happen with the musical and Disney not being clear about the reason it didn’t go to Broadway. The darker tones and social commentary doesn’t fit neatly into Disney’s brand. It seems the don’t mind dipping their toes in it but the original Disney movie was a too deep a plunge.
Disney hasn’t officially scarped the live-action Hunchback version yet but the live-action remake format does seem to be getting old. Some people like the new takes on the older movies but many more do not. And the Disney remakes are a whole other can of worms/discourse.
So as of now I’m of two minds. I loathed that Quasi was the version that got made and I loathe that Disney is trying is trying to pull out the remake. Good or bad I wanted that remake. At least that was back in 2019 which feels like a different era for multiple reasons. Since the Hunchback remake announcement in January 2019 there had been only 8 remakes in this tread cycle not including the 3 prior to 2010. Since January 2019 there has been 10 remakes to come out. On average these 10 movies have a Rotten Tomatoes critics’ score of 57% with an audience score of 65% and a Metacritic critics’ score of 53 and Metacritic user of 4.6/10 on average as this post. (I hope my math checks out)
The feelings of the live-action remakes differs for person to person, movie to movie. Some love the new takes and others don’t think they hold a candle to original animated movie as Disney just doesn’t understand the original animated movies. Of course this could be the result of fairytale sentimentality not working in the meta-modern film landscape. Also what works in animation does not work in live action as they are different film mediums and Disney should take different fairytales, or myths or folktales and make those into live action movies. There are plenty live-action fairytale movies out there for inspiration. But that method would be more of a risk for company and they do like the tried and true even if the onset of the Disney Renaissance proved antithetical to that way of thinking.
Given the state of the trend of live action remakes maybe it’s a good thing if Disney is forgoing Hunchback for now but in the same beat I do hate that a very bad non-version even got made. And there it is! I no longer want a “new” version simply for its existence. Just for content fodder. Realistically Quasi should not counted as version but that was it was promoted so it is sadly part of the conversation.
I do want a new version done with some earnest endeavor but if that is not to be then so be it. I will be grateful for the versions that already exist. The ones we have right now, the good parts and the bad parts, I am content with them. Perhaps I will revisit them because as I said things have changed.
A Puppet of Quasimodo during the Bells of Notre Dame Disney Hunchback of Notre Dame
TLDR- I used to want new version of Hunchback just to have a new version, quality didn’t matter because content. But with Disney get cold feet regarding the Hunchback remake and the Disney live action remake trend floundering (no pun intend) mixed with how bad 2023’s Quasi was and just the world and life changing I longer want that. I’d rather have a good solid well-crafted version than a bad or lazy version just for content or just for something new. Instead I will be grateful for all the versions we have right now, the good parts and the bad parts.
