Garou Helene Segara Quasimodo and Esmeralda Notre Dame de Paris picture image
Quasimodo and Esmeralda

 

One of Notre Dame de Paris’ core weaknesses is the way it presents the story. The narrative is very patchy and filled with a lot little gaps. To really understand what is happening you have to know that story before going into it.

 garou Bruno Pelletier Gringoire spotting Quasimodo during the Feast of Fools Notre Dame de Paris picture image
Gringoire spotting Quasimodo during the Feast of Fools

 

For instance it takes seven songs for the story to get to the beginning of the book. Before that it’s all set-up plus a few lines that marginally tell us about the characters. But seven songs for the Feast of Fools to start. And the plot kind of trots at weird pace, giving us the bare minimum to get to the plot points

Garou as Quasimodo & Helene Segara Danse mon Esmeralda,Notre Dame de Paris picture image
Notre Dame de Paris Ending

However the larger point of the musical isn’t so much to tell the story of Hunchback, as I suspect the creators were under the impression that the audience already knew the story prior to seeing it but the to tell the emotions of the story which the musical does very well. The emotions in this musical are like that of The Phantom of the Opera, over-the-top, I still get misty eyed during “Danse Mon Esmeralda.” Does that excuse the musical for some of its jarring weirdness?

 Luc Merville Clopin and the Court of miracles and the Attack of Notre Dame Notre Dame de Paris picture image
Clopin and the Court of miracles and the Attack of Notre Dame

Nope. I don’t care how emotional effective the songs are, so many of the transitions from emotion to pivotal story points are down right jarring. For instance to get from Phoebus’ song, “Dechire,” when he sings about two ladies wanting him to Quasimodo’s punishment we have the bridge song “Anarkia” which is 42 seconds to explain Gringoire being married, the word “Ankaria” and then OMG look it’s Quasimodo, let’s go check that out. Or how about going from the lovely song where Esmeralda sings about wanting to live to BAM attack on Notre Dame. And for the record Notre Dame de Paris sports a very sloppy hastily done attack scene. First off Quasimodo is not around, Frollo can just ends sanctuary and I’m unclear if Clopin and the court of miracles are defending Notre Dame or attacking it.

Daniel Lavoie Frollo Notre Dame de Paris picture image
Frollo

 

Despite the narrative weakness, Notre Dame de Paris is faithful in some ways to the book. For instant the fate of the characters is all on point and this is the best portrayal of Frollo in any version outside the book, even better than the opera that Hugo himself wrote the lyrics to.

 Garou Helene Segara Quasimodo and Esmeralda Notre Dame de Paris picture image
Quasimodo and Esmeralda

It is easy to over look the weak story telling of Notre Dame de Paris because you do get lost in the big emotions. Does that make it ok? No, but thank goodness the musical is so powerful, that is its very mighty strength.

Next Time – Differences between the book and the musical

Helene Segara as Esmeralda and Daniel Lavoie as Frollo NOtre Dame de Paris picture image
Esmeralda and Frollo

Would you believe this is like at least the second time I have written a synopsis of the plot of Notre Dame de Paris ( here)? Also this is a synopsis of the original French product. In 2001 the show had some changes. I will at some point talk about the different casts (to the best of my ability) but for now the original French is the default since it’s most convenient version I can review.

Helene  Segara as Esmeralda and Patrick Fiori as Phoebus Notre Dame de Paris picture image

Esmeralda and Phoebus Notre Dame de Paris

Act 1
The show opens with Gringoire, the story teller, as he regals the crowd with cathedrals and their important to the world and their demise from importance as books in stone and glass. The scene then shifts to Clopin and his group of refugees who want sanctuary in Notre Dame. His pleads fall on deaf hears as Frollo, the archdeacon of Notre Dame who orders the captain of the King’s Archer, Phoebus to arrest them. Phoebus corners pretty Gypsy lady. Phoebus is instantly attracted to her and ask her about herself. She tells him that she is a bohemian and her parents are gone but she dreams of returning to Andalusia someday though her fate is already determined. Clopin, her care giver then warns her that she is grown now and to be wary of men. We are then introduced to Phoebus‘ fiancee, Fleur de Lys who is fourteen and is quite smitten with the dashing captain.

Garou as Quasimodo Notre Dame de paris picture image

Quasimodo as the Pope of Fools

The Feast of Fools begins with Gringoire leading the revelry. Quasimodo then pokes his head out from the cathedral and is crown the Pope of Fools by Esmeralda. Quasimodo then asks the crowd, especially Esmeralda if she will love him, but she doesn’t really care. Quasimodo curses his parents that abandoned him. Frollo then breaks up the fun and calls out Esmeralda for being a witch and evil. Froll then decides that they will kidnap her. Quasimodo tells Frollo that he will do anything for Frollo since he took Quasimodo in and gave him the bells. But despite that he doesn’t know Frollo’s heart but he belongs to Frollo and loves him as dog loves his master.

Juie Zenatti as Fleur de Lys & Helene Segara as Esmeralda, Notre Dame de Paris Original Cast, picture image

Fleur de Lys & Esmeralda

Gringoire tries to follow Esmeralda after the feast but lost her. He then tells us that nighttime in Paris is a dangerous and lustful place. Quasimodo then set out to Kidnap Esmeralda as she warms herself but he stopped by Phoebus. Phoebus offers to take Esmeralda outside the city to where the other Gypsy live and he sort of puts the moves on her. Esmeralda tells him that she isn’t that sort of girl however when her asks to meet her the following night at Val d’Amour (a brothel) she does not say no. We then are thrown in to the Court of Miracles where the vagrants live and Clopin rules a world with no heaven, no hell, no country, no creed. Gringoire wanders in and going to hang but Esmeralda marries him to save. Gringoire is all for this match but Esmeralda asks what Phoebus means and that it the name of the man she loves. Gringoire tells her it means the sun. Esmeralda likes this name and entertains girly ideas about what kind of man he is while Fleur de Lys knows him a little more. Phoebus then tells us that two women love him and this the bestest thing ever as he figures he can have both and it will be awesome.

Frollo and Esmeralda during Belle, Notre Dame de Paris picture image

Frollo and Esmeralda

The next day, Frollo and Gringoire meet and Frollo find out that Gringoire and Esmeralda are married which is disapproves of and tells Grngoire that he must not touch his wife but I mean really want husband would really want to touch his wife. Gringoire shows Frollo the work Ankaria which engraved on the wall and asks what it means. Frollo tells him it means fate. They then see Quasimodo being taking away. (That songs last for 42 seconds). Quasimodo tries to a pillory and asks for a drop of water. Esmeralda gives him some and he calls her beautiful. Quasimodo, Frollo and Phoebus then tell us about their own desires for Esmeralda. After the crowd clears, Quasimodo invites Esmeralda in to Notre Dame and tells her she can be save their and it can be her home. Esmeralda then prays to Mary for protections against the people in power and the fools of the world as Frollo watches her and becomes more bewitched by her and knows she will destroy him and he is ok with that.

Gringoire Val d'amour Notre dame de Paris picture image

Gringoire at Val d’amour

Frollo follows Phoebus to Val d’Amour and tries to scare him away but Val d’amour is way too sexy and Phoebus meets with Esmeralda for a night of loving. They don’t make it very far when Frollo stabs Phoebus, such is fate.

Act II

Quasimodo with a Bell Les Cloches Notre Dame de Paris picture image

Quasimodo with a bell

Frollo and Phoebus meet again and regal us with the changing world and how the snazzy new printing press with destroy architecture. They hear silence as the bells or Notre Dame no longer ring. Quasimodo is sad because he rings the bell for everyday and for everyone except himself and he wants to hear the bell ring out his love for Esmeralda. Esmeralda is also missing and Gringoire, Frollo and Clopin mourn her absence. Frollo asks where she has gone but Gringoire doesn’t tell him but tells Clopin that she has been arrested and will be hanged.

Esmeralda in jail les oiseaux qu'on met en cage  Notre Dame de Paris picture image

Esmeralda in jail

Esmerlada in jail asks for Quasimodo to save her. Quasimodo is also missing her as they share a strong bond. Clopin then tries to recuse Esmeralda but is arrested himself. Esmeralda is put on trail but Frollo for wounding Phoebus. She then tortured and confesses to loving Phoebus which seems to be enough to condemn her to death. Esmerada then wishes Phoebus would save and take her to Andalusia while Frollo laments about being a priest and loving a woman.

Fleur de Lys La Monture Notre Dame de Paris picture image

Fleur de Lys

Fleur de Lys is at her wit’s end and is feud up with Phoebus’ cheating but she is whiling to forget it if Phoebus can ensure Esmeralda’s death, which is going to happen anyway so Phoebus agrees and claims that Esmeralda bewitched him anyway but he is ready to be 100% faithful.

Helene Segara as Esmerada & Daniel Lavoie as Frollo, un matin tu dansais from Notre Dame de Paris picture image

Esmerada & Frollo

The bells ring in the early morning as Frollo informs Esmeralda that in an hour she will die. She asks what she did to him to make him hate her but he confesses that he Loves her and gives her an ultimatum, the grave or Frollo’s bed. Esmeralda rejects him but Frollo tries to force himself on her. Just then Clopin saves Esmeralda as Quasimodo released everyone.

Gingoire lune Notre Dame de Paris  picture image

Gingoire and the moon

Quasimodo takes Esmeralda, and I guess the rest of the Court of Miracles. Gringoire then regales the audience and the moon with how consuming the power of love can be. Quasimodo gives Esmeralda a whistle and tells her not to leave Notre Dame. As Esmeralda drifts off to sleep, Quasimodo laments that God made the world wrong as Esmeralda will never love him but loves Phoebus. Esmeralda wakes up and tells us how she doesn’t want to die but she wants to live. She wants to live for love.

Esmeralda and Clopin l'attaque de notre dame notre dame de paris picture image

Esmeralda and Clopin

Clopin claims sanctuary but Frollo orders right if sanctuary broke Phoebus to expel them from Notre Dame. Clopin is killed and Esmeralda rushes to him but is recaptures and sent to the gallows, which pleases Fleur de Lys. Quasimodo begs Frollo to save Esmeralda but he refuses as she rejects him. As she hanged Frollo laughs and Quasimodo kills Frollo and then demands Esmeralda be returned to him.

Garou as Quasimodo & Helene Segara Danse mon Esmeralda,Notre Dame de Paris picture image

Quasimodo with Esmeralda

 

Quasimodo holds Esmeralda’s body and begs her to dance for one final time and vows that in death they will be united in the universe.

Don’t you just feel happier now?

Next Time more on the Plot

Belle Notre Dame de Paris picture image

Belle

Recently I have gotten into Archer, it’s hilarious! In episode 4 of season 5 there was an adorable Hunchback reference.

Pam Poovey carrying Cheryl/Carol Tunt, Archer Vice  episode 4 House call, picture image

Pam Poovey carrying Cheryl/Carol Tunt, Archer Vice

In the episode the character try to give Pam an intervention for her addiction to cocaine. They try her up but her breaks free and grabs Cheryl. As Pam carries Cheryl some very Notre Dame-esque stairs Cheryl says “So, please don’t take this the wrong way– because I’m loving being your Esmeralda.”

Cheryl also said when Pam grabbed her “This is only somewhat like that old Gypsy woman said,!” Not quite a reference but whatever

Since this is the very last Tuesday of 2014, I thought I would do a mini look back and see what version was the best and which was the worst. This past year we have looked at like 3 versions of The Hunchback of Notre Dame, The 1986 version, the Enchanted Tales version and the 1997 version. Technically we touched on the lost films back in January but since I can’t even pretend I watched them they don’t count toward reviews.

Melody Enchanted Tales Hunchback of Notre Dame picture image

Melody

The worst version is without a doubt the Enchanted Tales version. A handsome Quasimodo and a terrible moral, yuck. But you know I could deal with the handsome Quasi and the perplexing moral if the animation and songs were decent and not a painful bowel movement  but alas this version says fuck good anything. I will say that this versions was my favorite to tear a part because that is the only thing it has going for it. Also this version was technically the first hunchback version I got screen caps for back in October of 2010, two months before the blog launched. I actually have more pictures that I didn’t use.

 

Esmeralda Dancing 1986 Hunchback Notre Dame picture image

Esmeralda Dancing

For best version of this year, that is hard one as we only have the 1986 and the 1997 versions left.

Salma Hayek as Esmeralda, 1997 Hunchback of Notre Dame

Salma Hayek as Esmeralda, 1997 Hunchback of Notre Dame

Both versions have their strengths and weaknesses. If I were to judge solely on keeping to the book, I would say the 1986 version is better but if I going on what is debatably the more entertaining movie, I would say the 1997 version. It just so hard because both films’ flaws are so apparent that it’s hard to overlook them but I will say the 1997 version is marginal better.

I can’t wait for 2015! I hope to look at some famous/infamous versions.

Esmeralda, Quasimodo, and Laverne King's Academy Hunchback of Notre Dame picture image

Esmeralda, Quasimodo, and Laverne King’s Academy Hunchback of Notre Dame

Having been in a High School production once I know that King’s Academy put a lot effort into their production of The Hunchback of Notre Dame. Do I wish somethings were different? Yes, like I wished Phoebus sang and I wish his name was Phoebus but in all honesty I don’t think this production was meant for me. It was meant for the students, family, and the school and that is fine. It’s a decent re-telling of the Disney movie and the German musical Der Glockner von Notre Dame and really that is all it needed to be.

I will say that while the kids are all talented, the real stand-outs are the girls who play Esmeralda and Laverne.

Next Version – I can’t say right now as I’m debating between two, It’s between a good version and a bad version and even if I did know 100%, it’s a secret.

Also I’m going to take a break, reviews will resume in January.

Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame

 

Esmeralda,  Quasimodo, and Laverne King's  Academy Hunchback of Notre Dame picture image

Esmeralda, Quasimodo, and Laverne King’s Academy Hunchback of Notre Dame

At last we come to my favorite part of any Hunchback products, the costumes! Though to be honest wasn’t going to discuss the costumes but there are a few point I feel I need to mention about the King’s Academy production.  Now I was in a High School play once and I know they didn’t care about the costumes like at all and it was a fairly well regarded school for theater, though I’m not sure why. Anyway unlike my old middle/high school the King’s Academy did try in the costume area, it’s just some costumes are much better than others.

Let’s start with the negatives.

Frollo’s costume is boring. It’s just black vestments with a red stole. It’s not inherently bad, just dull. But it’s Quasimodo’s costume that leaves me  wondering. First off, he has no make-up for the facial deformities and I forgive that, I really do and I’m a heartless critical nitpicking monster but what I can not forgive or wrap my head around is the white label. Just why? It makes his costume looks so lazy.  Also I don’t really care for the costumes the dancers wear during Hellfire and yes this is a colossal nitpick. I mention it because I actually like the light up tutus the dancers wear in Heaven’s light. At first I thought they were cheesy but it works  with the song and the point of the dual songs is the light reference. I just wished the dancers looked more like fire in Hellfire. I think they were almost there but the pants should gave been red in tone and not black, though I suppose they could have been and the video just makes the look black.

Stuff I sort what like.

I like the tutus in Heaven‘s light, there are cheesy but I appreciate them.  Speaking of the dancers and the ensemble, I appreciate that they have the appreciate costumes for the roles they have.

Esmeralda’s costume is one of the few costume in the main cast that is pretty much a copy of the Disney costume but it’s done well and looks nice.

The gargoyles are the only costumes that look like they were made from starch for the production and in that sense they stand out in a good way.

Heaven's Light King's  Academy Hunchback of Notre Dame picture image

Heaven’s Light King’s Academy Hunchback of Notre Dame

Next time Conclusion of the King’s Academy Production

Frollo, Quasimodo and Ensemble performing Esmeralda King's Academy Hunchback of Notre Dame picture image

Frollo, Quasimodo and Ensemble performing Esmeralda King’s Academy Hunchback of Notre Dame

Last week I posted the Promo video of the La Jolla production of The Hunchback of Notre Dame on the blog’s Facebook page, so some of you have seen this already.

These are my reaction to the video, what I like and what I dislike. This might be  my only chance to discuss this since it’s looking unlikely that I will make the Paper mills  prodution this spring and who really know if this show will get an audio recording, or go to Broadway or La Jolla will just magically send me a video recording of the show for christmas but anyway here we go.

Ciara Renee and Michael Arden in the Jolla Production of The Hunchback of Notre Dame picture image

Ciara Renee and Michael Arden in the Jolla Production of The Hunchback of Notre Dame

What I liked:

No Gargoyles!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! YES! Yeah sure they have their place in a kids movie in a franchise that has character like this but in a musical that is boosting being closer to the original story, no, just no.

The Sets- the sets are lovely. As silly as this might sound, I really like the floor. It’s not only accurate to Notre Dame but ti’s a nice visual statement.

The cast looks like they are having fun – I know this a ploy, if the cast is having fun then I the audeince will have fun, take my nonexistent money, (I’m a broke blogger). But I do enjoy the fun the seem to be having.

The Costumes – Across the broad these costume look great.  A few of the ensemble‘ costume caught my eye one being yellow and having an  most painterly touch to it and the other had leather-like components which is great but the two costume I really want to take about are Esmeralda’s costume. The promo video doesn’t show her in the prisoner costumes so we can’t talk about that but it does show her casual and performance dress. Her performance dress reminds me of across between Bollywood and Ren-faire, I don’t mean that in a negative way. They is something about the fabric or the sparkles just reminds of costume I seen in Bollywood film specific movies that features courtesans who are performing a dance number.  However the neckline reads more medieval, I dunno I think it works and it’s pink though if it were red I don’t think I would have minded. That being said I’m sick of seeing Esmeralda in red or pink as her primary color and for that reason Esmeralda’s casual  costume here is a breathe of fresh air for  me. It’s mostly blue which is a color she does wear in the novel although I think turquoise was color to the novel. The costume is very similar to the Disney costume as it the same basic cut, she also wears a purple skirt and her corset had gold stripes. The hip scarf is devore blue velvet and ti reminds me a little bit of Esmeralda costume in Notre Dame de Paris, whether this was intentional or I’m just making a connection that is not there it’s still a nice touch that adds a bit of texture to her costume. I wished her sleeves had been more puffy, it would have made a nice visual for the audience but that is a nitpick. Also I like that her knife is back though now that I think about, Esmeralda must have had a knife in the Disney version so it’s a null point. I wouldn’t I love her costumes but I appreciate them.

What I didn’t like:

Quasimodo’s makeup – It just looks like two lines of his face, it’s lackluster. Considering the scope of this production it just very underwhelming. Now to be fair, the promo video make not have a good shot of it but it seems like the deformity is coming more from the actor making a face than makeup. In a show like Notre Dame de Paris where everything is minimal, they can get way this the deformity being implied rather than realized but here I don’t think they can. And considering Quasimodo’s characterization in any version is wrapped up in his deformities, it’s not a little thing.

Hmm, only one thing I didn’t really like, either the video was too short or I’m going soft.

What did you think of the promo video?

Way back in March 2013 I did a post of Jean de Florette, a famous movie from France and its similarities to the Hunchback of Notre Dame (you can read that post here).

Emmanuelle  Beart as Manon in Manon des Sources picture image

Emmanuelle Beart as Manon in Manon des Sources

In that post I mention it’s second part, a film called Manon des Sources which follows Jean’s daughter, Manon played by Emmanuelle Beart. It takes several years after Jean de Florette.

Manon (Emmanuelle  Beart) and Ugolin (Daniel Auteuil) Manon des Sorces picture image

Manon (Emmanuelle Beart) and Ugolin (Daniel Auteuil) Manon des Sorces

In this movie Ugolin sees Manon dancing naked and falls into a deep crazed infatuation with her. Manon has similar free-spirited innocence that Esmeralda had in the novel, she even has goats. Unlike Frollo’s obession with Esmeralda, Ugolin never tries to harm Manon but he does try to win her over but Manon despises him and his uncle for destroying her father. However like Frollo, Ugolin is undone by his love for Manon.

I highly recommend seeing these two movies, they are great.

Frollo, Quasimodo and Ensemble performing Esmeralda King's  Academy Hunchback of Notre Dame   picture image

Frollo, Quasimodo and Ensemble performing Esmeralda King’s Academy Hunchback of Notre Dame

The King’s Academy version of the Hunchback exist as step between Der Glockner von Notre Dame and the official American musical version of La Jolla and Papermills. The King’s version has some core differences of Glockner and even the Disney movie. Also Please note, I’m working off of memory, I had hope to re-watch it and make a list but I couldn’t do that so I probably will miss things.

So the big difference and something that I find a unforgivable is Phoebus or rather not Phoebus. This version calls him Edgrick, I’m not sure why they changed his name. The did change the gargoyle names back to there original Disney name of Victor, Hugo and Laverne instead of the Glockner names Charles, Loni and Antoine. Also in this production Phoebus does not sing. This Phoebus’ signature song of Ein bißchen Freude or Rest and Recreation does not occur. Also Out of Love is cut which is also cut from the La Jolla version. He also doesn’t sing in Esmeralda instead Frollo sings Phoebus’s part which doesn’t make that much sense as the Frollo asks why he hears her words inside his head I have no idea what he would be referring to, though the lyrics have been changed somewhat.

King’s version
Frollo:
Why do I long for Esmeralda?
Why do I hear her words inside my head?
Why do I think of Esmeralda?
With all the Gypsies Beggars left for Dead

Yes my Duty calls for
Paris is Burning
Lit to expose that furtive pair
Sneaking about
Out There

Glockner
Phoebus:
What have I done for Esmeralda?
Why do I hear her voice inside my head?
Why do I think of Esmeralda?
With my career and prospects left for dead?

Frollo:
Once more my Duty calls
Paris is Burning
Lit to expose that furtive pair
Sneaking about
Out There
http://www.shipperland.de/miracles/

I wish Phoebus or Edgrick had sung in Esmeralda be it harkens to the basis of the book three guys and how they hearts are made different with regard to one woman. Plus it adds rich to the big act ending song.

Another cut song from the Glockner version is Tanz auf dem Seil or Dance on the Rope which served as Esmeralda’s introduction. Instead she appears dancing before a crowd like in the movie. The La Jolla version also cut Dance of the Rope and opted for keeping the dance angle but added the song Rhythm of the Tambourine.

The King’s Academy also cut Tanz der Zigeuner, Dance of the Gypsies and reintroduced The Court of Miracle from the original. Minor change really.

Clopin doesn’t narrate the tale as a beggar which he does in Glockner. In the King’s versions he is in his jester costume at the start. Minor change.

However the big change is at the end, no one dies and I mean no one, well except Quasimodo’s mother. But Frollo lies, he is about to attack Quasimodo and Esmeralda but he just walks off. This could be because he said care for the child.

A curious addition and not really a change but it needs to be mention is Djali isn’t in this version but one of Hugo’s lines mention Djali not by name but he does say “the one in the dress ain’t bad either” referencing to the nonexistent Djali.

Again I’m probably missing other difference between the shows but those are the one I remember and can find

Next Time -Direction and Staging

Esmeralda, Quasimodo and Ensemble performing God help the Outcast King's  Academy Hunchback of Notre Dame   picture image

Esmeralda, Quasimodo and Ensemble performing God help the Outcast King’s Academy Hunchback of Notre Dame