A Disney Villain and I Want Song in One Combined
“Hellfire” is “Heaven’s Light’s
Hellfire is a villain song, but it’s not just any villain song, it’s “THE” villain song. Many people consider it the best and one of the darkest Disney villain songs. So what makes this song so good and dark?
The song starts with Frollo singing to Notre Dame both figuratively and actually (The building and the Virgin). He claims that he’s purer than the common people and still as pure as he is, he can’t understand his obsession for Esmeralda and why she is invading his mind.
For Frollo this lust is not in conflict with ethics or his own deep religious convictions; it’s all about pride and fearing losing control within himself. You can see him visually losing of control: he starts calm and become more and more crazy as the song progresses
For Frollo there are two ways to resolve his problem, either Esmeralda must die or she must be his. Hellfire has a very similar vibe to Frollo in the book. Victor Hugo’s Frollo was very proud of his purity. But much like Disney Frollo Hugo’s Frollo felt that Esmeralda was sent by hell to take him away. Unlike Disney’s Frollo, Hugo’s Frollo is more of a stalker who is hopelessly seeking out Esmeralda. He doesn’t really want her to die but doesn’t want her to be with anyway else.
Disney’s Frollo is more black and white, either she is his or she dies, he only going to ask once. Frollo in Hellfire does have a twinge of gray (which you’ll never seen again), he asks for God to have mercy on both him and Esmeralda. If as he knows he’s wrong but he won’t do anything about it because he too far gone. The Latin chanted “Mea Culpa” (Through my fault) also drives that point too.
It’s an odd Disney Villain song as Frollo isn’t revealing in his evilness or his brilliant evil plans. Frollo is simply singing out his desperation which ultimately gets worse. Unlike other songs, Frollo is not singing to anyone, usually a villain is rubbing something in the hero’s face, being a demagogue, or exposing their master plan of evil to minions.
Frollo is singing to himself. It’s reminiscent of another villainous song from a Notre Dame adaptation Notre Dame de Paris’ “La Monture.” In the original staging of “La Monture” (The Mounting,) Fleur de Lys (Phoebus’ fiancee) sings about her desperation for Esmeralda to be hanged. In the original staging, she singing to her shadow. In singing alone Frollo’s feelings come off more intense, power, and frantic while he sings to the fireplace while seeing illusions and the becomes engulfed in specters.
The song is perfectly sung by Tony Jay, he showcases control and then goes intense. The Latin chanting is great mood enhancer. The music is intense and the Hellfire melody makes up a lot of the Hunchback of Notre Dame’s score. The Music was inspired by Mozart’s Requiem Mass which completes the dark presentation of the song.
The music, the singing, the lyrics, and visuals with the intensity, insanity, sexuality, and religious overtones create a great piece of moviedom. I wish Disney would explore their darker side more, because when they do it’s better than some of their more saccharine fair. I mean Disney enjoys going dark, it’s part of their history (Night of Bald Mountain). So Disney embrace the darkness more often! Please…
Next Time- A Guy Like you
follows in the path of the big show stopping music numbers of Disney. Other songs like this included (but not limited to) Under the Sea (The Little Mermaid), Be Our Guest (Beauty and the Beast) and A Friend Like Me ( Aladdin). Unlike these, Topsy Turvy is not a show stopper, it doesn’t stop the movie for the sake of a spectacle, but instead Topsy Turvy propels the plot forward.
is for all intended purposes is a solo but its prelude is duet between Frollo and Quasimodo. Frollo sings about how awful the world is as a means for controlling Quasimodo. When Frollo departs the scene, the mood of the song changes into Quasimodo singing about a yearning to venture beyond the tower and go flocking with the normal people.
