The Grand Finale

Quasimodo accepted by the people Hunchback of Notre Dame Disney picture image
Quasimodo accepted by the people Disney Hunchback of Notre dame

After Frollo dies, the hellish lava goes away and the masses are happy.  This is when Quasimodo, the lovable abet not too conventionally attractive hero emerges from the darkness and silence of Notre Dame to be greeted with the acceptance of the people. Why is he now welcome? I think for saving Esmeralda and saying  “No” to Frollo. It’s not for killing Frollo, Notre Dame and Frollo’s haste took care of that.

Clopin, Frollo Puppet, and Girl Bells of Notre dame reprise Disney Hunchback of Notre Dame picture image
Clopin, Frollo Puppet, and Girl Bells of Notre dame reprise Disney Hunchback of Notre Dame
Quaismodo Bells of Notre dame reprise Disney Hunchback of Notre Dame picture image
Quaismodo Bells of Notre dame reprise Disney Hunchback of Notre Dame

 

So as Quasimodo is being cheered, Clopin reprises the “Bells of Notre Dame.” Just in case you’re a complete moron the movie clearly shows the audience who the Monster was, the Frollo puppet. To think this whole time I just thought it was Frollo, Twist ending here; it was the Puppet! The man was Quasimodo, no surprise there. I kid. I understand subtexts most of the time.

 

Clopin Reprise of Bells of Notre Dame Disney Hunchback of Notre Dame picture image
Clopin Reprise of Bells of Notre Dame Disney Hunchback of Notre Dame

 

If you like “Bells of Notre Dame,” you’ll like the Reprise. It is sung well by Clopin (as to be expected now from Paul Kandal.) It’s a bit repetitive though, not sure how times the word “Bells” is uttered but it’s a lot. There also some new lyrics added;

Whatever their pitch (Bells, bells)
You can feel them bewitch you (Bells, bells)
The rich and the ritual knells (Bells, bells, bells, bells)

 

A Weird Twist? No but a Fun Musing Either Way

The True Villain, The Puppet Disney Hunchback of Notre dame picture image
The True Villain, The Puppet Disney Hunchback of Notre dame
Big Marie, The Lead Bell Disney Hunchback of Notre Dame picture image
Big Marie, The Lead Bell Disney Hunchback of Notre Dame

 

He saying  that the Ringing Bells have an effect of people. So was it the bells that made Frollo crazy with lust? I mean it says the Bells bewitch. Quasimodo did ring the bells right before  “Hellfire” and you only see him doing it once in the movie. So the Bells were the Frollo’s puppet accomplice.  Of course, it all makes sense. The Puppet couldn’t stand that Frollo had all the power, so he harnessed the ancient Deus ex Machina power of the Bells to make Frollo crazy which would led to his death  by Notre Dame, of course!

I figured you out, movie. This makes the Bells and the Frollo Puppet the heroes and villains. Touché Disney, I didn’t know you were so complicated. Truly this twist rivals M. Night Shyamalan. (2026 edit – I was being silly here, I think at least I hope I was being silly.)

A Finale to the Grand Finale

 

Quaismodo Bells of Notre dame reprise Disney Hunchback of Notre Dame picture image
Quaismodo Bells of Notre dame reprise Disney Hunchback of Notre Dame
Gargoyles - Victor, Hugo and Laverne at the end Disney Hunchback of Notre Dame picture image
Gargoyles – Victor, Hugo and Laverne at the end Disney Hunchback of Notre Dame
Djali, Esmeralda, and Phoebus Disney Hunchback of Notre Dame picture image
Djali, Esmeralda, and Phoebus Disney Hunchback of Notre Dame

 

On an unrelated note, the song is a good ending, you get a curtain call: Quasimodo is happy to be “Out There” “In the Sun” with the “Ordinary Men.”  The Gargoyles are happy that the people now love “A guy like” Quasimodo.  Esmeralda is happy because Notre Dame (Mary) “Helped the Outcasts”. Phoebus is happy because his ex boss is dead and he has a hot new girlfriend. Djali and Clopin are happy because the sanction of street performers had lifted with Frollo’s death and now they don’t have to pay the Busker Tax. The only person who isn’t happy in all this is the Old Heretic, he fell into a sewer and was never to heard from again. They say on quiet nights you can heard an old man saying “Dang it.”

The Old Heretic Disney Hunchback of Notre Dame picture image
The Old Heretic Disney Hunchback of Notre Dame

 

On the Final Shot

 

Beauty and the Beast Ending Shot Stained Glass Disney picture image
Beauty and the Beast Ending Shot Stained Glass Disney
Genie page Peel, Final shot Aladdin Disney picture image
Genie page Peel, Final shot Aladdin Disney

 

Since the film ends with the same song as it began with, it’s only that it ends with a pull away though the sky above the Notre Dame.  It’s appropriate yet a little cheesy but it’s better that ending on a stain glass window that show all the main characters, a la Beauty and the Beast  or a stupid page peel by the Genie in Aladdin. Though it would be funny to have the Genie pop up in random Disney Movies saying “made you look” at the end. (2026 edit- I do not stand behind this take anymore. I’m not sure what I was thinking siting the Stained Glass ending. The fourth wall break from the Genie I didn’t love that as a kid as it took me out of the impact of the story but I don’t it’s “stupid.” The 2011 version of me had some hot takes.)

Next Time – Someday, the Credit song and Delated Song.

A Picture from the demo reel of Someday Disney Hunchback of Notre Dame image

Clopin’s Third Song

Court of Miracles Disney Hunchback of Notre Dame picture image
Court of Miracles Disney Hunchback of Notre Dame

After some build up to the The Court Of Miracles, towards the end of movie we’re finally introduced to it via song. Phoebus and Quasimodo find it in through a grave that lends into the old catacombs. They go to warn they that Frollo is coming, however in going there they unknowingly lead Frollo there. The song is sung by Clopin, who is the leader. He’s backed by a good portion of the court.

Read More →

The “Fun” Side-Kick Song

Victor, Hugo and Laverne singing A Guy like you Disney Hunchback of Notre dame picture image
Victor, Hugo and Laverne singing A Guy like you Disney Hunchback of Notre dame

 

After the intensity of Hellfire, the movie gets a little dark. Frollo goes on a tear extorting Gypsies, arresting people, attempting to kill people including Phoebus and burning a good portion of Paris. After these scenes the movie needs some levity, after all this is a children movie. The levity we’re given is “A Guy Like You.” I hate this song, there I said it, I hate “A Guy like you.”

 

Read More →

 

A Disney Villain and I Want Song in One Combined

Frollo singing Hellfire Disney Hunchback of Notre Dame picture image
Frollo singing Hellfire Disney Hunchback of Notre Dame

“Hellfire” is “Heaven’s Light’s” foil in every possible way. “Heaven’s Light” is a sweet hopeful ballad with some subtle humor in the visualization but Hellfire” is an intense villain song with shades of an I want Song that has a breaks down into insanity.

Frollo singing Hellfire Disney Hunchback of Notre Dame picture image
Frollo singing Hellfire Disney Hunchback of Notre Dame

 

Hellfire is a villain song, but it’s not just any villain song, it’s “THE” villain song. Many people consider it the best and one of the darkest  Disney villain songs. So what makes this song so good and dark?

  

Frollo singing Hellfire Disney Hunchback of Notre Dame picture image
Frollo singing Hellfire Disney Hunchback of Notre Dame

The song starts with Frollo singing to Notre Dame both figuratively and actually (The building and the Virgin). He claims that he’s purer than the common people and still as pure as he is, he can’t understand his obsession for Esmeralda and why she is invading his mind.

Esmeralda as a fire demon dancing Hellfire Disney Hunchback of Notre Damee picture image
Esmeralda as a fire demon dancing Hellfire Disney Hunchback of Notre Dame

For Frollo this lust is not in conflict with ethics or his own deep religious convictions; it’s all about pride and fearing losing control within himself.  You can see him visually losing of control: he starts calm and become more and more crazy  as the song progresses

 

Frollo singing Hellfire Disney Hunchback of Notre Dame picture image
Frollo singing Hellfire Disney Hunchback of Notre Dame

For Frollo there are two ways to resolve his problem, either Esmeralda must die or she must be his. Hellfire has a very similar vibe to Frollo in the book. Victor Hugo’s Frollo was very proud of his purity. But much like Disney Frollo Hugo’s Frollo felt that Esmeralda was sent by hell to take him away. Unlike Disney’s Frollo, Hugo’s Frollo is more of a stalker who is hopelessly seeking out Esmeralda. He doesn’t really want her to die but doesn’t want her to be with anyway else.

Frollo singing Hellfire Disney Hunchback of Notre Dame pitcure image
Frollo singing Hellfire Disney Hunchback of Notre Dame

Disney’s Frollo is more black and white, either she is his or she dies, he only going to ask once.  Frollo in Hellfire does have a twinge of gray (which you’ll never seen again), he asks for God to have mercy on both him and Esmeralda. If as he knows he’s wrong but he won’t do anything about it because he too far gone. The Latin chanted “Mea Culpa” (Through my fault) also drives that point too.

 

Frollo Hunchback of Notre Dame Hellfire Disney picture image
Frollo and an illusion of Esmeralda during Hellfire

It’s an odd Disney Villain song as Frollo isn’t revealing in his evilness or his brilliant evil plans. Frollo is simply singing out his desperation which ultimately gets worse. Unlike other songs, Frollo is not singing to anyone, usually a villain is rubbing something in the hero’s face, being a demagogue, or exposing their master plan of evil to minions.

Frollo Hunchback of Notre Dame Hellfire Disney picture image
Frollo singing Hellfire Disney Hunchback of Notre Dame

Frollo is singing to himself. It’s reminiscent of another villainous song from a Notre Dame adaptation Notre Dame de Paris’ “La Monture.” In the original staging of “La Monture” (The Mounting,) Fleur de Lys (Phoebus’ fiancee) sings about her desperation for Esmeralda to be hanged. In the original staging, she singing to her shadow. In singing alone Frollo’s feelings come off more intense, power, and frantic while he sings to the fireplace while seeing illusions and the becomes engulfed in specters.

Frollo Hunchback of Notre Dame Hellfire Disney picture image
Frollo singing Hellfire Disney Hunchback of Notre Dame

 

The song is perfectly sung by Tony Jay, he showcases control and then goes intense. The Latin chanting is great mood enhancer. The music is intense and the Hellfire melody makes up a lot of the Hunchback of Notre Dame’s score. The Music was inspired by Mozart’s Requiem Mass which completes the dark presentation of the song.

Frollo at the end Hellfire Disney Hunchback of Notre Dame picture image
Frollo at the end Hellfire Disney Hunchback of Notre Dame

 The music, the singing, the lyrics, and visuals  with the intensity, insanity, sexuality, and  religious overtones  create a great piece of moviedom.  I wish Disney would explore their darker side more, because when they do it’s better than some of their more saccharine fair. I mean Disney enjoys going dark, it’s part of their history (Night of Bald Mountain). So Disney embrace the darkness more often! Please…

Next Time- A Guy Like you

Victor, Hugo and Laverne singing A Guy like you Disney Hunchback of Notre dame picture image
Victor, Hugo and Laverne singing A Guy like you Disney Hunchback of Notre dame

Quasimodo’s “Love” Song

Quasimodo's figurines from "Heaven's Light" Hunchback of Notre Dame Disney picture image
Quasimodo’s figurines from “Heaven’s Light”

“Heaven’s Light” and “Hellfire” are meant to be listened together. Both parts represent the basic nature of The Hunchback of Notre Dame: how feelings can be internalized and twisted according to the individual.

Frollo Hunchback of Notre Dame Hellfire Disney picture image
Frollo and an illusion of Esmeralda during Hellfire

However I’m going to look at “Heaven’s Light” and “Hellfire” separately, because of the intensity of “Hellfire” and the simplicity of “Heaven’s Light.”

Quasimodo singing Heaven's Light Disney Hunchback of Notre Dame picture image
Quasimodo singing Heaven’s Light Disney Hunchback of Notre Dame
Quasimodo singing Heaven's Light Disney Hunchback of Notre Dame picture image
Quasimodo singing Heaven’s Light Disney Hunchback of Notre Dame

“Heaven’s Light” is the second ballad in the film and is Quasimodo’s final song though it’s reprise later in the movie. It’s the only “romantic” song to make into movie. In this song Quasimodo equivalents love to being heavenly. Since Quasimodo believes himself to be hideous, he thinks he not meant for love. However since Esmeralda gave him a peak on the cheek without fear, he calls her an angel and he’s hopeful that she could love him. He loves the concept of love. This hopefulness is gestalt of song.

Quasimodo singing Heaven's Light Disney Hunchback of Notre Dame picture image
Quasimodo singing Heaven’s Light Disney Hunchback of Notre Dame
Quasimodo singing Heaven's Light Disney Hunchback of Notre Dame picture image
Quasimodo singing Heaven’s Light Disney Hunchback of Notre Dame

There is lot going on in this song: Quasimodo explains what love is like, he feel he’s not meant for it but then not a beat goes by and he turns his hopeful-o-meter up to max, as he hopes that Esmeralda could love him because she wasn’t afraid of him. The song seems to do a lot. This is because it’s such a short song and that’s it feels a light all over the place. Quasimodo goes from being emo to sappy.  “Anarkia” in Notre Dame de Paris has a similar feel to it.

Victor and Laverne's drawing of Esmeralda Disney Hunchback of Notre Dame picture image
Victor and Laverne’s drawing of Esmeralda Disney Hunchback of Notre Dame
Hugo draws Djali Disney Hunchback of Notre Dame picture image
Hugo draws Djali Disney Hunchback of Notre Dame

 

The elements of humor in this song by the gargoyles is actually good. It’s relevant and cute to the song. In the song each gargoyle draws a picture. The pictures reflect their personalities, Laverne and Victor draw Esmeralda and Hugo draws Djali. It’s cute relevant humor. I like Victor’s drawing the best.

Quasimodo singing Heaven's Light Disney Hunchback of Notre Dame picture image
Quasimodo singing Heaven’s Light Disney Hunchback of Notre Dame
Quasimodo singing Heaven's Light Disney Hunchback of Notre Dame picture image
Quasimodo singing Heaven’s Light Disney Hunchback of Notre Dame

I have to admit that for me this song gets a little lost because it’s the song that comes right before “Hellfire,” which is for many people is their favorite song in the film as well as many people’s favorite villain songs. However listening to the song in isolation, it’s a sweet, well done song that develops Quaismodo’s character as both hopeful and naive.

The Reprise

Quasimodo reprise Heaven's Light Disney Hunchback of Notre Dame picture image
Quasimodo reprise Heaven’s Light Disney Hunchback of Notre Dame
Phoebus and Esmeralda Kiss Disney Hunchback of Notre Dame picture image
Phoebus and Esmeralda Kiss Disney Hunchback of Notre Dame
Quasimodo reprise Heaven's Light Disney Hunchback of Notre Dame picture image
Quasimodo reprise Heaven’s Light Disney Hunchback of Notre Dame

 

Later when the song is reprised it’s a bittersweet sting to Quasimodo as his heart breaks as he watches Esmeralda and Phoebus kiss.

Quasimodo singing Heaven's Light Disney Hunchback of Notre Dame picture image
Quasimodo singing Heaven’s Light Disney Hunchback of Notre Dame

 

All in all it’s a good song, not terrible but not not fanatic. It’s one flaw is being next to Hellfire.

Next Time – Hellfire.

Frollo Hunchback of Notre Dame Hellfire Disney picture image
Frollo singing Hellfire

Esmeralda’s Solo

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image
Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

“God Help The Outcasts” is a very different Disney heroine song. Many of the Female Disney Characters sing about wanting something for themselves. While Esmeralda is singing about wanting something that is not for her. She is being selfless which furthers elevates her into the mature sector.

 

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image
Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

 

The song is simple, it’s Esmeralda praying for the welfare of her people. This humble and selfless prayer is shown in contrast to the other parishioners who pray for selfish things like wealth, fame and love. This scene is pretty much lifted from the 1939 version albeit with some differences but the overall scene and content is the same.

 

Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame picture image
Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame

 

Unlike in the 1939 version, during the course of the song Esmeralda walks through the sanctuary of Notre Dame. It’s the only time in the Hunchback of Notre Dame where we get to see the interior of Notre Dame other than the bell tower. While it’s nice to see the sanctuary portion of Notre Dame there are more than a few things wrong with how Notre Dame is presented. I’ll go more in depth on that later for now let’s get into the reviewing the  song’s content.

Esmeralda Disney Hunchback of Notre Dame singing "God Help the Outcast" picture image
Esmeralda singing “God Help the Outcast” Disney Hunchback of Notre Dame

 

The song musically is nice and is pleasant. It’s one of two ballads that made it into the film. It’s the prettiest song in the movie and it’s sung well by Heidi Mollenhauer. However there is an air of  condescension with this song. As Esmeralda is trying to sound humble she is saying some really condescending lines. She asks for nothing because she is lucky and better off then most of her people and if God doesn’t help no one will help them.  She also reminds Gods that everyone is “children of God” and that Mary should relate to her because she thinks Mary was once an outcast like her. This another fault with the song, she’s in Notre Dame de Paris, in any Notre Dame, Mary is the figure of reverence. However she starts praying to Mary and then instantly switches to God. Maybe it’s her “outcast” “pagan” ways that she would do this flippantly  but my guess is God is more dramatic and fits song meters better,  Even though Mary embodies compassion. Then again Frollo prays to Mary to burn Esmeralda, so what is the movie trying to say about Mary? I mean everyone seems to be trying to get out of Notre Dame.

 

Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame picture image
Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame

There is also all her “I” statements that are kind of off putting. Her lines are “I ask for nothing, I can get by, but I know so many less lucky than I”  these lyrics just seem to reek with “I’m better than you” mentality.

2026 edit -Maybe a harsher take the statement of Esmeralda being more resourceful than others thus she doesn’t need to pray for herself could have just been a musical short hand to relay the point simply yet dramatically for the song and a general audience to understand. However I will leave the text I originally wrote from 2011 as point of my change of view.

Esmeralda’s Prayer

Esmeralda looking at the Virgin Mary Maureen O'Hara 1939 Hunchback of Notre Dame picture image
Esmeralda looking at the Virgin Mary, Maureen O’Hara 1939 Hunchback of Notre Dame

 

In the  spectrum of the “Esmeralda’s Prayer” which isn’t in the book,  “God Help the Outcast” is the one of a few. Beside this song there are two other prayers, the fore-mention 1939 version  and “Ave Maria Paien” from Notre Dame de Paris.

In the 1939 version, Esmeralda (Maureen O’Hara) asks “The mother of God” to help her people, she says that Mary can take all that she has but Esmeralda presents Mary with a Method; she asks to speak to the King as he is a authority figure and can help her and her people, which he does as the end.  In the 1939 version, Esmeralda  is sincere and humble, and as she not insulting anyone by saying she’s better off.

In “Ave Maria Paien” (The Pagan Ave Maria) Esmeralda, pending on which version your listening to, is asking for a few things, protection from the fools who are in control and the joining of all people. The essence of the song is she wants Ave Maria on her side. Is it humble and selfless?  Not really, she does come off as humble and sincere though.

Disney Esmeralda is sincere but she seems to have a defeatist attitude, only god can help and no one else can, she’s powerless to do anything.  Maybe Esmeralda should have ask God to make Frollo tolerant. At least that would have been proactive.

2026 edit- I originally called “God Help the Outcast” the worst of the Esmeralda’s prayer scenes but that wrong and bad take. I apologize for that one. I was harsh on the Disney version in 2011 and not as so these days. So no this review doesn’t hold much water now.

 

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image
Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

 

The problem with “God Help the Outcasts” isn’t the music or the singing, it’s the content. While it’s great that Esmeralda is mature and is capable of praying selflessly but in the course of the song she’s pretty much insulting her people, and due to juxtaposition of the her prayer with other parishioners she is making them look bad. So she can’t be selfless and humble without bring others down?

2026 edit- The Disney version wasn’t the first version to showcase the contrast of prayers of Esmeralda and the other parishioners and it’s not exactly the song’s fault it needs to convey Esmeralda’s selfless wishes both in simple terms yet dramatic for the scope of the scene and movie. It’s my own fault for interpreting the lyrics as “condescending.” I still find them a little naive in execution but I get the intent.

Next Song – Heaven’s Light (I have a little bit  more on God Help the Cast, so stay tuned)

Quasimodo's figurines from "Heaven's Light" Hunchback of Notre Dame Disney picture image
Quasimodo’s figurines from “Heaven’s Light”
Clopin during the Feast of Fools Disney Hunchback of Notre Dame picture image
Clopin during the Feast of Fools Disney Hunchback of Notre Dame

Topsy Turvy follows in the path of the big show stopping music numbers of Disney. Other songs like this included (but not limited to) Under the Sea (The Little Mermaid), Be Our Guest (Beauty and the Beast) and A Friend Like Me ( Aladdin). Unlike these, Topsy Turvy is not a show stopper, it doesn’t stop the movie for the sake of a spectacle, but instead  Topsy Turvy propels the plot forward.

Clopin Topsy Turvy Disney Hunchback Notre Dame picture image
Clopin Topsy Turvy Disney Hunchback Notre Dame

 

There is a lot that happens within the course of the song with regards to story telling. The festive starts and Quasimodo gets caught in the swing of it, Quasimodo meets Esmeralda, Esmeralda dances getting the attention of Quasimodo, Phoebus and Frollo, the King of Fools contest starts, and Quasimodo is crown the king.  There so much that happens that the song is broken up into four part essentially. These parts are well connected and the last portation with Quasimodo as the King of Fools features a keynote change to denote the ending of the song.

Quasimodo Topsy Turvy Disney Hunchback of Notre Dame picture image
Quasimodo Topsy Turvy Disney Hunchback of Notre Dame
Disney Esmeralda Hunchback of Notre Dame Dance picture image
Esmeralda’s Dance Disney Hunchback of Notre Dame

 

As far as the song is concerned it’s fun. It’s very celebratory, the lyrics are clever and Paul Kandel does well singing it. It’s the only Disney song to use a word meaning prostitutes. The line “Join the bums and thieves and strumpets,” a strumpets is an old fashion word for a prostitute or a harlot. Kind of interesting that the only Disney song to use a word for prostitute would also feature a pole dance.

 

Reversal Topsy Turvy Disney Hunchback of Notre Dame picture image
Reversal Topsy Turvy Disney Hunchback of Notre Dame
Quasimodo reacting to the craziness Topsy Turvy Disney Hunchback of Notre Dame picture image
Quasimodo reacting to the craziness Topsy Turvy Disney Hunchback of Notre Dame
Topsy Turvy CG Crowd Disney Hunchback of Notre Dame picture image
Topsy Turvy CG Crowd Disney Hunchback of Notre Dame

 

The visuals help make this song memorable. There lots of  reversals to help keep the momentum going and the fun up. This visually also give Quasimodo something to react to and since he is seeing all this craziness for the first time, Quasimodo acts as the audience in this song.  There is a cast of thousand. The crowds were made using CG and at the time were a feat but the crowd in movie hasn’t aged well.

 

Clopin Topsy Turvy Disney Hunchback Notre Dame image picture
Clopin Topsy Turvy Disney Hunchback Notre Dame

The song has several reference that harken back to Victor Hugo’s Novel. First the lyrics mention the date a being January 6, which is the day the Feast of Fools took place on. Of course the movie doesn’t seem to take place in winter, then again it could just be unseasonably warm.

 

 

 

Disney Esmeralda Hunchback of Notre Dame Dance picture Image
Esmeralda’s Dance Disney Hunchback of Notre Dame

 

Another Reference is Clopin referring to Esmeralda as “La Esmeralda.” Esmeralda in the book is very often referenced to with the article “La.”

 

Shock the Priest Topsy Turvy Disney Hunchback of Notre Dame picture image
Shock the Priest Topsy Turvy Disney Hunchback of Notre Dame

 

 The last reference and probably the most interesting. Is on the line “shock the priest” Clopin is holding a Frollo puppet. This is a clear reference to Frollo being a priest in the book.

 

Quasimodo as the King of Fools Topsy Turvy Disney Hunchback of Notre Dame picture image
Quasimodo as the King of Fools Topsy Turvy Disney Hunchback of Notre Dame

 

The song itself is fine, it big and fun but it’s not my favorite. I would position this song in the middle of the ranking  however I can understand why many would like it, it’s a fun song that adds to the movie and alludes to the book very appropriately.

 

Next Song – God Help the Outcast

Esmeralda Disney Hunchback of Notre Dame singing "God Help the Outcast" picture image

The “I Want” Song

Frollo and Quasimodo during Out There Disney Hunchback of Notre Dame picture image
Frollo and Quasimodo during Out There Disney Hunchback of Notre Dame
Frollo and Quasimodo during Out There Disney Hunchback of Notre Dame picture image
Frollo and Quasimodo during Out There Disney Hunchback of Notre Dame

Out There is for all intended purposes is a solo but its prelude is duet between Frollo and Quasimodo. Frollo sings about how awful the world is as a means for controlling Quasimodo. When Frollo departs the scene, the mood of the song changes into  Quasimodo singing about a yearning to venture beyond the tower and go flocking with the normal people.

 

Quasimodo during Out There Disney Hunchback of Notre Dame picture image
Quasimodo during Out There Disney Hunchback of Notre Dame
Ariel Disney The Little Mermaid picture image
Ariel Disney The Little Mermaid

There is no good way to say it, “Out There” is a knock off of “Part of your World” from the Little Mermaid.  Lots of Disney characters sing this “wanting more” type of song but Out There and Part of that World express the some thought. And it’s interesting that they both point to a direction; up for Ariel and down for Quasimodo and they both mention a desire for the sun and to be with “the people”. They also kind of look alike, red hair and they both wear green. (2026 – Maybe a be harsh calling Out There a Knock Off but they are quite similar and outside of the scope them being I want Songs)

 

 

Quasimodo during Out There Disney Hunchback of Notre Dame picture image
Quasimodo during Out There Disney Hunchback of Notre Dame

So how is the song on a music level? Got say, the song it’s self is pretty typical Disney fare. It’s one of the typical songs you’ll hear in a Disney movie, the dreamer’s song. It’s usually the main character singing about wanting something more. This song is just Quasimodo singing about even if just one day he wants to apart of the people. The music is fine, it’s nice and symphonic. The lyrics are very repetitive: he wants to be to live a day with the regular people, I get.

Quasimodo does come off naive to think that just because people live “out there” this qualifies them as normal and he also insinuates that it’s a gift for them to be normal despite the whole issue with Romani who have to live in catacombs to avoid Frollo’s genocide tendencies.

 

Quasimodo during Out There Disney Hunchback of Notre Dame picture image
Quasimodo during Out There Disney Hunchback of Notre Dame

The singing is where this song fails for me. Hulce’s vibrato has too much of a wobble for me. I think this fast vibrato is meant to give Quasimodo an innocence and naivety but it too much wobble. The wobbly vibrato ruins Hulce’s performance for me and do think he a decent enough singer otherwise. (Again 2026 edit – this take of mine has change over the years.)

 

 

Quasimodo during Out There Disney Hunchback of Notre Dame picture image
Quasimodo during Out There Disney Hunchback of Notre Dame
Quasimodo's song "Out There" Disney Hunchback of Notre Dame
Quasimodo during Out There Disney Hunchback of Notre Dame
Quasimodo singing "Out There" Hunchback of Notre Dame Disney picture image
Quasimodo singing “Out There” Disney Hunchback of Notre Dame

 

 

The best part of the song in the movie is the visuals. I remember the first time I saw it, the part where Quasimodo slid down the buttress was my favorite visual, I thought it looked fun, of course as a kid I thought it was a water slide and not a support structure.  I really enjoy Quasimodo interacting with the Notre Dame, he may be dreaming on being on terra firma but Notre Dame is like his private playground.

 

Belle, Carpet, Pumbaa Disney Beauty and the Beast, Aladdin, Lion King
Belle, Carpet, and Pumbaa
Frollo in the Square during Out There Disney Hunchback of Notre Dame picture image
Frollo in the Square during Out There Disney Hunchback of Notre Dame
Satellite Dish during Out There Disney Hunchback of Notre Dame picture image
Satellite Dish during Out There Disney Hunchback of Notre Dame

There are a few things that appear in the song that many viewers don’t seem to notice. The first are cameos, which people notice. The Cameos are Belle (Beauty and the Beast), Pumba (The Lion King) and Carpet (Aladdin). Two other things, is Frollo can be seen in the square as Quasimodo is looking down and a satellite dish can be seen on a house in the bird’s view of Paris or La Cite in this case.

 

Quasimodo during Out There Disney Hunchback of Notre Dame picture image
Quasimodo during Out There Disney Hunchback of Notre Dame

 

So the song is by no means in the top tier of the songs in The Hunchback of Notre Dame, it by no means is it the worst. It’s just a VERY typical formulaic Disney song.

2026 Edit- To be honest, this review is rather harsh. I held it in 2011 but not so much in 2026. And to prove a point “Out There” ranked quite high when I ranked Disney “I Want” Songs with a statical survey. So take than 2011 version of me.

 

Next Time –Topsy Turvy

Clopin during the Feast of Fools Disney Hunchback of Notre Dame picture image

 

Clopin Bells Disney Hunchback of Notre Dame picture image
Clopin with puppet during the Bells of Notre Dame Disney Hunchback of Notre Dame

“The Bells of Notre Dame” is the opening to the movie.

The Opening Shot of Disney's Hunchback of Notre Dame picture image
The Opening Shot of Disney’s Hunchback of Notre Dame
Paris Bells Disney Hunchback of Notre Dame picture image
Paris during the Bells of Notre Dame Disney Hunchback of Notre Dame
Clopin Bells Disney Hunchback of Notre Dame picture image
Clopin during the Bells of Notre Dame Disney Hunchback of Notre Dame

“The Bells of Notre Dame” starts off like The 1939  version, very appropriately with Bells  and Latin choir  (unlike the 1939 version). The bells grow in intensity till the title screen goes away and the opening scene starts and  the melody of the  refrain from Hellfire is heard. From this you get a major sense of drama before you see a single person. Then tone turns gentle and quite, then intense, then more intense. This song is like a roller coaster.

Clopin with Puppet Disney Hunchback of Notre Dame picture image
Clopin with Puppet Disney Hunchback of Notre Dame
Quasimodo's Mother Disney Hunchback of Notre Dame picture image
Quasimodo’s Mother Disney Hunchback of Notre Dame
Frollo Bells Disney Hunchback of Notre Dame picture image
Frollo during the Bells of Notre Dame Disney Hunchback of Notre Dame

“The Bells of Notre Dame” does a few things for the movie, it introduces three main character, showcases Notre Dame’s importance as the setting of the film and explains the relationship between Quasimodo and Frollo. Disney had a bit of the problem with nature of Victor Hugo’s Hunchback of Notre Dame, Frollo isn’t the colossal jerk he is in the Book.

In the Book Frollo takes Quasimodo in after being moved by empathy for him, not by getting scared by a Statue and the Archdeacon because he murder an innocent women in front of the most important spiritual centers in France and fears hell that takes the baby of his victim as an act of contrition. But Disney villains are never ones for charitable act so Frollo is co-forced into  looking after Quasimodo. “The Bells of Notre Dame” also presents the viewers with the moral of the story, “what makes a monster and what makes a man.”

Frollo chases Quasimodo's mother during The Bells of Notre Dame Disney Hunchback of Notre Dame picture image
Frollo chases Quasimodo’s mother during The Bells of Notre Dame Disney Hunchback of Notre Dame
Quasimodo's Mother Disney Hunchback of Notre Dame picture image
Quasimodo’s Mother Disney Hunchback of Notre Dame
The Murder of Quasimodo's Mother Disney Hunchback of Notre Dame picture image
The Murder of Quasimodo’s Mother Disney Hunchback of Notre Dame

The Song also sets up the tone of the movie. Disney boosts that Hunchback is their darkest film, and yes it is, but it is after all a Disney film and there is a lot of “humor” in it. “The Bells of Notre Dame” present both facets, the humor, light-hearted Disney Flair and the darker aspects. The dark aspect are easy to see, the backstory, Frollo kills a women, tries to kill a baby and saddled into raising it. The humor comes from Clopin regaling the children with his puppet (love the Clopin Puppet). But even Clopin here is delighting in the dark dramatics of the story.

Frollo Hunchback of Notre Dame seeing Quasimodo for the 1st time Disney picture image
Frollo seeing Quasimodo for the 1st time Disney Hunchback of Notre Dame
The Well Disney Hunchback of Notre Dame picture image
The Well Disney Hunchback of Notre Dame
Archdeacon Disney Hunchback of Notre Dame picture image
Archdeacon Disney Hunchback of Notre Dame

But is the song itself successful? Yes, yes it. I would so that it’s one of the best song in the movie right up there with “Hellfire.” It’s dramatic,  epic, and grand. Unlike “Hellfire” which has a benefits of being more  focused, Bells of Notre Dame has to fulfill it’s purpose and  has a lot of ground to cover musically. It’s starts with a Latin choir, goes into a more gentle tone and the gets  darker as the Romani are introduced along with Frollo, The Choir returns but more intense as Frollo  chases Quasimodo’s mother. There are so many vignettes in this song that it could have been a mess but it’s handle musically very well and the music intensifies the dramatics of the action.

Frollo in fear for his soul Bells Disney Hunchback of Notre Dame picture image
Frollo in fear for his soul during the Bells of Notre Dame Disney Hunchback of Notre Dame
Notre Dame Sees all Disney Hunchback of Notre Dame picture image
Notre Dame Sees all Disney Hunchback of Notre Dame
Frollo and Baby Quasimodo bells Disney Hunch back of Notre Dame picture image
Frollo and Baby Quasimodo during the Bells of Notre Dame Disney Hunch back of Notre Dame

Originally this wasn’t even going to be a song, it was going to be spoken dialogue. I’m glad they made it into a song because it’s one of the better songs in the movie. It was the perfect way for the movie to start. “The Bells of Notre Dame” perfectly set-up the tone, setting, characters, motivation, drama, and some light humor of the movie.

Clopin Bells Disney Hunchback of Notre Dame picture image
Clopin during the Bells of Notre Dame Disney Hunchback of Notre Dame
A Puppet of Quasimodo bells Disney Hunchback of notre dame picture image
A Puppet of Quasimodo during the Bells of Notre Dame Disney Hunchback of notre dame
Bells Disney Hunchback of Notre Dame picture image
Bells Disney Hunchback of Notre Dame

I would say it’s one the best Disney’s openings. Seriously, Clopin’s crescendo at the end is amazing, it’s probably the single greatest bit of singing in the movie, maybe even Disney History.

Next Time – Part of that World,  oh wait, I mean Out There.

Quasimodo singing "Out There" Hunchback of Notre Dame Disney picture image
Quasimodo singing “Out There” Disney Hunchback of Notre Dame