To get ready for Black Friday/Cyber Monday and Christmas the Hunchback characters are doing a secret santa.

Quasimodo picked Frollo and got him Opteka 650-2600mm High Definition Telephoto Zoom Lens for Nikon Digital SLR Cameras for Stalking Esmeralda better.

Esmeralda picked Clopin and got him Southpole Men’s Marled Full-Zip Hoodie Sweatshirt, so her can be fashionable and warm but it’s a shallow girt.

Frollo picked Fleur-de-Lys and got her a Selfie Stick, He doesn’t know her at all.

Ben Sherman Novelty Socks picture image

Ben Sherman Novelty Socks

Phoebus picked Quasimodo and got him Ben Sherman Novelty Socks, socks, not thoughtful at all.

Gringoire picked Master Florain and got him Plant Theatre Herb Garden Seed Kit , Gringoire thought he was being clever but I can’t see the deaf judge caring for it.

Clopin picked Sister Gudule and got her Zalman King’s Red Shoe Diaries Movie #15: Forbidden Zone, Clopin is being wicked with this one.

 

Outdoor Gargoyle statue picture image

Outdoor Gargoyle statue

Fleur-de-Lys picked Notre Dame de paris and got her Design Toscano Florentine Gargoyle Statue, Notre Dame could use a new cute statue.

Jean picked Djali and got her Caution Attack Goat Sign, gag gift

Sister Gudule picked Phoebus and got him 1 X Snowman Mug w/ Shovel Spoon – Christmas Decor, she know he liked a good drink but it’s super misguided

Djali picked Esmeralda and got her Quiddler, Djali likes words.

Notre Dame de Paris picked Gringoire and got him Une Nuit De Noel a Notre Dame De Paris CD, who wouldn’t ant a new Christmas CD

Master Florain picked Jean and got him Corkcicle Chillsner Beer Chiller, It’s useful but Jean won’t use it.

L’Attaque de Notre-Dame (Attack of Notre Dame)

L'Attaque de Notre-Dame Notre Dame de Paris picture image

L’Attaque de Notre-Dame Notre Dame de Paris

This songs just hits like a ton of bricks after Vivre. Maybe that was the point but like I have said half the songs in the show are bridge songs that lead into the next song. Maybe that was the point to lull the audience in with nice flow and then break it but it seems to me that songs or scenes were cut between Vivre and L’Attaque de Notre-Dame and that whistle line was proof enough of that.
However how is L’Attaque de Notre-Dame? As a song it’s has a cool melody, though it’s mostly Le Sans Papier with another melody overlay over.

The song has two parts the first part is mostly Clopin and Phoebus singing. Phoebus and Frollo attack Notre Dame to get the Court of Miracles out as both Frollo and Phoebus want Esmeralda dead because Frollo couldn’t get some and Phoebus wants some, (wink wink.) Frollo at the start has a part where is gives Phoesbus the right to break the right of sanctuary, because he can do that. Phoebus’s main part is line line about outing the outlaws while Clopin sings the chorus of Le Sans Papiers.

The first part ends when Clopin is beaten to death and before dying asks Esmeralda to take over The Court of Miracles. Esmeralda then takes over singing Le Sans Papiers and Gringoire sings some verses from La Sans Papiers. However Phoebus and crew win.

While the music is very powerful, there is a weird context issue. Considering how accurate this version is regarded, this part is one of the least faithful versions. I’m not saying it doesn’t work within the show but I must mention it.

-Frollo in the book makes up the rumor that sanctuary is being suspended for a day but in the musical he can just do it.
-In the book the Court of Miracles attacks Notre Dame to save Esmeralda and get riches but in musical they are the ones defending the Cathedral with Clopin leading the charge.
-In the book Quasimodo defends Notre Dame to protect Esmeralda from people he thinks want to harm her but in the musical Quasimodo is not in this number at all.

I think for me that is a big little misstep, Quasimodo who loves Notre Dame isn’t there to protect it. It works in the musical but it seems off. The whole of this scene feels off, it’s a cool number but it is rushed and odd.

Déportés (Deported)

Esmeralda about to be hung Helene Segara Notre Dame de Paris picture image

Esmeralda about to be hung

The bad guys win! Everyone who wants Esmeralda to die got their wish. In this song Phoebus passes the sentence on Esmeralda and the Court of Miracles. The Court are all deported and Esmeralda is dragged off to be hanged. Fleur-de-Lys and Phoesbus leave together happy with their scheme and Gringoire is powerless to help. This is the last we see of these characters in the show.

Frollo has moment of remorse but he is too far gone.

Déportés isn’t that much, just really two lines, exile and deported but Phoebus and the chorus sing the the lines with coldblooded authority that it’s crushing and chilling. It’s an effective number that gets you into a less than happy mood.

Mon Maitre, mon sauveur (My Master, My Savior)

Daniel Lavoie as Frollo and Garou as Quasimodo performing Mon Maitre, mon saver Notre Dame de Paris picture image

Daniel Lavoie as Frollo and Garou as Quasimodo performing Mon Maitre, mon sauveur

More death. As dawn breaks, Quasimodo begs Frollo to stop Esmeralda’s execution but Frollo reveals to Quasimodo that he organized the hanging. As Esmeralda dies Frollo laughs and Quasimodo pushes him to his death. In the show it’s down the stairs instead of off Notre Dame de Rock Climbing wall.

Mon maître, mon sauveur is a simple song without a lot of orchestration but that gives way for Frollo’s craziness to come through. There much to it except the deaths of Esmeralda and Frollo. Esmeralda is harnessed and lifted up so the sight of seeing her hanging lifeless in the air is disheartening. Frollo’s death is done with a silhouette falling down various stairs of Notre Dame. I’m going to guess it was done with doubles tumbling on cue and Lavoie appears out the bottom.

Get the whole GLORIOUS ALBUM HERE

Jim Carrey picture image

Jim Carrey

I asked on Facebook for a casting suggestion and I got an Anti-Hypothetical Casting for Jim Carrey as Clopin. My first thought was “Oh, Dear God!”

Jim Carrey picture image

Jim Carrey

Jim Carrey is known as a comedy actor so for him to even play Clopin the tone would have to be comedic, which has been done before but I REALLY doubt Hollywood would do that to a Victor Hugo Novel or the casting director would have to high as fuck or bribed. Though maybe Canada would make a humorous Hunchback movie starring Jim Carrey as Clopin. Or the scariest option and one that is more likely, Disney’s Live action remake with Jim Carrey as Clopin.

Jim Carrey  as Lloyd from Dumb and Dumber picture image

Jim Carrey as Lloyd from Dumb and Dumber

But the question is why Jim Carrey shouldn’t play Clopin. To be perfectly frank Jim Carrey is one of those actors who is known for the goofy dumb humor a la Dumb and Dumber, Ace Ventura, etc (I’m sure there are more). However Jim Carrey also has been in a lot of roles that while are comedic they do have a seriousness to them like Eternal Sunshine of the Spotless Mind, The Truman Show, etc (again I’m sure there are more). So Carrey wouldn’t be a bad option really if the tone of the movie was in keeping with kind of acting style.

Jim Carrey with Elmo and Telly on Sesame Street picture image

Jim Carrey with Elmo and Telly on Sesame Street

So one on level, I could see him working as Clopin on like how Disney portrayed him, where he is the fun-loving, silly leader of the Court of Miracles. However Carrey isn’t that threatening even though he has played a villain before as Count Olaf in Lemony Snicket’s A Series of Unfortunate Events but it’s not the same as Clopin’s menace.

Jim Carrey picture image

Jim Carrey

I don’t think Jim Carrey would be the worst casting choice for Clopin but I would deeply question it.

Visite de Frollo à Esmeralda (Visit of Frollo to Esmeralda)

Daniel Lavoie as Frollo Esmeralda as Helene Segara Notre Dame de Paris picture image Visite de Frollo à Esmeralda

Daniel Lavoie as Frollo and Esmeralda as Helene Segara

I once had the je t’aime as a ringtone, it was awesome. I want to say that any good version of Hunchback should have a jail scene but what I really mean is a confession scene. In that scene the lines do not have to be line for line of the book but lines that capture the mood energy of the scene. That’s what separates a good confession scene like the 1939 version from a meh one like the 1977 version.

However Visite de Frollo à Esmeralda is the perfect version, it gets the scene down perfectly. They only thing that is different is that Frollo isn’t as threatening or a scary as he is in the book, he is done right crazy. Here is just more sexually-repressed which gives was to crazy laster one but he doesn’t have the ice gaze with fiery eyes, however that more on a perform level than the intention of the show, but I don’t mind it, Lavoie’s Je t’aime is powerful, it’s great.

As far as the song goes, it is a lead in to the next song. It has the same off-ness that the other songs have had, defiantly a tone of this part of the musical. But it a a really good lead in.

Un Matin tu Dansais (One morning you danced)

Esmeralda and Frollo Un matin tu dansais Helene Segara Daniel Lavoie Notre Dame de Paris picture image

Esmeralda and Frollo

Un Matin tu Dansais is the really the confession scene proper. In it Frollo confesses his feeling and thoughts towards Esmeralda, she rejects him and he tries to force himself on her, so we get the port de rouge scene mixed in. You got love Lavoie acting here when she pushes him away and he touches the spot where Esmeralda pushed him.

Again. like the lead in, the tone of the song has that off-balanced vibe that we all have come to love, haven’t we?

I don’t have any complaints about this song, the tone it perfect, I really enjoy the acting and the staging. If I did have one issue it would that Esmeralda isn’t scared of Frollo, which fits her character in the musical but not the book.

Libérés (Liberty)

Quasimodo freeing Esmeralda Liberes Helene Segara garou Notre Dame de Paris picture image

Quasimodo freeing Esmeralda

Libérés is a great high energy song that is the perfect contrast to the songs that have some before however I do have some issues with it.

In the song, Quasimodo sets Clopin and his people free and then they save Esmeralda. The song is about revolution and their rights to asylum. The singer just sings this some with such power and conviction that it’s great. Also the staging and use of the space is awesome. They remove the iron bars and people suspend down the climbing wall which is cool.

Now it may seems like have a lot of issue with this song but I nitpick and just watching the musical you would more than likely not even think about these things.

1, As powerful as this song is, it is weak if you compare its counterpoint in the book where Quasimodo descends from Notre Dame and save Esmeralda right before she about to be hanged and proclaims Sanctuary. Here he just opens a cage door and the Clopin is the one to actually save Esmeralda.

I get why they did it this way, practicality and budget.

2, On contextual level, how did Quasimodo know where to go and when to show up?
Last time he was on stage he was in Notre Dame asking where Esmeralda went off to.

One could speculate that Gringoire told him as Clopin failed to save Esmeralda with his complaining song but how would Gringoire know that Quasimodo had interest in Esmeralda? Gringoire and Quasimodo have zero interaction with each other except for the Feast of Fools. Gringoire’s part in Libérés seems to indicate that he told Quasimodo BUT Gringoire has a storyteller role in Notre Dame de Paris so is he in this song as Gringoire the character or as Gringoire the storyteller?

Consider this? Gringoire’s part in Libérés is independent of the other singers, he is singing on his own and he off to the the side for most of the song and comes in separately from Quasimodo toward the middle on the song. It seems like he more of a storyteller than a player in the plan.

However the simpler method is typically the more likely so we”l just go with Gringoire told Quasimodo even though it makes no sense, since the play made it a point that Gringoire told Clopin but not Quasimodo, better drama I guess.

 

Side Note- The English version of this song is really awkward. it sounds like an ad for a Mattress Store One Day sale.

Get the whole GLORIOUS ALBUM HERE

Bohémienne

Esmeralda Helene Segara Bohemienne Notre Dame de Paris picture image

Esmeralda

Bohémienne is one of the few upbeat songs in Notre Dame de Paris. Pending on the cast you’re watching the number can be more upbeat, as most Esmeraldas do have dance choreography. The trouble with some Esmeraldas, is that even though they are dancing, the choreography can look REALLY mechanical. Some Esmeraldas can pull it all like Lola Ponce of the original Italian cast and Baba of the Korean version but most Esmeraldas it like arms up, run back. arms up again and now twirl. Helene Segara at least looks natural in her movements regardless whether not she is dancing, she isn’t but there are a few little steps in there.

Bohémienne tells us a little bit of Esmeralda’s origins and out look on life. She’s a wander and enjoys the unknown. She is also a dreamer and really dreams of going to Spain. Despite the upbeat nature of the number there is this hint of bittersweetness. The combination of tones gives this songs a nice complexity and interest.

It’s a really great introduction for Esmeralda and fun number.

Esmeralda Tu Sais, (Esmeralda, You Know,)

tu sais Esmeralda and Clopin Helene Segara Luc Mervil Notre Dame de Paris picture image

Esmeralda and Clopin

I once made a Top Ten Worst Songs of Notre Dame de Paris list and this song was there, at number three no less. This songs works to tells us more on Esmeralda’s backstory with regards to Clopin. Basically he raised her when she mother died. In the song he warns her about guys and his own rising interest in her.

Here the thing about Esmeralda tu sais and why it made my list, it’s REALLY boring. The melody, orchestration, tone are like valium. It doesn’t highlight the singer it anyway and makes Clopin sound like he is droning. In other cast versions, they tried to fix the song by making it a duet with Clopin and Esmeralda which is nice and Clopin gets more angry about the world but it didn’t really help anything, it’s still dull a rusty nail.

The ONLY thing I can give the song is showcasing Clopin’s gentler side but I mean they could have written a better melody, it’s just one of the weaker songs in the show.

Ces diamants-là (These Diamonds)

Julie Zenatti as Fleur-de-Lys with Patrick Fiori as Phoebus, Notre Dame de Paris picture image

Julie Zenatti as Fleur-de-Lys with Patrick Fiori as Phoebus, Notre Dame de Paris

Ces diamants-là is Fleur-de-Lys introduction song. Just so we’re all clear, Fleur-de-Lys is Phoebus’ Fiancee. Isn’t it great that Notre Dame de Paris introduces Fleur-de-Lys before Quasimodo? I think it is!

Ces diamants-là tells us about Fleur-de-Lys and Phoebus’ relationship. Fleur-de-Lys who is young in this version but is wise to Phoebus’ playboy ways in that she says even if his romantic lines are lies she doesn’t care. She is smitten with him and Phoebus whether or not is he is lying or sincere does seem to be interested in marring her.

The song is sweet but there is more at play. They way they circle around each other and pull way speaks to a power dynamic and really way they do it speaks to Fleur-de-Lys having more control than Phoebus. This could be because Phoebus is a slut who can’t help himself or that it’s Fleur-de-Lys who has the monetary upper-hand like she does in the book. The melody while it’s quite pretty seems a little off, like almost a little diabolical, like a little foreboding with those drums. In that sense it’s the perfect depiction of Phoebus and Fleur-de-Lys‘ characters in the musical.

Get the whole GLORIOUS ALBUM HERE

I might discuss aspects from other casts but I’m going to keep it to the original cast.

Le Temps des Cathédrals (The Age of Cathedral)

 

Bruno Pelletier as Gringoire singing Le Temps de Cathédrales Notre Dame de Paris  picture image

Bruno Pelletier as Gringoire singing Le Temps de Cathédrales

This is the first number of the show. It’s sung by Pierre Gringoire who acts mainly as a story teller. The song tells us about the changing times and how teh Cathedral once prominent and important to society is falling away and that population is changing too as people seek refuge in Paris.

The song itself is very mysterious with a touch of bittersweetness. The songs also have a great build and there is a nice reveals of the stage as the song builds. It starts with a bare stage and Gringoire but slowly layers of screens are pulled back to reveal the set pieces.

Le temps des cathédrales is also a great showcase for Gringoire’s voice. Bruno Pelleteir has such an expressive voice. Also with all the power and build up and the enegry Gringoire to into the song it transition to the nest song very nicely.

Les Sans Papiers (Those without Papers)

 

Luck Mervil as Clopin singing Le Sans Papiers, Notre Dame de Paris picture image

Luck Mervil as Clopin singing Le Sans Papiers

Just a little clarication papers meaning without passport, or without legal documentation which I don’t think they would have had in 1482, could be wrong but it a big deal these days and the Refugee were a big issue in France at the time this musical came out so it’s topical.

So what is interesting about Notre Dame de Paris is that even though they didn’t start it the same way as the book they do introduce the characters at roughly the same points. This songs in Clopin asking for refuge for his people. There is also the same tone of change.

There is a great power and darkness to Le Sans Papiers. It’s interesting that a song that is basically begging would have such a forceful tone to it. There is also a menace and urgency that makes this song exciting by the end.

It also the first number with dancing. Notre Dame de Paris has a lot of dancing. For this particularly number the dancing is a little weird. I don’t know a ton or anything about dance, heck I was run out of tap dance class at the age of six, I’m the last person who should critic dance but while I think the dancing in this number is effective to the tone and mood of the song I don’t care for it. Some of it look like spazing out, which I excel out. I did like that walk out and throw down move.

Also during this song you can see Frollo looming in Notre Dame, as played by a rock climbing wall. And as indicated by the next song, this song did not melt Mr. Frollo’s icy heart.

Intervention de Frollo (Intervention of Frollo)

Daniel Lavoie as Frollo singing Invention de Frollo Notre Dame de Paris picture image

Daniel Lavoie as Frollo singing Invention de Frollo

This is the first song that is a little different between the cast version. Frollo commands Phoebus to arrest the people and he complies. In the original cast he tries to arrest Esmeralda and is taken with her. In other versions, after getting the order Phoebus finds Esmeralda dancing and is taken. It’s both a HUGE difference and not. With her dancing it clarifies Esmeralda as a dancer but the transition is not smooth. With the arrest we lose her a bit as dancer but it makes for a better transition. Though it’s a transition that exist within the song.

As bridge song, Intervention de Frollo is okay. It’s very staccato but gets the point across of Frollo authority and coldness and Phoebus‘ conformity and interest in pretty girls.

*I might translate these with crummy translations or go by the English titles. which can also be crummy.

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Clopin Disney Hunchback Notre Dame picture image

Clopin Disney Hunchback Notre Dame

At last there is exist the Clopin Catsuit, wow, trying saying that three times fast, ok it’s not that hard. Anyway I got an e-mail about a Clopin catsuit from Zentai-Zenati.com. A Zentai is a a full-body skin tight suit, I first learned what a Zentai was from an episode of Archer, episode 03×08, Lo Scandalo to be exact.

You can view it here,  http://www.zentai-zentai.com/clopin-trouillefou-costume-yellow-and-blue-spandex-lycra-catsuit-products-1898.html  (I’m not affiliated with the site, just saying.) I can’t post the picture.

I just love that a site has a Hunchback costume.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Clopin is a complex character in Notre Dame de Paris. He is both intense and tender. If he differs between the cast versions, it’s it most likely that the he is either playing up his intenseness or keeping it to the base level for the character.

tu sais Esmeralda and Clopin Helene Segara Luc Mervil Notre Dame de Paris picture image

Esmeralda and Clopin

Like in the Book Clopin runs the the Court of Miracles. It is a little vague if the Court of Miracles is strictly his group of Gypsies and refugees or beggars but I think it the combination. Speaking of which, Clopin and Esmeralda go way back. When Esmeralda’s mother died, she trusted Esmeralda’s care to Clopin so he is like a father-figure to her. This relationship is complicated for Clopin as Esmeralda grows and becomes a beautiful woman, he starts seeing her as in a romantic light which  he doesn’t seem to like that much.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Like Esmeralda, Clopin hates distinctions between of race, culture and social class. Clopin dislike of these facet of human nature is where Esmeralda got them in the place. This also also makes up the core subject of most of Clopin’s songs, the other subject is Esmeralda.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Because Clopin is so focus of the blight of his people and social inequality he does have the fun and somewhat carefreeness of other Clopins. Of all other Clopin, I think Notre Dame de Paris is the least fun. He does make a few quips like that Poets are only fit to be hanged and he looks like he have fun during that number, tough who wouldn’t singing on a suspended metal girder, it has to be fun. Though Gringoire getting to swing around in that bag looks fun too.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Notre Dame de Paris Clopin does differ from the book as, Clopin in the book didn’t care about social inequality, he just wanted to beg and drink. While I do sprout purity to the book, I do like this changed to character. It gives him interest and more purpose.

Luck Mervil as Clopin from Notre Dame de Paris picture image

Luck Mervil as Clopin from Notre Dame de Paris

Clopin in Notre Dame de Paris is less fun than other version but he has the most social conscious of the Clopin and that makes him an interesting and compelling version of the character from the book.

Next Time Fleur-de-Lys

Julie Zenatti as Fleur de Lys Notre Dame de Paris picture image

Julie Zenatti as Fleur de Lys Notre Dame de Paris

Esmeralda and Quasimodo in Notre Dame Ma Maison c'est ta maison garou helene Segara Notre Dame de Paris picture image

Esmeralda and Quasimodo in Notre Dame

Notre Dame de Paris is often praised for being accurate to the novel but there are A LOT of differences.

Esmeralda Helene Segara Bohemienne Notre Dame de Paris picture image

Esmeralda

The biggest one is no Djali, I mean how could they? But in all seriousness, Esmeralda is in this version is a full-fledge Gypsy who at one point in her life knew her mother. As we have seen in other versions, Esmeralda being a Gypsy is the norm over her backstory in the novel where she is the daughter of French woman and stolen, so it’s not big changes considering the film/adaptation history of the character.

tu sais Esmeralda and Clopin Helene Segara Luc Mervil Notre Dame de Paris picture image

Esmeralda and Clopin

Clopin also serves as not only the leader of the Gypsies and thieves but as a father figure to Esmeralda, as her mother entrusted Esmeralda to him when she died. Clopin himself is different than other versions as he care for the blight and safety of his people more than previous versions of the character.

Quasimodo and Esmeralda Le Pape des fous Helene Segara Garou Notre Dame de Paris picture image

Quasimodo and Esmeralda

The show opts to start with introducing characters and not the Feast of Fools, except for Quasimodo who appears during that Feast of Fools number. It’s a little unclear if Quasimodo had seen Esmeralda before or if he first saw when she crowned him as the Pope but he does take a liking to her when he is crowned and not when she gave him water.

Esmeralda and Quasimodo in Notre Dame Ma Maison c'est ta maison garou helene Segara Notre Dame de Paris picture image

Esmeralda and Quasimodo in Notre Dame

Quasimodo also brings Esmeralda into Notre Dame and offers it to her as a home. Esmeralda has gone into Notre Dame a few times before prior to Quasimodo saving her in different versions but it is the first time Quasimodo invites her in, usually she goes in for another reasons mainly to escape guards. Though in the 1923 version it was to met Phoebus.

Phoebus and Esmeralda Tentative d'enlevement Helene Segara Patrick Fiori Notre Dame de Paris picture image

Phoebus and Esmeralda

Speaking of meeting Phoebus, who liked that segue, Esmeralda and Phoebus arrange to met at a brothel called the Cabaret de Val d’amour whereas in the book they meet a tavern/inn/house called Pomme d’eve. However there is actually a Val d’amour in the book, it is a brothel that Frollo’s brother Jehan frequents.

It just weird that Phoebus would meet a girl, who not 2 seconds before turned him down, at a brothel. Oh well, it’s suppose to make him look sleazy.

Esmeralda on Trial with Frollo Helene Segara Daniel Lavoie Notre Dame de Paris picture image

Esmeralda on Trial with Frollo

The biggest and most glaring of the differences comes in the second act. First off, Frollo handles Esmeralda’s trail and torture. I would venture a guess that the reason for this is more practical than artistic as they would have needed another singer.

Frollo makes sense to fill this role but it’s just weird. Though and I forgot where I heard it but when Esmeralda confesses she just says something like “I love him, I confess,” and Frollo orders the torture to stop, somewhere Daniel Lavoie (Frollo’s original actor) said that it’s because Frollo loved Esmeralda that what she said was deemed enough. So there ya go.

Esmeralda and Frollo Un matin tu dansais Helene Segara Daniel Lavoie Notre Dame de Paris picture image

Esmeralda and Frollo

Also scenes that occur in Notre Dame after Esmeralda is brought there do not happen. The Port de Rouge scene and the scene where Frollo gives Esmeralda the final ultimatum are merged into the Jail scene, which is fine, they blended nicely together.

Also Frollo just likes science in general and not just alchemy which is just minor change and a nitpick.

Quasimodo freeing Esmeralda Liberes Helene Segara garou Notre Dame de Paris picture image

Quasimodo freeing Esmeralda

Another BIG difference is Quasimodo saving Esmerlada, Clopin and the rest of the Court of Miracles. Everyone knows that Quasimodo descends from Notre Dame, saves Esmeralda and proclaims sanctuary while holding her aloft but not here.

In fact Quasimodo never says Sanctuary. He claims freedom for her but he never says “Sanctuary.” The closest is Clopin says “Asile” which can means sanctuary although is closer to asylum. And I’m now resisting making a Asylum Films joke.

Also Quaismodo is no where to be seen when the attack on Notre Dame is occurs. It really seems to be Clopin who is defending the cathedral and not Quasimodo, which just wrong.

Esmeralda about to be hung Helene Segara Notre Dame de Paris picture image

Esmeralda about to be hung

Phoebus is there though and he is the one who proclaims Esmeralda’s death sentence as it’s what his fiancee wants. It a like more of a twist of the knife as Esmeralda was still in love with Phoebus when he passed judgment on her although that did not happen in the book but it makes for good drama.

Fleur-de-Lys and Phoebus Julie Zenatti Patrick Fiori Notre Dame de Paris picture image

Fleur-de-Lys and Phoebus

Lately and this is a good change, Phoebus‘ fiancee, Fleur-de-Lys has a must more of a fleshed-out character. In the book we know she loves Phoebus and jealous of Esmeralda but not too much more.

Here we see more of her inner workings. She knows Phoebus spouts lies and she was ok with that till Esmeralda came along. Unlike the novel where Esmeralda was only meant to be a one night thing for Phoebus, here Phoebus wanted to balance them out. This makes Fleur-de-Lys go a little crazy and pending on what version you watch, she either wishes for Phoebus to ensure Esmeralda’s death or demands it of him. It’s just nice to see the character have a little bit going for her than nothing.

I’m sure there are many more difference but those are the core ones.

Next Time – Esmeralda

Helene Segara singing Ave Maria Paien in Notre Dame de Paris picture image

Helene Segara singing Ave Maria Paien in Notre Dame de Paris

 Garou Helene Segara Quasimodo and Esmeralda Notre Dame de Paris picture image
Quasimodo and Esmeralda

 

One of Notre Dame de Paris’ core weaknesses is the way it presents the story. The narrative is very patchy and filled with a lot little gaps. To really understand what is happening you have to know that story before going into it.

 garou Bruno Pelletier Gringoire spotting Quasimodo during the Feast of Fools Notre Dame de Paris picture image
Gringoire spotting Quasimodo during the Feast of Fools

 

For instance it takes seven songs for the story to get to the beginning of the book. Before that it’s all set-up plus a few lines that marginally tell us about the characters. But seven songs for the Feast of Fools to start. And the plot kind of trots at weird pace, giving us the bare minimum to get to the plot points

Garou as Quasimodo & Helene Segara Danse mon Esmeralda,Notre Dame de Paris picture image
Notre Dame de Paris Ending

However the larger point of the musical isn’t so much to tell the story of Hunchback, as I suspect the creators were under the impression that the audience already knew the story prior to seeing it but the to tell the emotions of the story which the musical does very well. The emotions in this musical are like that of The Phantom of the Opera, over-the-top, I still get misty eyed during “Danse Mon Esmeralda.” Does that excuse the musical for some of its jarring weirdness?

 Luc Merville Clopin and the Court of miracles and the Attack of Notre Dame Notre Dame de Paris picture image
Clopin and the Court of miracles and the Attack of Notre Dame

Nope. I don’t care how emotional effective the songs are, so many of the transitions from emotion to pivotal story points are down right jarring. For instance to get from Phoebus’ song, “Dechire,” when he sings about two ladies wanting him to Quasimodo’s punishment we have the bridge song “Anarkia” which is 42 seconds to explain Gringoire being married, the word “Ankaria” and then OMG look it’s Quasimodo, let’s go check that out. Or how about going from the lovely song where Esmeralda sings about wanting to live to BAM attack on Notre Dame. And for the record Notre Dame de Paris sports a very sloppy hastily done attack scene. First off Quasimodo is not around, Frollo can just ends sanctuary and I’m unclear if Clopin and the court of miracles are defending Notre Dame or attacking it.

Daniel Lavoie Frollo Notre Dame de Paris picture image
Frollo

 

Despite the narrative weakness, Notre Dame de Paris is faithful in some ways to the book. For instant the fate of the characters is all on point and this is the best portrayal of Frollo in any version outside the book, even better than the opera that Hugo himself wrote the lyrics to.

 Garou Helene Segara Quasimodo and Esmeralda Notre Dame de Paris picture image
Quasimodo and Esmeralda

It is easy to over look the weak story telling of Notre Dame de Paris because you do get lost in the big emotions. Does that make it ok? No, but thank goodness the musical is so powerful, that is its very mighty strength.

Next Time – Differences between the book and the musical

Helene Segara as Esmeralda and Daniel Lavoie as Frollo NOtre Dame de Paris picture image
Esmeralda and Frollo