Good news, July 9-10 The Original Notre Dame de Pris Troup (Garou, Helene Segara, Daniel Lavoie, Bruno Pelletier, Patrick Fiori, Luck Merville and Julie Zenatti ) will perform in Beirut, Lebanon.  For more info co this website; Evention

Notre Dame de Paris Beirut Concerts 2012 picture image

Notre Dame de Paris Beirut Concerts 2012

While this is great news, I just wonder how long it will take for one the Notre Dame de Paris concerts to be in Canada or for that matter somewhere in the Westren Hemisphere. I mean 4/7 of the original cast members are Canadians. And there is a decent number of past cast members who are from the Western Hemisphere. So when will it happen? I know there was a rumor last year about the Original Troupe performing in Montreal in the summer but Garou was in Cirque du Soleil, so that didn’t happen. But I hope it happens soon.

As Esmeralda been adapted for different versions of The Hunchback of Notre Dame, she has wore red a lot.

Esmeralda & Phoebus Illustartion picture image

Esmeralda & Phoebus Illustartion

The first couple adaptations La Esmeralda (the opera and the Ballet)  her costumes has red details.

Costume design for La Esmeralda Opera 1831 picture image

Costume design for La Esmeralda Opera 1831

 

In 1839, Belgium Painter, Antoine Wiertz depicted her in all red.

Painting of Esmeralda and Djali by Wiertz

Painting of Esmeralda and Djali by Wiertz

In 1870 ballerina, Adelina Patti, is depicted in a costume with a red skirt. The Ballets runs the gambit of colors from blue to green to pink though red seems to be the popular color choice.

Adelina Patti as Esmeralda 1870 picture image

Adelina Patti as Esmeralda 1870

 

Paloma Herrera as La Esmeralda Ballet picture image

Paloma Herrera as La Esmeralda Ballet

La Esmeralda Ballet picture image

La Esmeralda Ballet

La Esmeralda Ballet with Phoebus picture image

La Esmeralda Ballet with Phoebus

 

 

 

 

 

 

It’s not till we get to the movies that we see red surfacing as the dominate color for her. The 1923 movie has at least two instances of a colorized posters one is yellow and purple and the other has red details.

Hunchback of Notre Dame 1923 Lon Chaney picture image

Hunchback of Notre Dame 1923 Lon Chaney

Hunchback of Notre Dame 1923 Poster picture image

Hunchback of Notre Dame 1923 Poster

 

 

 

 

 

 

 

 

 

 

In 1939 despite Walter Plunkett’s design being mostly blue with red details and a red vest the coloration of her dress on a poster is all red.

Walter Plunkett design Costume for Esmeralda 1939 Hunchback of Notre Dame picture image

Plunkett’s costume design for Esmeralda 1939 Hunchback of Notre Dame

Movie poster for 1939 Hunchback of Notre Dame picture image

Movie poster for 1939 Hunchback of Notre Dame

 

 

 

 

 

 

 

 

 

 

Though to be fair there are a few posters  where she wears green and blue, but there is more red.

Hunchback of Notre Dame 1939 Poster picture image

Hunchback of Notre Dame 1939 Poster

Movie poster for 1939 Hunchback of Notre Dame picture image

Movie poster for 1939 Hunchback of Notre Dame

 

 

 

 

 

 

 

In the 1956 version Esmeralda wears all red for most of the movie.

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture image

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

But I find it curious that she wears yellow at her ill-fated meeting with Phoebus over red.

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956 picture image

Gina Lollobrigida as Esmeralda Hunchback of Notre Dame 1956

 

 

 

 

 

 

 

 

In 1996 Disney version Esmeralda wears red during her dance performance but for most part she wears purple.  I do have to wonder if Anne-Marie Bardwell had something to do with Esmeralda wearing purple throughout the movie as she was  credited in Character Design/ Visual Development and one of the animators on Esmeralda.

Esmeralda Disney Hunchback of Notre Dame picture image red dress

Esmeralda Disney Hunchback of Notre Dame Dancing

Though she wears red/dark pink in Der Glockner von Notre Dame the German musical.

 

Esmeralda dancing Der Glöckner von Notre Dame Picture Image

Esmeralda Dancing Der Glöckner von Notre Dame

 

 

In Notre Dame de Paris Esmeralda wears green but there is one red dress that was wore  for advertising for the London cast and the 2001 French cast. This dress is only wore once on stage in the Russian version during her meeting with Phoebus. And even in the 2010/2011 concerts Helene Segara wore red to sing the musical.

Tina Arena As Esmeralda in the Promotional Red Dress Notre Dame de Paris 2000 London Castpicture image

Tina Arena As Esmeralda in the Promotional Red Dress Notre Dame de Paris 2000 London Cast

Helene Segara performing Bohemienne at Bercy Concert picture image

Helene Segara performing Bohemienne at Bercy Concert

 

 

 

 

 

 

 

 

 

 

 

Recently in the new illustration novel by Benjamin Lacombe and the  Graphic Novel by Robin Recht and Jean Bastide, Esmeralda wears red.

Esmeralda by Benjamin Lacombe Notre Dame de Paris picture image

Esmeralda by Benjamin Lacombe Notre Dame de Paris

Esmeralda Notre Dame de Paris Graphic Novel by Robin Recht and Jean Bastide picture image

Esmeralda Notre Dame de Paris Graphic Novel by Robin Recht and Jean Bastide

 

 

 

 

 

 

 

 

 

 

When you look at all these instances, why is red her default color? Is it because green is too obvious for her given that her name means Emerald and red is opposite color to green making it the non-obvious choice? Seems a rather simplistic design notion for a costume, especially when one thinks that the color red is in total opposition to her as character.

Esmeralda Statuette by Armani picture image

Esmeralda Statuette by Armani

 

The color red typically is associated in Western cultural with  passion, desire, love and sexuality. Esmeralda’s personality is lighthearted, innocent, naive and modest. She doesn’t seem the type character to outwardly express her sexuality because even though she inspires desire in others, she herself is unaware of it.

Red is also in opposition of Esmeralda’s allegorical role as the Virgin Mary who traditionally wears either wears blue or turquoise.

Red also seems to age Esmeralda, her main point of interest in the novel is her youth, blue and green are more youthful colors but red comes off as mature.

Finally in the Romani culture, red is a color of ill omen as it’s associated with Blood (The Lure of the Gypsy Culture ) Though maybe the costume is meant her to  be ironic like she is subconsciously giving her in to tragic fate, though she lives more often than she dies and I don’t think the costume designers are that clever or that cerebral.

Shirel as Esmeralda in the Red with Laurent Ban as Phoesbus Notre Dame de Paris 2001 French Cast picture image

Shirel as Esmeralda in the Red with Laurent Ban as Phoesbus Notre Dame de Paris 2001 French Cast

 

However, maybe this whole matter is quite simple, does Esmeralda wear red in the book?
In the book there are  only a few instances where her clothing is described. When Gringoire first sees her, she is wearing a golden bodice (Book 2 chapter 3 Kisses for Blows) Frollo mentions that she wears blue when he first saw her dance (Book 8 chapter 4 Lasciate Ogni Speranza) and of course she wears white in the later part of the story when she condemn to die and brought into Notre Dame.

I think there maybe an instance of her wearing a multicolored skirt but I can’t find the instance in the book and her necklace that contains her baby shoe is stung with red seed beads,  other that she does not wear red. So why is she in red since red is in total opposition to her as character and there is no precedence for it in the novel.

Auguste Couder's Painting of Frollo stabbing Phoebus picture image

Auguste Couder’s Painting of Frollo stabbing Phoebus

If Esmeralda doesn’t wear in the book and it’s a color that is against every aspect of her character why does red seem to be the color of choice for her.

One reason I think is red is an easy color choice to make for when a character is suppose to stand out and be thought as desirable. There might be another level, Esmeralda is a Gypsy, this gives her an sense of exoticism and one popular style of art in the 19th century was Orientalism. Orientalism in art meant depicted exotic sense from place that were exotic to Europeans. The paintings use a lot of rich colors and a lot of red especially for women.

Une Beaute Prientale by Paul de la Boulaye picture image

Une Beaute Prientale by Paul de la Boulaye

 

So her being in red could mean that the costume designers are saying Esmeralda is an exotic beauty who is sexual desirable even though Victor Hugo meant for Esmeralda to work against the stereotype, why else would he have Gringoire said this to Frollo about her;

I certainly  consider it a great rarity to find such nun-like prudery fiercely maintained in the midst of those gipsy girls, who are so easily tamed” (Book 7, chapter 2). Esmeralda’s purity is part of her allure and to have her wearing red more less bastardizes the point of  her character

Painting of Esmeralda and Djali by Wilhelm Marstrand

Painting of Esmeralda and Djali by Wilhelm Marstrand

Red is just the wrong color for Esmeralda as a character and is it far too over done to be her dominant color anymore, details are fine but it’s too much red  but in over 170 years worth of adaptations it has become a boring cliche. I think this  is a cliche that need to at very least ebb. Costume designers of newer Hunchback adaptions if you read this please consider using different colors and if you must use red make it details or at the very least  try a different tone it doesn’t always have to fire engine red.

Esmeralda and Frollo Disney Hunchback of Notre Dame picture image

Esmeralda mocks Frollo Disney Hunchback of Notre Dame

This video from the 10th anniversary Italian cast of Notre Dame de Paris from April 13th, 2012. I beilieve it’s Federica Callori as Esmeralda singing Zingara (Bohemienne).

I’m just going to say this I find a lot of casts of Notre Dame de Paris to have rather mechanical performances and it’s very noticeable in this song with Esmeralda.  You can see it in run toward up stage at 0:58 and her interaction with other people. It’s not just Callori many of the Esmeraldas don’t have that ease of motion that Esmeralda should have.

Helene Segara performing Bohemienne as Esmeralda Notre Dame de Paris picture image

Helene Segara performing Bohemienne as Esmeralda Notre Dame de Paris

Say what you want about Helene Segara’s over-all performance, at least her movements felt natural and not forced.

 

Lola Ponce as Esmeralda Original Italian Cast Notre Dame de Paris picture image

Lola Ponce as Esmeralda Original Italian Cast Notre Dame de Paris

Lola Ponce was probadly one the best Esmeraldas to combine the choreography and her own natural moments.

What do you think? Do you find some of the Esmeralda’s moments mechanical and overly pre-planned, I mean I know they are but it shouldn’t feel that way. Or do you disagree with me and find the moments natural and fluid? Or do you have an opinion of Callori’s performance?  Your thoughts/opinions are very welcome ^_^

I saw this picture on Notre Dame de Paris Fans and I was like “Woah! No Light, No Light lyrics! Cool”.

Helene Segara as Esmeralada Notre Dame de Paris  and Florence + The Machine picture image

Helene Segara as Esmeralada and Florence + The Machine

Funny thing is, No Light, No Light by Florence + The Machine is at present my favorite song and if this picture was posted a week before I wouldn’t have gotten it, odd huh? I’m very slowly becoming a Florence + The Machine fan (before this I’d only really listen to Cosmic Love by Florence +Machine) and for the most part I very rarly listen to popular/current music.

Can I challenge someone to make a music video using No Light, No Light (or another Florence + The Machine song) and Notre Dame de Paris? Because I don’t think I can pull it off and it would be so awesome! ^_^

Source of Picture is from thehostparty

Helene Segara as Esmeralda Notre Dame de Paris

Helene Segara as Esmeralda from Notre Dame de Paris

I was reading on http://notredamedeparisfans.tumblr.com/ that tumbler user express a dislike  for Esmeralda’s green dress from Notre Dame de Paris. You can read the post here (post doesn’t seem to be of NDdp Fan anymore).  She finds the dress to be like a sack with no movement and thinks the show should have opted for more traditional gypsy costume designs. Overall she doesn’t care for the design. Now since I don’t have a tumblr account and I made a squidoo lens on this topic, I’m going to offer up a defense with a blog post. However this is not the first person to express a dislike for the costume. So it’s nothing new.

Helene Segara as Esmeralda Notre Dame de Paris design by Fred Sathal

Helene Segara as Esmeralda design by Fred Sathal

 

I really do like the design I think it’s pretty and has a fashion edge to it. Of course I do not like all the versions of the dress. I tend toward the ones where you can see the texture more and I prefer one that are not floral patterns. I think the reason why the show didn’t opt for the cliche “gypsy” look was the show was trying to go for a “modern” and less of the musical vibe: more like music video as musical in France were not popular in 1998 (they mentioned this in either the featurette or on the frequent star special). This is probably why they got Fred Sathal  do the designs. Sathal is a fashion design with costume-like POV but not a costume designer, so all the costumes are not typical musical costumes.

Helene Segara as Esmeralda Notre Dame de Paris picture image

Helene Segara as Esmeralda Notre Dame de Paris

 

As for the movement, the dress does have some movement (watch Bohemienne) and while Esmeralda is dancer as part of her character, the actresses are not cast for their dancing, so the movement of the dance factor is mute point. I mean when an Esmeralda does dance she moves her hips, spins, runs around and/or does hand movements, not exactly movements that need a flowy skirt to showoff the quality of  movement and lines (well maybe the spin do). Plus she only dances once in two hours, so the play isn’t that interested her dancing.

 

Lola Ponce as Esmeralda Notre Dame de Paris picture image

Lola Ponce as Esmeralda Notre Dame de Paris

 

Later in the tumble post it’s mentions that red promotional dress that was used for London cast, French cast and was used in Russian version is prettier. Problem with that dress is the color is red which is Quasimodo’s color so it does really work for the show. Unless the colors are switch ( but I prefer Esmeralda in green, red is too cliche) or the dress was made green the dress.  I wonder what that would be like…..

The Red Promotional Notre Dame de Paris in Green, Tina Arena(Esmeralda) and Garou (Quasimodo)   picture image

The Red Promotional Notre Dame de Paris in Green, Tina Arena(Esmeralda) and Garou (Quasimodo)

I like the red promotional dress, I just don’t care for the fringe, especially on the sleeves. I kind of like it in green though it’s pretty in red. Also for the record I like the second act dress too (I’m planning a lens on that too ^_~). I like flutter sleeves, cowl necklines and ruffles. Consider that the dress is a prison doesn’t make a ton of sense but when did musical have to be logical.

 

Helene Segara as Esmeralda in the Prison dress Notre Dame de Paris design Fred Sathal picture image

Helene Segara as Esmeralda in the Prison dress design Fred Sathal Notre Dame de Paris

 

Maybe another cast versions should change up the costumes a bit variety being the spice of life. But let’s hear from you what are your thoughts, people? Do like the Notre Dame de Paris Costume Style or should it opt for a more traditional musical style (whatever that means)?

Bada as Esmeralda Korean version Notre Dame de Paris  picture image

Bada as Esmeralda Korean version Notre Dame de Paris

These videos are from “Chabada” a French Tv Show from Decemeber 4 2011 with the orginal cast of Notre Dame de Paris (except Bruno Pellatier) right before the reunion concerts. The last video is the whole thing, so if you have 50minutes to kill, give it a watch or watch the song clips. I think I got all them. Enjoy!

 

 

These pictures are from the 2011 Kiev concert of Notre Dame de Paris when Garou and Helene Segara performed Ma Maison c’est ta Maison.

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev image picture

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev picture image

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

 

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev picture image

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

 

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev picture image

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

 

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev picture image

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

 

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev picture image

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev picture image

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

 

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev picture image

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

 

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

 

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

 

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

 

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev picture image

Garou and Helene Segara performing Ma Maison c'est Tu Maison in Kiev

 

Such great chemistry ^^

It maybe a day early but I just wanted to wish everyone a Happy New Year.

Happy New Year from the Hunchblog

Happy New Year from the Hunchblog

This just a photo-manipulation I did of Helene Segara during the Bercy concert of Notre Dame de Paris….

The Original  Troupe of Notre Dame de Paris singing at Bercy Concert picture image

The Original Troupe of Notre Dame de Paris singing at Bercy

In the second week of December 2011 we (the world) were treated to four performances of Notre Dame de Paris by the original  cast/troupe in both Paris and in Kiev. The troupe sang the show in a concert style with a full orchestra and a choir. This marks the second year the troupe has done this but the first year they performed in Paris together since 1999. There were talks of a reunion of the original troupe getting together to perform Notre Dame de Paris since May 2009 when Helene Segara mentioned the prospect in an interview (Click HERE to read that interview).

Notre Dame de Paris Concert Poster image picture

Notre Dame de Paris Concert Poster

So  why did it take them so long reunite? Well it actually it’s the some reason why they have been doing the concerts. Notre Dame de Paris made a lot of the original cast’s careers and they enjoyed a fair amount  of popularity from the show. However over the years the cast’s popularity has been waning. Let’s just look at Helene Segara’s music career. When Segara recorded her studio album “Coeur De Verre” in 1996 it peaked number 6 in France. In 1998 she was cast as Esmeralda, in 2000 she released her second studio album “Au Nom D’une Femme” which peaked at number 2 in France. Her album “Humaine” top at number 1 as well as “Quand L’Eternité” in 2006. However her 2009 album “Mon Pays C’Est La Terre” peaked at 19. Quite a fall, and it’s not like the album is terrible, I like it, I even used one of the songs in an Anime Music Video to Romeo X Juliet (click to watch). In 2010, Segara and the rest of the Original Troupe performed the show in a concert format in Kiev, St Petersburg and  Moscow. Her latest album “Parmi La Foule” which was released in 2011 peaked at 9 on the French chart.  Coincidence, No, I think the concerts are a way for the Original Troupe to get back in the spotlight. That is not to say that I think the concerts are some sort of ploy to make money. I think the people invovled with them love the show and the music and the original troupe seem to respect the fans and like performing the show.

 

Helene Segara and Garou on Stage in Kiev picture image

Helene Segara and Garou on Stage in Kiev

Now how were the concerts this year? I can’t give a full answer as I couldn’t go to either Paris or Kiev and concerts are one those things that you need to be there for. And watching Youtube videos shot/uploaded by fans who were there is not fair to base an assessment on. However watching videos, I must admit I was a little disappointed. It seems to me that with the Kiev performance the Troupe were pushed into a corner of the stage (by the harp) and  just  stayed in that corner or the didn’t really move around the stage much. The weird part is that you can tell they want to act the show, Daniel Lavoie (Frollo) does his Frollo posture with stiff hands. It’s a little forgivable because watching the video the Kiev Stage looks small and there is a full orchestra on stage.

Helene Segara performing Bohemienne at Bercy Concert  picture image

Helene Segara performing Bohemienne at Bercy Concert

Which brings me another problem I had, the full orchestra. Yes, orchestras are lovely and provide great energy, but I really don’t care for the arrangement of the songs. I hate to use Segara as an example again but let’s  look at Bohemienne as an example. Bohemienne is one of the few upbeat songs in the show. The orchestra at the Bercy concert gave Bohemienne a slower tempo and upped the Middle-Eastren vibe, which I liked (even if it only makes sense because Helene Segara is part Armenian). But  the slower pace just makes it seem melancholy, the only thing to saves it is Segara puts the energy back into the song with her performance, even if she is not dancing.

 

Garou, Daniel Lavoie and Patrick Fiori performing Belle in Bercy picture image

Garou, Daniel Lavoie and Patrick Fiori performing Belle in Bercy

Also one more thing, and this a personal thing, I have an issue with Belle (Staging). The point of Belle is that three men sing about a woman but when the Trio sings it where is the “Belle”, why isn’t Segera on stage? She was on stage last year for the concerts. I mean it’s one thing if the trio is performing on a TV show and Segara is not there but she’s there no excuse, she should have been on stage in some capacity.

 

Notre Dame de Paris Original Troupe Promo Picture  Image

Notre Dame de Paris Original Troupe Promo Picture

There are other things I can harp on but I confess that I can forgive my disappoints, because had I been there the thrill of it would eclipsed my critical mind and I would have been lost in the spectacle of it all. It’s very easy to be critical when you’re not there. I do think it wonderful that the Original Troupe has done these concerts. I do hope they will perform the concerts on the other side of the Pond as half the cast are Canadians. I know there were rumors about it last summer but Garou was in Cirque Du Soleil in New York, so that didn’t happen. So we’ll if the Troupe does more concerts in the future, I hope they do.

Patrick Fiori and Julie Zenatti performing Notre Dame de Paris in Bercy picture image

Patrick Fiori and Julie Zenatti performing Notre Dame de Paris in Bercy

Bruno Pelletier performing Notre Dame de Paris in Bercy picture image

Bruno Pelletier performing Notre Dame de Paris in Bercy

Luck Mervil performing Notre Dame de Paris in Bercy picture image

Luck Mervil performing Notre Dame de Paris in Bercy

 

 

 

 

 

 

Garou and Helene Segara performing Ma Maison c'est Ta Maison in Kiev picture image

Garou and Helene Segara performing Ma Maison c’est Ta Maison in Kiev

Julie Zenatti performing Notre Dame de Paris in Bercy picture image

Julie Zenatti performing Notre Dame de Paris in Bercy

Garou and Patrick Fiori giving Daniel Lavoie a Kiss in Bercy during the Notre Dame de Paris Concert picture image

Garou and Patrick Fiori giving Daniel Lavoie a Kiss in Bercy during the Notre Dame de Paris Concert

 

 

 

 

 

 

 Helene Segara performing Notre Dame de Paris picture image

Helene Segara performing Notre Dame de Paris

 

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

God Help The Outcasts is a very different Disney heroine song. Many of the Female Disney Characters sing about wanting something for themselves. While Esmeralda is singing about wanting something that is not for her. She is being  selfless which furthers elevates her into the mature sector.

 

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

 

The song is simple, it’s Esmeralda praying for the welfare of her people. This humble and selfless prayer is shown in contrast to the other parishioners who pray for selfish things like wealth, fame and love. This scene is pretty much lifted from the 1939 version albeit with some differences but the overall scene and content is the same.

 

Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame

 

Unlike in the 1939 version, during the course of the song Esmeralda walks through the sanctuary of Notre Dame. It’s the only time in the Hunchback of Notre Dame where we get to see the interior of  Notre Dame other than the bell tower. While it’s nice to see the sanctuary portion of Notre Dame there are more than a few things wrong with how Notre Dame is presented. I’ll go more in depth on that later for now let’s get into the reviewing the  song’s content.

Esmeralda Disney Hunchback of Notre Dame singing "God Help the Outcast" picture image

Esmeralda singing “God Help the Outcast” Disney Hunchback of Notre Dame

 

The song musically is nice and is pleasant. It’s one of two ballads that made it into the film. It’s the prettiest song in the movie and it’s sung well by Heidi Mollenhauer. However there is an air of  condescension with this song. As Esmeralda is trying to sound humble she is saying some really condescending lines. She asks for nothing because she is lucky and better off then most of her people and if God doesn’t help no one will help them.  She also reminds Gods that everyone is “children of God” and that Mary should relate to her because she thinks Mary was once an outcast like her. This another fault with the song, she’s in Notre Dame de Paris, in any Notre Dame, Mary is the figure of reverence. However she starts praying to Mary and then instantly switchs to God. Maybe it’s her “outcast” “pagan” ways that she would do this flippantly  but my guess is God is more dramatic and fits song meters better,  Even though Mary embodies compassion. Then again Frollo prays to Mary to burn Esmeralda, so what is the movie trying to say about Mary? I mean everyone seems to be trying to get out of Notre Dame.

 

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

There is also all her “I” statements that are kind of off putting. Her lines are “I ask for nothing, I can get by, but I know so many less lucky than I”  these lyrics just seem to reek with “I’m better than you” mentality.

Esmeralda looking at the Virgin Mary Maureen O'Hara 1939 Hunchback of Notre Dame picture image

Esmeralda looking at the Virgin Mary, Maureen O’Hara 1939 Hunchback of Notre Dame

 

In the  spectrum of the “Esmeralda’s Prayer”  which isn’t in the book,  God Help the Outcast is the worst. Beside this song there are two other prayers, the fore-mention 1939 version  and Ave Maria Paien from Notre Dame de Paris. In the 1939 version, Esmeralda (Maureen O’Hara) asks “The mother of God” to help her people, she says that Mary can take all that she has but Esmeralda presents Mary with a Method; she asks to speak to the King as he is a authority figure and can help her and her people, which he does as the end.  In the 1939 version, Esmeralda  is sincere and humble, and as she not insulting anyone by saying she’s better off. In Ave Maria Paien (The Pagan Ave Maria) Esmeralda is (pending on which version your listening to) asking for a few things, protection from the fools who are in control and the joining of all people. The essence of the song is she wants Ave Maria on her side. Is it humble and selfless?  Not really, she does come off as humble and sincere though. Disney Esmeralda is sincere but she seems to have a defeatist attitude, only god can help and no one else can, she’s powerless to do anything.  Maybe Esmeralda should have ask God to make Frollo tolerant. At least that would have been proactive.

 

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcasts Disney Hunchback of Notre Dame

 

The problem with God Help the Outcasts isn’t the music or the singing, it’s the content. While it’s great that Esmeralda is mature and is capable of praying selflessly but in the course of the song she’s pretty much insulting her people, and due to juxtaposition of the her prayer with other parishioners she is making them look bad. So she can’t be selfless and humble without bring others down?

Next Song – Heaven’s Light (I have a little bit  more on God Help the Cast, so stay tuned)

Quasimodo's figurines from "Heaven's Light" Hunchback of Notre Dame Disney picture image

Quasimodo’s figurines from “Heaven’s Light”