Natalia Osipova as Esmeralda, Roberto Bolle as Quasimodo and Mick Zeni as Frollo, Roland Petit Notre Dame de Paris 2013 picture image

Natalia Osipova as Esmeralda, Roberto Bolle as Quasimodo and Mick Zeni as Frollo, Roland Petit Notre Dame de Paris 2013

 

This version of Hugo’s novel is very pared down to a very minimal telling of the story. You have the four principal characters: Quasimodo, Esmeralda, Frollo and Phoebus. The ballet doesn’t have  Gringoire, Clopin, Fleur de Lys, or extra characters.

As one can guess having only the love/lust plot-line it follows that trajectory and doesn’t concern its self with the subject of blight of the downtrodden, social justice or the modernity of the printing impact on architecture.

It starts with Quasimodo getting crown Pope of Fools, Frollo gets mad. Esmeralda dances to which she attracts the attention of Quasimodo and Frollo.

Frollo then has Quasimodo kidnap Esmeralda. And here is where we a deviation. After Quasimodo grabs Esmeralda they are set upon by the corps dressed in red. Now I was very confused, I had no idea what was happening. I thought it was maybe fire or that the dancers were somehow symbolic of Frollo’s lust. I didn’t know!

According to http://ticket.heraldtribune.com (an actually well-done review) the corps are portraying thugs. This makes sense both within the context of the ballet’s narrative and adapting Hugo’s story. In the original novel after the kidnapping, Gringoire, who was trying to help Esmeralda, is set upon by the Court of Miracles. However the thugs are now in this scene to help convey Quasimodo as more sympathetic as he is protecting Esmeralda. This adaption isn’t really necessary to story and could have been skipped but works to add more dancing which you need in a ballet.    

So after the thugs are dealt with, Phoebus then arrests Quasimodo. Phoebus notices Esmeralda and they are attracted to each other. Then Quasimodo is sentenced and Esmeralda gives him water.  Esmeralda and Phoebus have their tyst, though he flirts with whores prior and during their time together. That is to communicate Phoebus’ lack of romantic feelings towards Esmeralda and that he just in it for the sex.  He is then stabbed by Frollo. I’m pretty sure that Phoebus does in fact die in this version.

Esmeralda has her trial and is sentenced. Quasimodo then saves her from the gallows.

The second act is Esmeralda and Quasimodo bond. Frollo then attacks Esmeralda and I mean he slaps her a bunch. She is then dragged off to her death. Quasimodo strangles Frollo and then carries Esmeralda’s body away.

It is a very basic rendition of Hunchback which is fine for medium of ballet. You don’t want anything too complex but is this telling too simple? Perhaps. It is very pared down to a degree that basic disney’s knockoff have more developed story lines though that is not always a good thing. 

To be honest the narrative only works to convey mood, style and dancing and that is what this Ballet is all about. But we should address the character before getting to those points of interest.  

Way back in April 2018, I asked which  version of Hunchback should be next to review. I had a few versions of my radar, like the Dingo version and La Esmeralda. See post here

Now I did picked one a while but due to personal issues I wasn’t ready to sit down and go back down the rabbit hole. So I  put it off till now, hopefully.

Roland Petit's Notre Dame de Paris ballet picture image

Roland Petit’s Notre Dame de Paris ballet

The version that is up next was  a suggested by neala897 and it’s the Roland Petit Ballet. We will see how this goes because ballets are hard to review.

As of yet I have not watch the Ballet that will come later as I as fresh of perspective as possible.

But here is a little background information. Petit mounted Notre Dame de Paris in 1965 with music by Maurice Jarre.  Jarre was a film composer who did the music on films like Lawrence of Arabia (1962), Doctor Zhivago (1965) and Passage to India (1984.)    I will just say one source site the ballet as debuting in 1965 and another sites 1967, the point is this ballet is from the 60s.  

So let’s get into this. I’m going to watch the version performed by the Opéra national de Paris, 1996 with Isabelle Guérin as Esmeralda, Nicolas Le Riche as Quasimodo,  Laurent Hilaire as Frollo and  Manuel Legris as Phoebus.

Who has seen this version or at least this ballet before?

(Note – The picture is from the 2013 production)

Last week I randomly listened to 20 songs on my iTunes so see what the probability was of getting either a Hunchback song or a song sung but an artist affiliated with a Hunchback version. The result were one in five or 20%.  This is the second test. Nothing have changed I have added no new songs.

So instead of me listing all the songs I got I’m only going to mention which Hunchback songs were played because no care about my music.

Test 2 had disappointing results as only one Hunchback song was played and it should barley count. The song was Visite de Frollo Esmeralda from Notre Dame de Paris  but it was only the Je t’aime part. A while ago I wanted it for a ringtone. Turns out I used the opening of La Sociere more.

So the result was 1 in 20. or 5%. Not as good as last time. Went down 15% from test one.

     

Stéphanie Schlesser played Fleur de Lys in 2014-2015 French Language Asian Tour. She does play and sing the role very well. She also played Juliette in the South Korean Tour in 2015  of Romeo & Juliette which is one of France other reloading musicals.

I went to the Peabody Essex Museum in Salem Ma a few weeks ago and at the Wear Art exhibit I saw THIS;

Gothic Habit by Lynn Christiansen 2014 picture image

Gothic Habit by Lynn Christiansen 2014

This is a wearable garment made by Lynn Christiansen. It’s entitled Gothic Habit. That is a perfect name for this piece.  Christiansen made it in 2014 and it’s made from felt that was laser etch. Christiansen

Christiansen was inspired by the shapes, rising arches, stone and the raw beauty of cathedrals. Christiansen felt that entering a can be a religious experience and then she wondered if the reversal was true. If where the structure produce the same religious feeling.

Lynn Christiansen’s World of WearableArt

These are Notre Dame de Paris Style Dolls made using Divine Dolls Dark Mage Creator.

Esmeralda

Notre Dame de Paris Style Esmeralda composed using Divine Doll Dark Mage Creator picture image

Notre Dame de Paris Style Esmeralda composed using Divine Doll Dark Mage Creator

Fleur de Lys

Notre Dame de Paris Style Fleur de Lys composed using Divine Doll Dark Mage Creator picture image

Notre Dame de Paris Style Fleur de Lys composed using Divine Doll Dark Mage Creator

Personally I liked the idea of the costume concept more than the show’s actually costumes. I do like that the newest version updated the costumes but I think they could be tweaked and reimagined a bit more. Notre Dame de Paris was never Phantom, I don’t think people are going to feel betrayed if the costumes are not the some from production to production.

I do wonder how different the show would be with different more time-appropriate costumes. Like Fleur de Lys in ornate gowns and the like. Or Esmeralda in maybe brightly colored pattern fabrics that have a hint of belly dancing to them.

Sorry for yet another video, personal life and stuff.

Just a few reactions of this video;
– I really do want to analyze Fleur-de-Lys’ costume. I haven’t sat down and REALLY thought about but I’m not sure how to feel about. Of course the costume I REALLY want to discuss is Frollo’s, I have some words for that one.

– I really like this Fleur-de-Lys, she has a lovely clear voice that is the perfect tonal foil to Tawaji’s voice,  Alyzée Lalande gets a solid A from me.

– Not sold on Martin Giroux as  Phoebus. Granted I haven’t gone through this cast with a fine tooth comb to really assess their performances but he just seems from this vid to be on the generic side. To be fair few Phoebus performer stand out so it could be the role.

You may not believe this but I didn’t want to post another youtube video today as it’s  a content crutch. However this is technically news. As you can see by the video there will be a Notre Dame de Paris concert in Poland. At first I wondered if this meant the songs would be translated to Polish but according to this site http://www.icekrakow.pl/aktualnosci/koncert-notre-dame-de-paris-w-ice-krakow,26756,3 the song will be in French.

HOWEVER turns out there is a Polish version of Notre Dame de Paris.

It seems to be very fairly new. It also looks like they took their visually style from the Italian version. First time I have seen that.

Esmeralda – Maja GadziÅ„ska/Ewa KÅ‚osowicz
Quasimodo – MichaÅ‚ Grobelny/Janusz KruciÅ„ski
Frollo – Artur Guza/Piotr PÅ‚uska
Phoebus – PrzemysÅ‚aw Zubowicz/Maciej Podgórzak
Fleur de Lys – Weronika Walenciak/Kaja Mianowana
Gringoire – Jan Traczyk/Maciej Podgórzak
Clopin – Łukasz Zagrobelny/Krzysztof Wojciechowski

here is more info

 

Now sure who of the performers are in the concert though.

I feel bad posting another Notre Dame de Paris video off of youtube but life hasn’t been too great this past week. Though, I  have been wanting to hear Tawaji’s rendition of Bohemienne, so this pretty off the cuff.

#1- I think I really do like the changes to the costume. Indeed it’s way pretty in motion. I also like the slits up on those overlays on the back of the costume, it offer yet more movement. Future versions don’t mess it up too much, I still haven’t forgiven the evolution of the damn slit Esmeralda had for like a decade.

#2 – Tawaji is really perfectly cast. Someday I do want to a list the top 10 or so Esmeralda from Notre Dame de Paris. I won’t pretend that I have seen videos or MP3s or all them BUT  I have heard/seen bunches . Maybe 80% but that is probably a high guess.

#3- While YES, Tawaji is a great Esmeralda, I do find her arm movement a little stiff/awkward. It’s like she isn’t quite sold of the motions or is super unsure what to with her arms. Which is a little weird because she is a great dancer otherwise. Pesky arms.

#4 – While I do appreciate this recording, I really do, I did laugh when Tawaji runs  up stage on the First Bohemienne to do that arm thing you see ALL Esmeralda do, which I find to be the most mechanical of her motions and due to the angle of the video Esmeralda is TOTALLY blocked by Clopin. I can’t if Tawaji falls prey to mechanicalness that plagues all Esmeraldas or somehow makes it work for her.  Just funny, not complaining.

But if the production wants to send me a recording of the show to review, please do! I will review it with all the praising as you want. I know they won’t.

 

I do admit I prefer the original way this song was done in the original French version opposed to manipulation of the way La Monture is performed now.  I do like Alyzée Lalande as Fleur de Lys. Her voice is very similar to Julie Zenatti in quality and tone. She has just the right amount of allure and venom to her voice which a singer needs for La Monture.

I’m sure I’ll discuss the new Fleur’s costume someday I will just say I do like the way it moves. It’s very pretty to look at.