Moodiness Esmeralda (Maureen O'Hara) 1939 Hunchback of Notre Dame picture image

Moodiness Esmeralda (Maureen O’Hara) 1939 Hunchback of Notre Dame

The 1923 version staring Lon Chaney maybe considered the monster movie of the Hunchback pantheon but the 1939 have a far more scary-ish scene.

Ok, it’s not scary but it has a very dark moody tone that make it’s uneasy. As Esmeralda flee from Notre Dame after seeing Quasimodo, he stalks in the dark  narrow streets.  If we had seen Quasimodo before then so we did know what lurked in the night it would have been more scary. Of course that means we would have had the King of Fools scene so yeah that would have happened. But the dark slow-paced unsettling quality  of that makes it feel more scary than anything in the 1923 version. Though Monster Movie doesn’t equal horror but still.

Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame picture image

Esmeralda singing God Help the Outcast Disney Hunchback of Notre Dame

As mentioned before  Hunchback versions seldom ever passes The Bechdel Test, including the Disney version read here.  But it made me think about the other Disney movies. I was going to go through and look at each movie but I  don’t have to because this site  did all the work for me, http://disney-blog.com/2011/05/the-bechdel-test-and-disney-films/. But I’m going to offer some analysis.

Disney Princess Line UP with Esmeralda, Megara and Kida, picture image

Disney Princess Line UP with Esmeralda, Megara and Kida

As a refresher, to pass the test a work needs to meet 3 criteria; 1) It has to have at least two named female characters, 2) That talk to each other 3) About something other than a male.  Most movies fail the Bechdel test. Also passing or failing does not indicate the quality of a movie. Terrible movie pass and great movies fail.

Aurora and Prince Phillip Sleeping Beauty picture image

Aurora and Prince Phillip Sleeping Beauty

So what does this mean for Disney?  Well the purpose of the test is show the  female presence in a given movie.  Interestingly enough the older movies, Snow White, Cinderella, and Sleeping Beauty all pass. Which is valid as at least with Cinderella and Sleeping Beauty  there is a decent amount of named female characters. Though movies that don’t have lots of female characters still pass, like 101 Dalmatians, Peter Pan, Hercules, and even The Emperor’s New Groove, which is a male buddy comedy.

Jasmine Aladdin picture image

Jasmine

Movies like Cinderella and Sleeping Beauty are often criticized for passive lead female characters but the most of the characters in the movies are females. So having one strong likable female character doesn’t help the over-all female presence. Like Aladdin fails, hard.

Ariel's Fin The Little Mermaid picture image

Ariel

I would disagree with The Little Mermaid failing as the site says because Ariel and Ursula had a fairly long conversation about a few topics, I would give it a pass.  The Lion King could have passed if Nala and Sarabi had spoken more. I’m a little unsure if Snow White should have gotten the pass, as the Queen has a name but after the fact. Her name isn’t said in the movie. Though to be fair, I haven’t seen Snow White in a very long time.

Elsa and Anna frozen picture image

Elsa and Anna

I do find it interesting that with modern day Disney movies that are Princess that try to aim with boys in mind they do keep a strong female presence. Tiana with her mother, Rapunzel with her “mother” and the sisters of Frozen.

Yzma The Emperor's New Groove picture image

Yzma

I would  thought more Disney movies would have failed but it pretty mixed. It’s just really interesting that the older princess movies have a stronger female presence than the Disney movies that have a single “strong” and “Independent”  female character.

Esmeralda and Quasimodo in Notre Dame Ma Maison c'est ta maison garou helene Segara Notre Dame de Paris picture image

Esmeralda and Quasimodo in Notre Dame

Despite its flaws Notre Dame de Paris is the one of the best adaptions of the novel. It captures the spirt of Hugo and the characters better than any other version to date. Is it perfect? No but you don’t get much closer to the book and it does it own thing very nicely. And it brought musicals back to France.

Notre Dame de Paris Belle Esmeralda Helen Segara, Garou Quaismodo, Frollo Daniel Lavoie Phoebus Patrick fiori picture image

Belle with Garou, Daniel Lavoie, Patrick Fiori and Helene Segara

Easily this my favorite version. To be honest, I could spend more time on Notre Dame de Paris since I didn’t really get into the any of the other casts. In fact that is something I have always wanted to do even before thehunchblog officially started. I more than likely will return to Notre Dame de Paris and discuss the various casts more probably on Wednesdays at various interval, since Wednesdays are like a free-for-all day. Heck, there is a new Italian tour going on so there are a lot of casts to get through and I would like to discuss more about the costumes.

Garou as Quasimodo & Helene Segara Danse mon Esmeralda,Notre Dame de Paris picture image

Garou as Quasimodo and Helene Segara performing Danse mon Esmeralda

So this isn’t good-bye but a see you later Notre Dame de Paris.

Next month is a theme month (Guess the theme if you dare), so there won’t be a version starting in October. Next version starts in November and trust me when I say it’s one of the infamous bad ones.

Demi Moore image picture

Demi Moore

Demi Moore voice Esmeralda in the Disney version of The Hunchback of Notre Dame.

-Her first job was a bill collector.

-She “won” Worst Actress of 1997 for her performances in the films The Juror (1996) and Striptease (1996), then again the next year she “won” Worst Actress for her role in G.I. Jane (1997). She has been nominated six times. Though could technically be seven as in 1996 she got a nomination for two movies. And also in 1996, Disney’s Hunchback came out,which poked fun at her being in Striptease.

-Hired three cameramen to videotape the birth of her first child.

Disney Esmeralda Hunchback of Notre Dame Dance picture image

Esmeralda’s Dance Disney Hunchback of Notre Dame

Bonus round- In the commentary of Disney’s Hunchback the directors  said they wanted Esmeralda to sound like “she’s been around” which is why Moore was cast.

You might recall this Fan-art of Esmeralda by Jirka Vinse Jonatan Väätäinen.

Esmeralda Real Life Rendering by Jirka Väätäinen Disney Hunchback of Notre Dame

Esmeralda Real Life Rendering by Jirka Väätäinen Disney Hunchback of Notre Dame

Well fairly recently Väätäinen did a set of the same style but for the Disney male heroes and here is the one done for Phoebus.

Phoebus, Real Life Rendering by Jirka Väätäinen Disney Hunchback of Notre Dame picture image

Phoebus, Real Life Rendering by Jirka Väätäinen Disney Hunchback of Notre Dame

Unlike the set of the Disney Princesses+ characters I can’t quite identify who they are basing the rendering on but it’s spot on from the Disney design.

I hope they do more Disney Villains next, they only have Ursula so far.
Check out more by Väätäinen at http://jirkavinse.com

Donnez-la moi (Give her to me)

Garou as Quasimodo and Helene Segara as Esmeralda performing  Donnez-la moi Notre Dame de Paris picture image

Garou as Quasimodo and Helene Segara as Esmeralda performing Donnez-la moi

Donnez-la moi is a bridge song. It’s Quasimodo literally fighting guards to get to Esmeralda’s body to claims it. It’s roughly thirty seconds long but it so sad.

Danse mon Esmeralda (Dance my Esmeralda)

Garou as Quasimodo & Helene Segara Danse mon Esmeralda, Notre Dame de Paris picture image

Garou as Quasimodo and Helene Segara performing Danse mon Esmeralda

Speaking of sad. Danse mon Esmeralda is the show tear-jerking finale. I challenge you not to feel sad during this song because it is heart-breaking. Quasimodo sings this to a dead Esmeralda and begs her to dance and sing for him and to let him go with her as in death they will unite.

Quasimodo learns that his deformity has lead him to this moment and that to die for Esmeralda is not death but an expression of his love.

This is beautiful and heartfelt. I get chills listening to it and it also leaves my misty eyed. The three dancers that are lifted in the airt gives this songs a even more transdential quality.

Musically, lyrically and contextually this is the best song in the show and was the perfect way to end it. Though the curtain call does have the whole cast singing Le Temps together in a super happy way so the audience doesn’t go home too bummed but Danse Mon Esmeralda fit the ending of the book and way a great note to end the show. A+++

Get the whole GLORIOUS ALBUM HERE

L’Attaque de Notre-Dame (Attack of Notre Dame)

L'Attaque de Notre-Dame Notre Dame de Paris picture image

L’Attaque de Notre-Dame Notre Dame de Paris

This songs just hits like a ton of bricks after Vivre. Maybe that was the point but like I have said half the songs in the show are bridge songs that lead into the next song. Maybe that was the point to lull the audience in with nice flow and then break it but it seems to me that songs or scenes were cut between Vivre and L’Attaque de Notre-Dame and that whistle line was proof enough of that.
However how is L’Attaque de Notre-Dame? As a song it’s has a cool melody, though it’s mostly Le Sans Papier with another melody overlay over.

The song has two parts the first part is mostly Clopin and Phoebus singing. Phoebus and Frollo attack Notre Dame to get the Court of Miracles out as both Frollo and Phoebus want Esmeralda dead because Frollo couldn’t get some and Phoebus wants some, (wink wink.) Frollo at the start has a part where is gives Phoesbus the right to break the right of sanctuary, because he can do that. Phoebus’s main part is line line about outing the outlaws while Clopin sings the chorus of Le Sans Papiers.

The first part ends when Clopin is beaten to death and before dying asks Esmeralda to take over The Court of Miracles. Esmeralda then takes over singing Le Sans Papiers and Gringoire sings some verses from La Sans Papiers. However Phoebus and crew win.

While the music is very powerful, there is a weird context issue. Considering how accurate this version is regarded, this part is one of the least faithful versions. I’m not saying it doesn’t work within the show but I must mention it.

-Frollo in the book makes up the rumor that sanctuary is being suspended for a day but in the musical he can just do it.
-In the book the Court of Miracles attacks Notre Dame to save Esmeralda and get riches but in musical they are the ones defending the Cathedral with Clopin leading the charge.
-In the book Quasimodo defends Notre Dame to protect Esmeralda from people he thinks want to harm her but in the musical Quasimodo is not in this number at all.

I think for me that is a big little misstep, Quasimodo who loves Notre Dame isn’t there to protect it. It works in the musical but it seems off. The whole of this scene feels off, it’s a cool number but it is rushed and odd.

Déportés (Deported)

Esmeralda about to be hung Helene Segara Notre Dame de Paris picture image

Esmeralda about to be hung

The bad guys win! Everyone who wants Esmeralda to die got their wish. In this song Phoebus passes the sentence on Esmeralda and the Court of Miracles. The Court are all deported and Esmeralda is dragged off to be hanged. Fleur-de-Lys and Phoesbus leave together happy with their scheme and Gringoire is powerless to help. This is the last we see of these characters in the show.

Frollo has moment of remorse but he is too far gone.

Déportés isn’t that much, just really two lines, exile and deported but Phoebus and the chorus sing the the lines with coldblooded authority that it’s crushing and chilling. It’s an effective number that gets you into a less than happy mood.

Mon Maitre, mon sauveur (My Master, My Savior)

Daniel Lavoie as Frollo and Garou as Quasimodo performing Mon Maitre, mon saver Notre Dame de Paris picture image

Daniel Lavoie as Frollo and Garou as Quasimodo performing Mon Maitre, mon sauveur

More death. As dawn breaks, Quasimodo begs Frollo to stop Esmeralda’s execution but Frollo reveals to Quasimodo that he organized the hanging. As Esmeralda dies Frollo laughs and Quasimodo pushes him to his death. In the show it’s down the stairs instead of off Notre Dame de Rock Climbing wall.

Mon maître, mon sauveur is a simple song without a lot of orchestration but that gives way for Frollo’s craziness to come through. There much to it except the deaths of Esmeralda and Frollo. Esmeralda is harnessed and lifted up so the sight of seeing her hanging lifeless in the air is disheartening. Frollo’s death is done with a silhouette falling down various stairs of Notre Dame. I’m going to guess it was done with doubles tumbling on cue and Lavoie appears out the bottom.

Get the whole GLORIOUS ALBUM HERE

Dieu que le monde est injustice (God made the world unfair)

Garou as Quasimodo Notre Dame de Paris picture image

Garou as Quasimodo

Dieu que le monde est injuste is heartbreaking. Quasimodo sings as a lament that Esmeralda doesn’t love him the same way she loves Phoebus. It’s more than strictly he’s ugly and Phoebus is handsome it’s more about rich and poor. Quasimodo is ugly and poor and Phoebus is handsome rich lord, they are as unequal as two people can get.

Quasimodo doesn’t blame Esmeralda for her preference, he blames god as God made the world unfair. He then asks who God and Jesus prefer the rich or the poor though the implication is that Quasimodo believes it’s the rich who don’t have the some heart and are not as faithful. Might be a unfair but since the two representations of the nobles in the show are Fleur-de-Lys who wants a poor girls to die because she is jealous and Phoebus a two-timing slut, Quasimodo might have the right of it.

Most Quasimodos sell this song with sad anger though I think Garou just nails this song wit the right amount of angst.

Vivre (To Live)

Helene Segara as Esmeralda performing Vivre Notre Dame de Paris picture image

Helene Segara as Esmeralda performing Vivre

Vivre is a gorgeous song and I throw that word around a lot but it really is beautiful. Esmeralda sings this song as a yearning for unconditional love. Love without barriers or social status. Esmeralda wants love and believes in its power  The lyrics have a lovely flow and Helene Segara gives a lot of emotional power to this song.

The main irony of this song is that Quasimodo wants to give her that kind of love but she can’t see it. It’s a little unclear if at the point in the musical she still longs for Phoebus as she never say him specifically and this musical isn’t shy about using names.

Vivre is Esmeralda’s growth song, she wants to live in a world where love belongs to everyone and if she has to die for that she would. And since she talking about loving in a more unconditional way and that as a hope for all humanity, I think it more than her singing with Phoebus in mind. I do wonder that if Esmeralda and Quasimodo had more time together Esmeralda could have loved him. I don’t think book Esmeralda could have without some more maturity but this Esmeralda I think could have.

Both of the songs are great foils for each other and flow wonderfully into each other which makes the next song very jarring.

Get the whole GLORIOUS ALBUM HERE

Lune (Moon)

Gingoire lune Notre Dame de Paris picture image

Gingoire and the moon

Lune is a gorgeous song. If you don’t believe that a Gringoire performer can sing then this knocks it out the park.

Gringoire sings this song as part of his storyteller role and it about the dangers and the all consuming nature of love. Gringoire asks the moon to bear witness to Quasimodo who suffers from love.

There is so much power and pathos in this song. The melody is delicate and melancholic. It’s perfect!

Je te laisse un sifflet (I leave you a whistle)

Garou as  Quasimodo and Helene Segara as Esmeralda Notre dame de Paris picture image

Garou as Quasimodo and Helene Segara as Esmeralda

Two words; Chekov’s Gun! If you introduced a prop, you better damn use it or why bother. This song is the biggest misstep in the show. In this song Quasimodo gives Esmeralda a whistle much like in the book however she never uses it in the show and it is never used ever.

I sort of HAVE to assume that the production cut at least one song cut that would have made this song make sense because the transition between Vivre and The Attack on Notre Dame is very jarring and most of the songs in the show  have a bridge song  is a  transition.

The production should fixed this song up so that there was no whistle mentioned because it’s stupid. I mean it’s one line that could have been fix as the most of the songs is rather sing-song and Quasimodo just gives Esmeralda the load down of the cathedral. But even with that line about the useless whistle, I have no problem saying that this is the most forgettable song in the musical by far.

2022 Edit-  Hi, I’m editing a 7 year old post. With regards to Je te laisse un siffle, I changed the wording from worse to just forgettable. I really doubt this anyone favorite song but “worse” seemed harsh for a small transition song.

But I was thinking that the production could use the a whistle or a sound effect right before Esmeralda is hanged or maybe as Phoebus sentences her and this would alert Quasimodo to try to help her by means of asking Frollo to stop it. I don’t know though the show is over two decades old so why would they why changing it now as this only really bothers me sometimes  like when I watch the show in its entirety as I don’t listen to this song otherwise.

Get the whole GLORIOUS ALBUM HERE

Visite de Frollo à Esmeralda (Visit of Frollo to Esmeralda)

Daniel Lavoie as Frollo Esmeralda as Helene Segara Notre Dame de Paris picture image Visite de Frollo à Esmeralda

Daniel Lavoie as Frollo and Esmeralda as Helene Segara

I once had the je t’aime as a ringtone, it was awesome. I want to say that any good version of Hunchback should have a jail scene but what I really mean is a confession scene. In that scene the lines do not have to be line for line of the book but lines that capture the mood energy of the scene. That’s what separates a good confession scene like the 1939 version from a meh one like the 1977 version.

However Visite de Frollo à Esmeralda is the perfect version, it gets the scene down perfectly. They only thing that is different is that Frollo isn’t as threatening or a scary as he is in the book, he is done right crazy. Here is just more sexually-repressed which gives was to crazy laster one but he doesn’t have the ice gaze with fiery eyes, however that more on a perform level than the intention of the show, but I don’t mind it, Lavoie’s Je t’aime is powerful, it’s great.

As far as the song goes, it is a lead in to the next song. It has the same off-ness that the other songs have had, defiantly a tone of this part of the musical. But it a a really good lead in.

Un Matin tu Dansais (One morning you danced)

Esmeralda and Frollo Un matin tu dansais Helene Segara Daniel Lavoie Notre Dame de Paris picture image

Esmeralda and Frollo

Un Matin tu Dansais is the really the confession scene proper. In it Frollo confesses his feeling and thoughts towards Esmeralda, she rejects him and he tries to force himself on her, so we get the port de rouge scene mixed in. You got love Lavoie acting here when she pushes him away and he touches the spot where Esmeralda pushed him.

Again. like the lead in, the tone of the song has that off-balanced vibe that we all have come to love, haven’t we?

I don’t have any complaints about this song, the tone it perfect, I really enjoy the acting and the staging. If I did have one issue it would that Esmeralda isn’t scared of Frollo, which fits her character in the musical but not the book.

Libérés (Liberty)

Quasimodo freeing Esmeralda Liberes Helene Segara garou Notre Dame de Paris picture image

Quasimodo freeing Esmeralda

Libérés is a great high energy song that is the perfect contrast to the songs that have some before however I do have some issues with it.

In the song, Quasimodo sets Clopin and his people free and then they save Esmeralda. The song is about revolution and their rights to asylum. The singer just sings this some with such power and conviction that it’s great. Also the staging and use of the space is awesome. They remove the iron bars and people suspend down the climbing wall which is cool.

Now it may seems like have a lot of issue with this song but I nitpick and just watching the musical you would more than likely not even think about these things.

1, As powerful as this song is, it is weak if you compare its counterpoint in the book where Quasimodo descends from Notre Dame and save Esmeralda right before she about to be hanged and proclaims Sanctuary. Here he just opens a cage door and the Clopin is the one to actually save Esmeralda.

I get why they did it this way, practicality and budget.

2, On contextual level, how did Quasimodo know where to go and when to show up?
Last time he was on stage he was in Notre Dame asking where Esmeralda went off to.

One could speculate that Gringoire told him as Clopin failed to save Esmeralda with his complaining song but how would Gringoire know that Quasimodo had interest in Esmeralda? Gringoire and Quasimodo have zero interaction with each other except for the Feast of Fools. Gringoire’s part in Libérés seems to indicate that he told Quasimodo BUT Gringoire has a storyteller role in Notre Dame de Paris so is he in this song as Gringoire the character or as Gringoire the storyteller?

Consider this? Gringoire’s part in Libérés is independent of the other singers, he is singing on his own and he off to the the side for most of the song and comes in separately from Quasimodo toward the middle on the song. It seems like he more of a storyteller than a player in the plan.

However the simpler method is typically the more likely so we”l just go with Gringoire told Quasimodo even though it makes no sense, since the play made it a point that Gringoire told Clopin but not Quasimodo, better drama I guess.

 

Side Note- The English version of this song is really awkward. it sounds like an ad for a Mattress Store One Day sale.

Get the whole GLORIOUS ALBUM HERE