One Song this week!

Hunchback of Notre Dame Musical performing Esmeralda picture image

Ensemble performing Esmeralda

Esmeralda –  Before I start, can I just say that watching the La Jolla performance of this song was bat-shit stupid.  It was dumb to  have Frollo stab Phoebus, then blames Esmeralda for it and yet he just condemned Phoebus to die and Esmeralda is already wanted. It like what the hell? What is the point of Frollo stabbing Phoebus? Musical, I respect what you’re doing but you can’t just insert the stabbing scene from the book  into your show like that. You just seem like you want to add things even though they don’t make sense with the narrative you’re telling. And while I’m mentioning the La Jolla recording, there are a lot of differences from the La Jolla version of this song vs the cast album. Do you have any idea how tasking these reviews are? I have to deal with the Disney Movie Version, the book, the German version, and two versions of the English musical version.

As you may know, Esmeralda is the Act 1 closer from the German version. This is where Frollo is on a man-hunt for Esmeralda and is burning Paris because he is super  obsessed. It’s also where Phoebus says No to Frollo for not burning  a Family in a Mill, though in this musical version it’s a brothel that harbors Gypsies. I think the change is so they could make some sexual connotations about Phoebus visiting and that Frollo shouldn’t be there.

Esmeralda was my favorite song from the German version as it’s both very dramatic and speaks to the basic theme of the story, the differences of the hearts of three men. I will say that it’s not my favorite song in this version as the I slightly prefer the Tavern song but it’s on point with the German. I do however have some issues with it though.

For starters, I hate the lyric “He held the Torch that Crackled like the Gypsy’s Voice.”   Even if Esmeralda in these Disnye-ish versions has a smokey quality, crackled is a terrible word choice. I understand Phoebus is supposed to be reminded of her in this instant and in the German version he hears her singing in his head but really Menken? Crackled?  A Crackling voice is indicative of an old person or someone with a cold.

And there is another issue I have. When Phoebus hears Esmeralda sing in his head in the German version, she sings a few lines from a song she sang to him in Notre Dame. This is the case in La Jolla performance though it’s a chorus and not Esmeralda herself. He then throws the Torch and say I’m just a fool though the line in German is I think I rather be Good than right.  In the cast album it’s FREAKING God Help the Outcasts, which yes is pretty BUT Phoebus never heard that song! It’s wouldn’t be important to him as the other song was because Esmeralda sung it directly to Phoebus. They just replaced  because the audience knew it better. That choice annoys. It also annoys that they just didn’t have Esmeralda sing it because she even reveals herself to Frollo and crew while in the German version she stays out of sight like in the Disney movie. This choices are really ill-conceived.

Weird choices asides, this still a great song that is much like German version in term of its powerful grand scale and is a great song to end Act I.

 

 

 

 

 

 

 

 

One thing before I start the songs, I will discuss the La Jolla performance a little when I’m done with the album because the scene prior to this was so much of a combo of the 1939 version and the Disney version plus the scene after Top of the World is such a massive change from the movie that I have to talk about the show itself even if the show was changed from the La Jolla version and the Papermill version.  Also there are one two songs this week for dramatic reasons like Heaven’s Light and Hellfire are meant as a set.

Ciara Renee and Micheal Arden in the Jolla Production of The Hunchback of Notre Dame picture image

Ciara Renee and Micheal Arden in the La Jolla Production of The Hunchback of Notre Dame

 

Top of the World – This song is from the original German version. It’s a very nice little song about viewing things from a different preceptive and Quasimodo and Esmeralda bonding. In the German version, the Gargoyles sing the part where the Chrous of Quasismodo’s imaginary nameless pals sing. There is a fundamental difference between this version and the German version, this version is a lot slower paced and seems more serious. The German version had a more upbeat, faster and light take on this song. This could because the Gargoyles were the comic relief and this version has distanced itself from the silliness of the movie to be more serious like the book. Though the book did have some funny parts.

I mean the song is pretty enough but I do prefer the German version even with the Gargoyles.

Tavern Song (Thai Mol Piyas) – This song is another original song to this musical and can I just say in listening to the album first I was very confused of how this song came after Top of the World but it makes some sense with the show. Anyway this song takes place at the Pomme d’Eve* which is from the book where Esmeralda and Phoebus have their meeting which Frollo ruined with his stabbing Phoebus. Instead of all that it just seems like Frollo was stalking her   for a few months**,  hears her in bar dancing and flirting, in the show she kisses Phoebus, and Frollo gets more hot and bothered than he already was.

This song is very fun. It has a very distinct sound from the rest of the songs (so far) though Frollo’s part is sounds more like Out There rather the Sanctuary leitmotif, which is ironic since he is looking inside a buidling.

Oddly I really like the whisper singing of this song.  It’s a fun upbeat songs, I really enjoyed it.

One Source said that Thai Mol Piyas it means “And we Drink wine” in Romani.

 

Side of Note – This is the 130oth Blog Post!

*Correction, Pomme d’Eve was not where Esmeralda and Phoesbus met. They met at a Falourdel’s. Pomme d’Ever is a a better name though.

**Frollo first saw Esmeralda on January 6th and the song mentions “Winter is dying” which means it has to be mid March at the earliest. But also this is a very subtle nod to the book. In Book 7 Chapter 4 of the novel, Hugo makes mention of the date, March 29th. And this chapter occurs about the time of the Pomme d’Eve scene.  So kudos Musical.

 

So many side notes on this post.

Sam the Eagle & Janice, ABC's Muppets picture image

Sam the Eagle & Janice, ABC’s The Muppets

I love the Muppets, I can’t say I have seen everything they have done but I did watch the new series on ABC The Muppets. It’s sort of a mixed of there old Muppet show mixed with 30 Rock. One thing that I noticed was Sam the Eagle crushed on Janice. Sam the Eagle is uptight and Janice is a free-spirted hippie new age gal.

Now you look at these two and tell me don’t get Frollo and Esmeralda vibes. Sam the Eagle even has a tonsure and Janice has a tan. Sam the Eagle stalks her a little bit and in the Christmas episode waits by the mistletoe from her, he doesn’t get it but he gets a peck later in the episode. I will say that Sam does have more game than Frollo and Janice is nicer to Sam than Esmeralda is to Frollo.

I just loves seeing this type of pairing in the show. They NEED to a Hunchback or Notre Dame de Paris skit with these two.

Ciara Renee as Esmeralda singing God Help the Outcasts, production of Hunchback of Notre Dame picture image

Ciara Renee as Esmeralda singing God Help the Outcasts, production of Hunchback of Notre Dame

Topsy Turvy Part 2 –  And Now Part 2 of Topsy Turvy. This part is the King of Fools segment and Quasimodo’s crowning. It has a few differences from the movie version most notably Esmeralda has a few spoken lines and they there is the tune from Sanctuary in there. I probably should mention that  Sanctuary was a song from the German version that occurred right before Out There. In this musical it is more of a Frollo Leitmotif piece than a full song. It’s also heard in Bells of Notre Dame and the next song Into Notre Dame.

As for this song, it’s fine if you like it in the movie you should like it here. I’m not a huge fan of Erik Liberman’s voice on this song but that is a personal preference more than a criticism.

Into Notre Dame –  This song is a bit of a Frankenstein song, I mean that nicely as it just a combo of three songs, well really two. The first part of this is Frollo telling Quasimodo that he was right, that people  suck and he should stay in his Sanctuary. So for this part we get Out there reprise and the shadows of Sanctuary or as I will just call it Frollo’s Leitmotif.

The second part of this song is Esmeralda entering Notre Dame to the tune of the Bells of Notre Dame. This part is quite lovely. I especially love Ciara’ voice on her line ” The Light of Notre Dame.” I must say so far that is my favorite part so far. Also it’s nice to speak of another aspect of Notre Dame than just the bells.

This song is really just a segue song to get from the festival to Notre Dame so that explains why it doesn’t have its own melody but the pieces of the other song work to move the plot and they make sense with the subject matter.

God Help the Outcasts –  For the big songs of Hunchback they are going to perform they near exact to the movie because that one thing the people want, they want to hear their favorite songs along with new songs and no gargoyles and that is pretty much it. So God Help the Outcasts is just that, identical to the movie which is better than Glockner which gave a change that I hated. They made it a duet with Quasimodo which meant Esmeralda didn’t have her own song though Phoebus did. That still bothers me.

All and all aside from some key shifts and singing a bit lower it’s the same song. I do love the chorus on the “bless me part” ironically it sounded very ethereal. Ciara Renee definitely has similar voice quality to the original singer Heidi Mollenhauer whose has very tender warm slightly smoky quality to her voice. It’s a very nice version of the song I just don’t love the song as much other people but again that is a personal thing and not a criticism. I was hoping that this version would sway me into liking more but it didn’t. Not the song fault I’m a hard sell.

Anna Kendrick picture image

Anna Kendrick

It’s a fantasy of mine that one day there will be a great well done movie version of Notre Dame de Paris. Let’s just say for fun that someone in Hollywood banking on the success of Les Miserable wanted to make it who is an actress in Hollywood that looks the part of Esmeralda, can sing and is popular? Seems like a tall order but all signs point to Anna Kendrick.

Anna Kendrick as Cinderella Into the Woods Picture image

Anna Kendrick as Cinderella

Anna Kendrick has been a lot of successful/popular movies like the Twilight saga, thou we won’t hold that against her, as well as Pitch Perfect movies and Into the Woods. She also a very talent singer who has performed on Broadway. She was in High Society at the age of 12 where she earned a Theater World Award as well as nominations for Featured Actress in a Musical at the Drama Desk Awards and Tony Awards. Kendrick is a very effortless actress, meaning that very natural and it seldom feels like she is playing a role.

Anna Kendrick picture image

Anna Kendrick

Kendrick has a chameleon voice as she can easily to do many style of singing however her natural voice seems to be fairly low to middle range and I think she’s considered a Mezzo Soprano as she is a great belter. Esmeralda’s voice typically is in this range so it suits her voice but more than that, she would bring a bright warmth to the songs.

Anna Kendrick picture image

Anna Kendrick

Notre Dame de Paris Esmeralda run the gambit of looks but there is a standard which is she typically brunette or a red head. Her hair is often also wavy. That is pretty much Kendrick hair style, so it’s easy to envision her in the role.

Anna Kendrick picture image

Anna Kendrick

Anna Kendrick would make a ideal Esmeralda for a movie version as she a great actress/performer/singer and she just bring a likability to to her roles. But what do you think? Would Anna Kendrick make a good Esmeralda? And would you like to see her sing Esmeralda to a Taylor Swift Fleur de Lys?

Ciara Renee as Esmeralda, Papermill production of Hunchback of Notre Dame picture image

Ciara Renee as Esmeralda, Papermill production of Hunchback of Notre Dame

Topsy Turvy Part 1–  Topsy Turvy  is broken up  into two parts to allow two songs to happen as a mean to introduce Phoebus and Esmeralda. Though technically Phoebus makes his first appearance in this song where we learn that last name of his. More on that soon.

The first 30 second is pretty much identical to the movie. However then Quasimodo sings a bit along with some new lyrics sung by the Chorus. His part has a slight reprise to Out There to it. Also the whole of Quasimodo part  feels very musical-y  and also rhyming Now with Now? You guys could have done better.

The Clopin’s a part start and it’s again it’s identical to the movie, though I do admit I prefer Paul Kandel’s sining. The song again shifts to Phoebus appearing in the crowd after The sixth of January line or “Januervy.” And he pretty much announces himself to everyone, Frollo and Jehan did the same thing In Bells so I guess it just a thing the musical does though I don’t really care for people narrating themselves, though the chorus joins in to tells us that “he has a haunted look in his eyes.”  Anyway this part leads in to the next song…

Rest and Recreation – This song was in the German version and now it’s back. It uses Phoebus’ march from the movie.  Much like in the movie Phoebus is back from the Front.   But you know I have to ask what war? What Front? Phoebus says that he has been gone four years and seems a bit shaken up from it as they  mention cannon fodder.  I’m no expert on European Wars but France wasn’t in wars in 1482. The wars that France was in that were the closest to 1482 were The War of Castilian Succession  of 1475 to 1479 and The Burgundian War of 1474 to 1477. It could be a simple matter that the musical doesn’t take place in 1482 except they say it did. Song mentions a siege and bodies in a trench which are probably more like hot words than actually referring to a war or battle. I can deal with unnamed War in the Disney movie but here it’s a harder pill to swallow since the musical is truing to be more like the book. I mean did the say which war it was in musical?  But this backstory takes me out of the song.

So back to the song. Phoebus also mentions that he’s on furlough but then he gets his new promotion as Captain of the Cathedral Guard. I’m going to real with you guys, that is the stupidest thing. I get what they are doing. Phoebus has to be Frollo’s minion for his character arc and Frollo is now a Priest so the tidiest way to handle this is to make Phoebus the Captain of the Cathedral Guard. BUT Cathedrals didn’t have private guards. This even goes against the book where the Sanity of the Church was respected, even Disney movie Frollo respected it.

Anyway  the I haven’t really discussed the song yet. Much like in German version Rest and Recreation tries to amalgamate book Phoebus with movie Phoebus. Book Phoebus was womanizer and movie Phoebus is nobel and gallant. Since Phoebus is described as having “a dashing manner and bold swagger” we know he got those personality down but the song gives us a reason why Phoebus wants the ladies, because he been away at the unnamed Fantasy war. Despite the war and Notre Dame guard the song is successful at give the blending of Phoebus’s characterization and setting up his character in this version.

Rhythm of the Tambourine – This song is Esmeralda’s introduction song which is also her dance number during the festival. It is also the first new song of this musical version. Judging from the lines Phoebus, Frollo and Quasimodo sing about “who is she” I’m going to guess Esmeralda and Quasimodo didn’t have their little moment where Quasimodo crashes into dressing room, but I could wrong, I’m probably wrong.

Rhythm of the Tambourine is very staccato which I would guess is for said tambourine but it does nothing for me. Also is just me or is this song reminiscent  of Carol of the Bells? Wonder if that was one purpose?   I do like her attitude on dance that it just for fun as she ask “What can it hurt?” Such delightful irony. We also get a Belle moment as like I said Phoebus, Frollo and Quasimodo sing about her. Frollo likens her to a devil, classic him. Phoebus and Quasimodo liken her to an angel but Phoebus goes on to say that she dances with Fire.

It’s decent song and clearly gets across Esmeralda’s love for dance which she REALLY didn’t have in the Disney movie as well as the guys views on her.

 

Esmeralda and Quasimodo Disney Hunchback of Notre Dame picture image

Esmeralda and Quasimodo Disney Hunchback of Notre Dame

The internet is full of crackpot theories. My favorite ones deal with either Game of Thrones and Star Wars. But then I read this crackpot theory, Could Anna and Elsa be Quasimodo’s Ancestors, which I don’t have to say is all kinds of wrong. But it got me thinking about my own crackpot theories and I thought of one that isn’t probably that super original or out there but it seems like it could be totally true, Are Quasimodo and Esmeralda related???

Quasimodo's Mother Disney Hunchback of Notre Dame picture image

Quasimodo’s Mother Disney Hunchback of Notre Dame

This theory only takes in to account the Disney version, since book wise it’s not true.  The first piece of evidence is the woman known as Quasimodo’s mother. She was a Gypsy woman who died protecting Quasimodo from Frollo.  I will say that it is unknown if she is actually Quasimodo’s biological mother or not given the difference of skin tone but MAYBE Quasimodo’s skin tone is part of his deformity. It’s possible so let’s just say, YES she is 100% his mother and Quasimodo’s parents are both Gypsies.

Esmeralda and Quasimodo Disney Hunchback of Notre dame picture image

Esmeralda and Quasimodo Disney Hunchback of Notre dame

Now I bet you’re saying, just because Quasimodo is a Gypsy and so is Esmeralda, it doesn’t make them relatives and YES, you are correct, that is not enough but I have other evidence, and it’s more compelling, eye color.

There are only FOUR characters in The Hunchback of Notre Dame that actually have eye colors. Those “characters” are Quasimodo, Esmeralda, that little girl who hugs Quasimodo at the end and if you look REALLY closely Quasimodo’s mother. Everyone else has black eyes including Phoebus and Frollo.  I’m going at one a limb and say that the little girl’s eye color reflects more of her innocent and is the expectation that proves the rule.

Eye color is not as simple as Mendel thought but green eyes are a recessive trait meaning both parents need to carry the gene. Now it looks like Quasimodo’s Mother has a dark blue color and it is possible for a blue-eyed parent to have green-eyed baby. The green eyes link Quasimodo and Esmeralda. It could be as simple as links them both a outcasts but then why both adding that touch color to Quasimodo’s Mother?  Their same color eyes links them in a world full of black eyes.

Esmeralda and Quasimodo Disney Hunchback of Notre Dame picture image

Esmeralda reading Quasimodo’s palm Disney Hunchback of Notre Dame

So how are they related? I would say they are not siblings as Esmeralda was not with Quasimodo’s parents when they tried to entered Paris. It’s possible but very unlikely. I would say they are more likely cousins. And if they are cousins it makes it better that they are a couple. Plus Esmeralda treats Quasimodo with a type of older sister affection and Quasimodo treats Esmeralda school-boy crush.  They are better as friends.

 

What do you think? Do you think Quasimodo and Esmeralda could be related? And do have or know of any good, crazy or bad Hunchback theories?

 

 

 

Now that 2016 Award Season is over, let’s look at some gowns that are reminiscent of Esmeralda costumes, or something that an Esmeralda could wear. I’m 100% positive these gowns are in no way inspired by Esmeralda, it’s all coincidental.

Reese Witherspoon

Reese Witherspoon wearing Oscar de la Renta at 2016 Oscars Image Source: Getty / Steve Granitz picture

Reese Witherspoon wearing Oscar de la Renta at 2016 Oscars

This gown is an Oscar de la Renta wore by Reese Witherspoon at the 2016 Oscars. This gown has a lot of commonalities to Disney Esmeralda’s costume. First off, the color, it’s a lovely rich shade of purple. The silhouette is very similar to Esmeralda though longer.

The exposed corset details with the vertical boning is similar Esmeralda’s corset  especially with it being on the waist right below the bust.  The volume at the bust also invokes Esmeralda’s peasant blouse.

It being strapless also helps, as Disney Esmeralda had exposed shoulders.

Saoirse Ronon

Saoirse Ronon wearing a custom Calvin Klein at 2016 Oscars Image Source: Getty / Jason Merritt picture

Saoirse Ronon wearing a custom Calvin Klein at 2016 Oscars

This gown is a custom Calvin Klein that Saoirse Ronon wore at the 2016 Oscars. It is very reminiscent of Esmeralda costume in Notre Dame de Paris, in its color, deep v-neck and the abstract spiral pattern. This pattern which is created with sequins would be perfect for Esmeralda’s Notre Dame de Paris costume more than some those floral patterns they get for the costume.

Zendaya

Zendaya wearing Marchesa at 2016 Golden Globes Image Source: Getty / VALERIE MACON picture

Zendaya wearing Marchesa at 2016 Golden Globes

This gown was designed by  Marchesa and Zendaya wore it at the 2016 Golden Globes. I have made it clear I don’t care for Esmeralda wearing red but it is a go to color for her character so I can’t fight it. There is something about this gown that screams Esmeralda. It could be the tiers which is a very dancer type of silhouette which work for Esmeralda.

Zendaya in this gown looks very similar the the design of Esmeralda on the Notre Dame de Paris poster.  She might be a good candidate for Esmeralda actually if they ever did Notre Dame de Paris as movie or in States again or a general musical.

Jada Pinkett Smith 

Jada Pinkett Smith wearing Versace at 2016 Golden Globes VALERIE MACON/AFP/Getty Images picture

Jada Pinkett Smith wearing Versace at 2016 Golden Globes

This gown was design by Versace and Jade Pinkett Smith wore it at the 2016 Golden Globes. This gown seems to be to like a merger of Esmeralda’s two Notre Dame de Paris costumes.  You have the color and slit of her first act costume with the cowl neckline and sleeve detail of her prisoner costume.

Rachel McAdams  & Sophie Tuner

Rachel Mcadams wearing an August Getty Atelier dress at 2016 Oscars Image Source: Getty / Jason Merritt picture

Rachel Mcadams wearing an August Getty Atelier dress at 2016 Oscars

Sophie Turner wearing Wearing custom Galvan at 2016 Oscars Image Source: Getty / Todd Williamson picture

Sophie Turner wearing Wearing custom Galvan at 2016 Oscars

 

 

 

 

 

 

 

 

 

 

These two gowns aren’t ones I would compare to Esmeralda’s Notre Dame de Paris costume, though the colors are on par her fist act costume but I wanted to note the slits on these two gowns, it how the slit on the NDdP costume should work. Not the ugly curved thing they do.

 

Tori Kelly

Tori Kelly wearing Gauri and Nanika at 2016 Grammy Awards picture image

Tori Kelly wearing Gauri and Nanika at 2016 Grammy Awards

Also the Gauri and Nanika gown that Tori Kelly wore at the 2016 Grammy Awards was the perfect Esmeralda color. The gown itself is lovely though it is not really  that reminiscent of Esmeralda.

 

 

In light of the way the 2016 Oscars acting award nominations went and with the general whitewashing of roles in mainstream big budget Hollywood movies, Esmeralda is an interesting role to discuss as her book self and her film presence are at weird odds.

Patsy Ruth Miller as Esmeralda Hunchback chaney version 1923 picture image

Patsy Ruth Miller as Esmeralda

In the book Esmeralda is presented as a Romani, and without getting it into too much, the Romani people are Ethnically different from the rest of Europe specifically France.  However Esmeralda’s backstory in the novel is that she was born Agnes to a French woman and raised by the Romani. This backstory is really only presented in two movies (three if you think the Dingo version count), those versions are the 1923 version and the 1999 Parody version albeit that version flips things around whereas she is born Esmeralda to Cubans and raised as Agnes by mean French people.

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame picture image

Lesley-Anne Down as Esmeralda, 1982 Hunchback of Notre Dame

Esmeralda in most movie versions of Hunchback is depicted as a full Romani, though the 1982 version  there was a throw away line that questioned her background but it went no where, so it hardly matters.

Gina Lollobrigida as Esmeralda, 1956 Hunchback of Notre Dame, picture image

Gina Lollobrigida as Esmeralda, 1956 Hunchback of Notre Dame

This brings us back to the topic, as Hollywood whitewashes many roles it interesting to note that in Esmeralda’s case they take role of girl who despite having dark hair and eyes  with tanned skin is for all accounts a white girl and instead makes the role one for a very specially ethnic minority and yet casts mostly white women. So far in movie versions only Gina Lollobrigida and Salma Hayek have looked the way the film versions theoretically want to depict the character.

 

Maureen O'Hara as Esmeralda

Maureen O’Hara as Esmeralda

While in my own naive  little world I think casting should go to right person for the right part but it’s not that simple. A lot of roles are specific to someone’s looks and background. Hollywood however does of course forget that or ignores it and has a history of awarding parts that should go to people of minorities to white actors. Like the casting  of Emma Stone in Aloha or Rooney Mara in  Peter Pan or pretty much everyone in The Last Airbender or Scarlet Johansson as Major Motoko Kusanagi in the upcoming Ghost in the Shell movie, heck Lucy was a Akira knock-off… I digress. The list of whitewashing practices in Hollywood is long.

And as this pertain to the Oscars, actors who fall into minority seldom get nominations and seldom win. Just for example Asian actors which Indian actors fall into, Only two Actors won the Academy Award for Best Actor, Yul Brynner (1956) and Ben Kingsley (1982). Kingsley also  got a nominations in 2003. For Actress only Merle Oberon got a best actress nomination in 1935 and no one else since. For Best Supporting Actor, only Haing S Ngor has won in 1984  and only five others have been nominated, Sessue Hayakawa (1957), Mako (1966), Pat Morita (1984), Ben Kingsley (1991) and Ken Watanabe (2003). Oddly the same goes for Best Supporting Actoress with only one winner and five others nominated. The only Asian winner was Miyoshi Umeki in 1957. The five who were nominated were Meg Tilly (1985), Jennifer Tilly (1994), Shohreh Aghdashloo (2003), Rinko Kikuchi (2006) and Hailee Steinfeld (2010).

Salma Hayek as Esmeralda, 1997 Hunchback of Notre Dame, picture image

Salma Hayek as Esmeralda, 1997 Hunchback of Notre Dame

So how does this apply to Esmeralda? The Hunchback of Notre Dame as I have said before, could be one those movies made specifically to win  awards. The role of Esmeralda could be deepen which has been done in the past like in 1939 version or even the Disney version. It could be made into one those Oscar bait roles with relative ease. If that did happen given the state of Hollywood I would prefer to see an Actress who fits into the Romani look more than being a purist to the book. Either an Indian actress or Hispanic actress could fit nicely, though ideally, a young Romani actress would be ideal.

Melanie Thierry as Esmeralda

Melanie Thierry as Esmeralda

Though given Hollywood’s warped sense of itself they probably would make Esmeralda a Romani, as  is the traditional method to her character and cast a popular blonde actress.

Is there an actress you would like see play Esmeralda?